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just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle Kersten
Booklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)
Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.
Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - The Human Experience Vol1
Label: Promotional release
Length: 78'48
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3050 votes)
Track 1 : Human Rights (a) D Hewson
Poignant‚ emotional introduction - transition at 1.38 to impassioned statement and reprise.
Duration : 2.49 Tempo : Slow
Track 2 : Human Rights (b) D Hewson
Alternative version to above without build.
Duration : 1.38 Tempo : Slow
Track 3 : Dignity (a) D Hewson
Quiet‚ measured theme rising and falling.
Duration : 3.08 Tempo : Slow
Track 4 : Dignity (b) D Hewson
Alternative arrangement of above - without phrasing intervals.
Duration : 2.54 Tempo : Slow
Track 5 : Dignity (c) D Hewson
Short version of above.
Duration : 0.30 Tempo : Slow
Track 6 : The Quest for Knowledge D Hewson
Building‚ aspirational theme to climax.
Duration : 1.04 Tempo : Slow
Track 7 : Mysteries of the Mind (a) H Gregson-Williams
Gently unfolding‚ enigmatic theme.
Duration : 2.42 Tempo : Slow
Track 8 : Mysteries of the Mind (b) H Gregson-Williams
Underscore.
Duration : 2.42 Tempo : Slow
Track 9 : Mysteries of the Mind (c) H Gregson-Williams
Variation for solo piano.
Duration : 1.50 Tempo : Slow
Track 10 : Mysteries of the Mind (d) H Gregson-Williams
Slower version of above.
Duration : 2.05 Tempo : Slow
Track 11 : Into the Unknown (a) H Gregson-Williams
Expectant‚ uneasy atmosphere.
Duration : 2.06 Tempo : Slow
Track 12 : Into the Unknown (b) H Gregson-Williams
Underscore.
Duration : 2.06 Tempo : Slow
Track 13 : Mystery and Imagination D Hewson
Gentle‚ intriguing textures.
Duration : 3.09 Tempo : Slow
Track 14 : Realisation D Hewson
Sustained textures with gradual build.
Duration : 1.14 Tempo : Slow
Track 15 : The Threads of Life D Hewson
Poignant‚ emotional underscore.
Duration : 1.37 Tempo : Slow
Track 16 : Each Second Counts (a) D Hewson
Constant‚ measured tension to held chord.
Duration : 0.34 Tempo : Slow
Track 17 : Each Second Counts (b) D Hewson
Alternative arrangement - 'against the clock'.
Duration : 1.00 Tempo : Slow
Track 18 : Each Second Counts (c) D Hewson
Alternative end to above to climax.
Duration : 0.15 Tempo : Slow
Track 19 : Each Second Counts (d) D Hewson
Short version of (b).
Duration : 0.30 Tempo : Slow
Track 20 : Each Second Counts (e) D Hewson
End link to above.
Duration : 0.09 Tempo : Slow
Track 21 : Poisoning the Mind D Hewson
Dark atmosphere - thematic to above.
Duration : 1.11 Tempo : Slow
Track 22 : Fight Against Time (a) H Gregson-Williams
Urgent‚ understated activity.
Duration : 1.55 Tempo : Medium
Track 23 : Fight Against Time (b) H Gregson-Williams
Alternative end.
Duration : 0.28 Tempo : Medium
Track 24 : Fight Against Time (c) H Gregson-Williams
Dramatic link.
Duration : 0.08 Tempo : Medium
Track 25 : Fight Against Time (d) H Gregson-Williams
Link.
Duration : 0.07 Tempo : Medium
Track 26 : Fight Against Time (e) H Gregson-Williams
Underscore.
Duration : 1.51 Tempo : Medium
Track 27 : Metropolis Man D Hewson
Constant‚ repetitive motif featuring choral chanting.
Duration : 2.35 Tempo : Fast
Track 28 : Race Against Time H Gregson-Williams
Purposeful‚ concerned activity - running piano motif.
Duration : 1.28 Tempo : Medium
Track 29 : Time is Precious D Hewson
A sense of urgency.
Duration : 0.30 Tempo : Medium
Track 30 : Sense of Anxiety (a) D Hewson
Repetitive underlay to sustained chord.
Duration : 0.44 Tempo : Medium
Track 31 : Sense of Anxiety (b) D Hewson
Alternative end to above.
Duration : 0.12 Tempo : Medium
Track 32 : Sense of Panic D Hewson
Unsettling‚ rhythmic build to gradual resolve.
