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Zimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know thatís not always reliable, but that would be awesome if he was involved. Iíve missed the ďfunĒ side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You arenít serious.I hope this one will leak very soon! A lot of great music that isnt released
Hybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.
Upon revisit, this score is by far the best of the entire Call of Duty franchise. A wonderful main theme, exciting, varied, and climactic action music for the British missions, and a strong amount of atmosphere. <br><br>The only annoying part is the American missions' action music is on-the-nose and terrible until the nuke cue, and there's a little too much reused tracks for my taste.donít worry about it @Eobard <br>With the timing, I wouldíve thought the same if I didnít already know about the brass library :)Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyderís cut and JXLís score to be released, but setting up expectations about the score when itís clear that Tomís post has nothing to do it is just kinda unnecessary.
Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?In a year, like Enos saysIs there a page for the complete score of this film? Thanks."LOL" Relax, Ahmad. <br><br>People are working really hard to release the movie and with it will come Junkie's score too.<br><br>LOL! The only thing thatís coming is his brass library which he has been working on for quite some time.
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Nick Glennie-SmithVariousGraham Preskett
ComposerComposerComposer
KPM Library - Orchestral Dynamics - The LSO Vol2
Label: Promotional release
Length: 54'51
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3102 votes)
Track 1 : The Last Hero (a) P Pritchard
Stirring Hollywood adventure theme - full orchestra.
Duration : 1.43 Tempo : Medium
Track 2 : The Last Hero (b) P Pritchard
Lighter variation - chamber orchestra.
Duration : 2.31 Tempo : Medium
Track 3 : The Last Hero (c) P Pritchard
Lyrical variation - chamber group.
Duration : 2.01 Tempo : Medium
Track 4 : The Last Hero (d) P Pritchard
Tender‚ romantic variation - chamber group.
Duration : 1.10 Tempo : Medium
Track 5 : My Story Begins... (a) G Preskett
Reflective opening to heart-warming episodic theme - full orchestra.
Duration : 2.50 Tempo : Medium
Track 6 : My Story Begins... (b) G Preskett
Warm‚ reflective variation - chamber orchestra.
Duration : 1.59 Tempo : Medium
Track 7 : My Story Begins... (c) G Preskett
Gentle‚ lyrical variation - chamber group.
Duration : 0.58 Tempo : Medium
Track 8 : Magic and Mystery I Sekacz
Eerie‚ atmospheric opening to gradual development with mysterious textures‚ tender interlude and reprise - chamber orchestra.
Duration : 3.31 Tempo : Various
Track 9 : Great Achievements N Glennie-Smith
Broad‚ episodic theme building to triumphant finale - full orchestra.
Duration : 3.05 Tempo : Fast
Track 10 : Faces of Love (a) A Jackman
Warm‚ romantic theme building to finale and editing point at 2.20 to reprise - full orchestra.
Duration : 2.42 Tempo : Slow
Track 11 : Faces of Love (b) A Jackman
Solo cello introduction to light‚ reflective variation - chamber group.
Duration : 1.02 Tempo : Slow
Track 12 : Faces of Love (c) A Jackman
Light optimistic variation - chamber group.
Duration : 1.01 Tempo : Slow
Track 13 : Tales of Adventure (a) M Cang
Exhilarating action theme - full orchestra.
Duration : 2.53 Tempo : Fast
Track 14 : Tales of Adventure (b) M Cang
Light-hearted variation - chamber orchestra.
Duration : 2.07 Tempo : Fast
Track 15 : Tales of Adventure (c) M Cang
Light variation - chamber group.
Duration : 1.01 Tempo : Fast
Track 16 : Tales of Adventure (d) M Cang
Lyrical variation with long tail in a major key resolving to dissonance - chamber group.
Duration : 0.59 Tempo : Fast
Track 17 : The Silver Blade I Sekacz
Swashbuckling adventure theme with romantic interlude - full orchestra.
Duration : 3.10 Tempo : Fast
Track 18 : Network International B Gulland
Light introduction to purposeful‚ rhythmic theme with climaxes and editing points - full orchestra.
Duration : 2.21 Tempo : Fast
Track 19 : Scenic Journeys C Palmer
Colourful‚ descriptive travelogue - full orchestra.
Duration : 2.45 Tempo : Medium
Track 20 : A Scenic Heritage (a) R Harvey
Lyrical‚ pastoral theme in a folk idiom - chamber orchestra.
Duration : 2.07 Tempo : Medium
Track 21 : A Scenic Heritage (b) R Harvey
Lighter variation - chamber group.
Duration : 1.00 Tempo : Medium
Track 22 : Golden Fields B Connor
Romantic‚ pastoral theme - chamber orchestra.
Duration : 2.54 Tempo : Medium

30 SECOND VERSIONS

Track 23 : The Last Hero 30 (a) P Pritchard
Duration : 0.30 Tempo : Medium
Track 24 : The Last Hero 30 (b) P Pritchard
Duration : 0.30 Tempo : Medium
Track 25 : The Last Hero 30 (c) P Pritchard
Duration : 0.30 Tempo : Medium
Track 26 : The Last Hero 30 (d) P Pritchard
Duration : 0.30 Tempo : Medium
Track 27 : My Story Begins... 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 28 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Fast
Track 29 : Faces of Love 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 30 : Tales of Adventure 30 (a) M Cang
Duration : 0.30 Tempo : Fast
Track 31 : Tales of Adventure 30 (b) M Cang
Duration : 0.30 Tempo : Fast
Track 32 : Tales of Adventure 30 (c) M Cang
Duration : 0.30 Tempo : Fast
Track 33 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Fast
Track 34 : Network International 30 B Gulland
Duration : 0.30 Tempo : Fast
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KPM Library - Orchestral Dynamics - The LSO Vol2 soundtrack - Nick Glennie-Smith - Various - Graham Preskett