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The main theme is usually the best part of those productions. It is good that they point it out who wrote it.Well Hans needs to do something during all this downtime :Dwhat a shame, this is so typical nowadays: "MAIN THEME BY THE UNBELIEVEAVABLE ALMIGHTY HAAAAAAAAAAANS ZIIIIIIIIIIIMMER (...ohandthescorebyxyz)"<br><br>Interesting Tracklist!!Tracklist for Alita<br><br>1. A Discovery<br>2. I Don’t Even Know My Own Name<br>3. What’s Your Dream?<br>4. Double Identity<br>5. The Warrior Within<br>6. A Dark Past<br>7. In Time You’ll Remember<br>8. Nova’s Orders<br>9. Jackers Mission<br>10. Unlocking the Past<br>11. Whose Body Is This?<br>12. Grewishka’s Revenge<br>13. Broken Doll<br>14. With Me<br>15. I’d Give You My Heart<br>16. You Just Lost a Puppet<br>17. What Did You Do?<br>18. In the Clouds<br>19. Raising the Sword<br>20. Motorball
Let's hope this one actually gets a score release cause 2018 was a lousy year for releases.Hans Zimmer and Anže Rozman will score Great Bear Rainforest.<br><br>"The main title theme for the film will be composed by the legendary Academy Award-winning composer Hans Zimmer, with the score being composed by Anže Rozman for Bleeding Fingers Music, produced by Russell Emanuel."<br><br>From VitalThrills.com<br><br>I thought so too! Especially the track 'The exchange' I think is very batman inspired.Mr. Zimmer sir you have to do a concert in Nashville Tennessee in 2019. I as many others have hoped for years you would come here, I think you could easily fill up the Nissan Stadium it holds about 70 thousand or maybe you would like Bridgestone Arena capacity about 20 thousand, it is said by many to have the best acoustics of any arena in the U.S. We also have the Nashville Symphony in the Schermerhorn Symphony Center. We would LOVE to have you, Sir. God bless.<br>@fkik<br>On WaterTower official youtube page here<br>https ://www.youtube.com/user/ WaterTowerWB<br>The complete playlist link:<br>https ://www.youtube.com/ playlist?list=PLBKadB95sF470tLYY4VNDuL7mzCAv8bwN<br>[* delete the spaces in the URLs above]
I think 'Arthur' is more a combination of cues than a proper suite.<br>Not sure,  but I'd say the first part plays before 'Permission to come aboard', and the second part plays after 'The Ring of fire'.<br>'Reunited' is definitely the final cue.<br><br>And there's shitload of action music missing after 'The Black Manta' though :-pAnybody got an indea for chronological order?Why lisa gerrard wasnt in this concert???<br>Why lisa gerrard wasnt in this concert???<br>And just to clarify, “Atlantean Soldiers” is Orms’ theme right?
OK, now that I’ve had some time to sit on this I can say that I get the praise finally. The Vangelis inspiration works wonders for the score, and it actually is integrated incredibly well (as opposed to just being there for show).<br><br>Themewise, both the Arthur and Atlanna tunes are winners. Not sure why the album is so out of sequence though. I feel like the actual film presentation would give better thematic development.I think it's like this:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>What Could Be Greater Than A King?<br>Reunited<br>Suited And Booted<br>Between The Land Amd Sea<br>He Commands The Sea<br>Reunited<br><br>Arthur is a suite I think<br>Everything from "He Commands the Sea" on is awesome. In many ways, this is a RCP superhero score. Not much depth, but contains some awesome highlights.Off the top of my head:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>Reunited<br>What Could Be Greater Than A King?<br>He Commands The Sea<br>Suited And Booted<br><br>Not sure about Arthur, Between Land And Sea, and He Commands The Sea. I think Arthur may be a suite that includes his main theme, the Atlantis chase, and some action themes. I'd have to listen to the other two tracks again to be sure, but I think He Commands The Sea is near the end.anyone care to take a stab at the chronological trask listing?
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Nick Glennie-SmithVariousGraham Preskett
ComposerComposerComposer
KPM Library - Orchestral Dynamics - The LSO Vol2
Label: Promotional release
Length: 54'51
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2828 votes)
Track 1 : The Last Hero (a) P Pritchard
Stirring Hollywood adventure theme - full orchestra.
Duration : 1.43 Tempo : Medium
Track 2 : The Last Hero (b) P Pritchard
Lighter variation - chamber orchestra.
