NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
More than Zimmer?I honestly commend what Steve Jablonsky composed for the 2nd movie but I really have to say that Brian Tyler's theme was more heroic for me and I'm a big fan of orchestral music that's why I wanted to hear Tyler's Ninja turtles theme again.Maulís Call, Empire Recruitment, End Credits Suite, etc. <br><br>This release looks amazing! :Othis is awesome!!!!Pemberton is probably the most obvious choice right now. I would definitely love to see Pemberton score this one
Yep, I received the news too.<br>Antwerp Sportpaleis is now scheduled on 23rd February 2022, a Wednesday !<br>Tour postponed to 2022 :'(Asides, Uncharted 4 and The Lost Legacy, dosen't sound like the two Jumanji written by Jackman, by anymeans, and in prefer those two scores over his Uncharted material, altough i like both.If you want a Silvestrian-type of action... Edmonson's action writting in the three Uncharted are terrific, specially Among the Thieves and Drake's Deception.i think Uncharted 4 and 2 have the best score. U2 is amazing in all regards but I hope Henry does the movie cause he's better at writing action music
If is Paramount, expect a digital release, but this people is certainly very difficult to guess...A exclusive clip from the film where some of Zimmer's score can be heard   https://youtu.be/EucuM3EuUJA?t=238<br><br>Loving the short synth part at the very startIt sounds a JP theme. But also sounds like HZ did arrangements of it. The beginning of "shifu's end" kind of sounds like one.  The HZ/Jackman cues for the "splits" and "battle for the scroll" which use it are good, fun cues - but they're kind of awkward and stop/start compared to JP's smoother, more confident arrangements. And they notably don't use the whole theme only fragmented bits where as the JP/Smith cues "prison", "the bridge", "shifu's end" make use of the entire theme and sound more comfortable with the frenetic orchestra material. Just my opinion though.<br>Jungleland is getting released in cinemas and on streaming Nov. 6 and 10 respectively. I hope Lorne's score gets a release alongside it, as the film sounds like it has some good scoring potential.Well, the two scores by Jackman are good, neither as good as Edmonson's previous work in the franchise, if Naughty Dog have to choose a composer, Edmonson is my choice.<br><br>As for comparations with Tom's Tomb Raider, remember, this franchise is a more classical adventure than a survival action.
If he's one of Jackman's best,I hope naughty dog &#8203;&#8203;will hire him again. I just hope that the film does not present a score as loose as Tom's tomb raidervery excited!!!<br>@hybrid theme by hans and the rest david? :PThe soundtrack to Uncharted 4 in my opinion is one of the best Henry has done along with first class. I hope and pray he does the movie although I have no hope for that film. But unfortunately the director likes to work with Ludwig so I donít think Henry will do it. But I pray he doesMilan Records is going to release it, they said it in his Twitter.But Rupert's Scores are always good!
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Harry Gregson-WilliamsVariousGraham Preskett
ComposerComposerComposer
KPM Library - The Choral Experience
Label: Promotional release
Length: 71'57
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3900 votes)
Track 1 : Heavenly Voices (a) D Farnon
An evocative and enchanted tribute to the magic of Hollywood.
Duration : 2.53 Tempo : Slow
Track 2 : Heavenly Voices (b) D Farnon
Short version.
Duration : 0.30 Tempo : Slow
Track 3 : I Sing of a Maiden P Pritchard
Timeless interpretation of a 15th century liturgical poem featuring solo treble.
Duration : 2.44 Tempo : Slow
Track 4 : Green Valleys C Norton / F Mizen
Evocative‚ hymn-like reflection on the beauty of the countryside and sung in the Welsh tradition.
Duration : 3.17 Tempo : Slow
Track 5 : A Gentle Innocence H Gregson-Williams
Warm‚ melodic theme evoking a childlike wonder and sung to a secular text.
Duration : 2.46 Tempo : Slow
Track 6 : Moonlit Night H Gregson-Williams
Haunting and lyrical interpretation of a 19th century romantic poem.
Duration : 2.41 Tempo : Slow
Track 7 : Balow‚ My Babe P Gowers
Atmospheric lullaby in a modal style incorporating a haunting treble solo and sung to a 16th century text.
Duration : 4.56 Tempo : Slow
Track 8 : This Will be Our Day G Preskett
An uplifting anthem portraying the spirit of achievement and endeavour.
Duration : 2.43 Tempo : Slow
Track 9 : A Timeless Odyssey T Hymas
A thought provoking journey that crosses the boundary between the real and the unreal.
Duration : 9.50 Tempo : Slow
Track 10 : Reflections S Myers
Warm‚ dreamlike voices in a romantic vein.
Duration : 2.58 Tempo : Slow
Track 11 : O Primavera R Foster
Joyful Italian madrigal based on a 16th century text.
Duration : 2.06 Tempo : Medium
Track 12 : A Hymn of Peace R Harvey
Calm‚ reflective hymn sung to a secular text.
Duration : 2.44 Tempo : Slow
Track 13 : Suspended Time B Connor
Hypnotic‚ atmospheric textures.
Duration : 3.26 Tempo : Slow
Track 14 : I Loved My Love C Gunning
A romantic 19th century poem reflecting on past pleasures.
Duration : 3.44 Tempo : Slow
Track 15 : Kyrie D Hewson
Episodic religious motet set to the words of the Mass.
Duration : 2.56 Tempo : Slow
Track 16 : Cygnus I Sekacz
Episodic and descriptive contemporary work developing throughout.
Duration : 3.55 Tempo : Slow
Track 17 : Evolution B Gulland
Atmospheric textures gradually emerging from whispers to climax.
Duration : 2.48 Tempo : No Tempo
Track 18 : Gloria G Burgon
Religious motet with organ accompaniment building to grand finale and set to the words of the Mass.
Duration : 1.27 Tempo : Medium
Track 19 : Sunt Rerum Lacrimae G Preskett
Descriptive and episodic motet set to a secular Latin text.
Duration : 2.56 Tempo : Slow
Track 20 : Journeys in Time R Harvey
Mysterious‚ dissonant textures gradually evolving.
Duration : 2.11 Tempo : Slow
Track 21 : Mysterious Voyage H Gregson-Williams
Atmospheric textures‚ ebbing and flowing and set to a secular Latin text.
Duration : 1.50 Tempo : Slow
Track 22 : Distant Worlds (a) T Hymas
Dreamlike‚ floating textures using sampled voices - choral work.
Duration : 2.34 Tempo : Slow
Track 23 : Distant Worlds (b) T Hymas
Variation of above.
Duration : 2.05 Tempo : Slow
Create Topic

