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For those of you disappointed in this score...remember...This is Bad Boys 3 lol....Have you heard Bad Boys 1+2? Cmon now...relax and take it for what it isI'd be surprised if we don't see some Wallfisch scores this year. He has been so prolific lately, would be weird to suddenly go an entire year without a single assignment.CD coming from LLL!Really liked this score, and the movie wasn't as bad as people claim as well... Benjamin Wallfisch does some very nice stuff, his horror scores are always on point like It 1 & 2, Annabelle: Creation, A Cure for Wellness...<br><br>I know he's gonna deliver it with Mortal Kombat even if the movie isn't that good. But kind of a bummer that his next scheduled project comes out in 2021 LOL'Cause maybe the expected all the cues from the sessions
I like this music!The #balfeness !!!! Has outdone himself on Bad Boys for Life.<br>A nod to the last but brought it up to date.<br>This and 6 Underground has blown me away with Balfe’s musici can't understand, when someone is saying "it REMINDS of mw2" when those mentioned cues are completely re-used 1:1. it's identical, sometimes layered with mancinas themes. it doesn't just remind you of mw2 when lorne seriously uses the identical tracks or parts from mw2 -_-<br><br>@bayhem: then listen to it. i'm not a fan of lorne, but his work there is real fun and some real good action cues. with the themes of Zimmer, it's crazy that it's just a game. one of or maybe THE best work of lorne!Colleague of mine (a film score fan too) asked me which new Balfe score is better in my opinion - Bad Boys for Life or 6 Underground?<br><br>Honestly - and as much as I praised BB3 - I couldn't decide......<br><br><br>Both movies have a lot of songs, which is something I don't like. Look at Transformers. There are songs too but they don't overshadow the score. The score is still the star and that's why people flood Steve's Twitter with praise. Day after day. <br><br>But sadly for Lorne, his recent work in film WAS indeed overshadowed by the random songs. If they didn't rely on songs so much, I'm sure that 6 Underground would've been the crown jewel for Lorne. It's a big, big movie that begs for equally big and memorable score (though we can't really expect Transformners-syze score). <br><br>At the end of the day, Lorne did good on 6 Underground but it was just a small sign of what COULD have been.....Some of the action bits, yeah......
This right here is my single biggest issue with Balfe as a composer. And with the recording sessions clips he posts it is truly a mystery. Tinfoil hat on I'd say he skimps on the budget and hires those musicians just for a couple hours to shoot those clips for PR and the actual score is all synth but that's a baseless claim of course lol...<br>....................<br><br><br>It's bigger than that.....<br><br>After all, this is a Bruckheimer production. His movies established Hans and the entire MV/RC sound. His movies are known for their awesome scores. Scores that are populrar with the ordinary viewers as well.  But 2008 onward, things changed.....Back in the 90's and early 2000's every single Bruckheimer film had a spectacular score. Powerful, melodic themes, cues that stayed with you, scores that attracted the attention of the average Joe. <br><br>Nowadays tho, we don't have that. Hell, when was the last time a (newer) action score from MV/RC-related composer was praised the way 'The Rock' was praised?<br><br>Lorne's Mission Impossible? No. Not even close. <br><br><br>Personally, I like what Lorne did with BB3, especially with the emotional cues. But put it next to Mancina's work. I mean it's not even a contest. The Mancina score is one memorable, melodic track after another. There's not a single boring track. Every track is a banger. <br><br>But the newer scores? They have two or three tracks that are  good and everything else is.......utterly forgettable.<br><br>I blame it on the lack of themes. Orchestra or not, more scores need to have actual themes.Some cues sound like Speed 2Guess I'm the only person around here who hasn't listened to the Modern Warfare 2 score. So I can't really have an opinion on this matter..... lolThis right here is my single biggest issue with Balfe as a composer. And with the recording sessions clips he posts it is truly a mystery. Tinfoil hat on I'd say he skimps on the budget and hires those musicians just for a couple hours to shoot those clips for PR and the actual score is all synth but that's a baseless claim of course lol...Everyone keep mentionning mw2 but those drums reminded me of...skylanders giants lol! Just listen to the track « Arena battle » and let me know
The clips are on his Facebook page.2/5 stars? Why are people hating on this?Me tooExcited!!!God’s gun theme reminds me of part of “River Mission” from Battlefield 2: Modern Combat OST. I think Lorne was an additional composer on that score aswell (excellent OST btw)
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Liquid Audio
Label: Promotional release
Length: 73'02
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2451 votes)
Track 1 : Smooth Accelerator (a) R Gregson-Williams
Ambient piano motif over energetic rhythm.
