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LOL! The only thing that’s coming is his brass library which he has been working on for quite some time.Even Snyder himself just tweeted it.<br><br>I bet the score of this version would be way better because Junkie/Zimmer worked on Batman, Man Of Steel and the Wonder Woman theme<br><br>What Elfman did was terrible butchering and ignoring all the themes and tonality of all the previous hero scores.Gal and Ben also announced their support for the Snyder Cut!Something is coming, Junkie XL aka Tom just posted this<br>https://twitter.com/Junkie_XL/status/1196111682398867456<br>#ReleaseTheSnyderCutI want that film version of John's theme. heard in the arcade scene and airport scene at the end of the film.
Nope. They were recreated using film stems.I found a version of this soundtrack online that contained several alternate versions of "No Time For Caution", as well as two additional suites, supposedly titled "Endurance Suite 1" and "Endurance Suite 2". I've listened to both and they both seem legit, but are they a part of this complete score?truly amazing score! zanelli shows here that he mastered the DNA of the pirates music. would love to see him talk about this series, what makes its music so unique & recognizable, etc.<br><br>i think what's happening is that there are far too many characters, each with their own themes, to focus & develop any one in particular. salazar is the exception, in both the movie and the music. his intriguing character is the reason i watched the movie. and his theme kept coming into my head months after the movie.<br><br>but yea there are too many stories being unpacked onto the viewer in just a few hours in the latest pirates. but zanelli did a great job all the same.Balfe is the best composer since Powell from the Zimmer training<br>After hearing what Lorne Balfe did for Mission Impossible it would be great to hear what he would do with the James Bond theme.<br>Ok.
But still it would be awesome if Djawadi is composing The EternalsWell, unless you have a source, or can point to a credible publication reporting Romer is not scoring it, I think it is safe to assume (for now) that the composer announced and still listed on the official website as the composer for the film is in-fact the composer for the film..<br><br>He wouldn't be my personal choice for the job, but I am not going to ignorantly pretend that he isn't currently the hired composer.I was at the concert yesterday in Denmark, words can't describe what i felt, it's something that has to be experienced in person, truly amazing.<br><br>Music is one thing, but the lights and video along the show was awsome, that can't be described, you have to be there.<br><br>I hope for a bluray version of a concert, I will gladly be the first to buy it.Jackman has always been my favorite of his "generation" of RC composers (in which I also include Balfe, Djawadi, Örvarsson, Margeson and Streitenfeld - the ones who broke out about a decade ago). I think he's the best orchestral writer other than Powell and I always appreciate the clean, organic sound of his scores - like with Powell's scores, Jackman's orchestra always sounds real and clearly distinct from the electronics, unlike Balfe and Zimmer himself who use samples a lot more and blur things in the middle. That's true even of scores of his I don't like, such as Winter Soldier.<br><br>I do wish he'd stop stripping the electronics off of tracks for his album releases though. That seems like a strange way to address the criticisms he got for Winter Soldier - kind of missing the point.Any plans for a concert in Denmark (Boxen, Herning) ?
I like this score!!!<br><br>Henry is very good in my opinion. I always liked his scores even when others didn't.<br><br>And I'm really excited for Jumanji: The Next Level!!!Neither Romer or Balfe are scoring Bond 25I want to say that test screening version of Ghost in the Shell deleted one geisha character who was under orders of Cutter to follow the Major  and in the original third act, she fought Aramaki when he stormed into Cutter's Holo room after killing his guards. Aramaki survives and the scene continues as shown. Because of the poor reception of what I call "The Philosophical Cut", the geisha character was removed and there were quick reshoots of all of  the conversations between Cutter and Aramaki minus the geisha character involvement.The report about Romer leaving wasn't even confirmed, so I think it's just people wanting the expected to happen at this point.lol no he’s not
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Justin BurnettHarry Gregson-WilliamsRupert Gregson-WilliamsSteve Jablonsky
ComposerComposerComposerComposer
KPM Library - Extreme Impact
Label: Promotional release
Length: 72'16
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3473 votes)
Track 1 : Strike Force R Gregson-Williams
Powerful co-ordinated assault.
Duration : 1.35 Tempo : Fast
Track 2 : Hostile J Burnett
Dark‚ futuristic menace.
Duration : 2.01 Tempo : Fast
Track 3 : A Deadly Game (a) H Gregson-Williams
Intense‚ threatening theme gradually building.
Duration : 2.01 Tempo : Slow
Track 4 : A Deadly Game (b) H Gregson-Williams
Intense‚ threatening theme gradually building‚ with helicopter fx at the start.
Duration : 1.56 Tempo : Slow
Track 5 : Max Action R Gregson-Williams
Driving‚ explosive percussion.
Duration : 1.30 Tempo : Fast
Track 6 : The Ultimate Limits R Gregson-Williams
Ultra high-speed action.
Duration : 1.27 Tempo : Fast
Track 7 : House of Secrets J Burnett
Cold‚ unsettling secrets.
Duration : 2.51 Tempo : Slow
Track 8 : Deep South H Gregson-Williams
Sultry atmospheric theme.
Duration : 1.32 Tempo : Medium
Track 9 : Premeditated (a) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.32 Tempo : Medium
Track 10 : Premeditated (b) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.28 Tempo : Slow
Track 11 : Premeditated (c) R Gregson-Williams
As (b) without key changes.
Duration : 2.28 Tempo : Slow
Track 12 : Techno Drive J Burnett
Dynamic big beat action.
Duration : 1.19 Tempo : Medium
Track 13 : For My Country S Jablonsky
Proud‚ uplifting theme building throughout.
Duration : 2.12 Tempo : Medium
Track 14 : Lethal Run (a) R Gregson-Williams
Tense intro to desperate headlong rush.
Duration : 1.00 Tempo : Fast
Track 15 : Lethal Run (b) R Gregson-Williams
Alternative with less dynamic dart.
Duration : 1.00 Tempo : Fast
Track 16 : Lethal Run (c) R Gregson-Williams
Underscore of (a).
Duration : 1.00 Tempo : Fast
Track 17 : Trail of Deception (a) R Gregson-Williams
Disturbing investigative theme.
Duration : 1.00 Tempo : Medium
Track 18 : Trail of Deception (b) R Gregson-Williams
As above without key changes.
Duration : 1.00 Tempo : Medium
Track 19 : The Last Mission J Atmajian
Stirring military action.
Duration : 1.00 Tempo : Medium
Track 20 : Beat Action R Gregson-Williams
Percussive action bed.
Duration : 1.00 Tempo : Fast
Track 21 : Survival Story R Gregson-Williams
Poignant‚ dramatic theme.
Duration : 1.00 Tempo : Slow
Track 22 : Extreme Action J Burnett
Dramatic‚ relentless assault.
Duration : 2.50 Tempo : Medium

