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Okay, I want this. Where, how much? lol<br><br>And I'm willing to bet that even those Jablonsky fans who didn't like the score wanna hear the complete album.@Ahmad i think end credits :PDo you know the chronological order for this one Hybrid? I had quick glance at the complete here and the OST album seems massively out of order16 hours of music?<br>Can we hear those 16 hours of music one day?I saw the film today. It's amazing and wonderful. The feeling and emotions of the 1994 film keep untouchables. The score is simply breathtaking. The songs are incredible. The stampede scene is so intense just like the 1994. Hans has made an intense, epic and beautiful score.
Additional arrangements instead of additional music? Even part of the score not on album?Because if the film is an american production, it has no choice but be recorded in the US... That's the rule...<br><br>When the film is a UK co-production, and/or partly shot in the UK etc... (like, for instance, every Nolan film, or King Arthur), it can be recorded in the UK... That's why it's way easier to get an expanded set of The Dark Knight or Interstellar than... the POTC saga...<br><br>I remember the AFM (American Federation of Musicians) wasn't pleased when Interstellar got recorded at Air Studios in London, claiming it had to be US Recorded... But Nolan's a brit, Syncopy is a British operation based in London...> You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>> If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>Wow, I didn't know that. So, why not record every movie in the UK/Europe then? Not sure how long it will take but I think this re-use fee will drop once they record every score outside the US.<br>However, how much money did the movie make in the Boxoffice and Home Entertainment? I'm sure that money can't be an issue here.<br><br>How cool would it be to officially buy the sessions in a collectors box (in general for all movies), signed by the composer and director and maybe cast members... I'm sure that could be sold for $200+. The studios are wasting an opportunity here... Sure, you can copy music but you can't copy the signatures.That's exactley what I thought.<br><br>There was one other thing I thought was great.<br><br>I went with my parents, who have heard Zimmer's music, from when I'm listening to it, but they said to me that you can hear, that it's him, without even knowing all of his music.<br>They said, the thematic content, the bombast of it, it is just pure Zimmer.<br><br>Hope Spongebob & Wonder Woman 1984 are with a large orchestral/choir ensemble, and with WW1984 some 80's synths!!Having seen it, the biggest thing I realized was that I missed this kind of scoring in movies. When the HZ of the 90s-2000s left in favor of experiments, it seems no one replaced him, so this area of "big sounding scores with instantly memorable and beautiful themes" has just been abandoned. Hopefully seeing/hearing this version of The Lion King now will give some ideas to executives/directors regarding musical choices!
No GITS cannot be released, it's technically not possible... That's why Lorne leaked his part of the score himself...This is great news.Maybe Balfe’s scores to Ghost in the Shell now can get released.<br>Over 6000 people have signed the petition for Ghost.yea, that should be enough for meIt's comforting to get a reconfirmation that it's coming. <br>Now we'll just have to cross our fingers that the process doesn't take months like that one other release ;) <br><br>Which one will be out first: End Credits or X-Periments? :Pyes!yes!yes!<br>i can't wait!!!!!!!
And I can tell you Hans brought the matter to the very head of Disney Music... Everyone seems game to release it, just need to work out some technicalities...He mentions the Dark Phoenix second CD here. 20:33 onwards.<br><br>https: //www.youtube.com/watch? v=mHmKZbUZiIA<br><br>"I did a film recently that got away, but we wrote 16 hours of music. We're actually fighting to get another CD released because the film didn't do anything, just to have it out there. Because you can't use again in something else, so it'd be nice to have it out there. So that it doesn't disappear into a rubbish bin".Life's Not Fair first part is similar > Tears of the Sun - Yekeleni Part 1 lolAny idea on the name of the song from the trailer?Honestly the biggest problem with this new version for me is the lack of new variants of the themes. They mostly just repeat verbatim Hans' original ideas with little to no innovation or changes made most of the time. <br><br>It also doesn't help that cues that did have wonderful variations such as "Nala Attacks", and "Nala & Simba" have been shortened to mostly cut them out. The worst cut being  for the ending to "Mufasa's Ghost" which originally peaked the emotion with that lovely variation of Simba/The One True King theme transitioning into the Pride Rock theme, all of which is absent now.
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Justin BurnettHarry Gregson-WilliamsRupert Gregson-WilliamsSteve Jablonsky
ComposerComposerComposerComposer
KPM Library - Extreme Impact
Label: Promotional release
Length: 72'16
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3407 votes)
Track 1 : Strike Force R Gregson-Williams
Powerful co-ordinated assault.
Duration : 1.35 Tempo : Fast
Track 2 : Hostile J Burnett
Dark‚ futuristic menace.
Duration : 2.01 Tempo : Fast
Track 3 : A Deadly Game (a) H Gregson-Williams
Intense‚ threatening theme gradually building.
Duration : 2.01 Tempo : Slow
Track 4 : A Deadly Game (b) H Gregson-Williams
Intense‚ threatening theme gradually building‚ with helicopter fx at the start.
Duration : 1.56 Tempo : Slow
Track 5 : Max Action R Gregson-Williams
Driving‚ explosive percussion.
Duration : 1.30 Tempo : Fast
Track 6 : The Ultimate Limits R Gregson-Williams
Ultra high-speed action.
Duration : 1.27 Tempo : Fast
Track 7 : House of Secrets J Burnett
Cold‚ unsettling secrets.
Duration : 2.51 Tempo : Slow
Track 8 : Deep South H Gregson-Williams
Sultry atmospheric theme.
Duration : 1.32 Tempo : Medium
Track 9 : Premeditated (a) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.32 Tempo : Medium
Track 10 : Premeditated (b) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.28 Tempo : Slow
Track 11 : Premeditated (c) R Gregson-Williams
As (b) without key changes.
Duration : 2.28 Tempo : Slow
Track 12 : Techno Drive J Burnett
Dynamic big beat action.
Duration : 1.19 Tempo : Medium
Track 13 : For My Country S Jablonsky
Proud‚ uplifting theme building throughout.
Duration : 2.12 Tempo : Medium
Track 14 : Lethal Run (a) R Gregson-Williams
Tense intro to desperate headlong rush.
Duration : 1.00 Tempo : Fast
Track 15 : Lethal Run (b) R Gregson-Williams
Alternative with less dynamic dart.
Duration : 1.00 Tempo : Fast
Track 16 : Lethal Run (c) R Gregson-Williams
Underscore of (a).
Duration : 1.00 Tempo : Fast
Track 17 : Trail of Deception (a) R Gregson-Williams
Disturbing investigative theme.
Duration : 1.00 Tempo : Medium
Track 18 : Trail of Deception (b) R Gregson-Williams
As above without key changes.
Duration : 1.00 Tempo : Medium
Track 19 : The Last Mission J Atmajian
Stirring military action.
Duration : 1.00 Tempo : Medium
Track 20 : Beat Action R Gregson-Williams
Percussive action bed.
Duration : 1.00 Tempo : Fast
Track 21 : Survival Story R Gregson-Williams
Poignant‚ dramatic theme.
Duration : 1.00 Tempo : Slow
Track 22 : Extreme Action J Burnett
Dramatic‚ relentless assault.
Duration : 2.50 Tempo : Medium

