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Please oh please oh please for the love of God make the sheet music for Women of Ireland available to the masses!!! <br>Thanks.Little HZ interview about a few things...i thought it was gonna be the 28thNow there is rumours, the score can be released in 23th September
hey guys i just found this soundtrack and i am in love with it, hans zimmer was sooooooooooooo cute in this filmWatched the movie again last night.....and Wow! I forgot how great the score was. It's ridiculous where we are now in terms of film music.....As people say: Where are the themes, where is the melody? Where is the emotion? At this point, scores like Remember the Titans are like an extinct species. <br><br>And it's not just me......I listen to interviews and podcasts where more and more people from the industry say the exact same thing: film music is just not the same. It's like filmmakers are afraid to use actual themes now. I really wonder what is the real reason for that. Is it because the younger generation likes music that's all over the place? Like that dubstep thing, or whatever the hell kids call it....Or it's all a deliberate thing coming from the composers world? Wish we knew the answer......Thanks for proving my point, Meta. Thank you. Just look at the comment he left, folks. It all speaks for itself. He simply can't contain himself. He always needs to cram something negative. Always. No exception.<br><br>I'm glad they didn't delete it. Let it stay here for all to see.<br><br>Oh, and by the way Meta, the way you tried to provoke me AGAIN, this time by trashing Bay, is just not working. Simply because Bay is so big and so successful with such a huge fanbase (fanbase, which includes dozens of other big-time directors as well) that I can just laugh at your attempts to trash and bash him. Also, I think I would agree with Steven Spielberg's opinion on Bay. You know, because he actually knows a thing or two about cinema.... Here's what Spielberg said over 10 years ago: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." <br><br>I rest my case.Hybrid, the site isn't letting me see or play any of the music samples on scores, it it something only on my end?Schifrin and Mancini would be proud. Awesome fun work by Wallfisch.
Love Sugar Plum Raid!It's a great score! The Sugar PlumRaid is awesome. It's a great big band score! Loved it!This looks promising. Benjamin Wallfisch will probably do a good job.so sad they didn´t release the whole score, Lorne did a great job on this one :/At 3 minutes into the film there is a great little cue for Qira and Han (when we first meet her). Is that anywhere on the soundtrack?
Well Lorne incorporated some of the song melodies into his score, so I guess that's why they're credited...Please bring this show to the United States. Dallas, Austin, San Antonio, or Houston would be great!Everything is as the director wants it... if its "awkward" silence, or old songs, or the new score... most of the times the director doesn't try to satisfy film score fans as his priority.It was a motif loosely related to Beckett which ended up getting repurposed for Barbossa in On Stranger Tides and here. To be fair the theme was used in conjunction with him during the Calypso cue. Judging by its placement throughout AWE I think it was meant to be a “betrayal” theme.Wait what did they use for barbossa in AWE?
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Nick Glennie-SmithVariousGraham Preskett
ComposerComposerComposer
KPM Library - Orchestral Dynamics - The LSO Vol2
Label: Promotional release
Length: 54'51
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2713 votes)
Track 1 : The Last Hero (a) P Pritchard
Stirring Hollywood adventure theme - full orchestra.
Duration : 1.43 Tempo : Medium
Track 2 : The Last Hero (b) P Pritchard
Lighter variation - chamber orchestra.
Duration : 2.31 Tempo : Medium
Track 3 : The Last Hero (c) P Pritchard
Lyrical variation - chamber group.
Duration : 2.01 Tempo : Medium
Track 4 : The Last Hero (d) P Pritchard
Tender‚ romantic variation - chamber group.
Duration : 1.10 Tempo : Medium
Track 5 : My Story Begins... (a) G Preskett
Reflective opening to heart-warming episodic theme - full orchestra.
Duration : 2.50 Tempo : Medium
Track 6 : My Story Begins... (b) G Preskett
Warm‚ reflective variation - chamber orchestra.
Duration : 1.59 Tempo : Medium
Track 7 : My Story Begins... (c) G Preskett
Gentle‚ lyrical variation - chamber group.
Duration : 0.58 Tempo : Medium
Track 8 : Magic and Mystery I Sekacz
Eerie‚ atmospheric opening to gradual development with mysterious textures‚ tender interlude and reprise - chamber orchestra.
Duration : 3.31 Tempo : Various
Track 9 : Great Achievements N Glennie-Smith
Broad‚ episodic theme building to triumphant finale - full orchestra.
Duration : 3.05 Tempo : Fast
Track 10 : Faces of Love (a) A Jackman
Warm‚ romantic theme building to finale and editing point at 2.20 to reprise - full orchestra.
Duration : 2.42 Tempo : Slow
Track 11 : Faces of Love (b) A Jackman
Solo cello introduction to light‚ reflective variation - chamber group.
Duration : 1.02 Tempo : Slow
Track 12 : Faces of Love (c) A Jackman
Light optimistic variation - chamber group.
Duration : 1.01 Tempo : Slow
Track 13 : Tales of Adventure (a) M Cang
Exhilarating action theme - full orchestra.
Duration : 2.53 Tempo : Fast
Track 14 : Tales of Adventure (b) M Cang
Light-hearted variation - chamber orchestra.
Duration : 2.07 Tempo : Fast
Track 15 : Tales of Adventure (c) M Cang
Light variation - chamber group.
Duration : 1.01 Tempo : Fast
Track 16 : Tales of Adventure (d) M Cang
Lyrical variation with long tail in a major key resolving to dissonance - chamber group.
Duration : 0.59 Tempo : Fast
Track 17 : The Silver Blade I Sekacz
Swashbuckling adventure theme with romantic interlude - full orchestra.
Duration : 3.10 Tempo : Fast
Track 18 : Network International B Gulland
Light introduction to purposeful‚ rhythmic theme with climaxes and editing points - full orchestra.
Duration : 2.21 Tempo : Fast
Track 19 : Scenic Journeys C Palmer
Colourful‚ descriptive travelogue - full orchestra.
Duration : 2.45 Tempo : Medium
Track 20 : A Scenic Heritage (a) R Harvey
Lyrical‚ pastoral theme in a folk idiom - chamber orchestra.
Duration : 2.07 Tempo : Medium
Track 21 : A Scenic Heritage (b) R Harvey
Lighter variation - chamber group.
Duration : 1.00 Tempo : Medium
Track 22 : Golden Fields B Connor
Romantic‚ pastoral theme - chamber orchestra.
Duration : 2.54 Tempo : Medium

30 SECOND VERSIONS

Track 23 : The Last Hero 30 (a) P Pritchard
Duration : 0.30 Tempo : Medium
Track 24 : The Last Hero 30 (b) P Pritchard
Duration : 0.30 Tempo : Medium
Track 25 : The Last Hero 30 (c) P Pritchard
Duration : 0.30 Tempo : Medium
Track 26 : The Last Hero 30 (d) P Pritchard
Duration : 0.30 Tempo : Medium
Track 27 : My Story Begins... 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 28 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Fast
Track 29 : Faces of Love 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 30 : Tales of Adventure 30 (a) M Cang
Duration : 0.30 Tempo : Fast
Track 31 : Tales of Adventure 30 (b) M Cang
Duration : 0.30 Tempo : Fast
Track 32 : Tales of Adventure 30 (c) M Cang
Duration : 0.30 Tempo : Fast
Track 33 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Fast
Track 34 : Network International 30 B Gulland
Duration : 0.30 Tempo : Fast
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KPM Library - Orchestral Dynamics - The LSO Vol2 soundtrack - Nick Glennie-Smith - Various - Graham Preskett