Duration : 2.31 Tempo : Medium
Track 3 : The Last Hero (c) P Pritchard
Lyrical variation - chamber group.
Duration : 2.01 Tempo : Medium
Track 4 : The Last Hero (d) P Pritchard
Tender‚ romantic variation - chamber group.
Duration : 1.10 Tempo : Medium
Track 5 : My Story Begins... (a) G Preskett
Reflective opening to heart-warming episodic theme - full orchestra.
Duration : 2.50 Tempo : Medium
Track 6 : My Story Begins... (b) G Preskett
Warm‚ reflective variation - chamber orchestra.
Duration : 1.59 Tempo : Medium
Track 7 : My Story Begins... (c) G Preskett
Gentle‚ lyrical variation - chamber group.
Duration : 0.58 Tempo : Medium
Track 8 : Magic and Mystery I Sekacz
Eerie‚ atmospheric opening to gradual development with mysterious textures‚ tender interlude and reprise - chamber orchestra.
Duration : 3.31 Tempo : Various
Track 9 : Great Achievements N Glennie-Smith
Broad‚ episodic theme building to triumphant finale - full orchestra.
Duration : 3.05 Tempo : Fast
Track 10 : Faces of Love (a) A Jackman
Warm‚ romantic theme building to finale and editing point at 2.20 to reprise - full orchestra.
Duration : 2.42 Tempo : Slow
Track 11 : Faces of Love (b) A Jackman
Solo cello introduction to light‚ reflective variation - chamber group.
Duration : 1.02 Tempo : Slow
Track 12 : Faces of Love (c) A Jackman
Light optimistic variation - chamber group.
Duration : 1.01 Tempo : Slow
Track 13 : Tales of Adventure (a) M Cang
Exhilarating action theme - full orchestra.
Duration : 2.53 Tempo : Fast
Track 14 : Tales of Adventure (b) M Cang
Light-hearted variation - chamber orchestra.
Duration : 2.07 Tempo : Fast
Track 15 : Tales of Adventure (c) M Cang
Light variation - chamber group.
Duration : 1.01 Tempo : Fast
Track 16 : Tales of Adventure (d) M Cang
Lyrical variation with long tail in a major key resolving to dissonance - chamber group.
Duration : 0.59 Tempo : Fast
Track 17 : The Silver Blade I Sekacz
Swashbuckling adventure theme with romantic interlude - full orchestra.
Duration : 3.10 Tempo : Fast
Track 18 : Network International B Gulland
Light introduction to purposeful‚ rhythmic theme with climaxes and editing points - full orchestra.
Duration : 2.21 Tempo : Fast
Track 19 : Scenic Journeys C Palmer
Colourful‚ descriptive travelogue - full orchestra.
Duration : 2.45 Tempo : Medium
Track 20 : A Scenic Heritage (a) R Harvey
Lyrical‚ pastoral theme in a folk idiom - chamber orchestra.
Duration : 2.07 Tempo : Medium
Track 21 : A Scenic Heritage (b) R Harvey
Lighter variation - chamber group.
Duration : 1.00 Tempo : Medium
Track 22 : Golden Fields B Connor
Romantic‚ pastoral theme - chamber orchestra.
Duration : 2.54 Tempo : Medium

30 SECOND VERSIONS

Track 23 : The Last Hero 30 (a) P Pritchard
Duration : 0.30 Tempo : Medium
Track 24 : The Last Hero 30 (b) P Pritchard
Duration : 0.30 Tempo : Medium
Track 25 : The Last Hero 30 (c) P Pritchard
Duration : 0.30 Tempo : Medium
Track 26 : The Last Hero 30 (d) P Pritchard
Duration : 0.30 Tempo : Medium
Track 27 : My Story Begins... 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 28 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Fast
Track 29 : Faces of Love 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 30 : Tales of Adventure 30 (a) M Cang
Duration : 0.30 Tempo : Fast
Track 31 : Tales of Adventure 30 (b) M Cang
Duration : 0.30 Tempo : Fast
Track 32 : Tales of Adventure 30 (c) M Cang
Duration : 0.30 Tempo : Fast
Track 33 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Fast
Track 34 : Network International 30 B Gulland
Duration : 0.30 Tempo : Fast
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KPM Library - Orchestral Dynamics - The LSO Vol2 soundtrack - Nick Glennie-Smith - Various - Graham Preskett