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Oh wait... SCALPEL AND HAMMER is a combinations of two cues and I AM THE STORM is sort of in the middle :DFYI: <br><br>I AM THE STORM comes after SCALPEL AND HAMMER. <br><br>Gotta get my hands on the physical copy. Curious to hear the bonus tracks.He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genreYeah, I didn't think that comment through. Hybrid, feel free to leave this chain up so my shame is forever on display.
Yeah Ben Wallfisch sure sounds a LOT like HZ !<br><br><br>#facepalmyeah I feel like it's been days, weeks even since the last oneDoes Hans really hire people with similar styles to him? Or do the people hired by him end up developing (or being asked to write in) a similar style to Hans'?Could you repeat that, but in legible English this time?Yes, but usually Hans hires people with similar styles to his, or promising new composers. Paesano fits the former fairly well in a lot of ways. I'm just saying it's surprising to me that he's never worked here.
"RCP" is not a "style", it's a place...Kind of shocking to me that John Paesano isn't a member of RCP. Marvel's Spider-Man is basically a more consistent version of this score in many ways with a touch of Danny Elfman's Spider-Man elements.so glad to see HZ back to the superhero genreso great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.<br><br>Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train. <br><br>And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properlyApparently were in the wrong country :( If I could afford it, Id travel just to experience this.Lorne is now listed on IMDB and Wiki as the composer of 'Six Underground'. Clearly Bay likes working with him. Good for Lorne.You're absolutely right. Play's over. Exit's that way. On your feet. Go!<br><br>Good knowing you.
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Nick Glennie-SmithHarry Gregson-WilliamsVariousGraham Preskett
ComposerComposerComposerComposer
KPM Library - Orchestral Dynamics - The LSO Vol1
Label: Promotional release
Length: 62v'47
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2639 votes)
Track 1 : Opening Ceremony (a) R Harvey
Exhilarating fanfare introduction to warm‚ pastoral development.
Transition at 1.59 to reprise and build to grand finale - full orchestra.
Duration : 3.40 Tempo : Medium
Track 2 : Opening Ceremony (b) R Harvey
End link.
Duration : 0.05 Tempo : Medium
Track 3 : Opening Ceremony (c) R Harvey
Poignant introduction featuring solo violin to reflective variation and reprise - chamber orchestra.
Duration : 4.08 Tempo : Medium
Track 4 : Opening Ceremony (d) R Harvey
Abridged variation - chamber group.
Duration : 1.02 Tempo : Medium
Track 5 : Pride of Place (a) G Preskett
Broad‚ dignified theme building to triumphant finale - full orchestra.
Duration : 2.25 Tempo : Medium
Track 6 : Pride of Place (b) G Preskett
Lighter variation - chamber orchestra.
Duration : 2.01 Tempo : Medium
Track 7 : Pride of Place (c) G Preskett
Abridged variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 8 : Screen Heroes (a) S Chamberlain
Atmospheric opening to exhilarating adventure theme. Edit point at 1.31 to patriotic development and reprise to climax - full orchestra.
Duration : 2.57 Tempo : Medium
Track 9 : Screen Heroes (b) S Chamberlain
Tender romantic variation featuring piano - chamber orchestra.
Duration : 2.22 Tempo : Medium
Track 10 : Screen Heroes (c) S Chamberlain
Abridged‚ intimate variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 11 : Screen Heroes (d) S Chamberlain
Abridged nostalgic variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 12 : Love's Journey (a) S Myers
Romantic‚ episodic theme - full orchestra.
Duration : 3.34 Tempo : Slow
Track 13 : Love's Journey (b) S Myers
Colourful‚ uptempo variation - chamber orchestra.
Duration : 2.22 Tempo : Slow
Track 14 : Love's Journey (c) S Myers
Warm‚ intimate variation - chamber group.
Duration : 2.06 Tempo : Slow
Track 15 : Fly Like the Wind (a) J Devereaux
Joyful‚ exhilarating movement - full orchestra.
Duration : 3.31 Tempo : Medium
Track 16 : Fly Like the Wind (b) J Devereaux
Lighter episodic variation - chamber orchestra.
Duration : 2.40 Tempo : Medium
Track 17 : Jubilate (a) A Jackman
Exuberant‚ ceremonial theme - full orchestra.
Duration : 2.13 Tempo : Medium
Track 18 : Jubilate (b) A Jackman
Light‚ reflective variation - chamber group.
Duration : 1.02 Tempo : Medium
Track 19 : Look Back with Love (a) N Glennie-Smith
Gentle‚ romantic theme featuring classical guitar - chamber orchestra.
Duration : 3.31 Tempo : Slow
Track 20 : Look Back with Love (b) N Glennie-Smith
Romantic theme for classical guitar.
Duration : 3.17 Tempo : Slow
Track 21 : Country Pursuits S Myers
Jaunty‚ rural theme - chamber orchestra.
Duration : 1.44 Tempo : Medium
Track 22 : Regal Heritage (a) B Gulland
Stately‚ historical theme - chamber orchestra.
Duration : 2.02 Tempo : Slow
Track 23 : Regal Heritage (b) B Gulland
Variation for brass quartet.
Duration : 0.26 Tempo : Slow
Track 24 : Jolly Good Fun H Gregson-Williams
Jaunty‚ open-air theme - chamber orchestra.
Duration : 1.15 Tempo : Medium

30 SECOND VERSIONS

Track 25 : Opening Ceremony 30 (a) R Harvey
Duration : 0.30 Tempo : Medium
Track 26 : Opening Ceremony 30 (b) R Harvey
Duration : 0.30 Tempo : Medium
Track 27 : Pride of Place 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 28 : Screen Heroes 30 (a) S Chamberlain
Duration : 0.30 Tempo : Medium
Track 29 : Screen Heroes 30 (b) S Chamberlain
Duration : 0.30 Tempo : Medium
Track 30 : Love's Journey 30 (a) S Myers
Duration : 0.30 Tempo : Slow
Track 31 : Love's Journey 30 (b) S Myers
Duration : 0.30 Tempo : Slow
Track 32 : Love's Journey 30 (c) S Myers
Duration : 0.30 Tempo : Slow
Track 33 : Fly Like the Wind 30 (a) J Devereaux
Duration : 0.30 Tempo : Medium
Track 34 : Fly Like the Wind 30 (b) J Devereaux
Duration : 0.30 Tempo : Medium
Track 35 : Jubilate 30 A Jackman
Duration : 0.30 Tempo : Medium
Track 36 : Look Back with Love 30 N Glennie-Smith
Duration : 0.30 Tempo : Slow
Track 37 : Country Pursuits 30 (a) S Myers
Duration : 0.30 Tempo : Medium
Track 38 : Country Pursuits 30 (b) S Myers
Duration : 0.30 Tempo : Medium
Track 39 : Regal Heritage 30 B Gulland
Duration : 0.30 Tempo : Slow
Track 40 : Jolly Good Fun 30 H Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Orchestral Dynamics - The LSO Vol1 soundtrack - Nick Glennie-Smith - Harry Gregson-Williams - Various - Graham Preskett