silverflute45 reply Replies: 2 || 2008-01-05 00:00:00
Does anyone know what D Farnon's first name is?
and also the first names of all these composer's?:
P Pritchard� C Norton� F Mizen� G Preskett� T Hymas� S Myers� R Foster� R Harvey� B Connor� D Hewson� I Sekacz� B Gulland� G Burgon ? All the ones not listed I do know the first names of! Thanks


STEPHEN2011-12-14 12:47:21
full names are given in the booklet


Ele2011-12-14 23:12:56
Actually, full names are one post below... LOL

silverflute45 reply Replies: 0 || 2009-01-29 00:00:00
http://www1.playkpmmusic.com/pages/viewcd/viewcd.cfm?cdnum=1 694 has the first and last names:
tracks 1, 2, by David Farnon
tracks 3 by Paul Pritchard
tracks 4 by Cgris Norton / Frank Mizen
tracks 5, 6, 21 by Harry Gregson-Williams
tracks 7 by Patrick Gowers
tracks 8, 19 by Graham Preskett
tracks 9, 22, 23 by Tony Hymas
tracks 10 by Stanley Myers
tracks 11 by Robert Foster
tracks 12, 20 by Richard Harvey
tracks 13 by Bill Connor
tracks 14 by Christopher Gunning
tracks 15 by David Hewson
trk 16 by Ilona Sekacz
trk 17 by Brian Gulland
trk 18 by Geoffery Burgon

A Holden reply Replies: 0 || 2008-05-29 00:00:00
B Gulland is Brian Gulland once in the 1970's band Gryphon - legend

 HANS-ZIMMER.com© 2001-2018 OST 
KPM Library - The Choral Experience soundtrack - Harry Gregson-Williams - Various - Graham Preskett