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Studio = Paramount and he worked on the first transformers . And did a lot. Why not ask him on twitter . I did !!!!!!Balfe never worked for Jablonsky =========================================<br><br>By "worked for Jablonsky" I meant he worked ON Jablonsky scores. And as James said, it's all MV/RC anyway. They all know each other and help each other. The first Transformers movie started post-production at the end of 2006. Back then no one knew who Balfe was (aside from the biggest MV/RC fans). His big break arguably came in 2009-2010. Years after the first Transformers movie. So no matter how we spin it, he still came after Jablonsky. Jablonsky is his senior and obviously has much more experience. And we have to respect that. <br><br>That was my point.Should have gotten one for Interstellar, not this."Strength And Honor" is a forerunner to the main theme of King Arthur and also the theme for Transformers!<br><br>I was listening to the soundtrack and unwittingly the music sent me to these two other movies. :Dhe says he was brought in by the studio.<br><br>-----------------------------------------------<br><br>Studio = RCP = Hans Zimmer credit as producer of the score.<br>In end of day is the same thing.
Maybe a honorary in the future.Bayhem - your wrong on a couple of points . Balfe never worked for Jablonsky .In a recent podcast he was asked about Transformers and he says he was brought in by the studio.seems the same with the lastest Film also.its pretty obvious the temp for the end is 13 Hours also.A "spanish" score. This is great!An Oscar (or at lease a nomination) for Dunkirk or Blade Runner ; it would be great from the academy to reward this kind of score. In the last decade, only Gravity had also this kind of """""sound desing""""""" score.I think you're forgetting that Balfe also ghostwrote The Lord of the Rings<br>==================================<br><br>Hahaha, but of course! Howard Shore and John Williams are actually Balfe alter-egos. He's actually 155 years old and he's solely responsible for all of these iconic scores. Hell, I heard he did some additional work on Psycho as well. And Gone with the Wind. lol!<br><br><br>Now, let me say something else in regards to the claim that Balfe did this score. All kidding aside, it would've (I guess...) made sense to make such a claim if this score was done by someone UNtested. But this is Jablonsky we're talking! He's one of Balfe's mentors. Look back and you'll see that Balfe started working not only on Zimmer scores, but on Jablonsky scores as well.<br><br>So yes, Balfe is good and all, but let's not act as if he's "the greatest in the world". And let's respect and NOT undermine the more senior MV/RC composers who gave the guy a shot. Thank you.
If he does I hope it's not for Dunkirk.Lynk, you should be able to just type the individual times into a column or row in Excel, select them all and the sum will be given at the bottom. Alternatively I use this sometimes: calculator. net/time-calculator<br><br>Also...HOOOOOOOOOOOLY shit that last track. My entire mouth just filled with saliva. :O@Kusi<br><br>Each time Film Music Reporter or similar websites reveal full album details I see individual track lengths but usually total running time is not provided. I am often curious to find out what the total running time is. It is fairly straightforward to do the math myself, of course, but it takes time. What I am looking for is some web service, Excel template/formula or whatever quick and easy-to-use tool one can suggest that allows me to type in individual track-lengths and get the total running times as the output.Based on what you'd like to calculate it? MP3, CD....?jaa. but i think he will never get his second oscar...:-(
Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lol
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Nick Glennie-SmithHarry Gregson-WilliamsVariousGraham Preskett
ComposerComposerComposerComposer
KPM Library - Orchestral Dynamics - The LSO Vol1
Label: Promotional release
Length: 62v'47
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2295 votes)
Track 1 : Opening Ceremony (a) R Harvey
Exhilarating fanfare introduction to warm‚ pastoral development.
Transition at 1.59 to reprise and build to grand finale - full orchestra.
Duration : 3.40 Tempo : Medium
Track 2 : Opening Ceremony (b) R Harvey
End link.
Duration : 0.05 Tempo : Medium
Track 3 : Opening Ceremony (c) R Harvey
Poignant introduction featuring solo violin to reflective variation and reprise - chamber orchestra.
Duration : 4.08 Tempo : Medium
Track 4 : Opening Ceremony (d) R Harvey
Abridged variation - chamber group.
Duration : 1.02 Tempo : Medium
Track 5 : Pride of Place (a) G Preskett
Broad‚ dignified theme building to triumphant finale - full orchestra.
Duration : 2.25 Tempo : Medium
Track 6 : Pride of Place (b) G Preskett
Lighter variation - chamber orchestra.
