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Yeah... I'm not sure about Elfman's wave. The guy decided to bring back his old Batman theme instead of actually writing a new one. He has to re-invent himself. <br>Seven with ZimmerYeah, Silvestri, Newman, Goldenthal and JNH too. The six most popular "new" composers, along with Horner, of the  80's and 90's.I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait
Honestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight
"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 StrongThere you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.
AgreedThe point is Edmund and others  donít need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.Jesus Christ, what a mess! What is wrong with you Balfe fanboys? Edmund comes in trying to settle down the situation and add some nuance and you just curse him out? He even admits to liking Lorne, basically states how the top comment is far too harsh, defends Balfe, and all he does against him is call out Michael for borderline bullying someone else into worshiping Balfe.<br><br>After all of that, all you can possibly say in response to him is "go away you John Powell fanboy"? For saying one thing against a guy basically being a mindless fanboy. Which by the way is an unbelievably poor argument because I've seen Edmund criticize Powell scores before. Is Edmund not aloud to prefer Powell? He didn't even bring his music up once in this discussion! Oh no I can see the responses now...<br><br>"superultramegoo go listen to Transformers 5 for the 50th time.we dont need youre stupidumb comments here !!!!!!!!!!!!!! Balfe has won many awardso tyou cant say any thing bad about him you Jablonsky fnaboy.stop with these demoralizing comments.!
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Nick Glennie-SmithHarry Gregson-WilliamsVariousGraham Preskett
ComposerComposerComposerComposer
KPM Library - Orchestral Dynamics - The LSO Vol1
Label: Promotional release
Length: 62v'47
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2401 votes)
Track 1 : Opening Ceremony (a) R Harvey
Exhilarating fanfare introduction to warm‚ pastoral development.
Transition at 1.59 to reprise and build to grand finale - full orchestra.
Duration : 3.40 Tempo : Medium
Track 2 : Opening Ceremony (b) R Harvey
End link.
Duration : 0.05 Tempo : Medium
Track 3 : Opening Ceremony (c) R Harvey
Poignant introduction featuring solo violin to reflective variation and reprise - chamber orchestra.
Duration : 4.08 Tempo : Medium
Track 4 : Opening Ceremony (d) R Harvey
Abridged variation - chamber group.
Duration : 1.02 Tempo : Medium
Track 5 : Pride of Place (a) G Preskett
Broad‚ dignified theme building to triumphant finale - full orchestra.
Duration : 2.25 Tempo : Medium
Track 6 : Pride of Place (b) G Preskett
Lighter variation - chamber orchestra.
Duration : 2.01 Tempo : Medium
Track 7 : Pride of Place (c) G Preskett
Abridged variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 8 : Screen Heroes (a) S Chamberlain
Atmospheric opening to exhilarating adventure theme. Edit point at 1.31 to patriotic development and reprise to climax - full orchestra.
Duration : 2.57 Tempo : Medium
Track 9 : Screen Heroes (b) S Chamberlain
Tender romantic variation featuring piano - chamber orchestra.
Duration : 2.22 Tempo : Medium
Track 10 : Screen Heroes (c) S Chamberlain
Abridged‚ intimate variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 11 : Screen Heroes (d) S Chamberlain
Abridged nostalgic variation - chamber group.
Duration : 0.59 Tempo : Medium
Track 12 : Love's Journey (a) S Myers
Romantic‚ episodic theme - full orchestra.
Duration : 3.34 Tempo : Slow
Track 13 : Love's Journey (b) S Myers
Colourful‚ uptempo variation - chamber orchestra.
Duration : 2.22 Tempo : Slow
Track 14 : Love's Journey (c) S Myers
Warm‚ intimate variation - chamber group.
Duration : 2.06 Tempo : Slow
Track 15 : Fly Like the Wind (a) J Devereaux
Joyful‚ exhilarating movement - full orchestra.
Duration : 3.31 Tempo : Medium
Track 16 : Fly Like the Wind (b) J Devereaux
Lighter episodic variation - chamber orchestra.
Duration : 2.40 Tempo : Medium
Track 17 : Jubilate (a) A Jackman
Exuberant‚ ceremonial theme - full orchestra.
Duration : 2.13 Tempo : Medium
Track 18 : Jubilate (b) A Jackman
Light‚ reflective variation - chamber group.
Duration : 1.02 Tempo : Medium
Track 19 : Look Back with Love (a) N Glennie-Smith
Gentle‚ romantic theme featuring classical guitar - chamber orchestra.
Duration : 3.31 Tempo : Slow
Track 20 : Look Back with Love (b) N Glennie-Smith
Romantic theme for classical guitar.
Duration : 3.17 Tempo : Slow
Track 21 : Country Pursuits S Myers
Jaunty‚ rural theme - chamber orchestra.
Duration : 1.44 Tempo : Medium
Track 22 : Regal Heritage (a) B Gulland
Stately‚ historical theme - chamber orchestra.
Duration : 2.02 Tempo : Slow
Track 23 : Regal Heritage (b) B Gulland
Variation for brass quartet.
Duration : 0.26 Tempo : Slow
Track 24 : Jolly Good Fun H Gregson-Williams
Jaunty‚ open-air theme - chamber orchestra.
Duration : 1.15 Tempo : Medium

30 SECOND VERSIONS

Track 25 : Opening Ceremony 30 (a) R Harvey
Duration : 0.30 Tempo : Medium
Track 26 : Opening Ceremony 30 (b) R Harvey
Duration : 0.30 Tempo : Medium
Track 27 : Pride of Place 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 28 : Screen Heroes 30 (a) S Chamberlain
Duration : 0.30 Tempo : Medium
Track 29 : Screen Heroes 30 (b) S Chamberlain
Duration : 0.30 Tempo : Medium
Track 30 : Love's Journey 30 (a) S Myers
Duration : 0.30 Tempo : Slow
Track 31 : Love's Journey 30 (b) S Myers
Duration : 0.30 Tempo : Slow
Track 32 : Love's Journey 30 (c) S Myers
Duration : 0.30 Tempo : Slow
Track 33 : Fly Like the Wind 30 (a) J Devereaux
Duration : 0.30 Tempo : Medium
Track 34 : Fly Like the Wind 30 (b) J Devereaux
Duration : 0.30 Tempo : Medium
Track 35 : Jubilate 30 A Jackman
Duration : 0.30 Tempo : Medium
Track 36 : Look Back with Love 30 N Glennie-Smith
Duration : 0.30 Tempo : Slow
Track 37 : Country Pursuits 30 (a) S Myers
Duration : 0.30 Tempo : Medium
Track 38 : Country Pursuits 30 (b) S Myers
Duration : 0.30 Tempo : Medium
Track 39 : Regal Heritage 30 B Gulland
Duration : 0.30 Tempo : Slow
Track 40 : Jolly Good Fun 30 H Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Orchestral Dynamics - The LSO Vol1 soundtrack - Nick Glennie-Smith - Harry Gregson-Williams - Various - Graham Preskett