60 SECOND VERSIONS

Track 23 : Strike Force 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 24 : Hostile 60 J Burnett
Duration : 1.00 Tempo : Fast
Track 25 : A Deadly Game (a) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 26 : A Deadly Game (b) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 27 : Max Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 28 : The Ultimate Limits 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 29 : House of Secrets 60 J Burnett
Duration : 1.00 Tempo : Slow
Track 30 : Deep South 60 H Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 31 : Premeditated (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 32 : Techno Drive 60 J Burnett
Duration : 1.00 Tempo : Medium
Track 33 : For My Country 60 S Jablonsky
Duration : 1.00 Tempo : Medium
Track 34 : Lethal Run (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 35 : Lethal Run (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 36 : Lethal Run (c) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 37 : Trail of Deception (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 38 : Trail of Deception (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 39 : The Last Mission 60 J Atmajian
Duration : 1.00 Tempo : Medium
Track 40 : Beat Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 41 : Survival Story 60 R Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 42 : Extreme Action 60 J Burnett
Duration : 1.00 Tempo : Medium

30 SECOND VERSIONS

Track 43 : Strike Force 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Hostile 30 J Burnett
Duration : 0.30 Tempo : Fast
Track 45 : A Deadly Game (a) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 46 : A Deadly Game (b) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 47 : Max Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 48 : The Ultimate Limits 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 49 : House of Secrets 30 J Burnett
Duration : 0.30 Tempo : Slow
Track 50 : Deep South 30 H Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 51 : Premeditated (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 52 : Techno Drive 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 53 : For My Country 30 S Jablonsky
Duration : 0.30 Tempo : Medium
Track 54 : Lethal Run (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 55 : Trail of Deception (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 56 : The Last Mission 30 J Atmajian
Duration : 0.30 Tempo : Medium
Track 57 : Beat Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 58 : Survival Story 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 59 : Extreme Action 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 60 : Strike Force Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 61 : Max Action Sting R Gregson-Williams
Duration : 0.09 Tempo : Fast
Track 62 : The Ultimate Limits Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 63 : Techno Drive Sting J Burnett
Duration : 0.12 Tempo : Medium
Track 64 : Lethal Run (a) Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
Track 65 : Trail of Deception (a) Sting R Gregson-Williams
Duration : 0.12 Tempo : Medium
Track 66 : The Last Mission Sting J Atmajian
Duration : 0.07 Tempo : Medium
Track 67 : Beat Action Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
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RuthlessGravity reply Replies: 0 || 2010-09-13 00:00:00
This selection sounds like demo cues for The Rock, Crimson Tide, Metal Gear Solid 2, just a bunch of music that never made it into the real stuff but it sound's good though.

waitypissinati reply Replies: 0 || 2010-01-04 00:00:00
como faço para baixar as trilhas

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KPM Library - Extreme Impact soundtrack - Justin Burnett - Harry Gregson-Williams - Rupert Gregson-Williams - Steve Jablonsky