Duration : 2.01 Tempo : Medium
Track 7 : Pride of Place (c) G Preskett
Abridged variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 8 : Screen Heroes (a) S Chamberlain
Atmospheric opening to exhilarating adventure theme. Edit point at 1.31 to patriotic development and reprise to climax - full orchestra.
Duration : 2.57 Tempo : Medium
Track 9 : Screen Heroes (b) S Chamberlain
Tender romantic variation featuring piano - chamber orchestra.
Duration : 2.22 Tempo : Medium
Track 10 : Screen Heroes (c) S Chamberlain
Abridged‚ intimate variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 11 : Screen Heroes (d) S Chamberlain
Abridged nostalgic variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 12 : Love's Journey (a) S Myers
Romantic‚ episodic theme - full orchestra.
Duration : 3.34 Tempo : Slow
Track 13 : Love's Journey (b) S Myers
Colourful‚ uptempo variation - chamber orchestra.
Duration : 2.22 Tempo : Slow
Track 14 : Love's Journey (c) S Myers
Warm‚ intimate variation - chamber group.
Duration : 2.06 Tempo : Slow
Track 15 : Fly Like the Wind (a) J Devereaux
Joyful‚ exhilarating movement - full orchestra.
Duration : 3.31 Tempo : Medium
Track 16 : Fly Like the Wind (b) J Devereaux
Lighter episodic variation - chamber orchestra.
Duration : 2.40 Tempo : Medium
Track 17 : Jubilate (a) A Jackman
Exuberant‚ ceremonial theme - full orchestra.
Duration : 2.13 Tempo : Medium
Track 18 : Jubilate (b) A Jackman
Light‚ reflective variation - chamber group.
Duration : 1.02 Tempo : Medium
Track 19 : Look Back with Love (a) N Glennie-Smith
Gentle‚ romantic theme featuring classical guitar - chamber orchestra.
Duration : 3.31 Tempo : Slow
Track 20 : Look Back with Love (b) N Glennie-Smith
Romantic theme for classical guitar.
Duration : 3.17 Tempo : Slow
Track 21 : Country Pursuits S Myers
Jaunty‚ rural theme - chamber orchestra.
Duration : 1.44 Tempo : Medium
Track 22 : Regal Heritage (a) B Gulland
Stately‚ historical theme - chamber orchestra.
Duration : 2.02 Tempo : Slow
Track 23 : Regal Heritage (b) B Gulland
Variation for brass quartet.
Duration : 0.26 Tempo : Slow
Track 24 : Jolly Good Fun H Gregson-Williams
Jaunty‚ open-air theme - chamber orchestra.
Duration : 1.15 Tempo : Medium

30 SECOND VERSIONS

Track 25 : Opening Ceremony 30 (a) R Harvey
Duration : 0.30 Tempo : Medium
Track 26 : Opening Ceremony 30 (b) R Harvey
Duration : 0.30 Tempo : Medium
Track 27 : Pride of Place 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 28 : Screen Heroes 30 (a) S Chamberlain
Duration : 0.30 Tempo : Medium
Track 29 : Screen Heroes 30 (b) S Chamberlain
Duration : 0.30 Tempo : Medium
Track 30 : Love's Journey 30 (a) S Myers
Duration : 0.30 Tempo : Slow
Track 31 : Love's Journey 30 (b) S Myers
Duration : 0.30 Tempo : Slow
Track 32 : Love's Journey 30 (c) S Myers
Duration : 0.30 Tempo : Slow
Track 33 : Fly Like the Wind 30 (a) J Devereaux
Duration : 0.30 Tempo : Medium
Track 34 : Fly Like the Wind 30 (b) J Devereaux
Duration : 0.30 Tempo : Medium
Track 35 : Jubilate 30 A Jackman
Duration : 0.30 Tempo : Medium
Track 36 : Look Back with Love 30 N Glennie-Smith
Duration : 0.30 Tempo : Slow
Track 37 : Country Pursuits 30 (a) S Myers
Duration : 0.30 Tempo : Medium
Track 38 : Country Pursuits 30 (b) S Myers
Duration : 0.30 Tempo : Medium
Track 39 : Regal Heritage 30 B Gulland
Duration : 0.30 Tempo : Slow
Track 40 : Jolly Good Fun 30 H Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Orchestral Dynamics - The LSO Vol1 soundtrack - Nick Glennie-Smith - Harry Gregson-Williams - Various - Graham Preskett