Duration : 0.23 Tempo : Fast
Track 33 : A Sense of Unease D Hewson
A quiet‚ atmospheric underscore.
Duration : 2.00 Tempo : Slow
Track 34 : The Predator D Hewson
Approaching menace.
Duration : 0.14 Tempo : Slow
Track 35 : Aftershock D Hewson
Rising tension.
Duration : 0.12 Tempo : Medium
Track 36 : The Attack 1 (a) D Hewson
Conflict and struggle.
Duration : 0.18 Tempo : Fast
Track 37 : The Attack 1 (b) D Hewson
Unrelenting pursuit.
Duration : 0.16 Tempo : Fast
Track 38 : The Attack 1 (c) D Hewson
Frenzied attack.
Duration : 0.14 Tempo : Fast
Track 39 : The Attack 1 (d) D Hewson
Individual stabs.
Duration : 0.24 Tempo : Fast
Track 40 : The Attack 1 (e) D Hewson
Building stabs.
Duration : 0.05 Tempo : Fast
Track 41 : The Attack 1 (f) D Hewson
Aftermath.
Duration : 0.06 Tempo : Fast
Track 42 : The Attack 2 (a) D Hewson
Frenetic build to sustained chord.
Duration : 0.18 Tempo : Fast
Track 43 : The Attack 2 (b) D Hewson
Frenetic build to stab.
Duration : 0.10 Tempo : Fast
Track 44 : The Attack 2 (c) D Hewson
Pursuit to unresolved chord.
Duration : 0.43 Tempo : Fast
Track 45 : The Attack 2 (d) D Hewson
Violent stab to held note.
Duration : 0.12 Tempo : Fast
Track 46 : The Fight for Life (a) D Hewson
Heartbeat effect with descending chord.
Duration : 0.53 Tempo : Slow
Track 47 : The Fight for Life (b) D Hewson
As above without descending chord.
Duration : 0.30 Tempo : Slow
Track 48 : The Fight for Life (c) D Hewson
Heartbeat effect with sustained chords.
Duration : 0.45 Tempo : Slow
Track 49 : Pensive D Hewson
Sustained chord.
Duration : 0.21 Tempo : Slow
Track 50 : Tension D Hewson
Sustained chord.
Duration : 0.21 Tempo : Slow
Track 51 : Point of Crisis D Hewson
Sustained tremolando strings.
Duration : 0.41 Tempo : Medium
Track 52 : Sense of Relief D Hewson
Slow descending chords.
Duration : 0.24 Tempo : Slow
Track 53 : Remorse D Hewson
Sustained‚ atmospheric chords.
Duration : 1.00 Tempo : Slow
Track 54 : Loneliness (a) D Hewson
Sad‚ reflective underscore.
Duration : 1.52 Tempo : Slow
Track 55 : Loneliness (b) D Hewson
Alternative arrangement of above for string quartet.
Duration : 1.52 Tempo : Slow
Track 56 : Grey Lives (a) D Hewson
Pensive‚ bleak atmosphere.
Duration : 0.38 Tempo : Slow
Track 57 : Grey Lives (b) D Hewson
Sustained‚ alternative version of above.
Duration : 0.59 Tempo : Slow
Track 58 : Lonely People D Hewson
Poignant‚ solo piano.
Duration : 3.19 Tempo : Slow
Track 59 : Tears of the World D Hewson
Poignant child's voice over sustained background.
Duration : 2.21 Tempo : Slow
Track 60 : Child of Dreams (a) D Hewson
Mysterious‚ ethereal child's voice over neutral texture.
Duration : 1.35 Tempo : Slow
Track 61 : Child of Dreams (b) D Hewson
Solo voice.
Duration : 1.31 Tempo : Slow
Track 62 : Oranges and Lemons D Hewson
Traditional nursery rhyme - solo child's voice.
Duration : 0.52 Tempo : Slow
Track 63 : Twinkle‚ Twinkle Little Star D Hewson
Traditional nursery rhyme - solo child's voice.
Duration : 0.26 Tempo : Slow
Track 64 : See Saw D Hewson
Nursery chant - solo child's voice.
Duration : 0.20 Tempo : Slow
Track 65 : Hush-a-bye Baby D Hewson
Lullaby - solo child's voice.
Duration : 0.30 Tempo : Slow
Track 66 : Sleep Baby Sleep D Hewson
Lullaby - solo child's voice and harp.
Duration : 1.18 Tempo : Slow
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KPM Library - The Human Experience Vol1 soundtrack - Rupert Gregson-Williams - Various