Duration : 3.06 Tempo : Fast
Track 2 : Smooth Accelerator (b) R Gregson-Williams
Less urgent‚ atmospheric arrangement of above. Piano motif emerges at 2.10.
Duration : 3.06 Tempo : Medium
Track 3 : Smooth Accelerator (c) R Gregson-Williams
Floating‚ atmospheric mix.
Duration : 0.53 Tempo : No Tempo
Track 4 : Steel Flame (a) Noiseworks
Dynamic rhythm bed.
Duration : 2.16 Tempo : Medium
Track 5 : Steel Flame (b) Noiseworks
Light alternative version.
Duration : 2.00 Tempo : Medium
Track 6 : Rave Opera (a) K Malpass
Powerful rhythm featuring operatic voice and strings.
Duration : 3.06 Tempo : Fast
Track 7 : Rave Opera (b) K Malpass
Operatic voice with soft ambient beats.
Duration : 3.02 Tempo : Medium
Track 8 : Sun Bright R Gregson-Williams
Uplifting‚ optimistic groove.
Duration : 2.52 Tempo : Medium
Track 9 : Close to the Heart (a) R Gregson-Williams
Acoustic guitar theme over light drum 'n' bass.
Duration : 3.27 Tempo : Fast
Track 10 : Close to the Heart (b) R Gregson-Williams
Relaxed version of above.
Duration : 3.27 Tempo : Slow
Track 11 : Close to the Heart (c) R Gregson-Williams
Underscore to (a)
Duration : 2.00 Tempo : Fast
Track 12 : Close to the Heart (d) R Gregson-Williams
Underscore to (b)
Duration : 2.00 Tempo : Slow
Track 13 : Race Day (a) Noiseworks
Steady‚ building pace.
Duration : 3.11 Tempo : Medium
Track 14 : Race Day (b) Noiseworks
Alternative mix without drums.
Duration : 3.11 Tempo : Medium
Track 15 : Soft Wear (a) Noiseworks
Light‚ drum 'n' bass.
Duration : 3.18 Tempo : Fast
Track 16 : Soft Wear (b) Noiseworks
Alternative mix without drums.
Duration : 3.01 Tempo : Slow
Track 17 : Tribal Trance (a) R Gregson-Williams
Ethno-Ambient fusion.
Duration : 3.06 Tempo : Fast
Track 18 : Tribal Trance (b) R Gregson-Williams
As above no vocals.
Duration : 3.06 Tempo : Fast
Track 19 : Power Gods K Malpass / S Loveday
Triumphant rock anthem - electric guitars and orchestra.
Duration : 3.18 Tempo : Medium
Track 20 : Dream State K Malpass
Warm‚ evocative.
Duration : 3.56 Tempo : Slow
Track 21 : Launch Pad (a) K Malpass / S Loveday
Opening reveal to pumping rhythm‚ building to exhilarating climax.
Duration : 2.18 Tempo : Fast
Track 22 : Launch Pad (b) K Malpass / S Loveday
Underscore.
Duration : 2.18 Tempo : Fast
Track 23 : Racer Noiseworks
Progressive driving rhythm.
Duration : 2.10 Tempo : Fast

30 SECOND VERSIONS

Track 24 : Smooth Accelerator 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 25 : Smooth Accelerator 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 26 : Steel Flame 30 Noiseworks
Duration : 0.30 Tempo : Medium
Track 27 : Rave Opera 30 K Malpass
Duration : 0.30 Tempo : Fast
Track 28 : Sun Bright 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 29 : Close to the Heart 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 30 : Race Day 30 Noiseworks
Duration : 0.30 Tempo : Medium
Track 31 : Soft Wear 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 32 : Tribal Trance 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 33 : Power Gods 30 K Malpass / S Loveday
Duration : 0.30 Tempo : Medium
Track 34 : Dream State 30 K Malpass
Duration : 0.30 Tempo : Slow
Track 35 : Launch Pad 30 K Malpass / S Loveday
Duration : 0.30 Tempo : Fast
Track 36 : Racer 30 Noiseworks
Duration : 0.30 Tempo : Fast
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KPM Library - Liquid Audio soundtrack - Rupert Gregson-Williams - Various