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just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle Kersten
Booklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)
Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.
Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Deadly Pursuits
Label: Promotional release
Length: 77'46
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3002 votes)
Track 1 : Distorted Reality R Gregson-Williams
Disturbing‚ menacing sounds over constant pulse.
Duration : 2.03 Tempo : Various
Track 2 : Dangerous Encounters (a) R Harvey
Turbulent unfolding theme featuring brass.
Duration : 2.32 Tempo : Medium
Track 3 : Dangerous Encounters (b) R Harvey
Underscore.
Duration : 2.32 Tempo : Medium
Track 4 : Terminal Velocity (a) R Gregson-Williams
Suspenseful opening building to high speed action.
Duration : 2.48 Tempo : Various
Track 5 : Terminal Velocity (b) R Gregson-Williams
Underscore.
Duration : 2.48 Tempo : Various
Track 6 : Terminal Velocity (c) R Gregson-Williams
Sting.
Duration : 0.09 Tempo : No Tempo
Track 7 : Secret Assignment (a) R Cottle
Determined theme over groove featuring synths and effects.
Duration : 2.30 Tempo : Medium
Track 8 : Secret Assignment (b) R Cottle
Underscore.
Duration : 2.30 Tempo : Medium
Track 9 : I'm Watching You B Connor
Punctuated atmospheric suspense.
Duration : 3.05 Tempo : No Tempo
Track 10 : Dark Forces (a) R Harvey
Onimous threatening underscore with pulse.
Duration : 1.00 Tempo : Medium
Track 11 : Dark Forces (b) R Harvey
Ambient mix.
Duration : 1.00 Tempo : No Tempo
Track 12 : Armed Response (a) J Devereaux
Determined tactical advance.
Duration : 2.08 Tempo : Medium
Track 13 : Armed Response (b) J Devereaux
Underscore.
Duration : 2.08 Tempo : Medium
Track 14 : Armed Response (c) J Devereaux
Sting.
Duration : 0.04 Tempo : Medium
Track 15 : Flash Point (a) R Gregson-Williams
Proud theme over frenetic driving undercurrent.
Duration : 2.23 Tempo : Fast
Track 16 : Flash Point (b) R Gregson-Williams
Underscore.
Duration : 2.23 Tempo : Fast
Track 17 : Flash Point (c) R Gregson-Williams
Percussive mix.
Duration : 1.00 Tempo : Fast
Track 18 : The Final Quest (a) R Bolton
Broad emotional string theme over driving percussion.
Duration : 2.03 Tempo : Medium
Track 19 : The Final Quest (b) R Bolton
Underscore.
Duration : 2.03 Tempo : Medium
Track 20 : Action Pulse R Harvey
Constant percussive bed.
Duration : 1.39 Tempo : Medium
Track 21 : Hidden Menace (a) R Harvey
Building menace to strike.
Duration : 1.00 Tempo : Slow
Track 22 : Hidden Menace (b) R Harvey
Underscore.
Duration : 1.00 Tempo : Slow
Track 23 : Extreme Measures (a) R Gregson-Williams
Total dynamic action.
Duration : 2.40 Tempo : Medium
Track 24 : Extreme Measures (b) R Gregson-Williams
Underscore.
Duration : 2.40 Tempo : Medium
Track 25 : The Gathering Tempest (a) R Bolton
Inexorable building drama.
Duration : 2.01 Tempo : Medium
Track 26 : The Gathering Tempest (b) R Bolton
Underscore.
Duration : 2.01 Tempo : Medium
Track 27 : Savage Pursuit (a) R Gregson-Williams
Frenzied electronica.
Duration : 2.16 Tempo : Fast
Track 28 : Savage Pursuit (b) R Gregson-Williams
Underscore.
Duration : 2.13 Tempo : Fast

60 SECOND VERSIONS

Track 29 : Distorted Reality 60 (a) R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 30 : Distorted Reality 60 (b) R Gregson-Williams
Duration : 1.00 Tempo : No Tempo
Track 31 : Dangerous Encounters 60 R Harvey
Duration : 1.00 Tempo : Medium
Track 32 : Terminal Velocity 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 33 : Secret Assignment 60 R Cottle
Duration : 1.00 Tempo : Medium
Track 34 : I'm Watching You 60 B Connor
Duration : 1.00 Tempo : No Tempo
Track 35 : Armed Response 60 J Devereaux
Duration : 1.00 Tempo : Medium
Track 36 : Flash Point 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 37 : The Final Quest 60 R Bolton
Duration : 1.00 Tempo : Medium
Track 38 : Action Pulse 60 R Harvey
Duration : 1.00 Tempo : Medium
Track 39 : Extreme Measures 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 40 : The Gathering Tempest 60 R Bolton
Duration : 1.00 Tempo : Medium

30 SECOND VERSIONS

Track 41 : Distorted Reality 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 42 : Dangerous Encounters 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 43 : Terminal Velocity 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Secret Assignment 30 R Cottle
Duration : 0.30 Tempo : Medium
Track 45 : I'm Watching You 30 B Connor
Duration : 0.30 Tempo : No Tempo
Track 46 : Dark Forces 30 (a) R Harvey
Duration : 0.30 Tempo : Medium
Track 47 : Dark Forces 30 (b) R Harvey
Duration : 0.30 Tempo : No Tempo
Track 48 : Armed Response 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 49 : Flash Point 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 50 : The Final Quest 30 R Bolton
Duration : 0.30 Tempo : Medium
Track 51 : Action Pulse 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 52 : Hidden Menace 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 53 : Extreme Measures 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 54 : The Gathering Tempest 30 R Bolton
Duration : 0.30 Tempo : Medium
Track 55 : Savage Pursuit 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
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KPM Library - Deadly Pursuits soundtrack - Rupert Gregson-Williams - Various