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Oh my god. It's time to put an end to this. There is NO timeline as to when complete scores are leaked. They leak when the person in possession of them feels like leaking them. TF4 was November of 2014 because that's when the files were uploaded to Paramount's guilds/FYC site for academy members to listen to. Same with interstellar. It has absolutely nothing to do with time. I have some scores that haven't leaked yet. And I'm not going to. Why? Because I was asked not to. Not because I feel the time is right. K? Glad we cleared that up.Does anyone remember around when the TF2 and TF3 complete scores were leaked? I know TF4's was around November 2014, I figured that might give an idea of when TF5's will get out.hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.
Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the posts
This is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?
I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.
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Justin BurnettHarry Gregson-WilliamsRupert Gregson-WilliamsSteve Jablonsky
ComposerComposerComposerComposer
KPM Library - Extreme Impact
Label: Promotional release
Length: 72'16
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2695 votes)
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Track 1 : Strike Force R Gregson-Williams
Powerful co-ordinated assault.
Duration : 1.35 Tempo : Fast
Track 2 : Hostile J Burnett
Dark‚ futuristic menace.
Duration : 2.01 Tempo : Fast
Track 3 : A Deadly Game (a) H Gregson-Williams
Intense‚ threatening theme gradually building.
Duration : 2.01 Tempo : Slow
Track 4 : A Deadly Game (b) H Gregson-Williams
Intense‚ threatening theme gradually building‚ with helicopter fx at the start.
Duration : 1.56 Tempo : Slow
Track 5 : Max Action R Gregson-Williams
Driving‚ explosive percussion.
Duration : 1.30 Tempo : Fast
Track 6 : The Ultimate Limits R Gregson-Williams
Ultra high-speed action.
Duration : 1.27 Tempo : Fast
Track 7 : House of Secrets J Burnett
Cold‚ unsettling secrets.
Duration : 2.51 Tempo : Slow
Track 8 : Deep South H Gregson-Williams
Sultry atmospheric theme.
Duration : 1.32 Tempo : Medium
Track 9 : Premeditated (a) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.32 Tempo : Medium
Track 10 : Premeditated (b) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.28 Tempo : Slow
Track 11 : Premeditated (c) R Gregson-Williams
As (b) without key changes.
Duration : 2.28 Tempo : Slow
Track 12 : Techno Drive J Burnett
Dynamic big beat action.
Duration : 1.19 Tempo : Medium
Track 13 : For My Country S Jablonsky
Proud‚ uplifting theme building throughout.
Duration : 2.12 Tempo : Medium
Track 14 : Lethal Run (a) R Gregson-Williams
Tense intro to desperate headlong rush.
Duration : 1.00 Tempo : Fast
Track 15 : Lethal Run (b) R Gregson-Williams
Alternative with less dynamic dart.
Duration : 1.00 Tempo : Fast
Track 16 : Lethal Run (c) R Gregson-Williams
Underscore of (a).
Duration : 1.00 Tempo : Fast
Track 17 : Trail of Deception (a) R Gregson-Williams
Disturbing investigative theme.
Duration : 1.00 Tempo : Medium
Track 18 : Trail of Deception (b) R Gregson-Williams
As above without key changes.
Duration : 1.00 Tempo : Medium
Track 19 : The Last Mission J Atmajian
Stirring military action.
Duration : 1.00 Tempo : Medium
Track 20 : Beat Action R Gregson-Williams
Percussive action bed.
Duration : 1.00 Tempo : Fast
Track 21 : Survival Story R Gregson-Williams
Poignant‚ dramatic theme.
Duration : 1.00 Tempo : Slow
Track 22 : Extreme Action J Burnett
Dramatic‚ relentless assault.
Duration : 2.50 Tempo : Medium

60 SECOND VERSIONS

Track 23 : Strike Force 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 24 : Hostile 60 J Burnett
Duration : 1.00 Tempo : Fast
Track 25 : A Deadly Game (a) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 26 : A Deadly Game (b) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 27 : Max Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 28 : The Ultimate Limits 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 29 : House of Secrets 60 J Burnett
Duration : 1.00 Tempo : Slow
Track 30 : Deep South 60 H Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 31 : Premeditated (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 32 : Techno Drive 60 J Burnett
Duration : 1.00 Tempo : Medium
Track 33 : For My Country 60 S Jablonsky
Duration : 1.00 Tempo : Medium
Track 34 : Lethal Run (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 35 : Lethal Run (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 36 : Lethal Run (c) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 37 : Trail of Deception (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 38 : Trail of Deception (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 39 : The Last Mission 60 J Atmajian
Duration : 1.00 Tempo : Medium
Track 40 : Beat Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 41 : Survival Story 60 R Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 42 : Extreme Action 60 J Burnett
Duration : 1.00 Tempo : Medium

30 SECOND VERSIONS

Track 43 : Strike Force 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Hostile 30 J Burnett
Duration : 0.30 Tempo : Fast
Track 45 : A Deadly Game (a) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 46 : A Deadly Game (b) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 47 : Max Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 48 : The Ultimate Limits 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 49 : House of Secrets 30 J Burnett
Duration : 0.30 Tempo : Slow
Track 50 : Deep South 30 H Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 51 : Premeditated (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 52 : Techno Drive 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 53 : For My Country 30 S Jablonsky
Duration : 0.30 Tempo : Medium
Track 54 : Lethal Run (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 55 : Trail of Deception (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 56 : The Last Mission 30 J Atmajian
Duration : 0.30 Tempo : Medium
Track 57 : Beat Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 58 : Survival Story 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 59 : Extreme Action 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 60 : Strike Force Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 61 : Max Action Sting R Gregson-Williams
Duration : 0.09 Tempo : Fast
Track 62 : The Ultimate Limits Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 63 : Techno Drive Sting J Burnett
Duration : 0.12 Tempo : Medium
Track 64 : Lethal Run (a) Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
Track 65 : Trail of Deception (a) Sting R Gregson-Williams
Duration : 0.12 Tempo : Medium
Track 66 : The Last Mission Sting J Atmajian
Duration : 0.07 Tempo : Medium
Track 67 : Beat Action Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
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RuthlessGravity reply Replies: 0 || 2010-09-13 00:00:00
This selection sounds like demo cues for The Rock, Crimson Tide, Metal Gear Solid 2, just a bunch of music that never made it into the real stuff but it sound's good though.

waitypissinati reply Replies: 0 || 2010-01-04 00:00:00
como faÁo para baixar as trilhas

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KPM Library - Extreme Impact soundtrack - Justin Burnett - Harry Gregson-Williams - Rupert Gregson-Williams - Steve Jablonsky