60 SECOND VERSIONS

Track 23 : Strike Force 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 24 : Hostile 60 J Burnett
Duration : 1.00 Tempo : Fast
Track 25 : A Deadly Game (a) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 26 : A Deadly Game (b) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 27 : Max Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 28 : The Ultimate Limits 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 29 : House of Secrets 60 J Burnett
Duration : 1.00 Tempo : Slow
Track 30 : Deep South 60 H Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 31 : Premeditated (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 32 : Techno Drive 60 J Burnett
Duration : 1.00 Tempo : Medium
Track 33 : For My Country 60 S Jablonsky
Duration : 1.00 Tempo : Medium
Track 34 : Lethal Run (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 35 : Lethal Run (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 36 : Lethal Run (c) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 37 : Trail of Deception (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 38 : Trail of Deception (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 39 : The Last Mission 60 J Atmajian
Duration : 1.00 Tempo : Medium
Track 40 : Beat Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 41 : Survival Story 60 R Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 42 : Extreme Action 60 J Burnett
Duration : 1.00 Tempo : Medium

30 SECOND VERSIONS

Track 43 : Strike Force 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Hostile 30 J Burnett
Duration : 0.30 Tempo : Fast
Track 45 : A Deadly Game (a) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 46 : A Deadly Game (b) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 47 : Max Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 48 : The Ultimate Limits 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 49 : House of Secrets 30 J Burnett
Duration : 0.30 Tempo : Slow
Track 50 : Deep South 30 H Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 51 : Premeditated (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 52 : Techno Drive 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 53 : For My Country 30 S Jablonsky
Duration : 0.30 Tempo : Medium
Track 54 : Lethal Run (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 55 : Trail of Deception (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 56 : The Last Mission 30 J Atmajian
Duration : 0.30 Tempo : Medium
Track 57 : Beat Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 58 : Survival Story 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 59 : Extreme Action 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 60 : Strike Force Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 61 : Max Action Sting R Gregson-Williams
Duration : 0.09 Tempo : Fast
Track 62 : The Ultimate Limits Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 63 : Techno Drive Sting J Burnett
Duration : 0.12 Tempo : Medium
Track 64 : Lethal Run (a) Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
Track 65 : Trail of Deception (a) Sting R Gregson-Williams
Duration : 0.12 Tempo : Medium
Track 66 : The Last Mission Sting J Atmajian
Duration : 0.07 Tempo : Medium
Track 67 : Beat Action Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
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RuthlessGravity reply Replies: 0 || 2010-09-13 00:00:00
This selection sounds like demo cues for The Rock, Crimson Tide, Metal Gear Solid 2, just a bunch of music that never made it into the real stuff but it sound's good though.

waitypissinati reply Replies: 0 || 2010-01-04 00:00:00
como faço para baixar as trilhas

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KPM Library - Extreme Impact soundtrack - Justin Burnett - Harry Gregson-Williams - Rupert Gregson-Williams - Steve Jablonsky