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man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?Music is royal and grand and the show is very good. Looking forward to more seasonsGreat score! Lots of fun.
Your Majesty is addictive and could listen to this also day long.Was Theme is last year ?Now, what do you thinnk anout the score?<br><br>There are two things that made me underappreciate the score: first these full credits (upset that perhaps a good track might havenot been written by POwell himself) and the fact that Powell will score Han Solo (expectation that this might be a trial score)<br><br>But,<br><br>"Madrid Finale" is clearly 5 star track, and so many nods to classical era of film score.<br><br>There are 4 themes that i can gather:<br>Ferdinand theme <br>Flower Theme<br>"Caring" theme<br>and "bad guy" theme<br>and all of them are good ( not as powerful as HTTYD though)<br><br>But, i find some action writing to be quite generic ( Anthony B Willis is to blame i guess)<br><br>Suffice to say that this is already a 4 star score because this is as subtle as you can get from hyperactive Powell's animation scoresThis score is BRILLIANT.Just started watching this season and the music is spot on especially the Princess Margaret episode. Gregson-Williams and Balfe have create a great score to this season.more intamint and emotional than before@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)
I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Don’t even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.
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Justin BurnettHarry Gregson-WilliamsRupert Gregson-WilliamsSteve Jablonsky
ComposerComposerComposerComposer
KPM Library - Extreme Impact
Label: Promotional release
Length: 72'16
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2763 votes)
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Track 1 : Strike Force R Gregson-Williams
Powerful co-ordinated assault.
Duration : 1.35 Tempo : Fast
Track 2 : Hostile J Burnett
Dark‚ futuristic menace.
Duration : 2.01 Tempo : Fast
Track 3 : A Deadly Game (a) H Gregson-Williams
Intense‚ threatening theme gradually building.
Duration : 2.01 Tempo : Slow
Track 4 : A Deadly Game (b) H Gregson-Williams
Intense‚ threatening theme gradually building‚ with helicopter fx at the start.
Duration : 1.56 Tempo : Slow
Track 5 : Max Action R Gregson-Williams
Driving‚ explosive percussion.
Duration : 1.30 Tempo : Fast
Track 6 : The Ultimate Limits R Gregson-Williams
Ultra high-speed action.
Duration : 1.27 Tempo : Fast
Track 7 : House of Secrets J Burnett
Cold‚ unsettling secrets.
Duration : 2.51 Tempo : Slow
Track 8 : Deep South H Gregson-Williams
Sultry atmospheric theme.
Duration : 1.32 Tempo : Medium
Track 9 : Premeditated (a) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.32 Tempo : Medium
Track 10 : Premeditated (b) R Gregson-Williams
Dark intrigue with dramatic punctuations.
Duration : 2.28 Tempo : Slow
Track 11 : Premeditated (c) R Gregson-Williams
As (b) without key changes.
Duration : 2.28 Tempo : Slow
Track 12 : Techno Drive J Burnett
Dynamic big beat action.
Duration : 1.19 Tempo : Medium
Track 13 : For My Country S Jablonsky
Proud‚ uplifting theme building throughout.
Duration : 2.12 Tempo : Medium
Track 14 : Lethal Run (a) R Gregson-Williams
Tense intro to desperate headlong rush.
Duration : 1.00 Tempo : Fast
Track 15 : Lethal Run (b) R Gregson-Williams
Alternative with less dynamic dart.
Duration : 1.00 Tempo : Fast
Track 16 : Lethal Run (c) R Gregson-Williams
Underscore of (a).
Duration : 1.00 Tempo : Fast
Track 17 : Trail of Deception (a) R Gregson-Williams
Disturbing investigative theme.
Duration : 1.00 Tempo : Medium
Track 18 : Trail of Deception (b) R Gregson-Williams
As above without key changes.
Duration : 1.00 Tempo : Medium
Track 19 : The Last Mission J Atmajian
Stirring military action.
Duration : 1.00 Tempo : Medium
Track 20 : Beat Action R Gregson-Williams
Percussive action bed.
Duration : 1.00 Tempo : Fast
Track 21 : Survival Story R Gregson-Williams
Poignant‚ dramatic theme.
Duration : 1.00 Tempo : Slow
Track 22 : Extreme Action J Burnett
Dramatic‚ relentless assault.
Duration : 2.50 Tempo : Medium

60 SECOND VERSIONS

Track 23 : Strike Force 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 24 : Hostile 60 J Burnett
Duration : 1.00 Tempo : Fast
Track 25 : A Deadly Game (a) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 26 : A Deadly Game (b) 60 H Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 27 : Max Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 28 : The Ultimate Limits 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 29 : House of Secrets 60 J Burnett
Duration : 1.00 Tempo : Slow
Track 30 : Deep South 60 H Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 31 : Premeditated (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 32 : Techno Drive 60 J Burnett
Duration : 1.00 Tempo : Medium
Track 33 : For My Country 60 S Jablonsky
Duration : 1.00 Tempo : Medium
Track 34 : Lethal Run (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 35 : Lethal Run (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 36 : Lethal Run (c) 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 37 : Trail of Deception (a) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 38 : Trail of Deception (b) 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 39 : The Last Mission 60 J Atmajian
Duration : 1.00 Tempo : Medium
Track 40 : Beat Action 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 41 : Survival Story 60 R Gregson-Williams
Duration : 1.00 Tempo : Slow
Track 42 : Extreme Action 60 J Burnett
Duration : 1.00 Tempo : Medium

30 SECOND VERSIONS

Track 43 : Strike Force 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Hostile 30 J Burnett
Duration : 0.30 Tempo : Fast
Track 45 : A Deadly Game (a) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 46 : A Deadly Game (b) 30 H Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 47 : Max Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 48 : The Ultimate Limits 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 49 : House of Secrets 30 J Burnett
Duration : 0.30 Tempo : Slow
Track 50 : Deep South 30 H Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 51 : Premeditated (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 52 : Techno Drive 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 53 : For My Country 30 S Jablonsky
Duration : 0.30 Tempo : Medium
Track 54 : Lethal Run (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 55 : Trail of Deception (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 56 : The Last Mission 30 J Atmajian
Duration : 0.30 Tempo : Medium
Track 57 : Beat Action 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 58 : Survival Story 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 59 : Extreme Action 30 J Burnett
Duration : 0.30 Tempo : Medium
Track 60 : Strike Force Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 61 : Max Action Sting R Gregson-Williams
Duration : 0.09 Tempo : Fast
Track 62 : The Ultimate Limits Sting R Gregson-Williams
Duration : 0.12 Tempo : Fast
Track 63 : Techno Drive Sting J Burnett
Duration : 0.12 Tempo : Medium
Track 64 : Lethal Run (a) Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
Track 65 : Trail of Deception (a) Sting R Gregson-Williams
Duration : 0.12 Tempo : Medium
Track 66 : The Last Mission Sting J Atmajian
Duration : 0.07 Tempo : Medium
Track 67 : Beat Action Sting R Gregson-Williams
Duration : 0.10 Tempo : Fast
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RuthlessGravity reply Replies: 0 || 2010-09-13 00:00:00
This selection sounds like demo cues for The Rock, Crimson Tide, Metal Gear Solid 2, just a bunch of music that never made it into the real stuff but it sound's good though.

waitypissinati reply Replies: 0 || 2010-01-04 00:00:00
como faço para baixar as trilhas

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KPM Library - Extreme Impact soundtrack - Justin Burnett - Harry Gregson-Williams - Rupert Gregson-Williams - Steve Jablonsky