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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Hans ZimmerSteve JablonskyGavin GreenawayJim Dooley
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Spirit - Stallion Of The Cimarron (Complete Score)
Label: Unofficial Release
Length: 102'06
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (5990 votes)
  1. Homeland Opening (3:54)
    Hans Zimmer
  2. Here I Am (Birth) - Spirit The Colt - Colt To Stallion (4:57)
    Bryan Adams, Hans Zimmer, Gretchen Peters, Gavin Greenaway
  3. Cougar Fight (0:54)
    Hans Zimmer
  4. This Is Where I Belong (2:22)
    Bryan Adams, Hans Zimmer, R.J. Lange, Gavin Greenaway
  5. Investigating (2:21)
    Hans Zimmer
  6. Wrangler Chase - Spirit Captured (3:40)
    Hans Zimmer, Gavin Greenaway
  7. You Can't Take Me (2:57)
    Bryan Adams, Gavin Greenaway, R.J. Lange
  8. Induction (1:56)
    Hans Zimmer, Steve Jablonsky
  9. Get Off My Back (2:50)
    Bryan Adams, Eliot Kennedy, Matt Mahaffey
  10. Tied To A Post (2:28)
    Hans Zimmer, Mel Wesson
  11. Indian Boy Arrested (0:38)
    Steve Jablonsky
  12. Second Rodeo (Part 1) (1:49)
    Hans Zimmer
  13. Second Rodeo (Part 2) (0:36)
    Hans Zimmer
  14. Triumph Over The Colonel (0:50)
    Hans Zimmer, Steve Jablonsky, James Dooley
  15. Fort Escape - Intro Rain (1:52)
    Hans Zimmer
  16. Unbridled (1:00)
    Steve Jablonsky
  17. Rain's World (2:55)
    Hans Zimmer
  18. Tango (0:50)
    Hans Zimmer, Gavin Greenaway
  19. Indian Village (1:29)
    Hans Zimmer
  20. Swimming (2:35)
    Hans Zimmer
  21. You Can Go (2:55)
    Hans Zimmer, Steve Jablonsky
  22. Blue Man Raid - Rapids (2:23)
    Hans Zimmer, Steve Jablonsky
  23. Fallen Rain (3:08)
    Hans Zimmer
  24. Sound The Bugle (3:54)
    Bryan Adams, Gavin Greenaway, Trevor Horn
  25. Iron Horse Camp - Pulling (3:20)
    Hans Zimmer
  26. Spirit's Vision - Train Escape (2:21)
    Hans Zimmer, Steve Jablonsky, James Dooley
  27. Forest Fire (1:28)
    Hans Zimmer
  28. Kindred Spirit (1:30)
    Hans Zimmer, Steve Jablonsky
  29. Canyon Chase (2:50)
    Hans Zimmer
  30. Spirit's Leap (1:25)
    Hans Zimmer
  31. Reunion (3:00)
    Hans Zimmer
  32. I Will Always Return (Finale) (2:46)
    Bryan Adams, Hans Zimmer, R.J. Lange, Gavin Greenaway
  33. Here I Am (End Title) (4:45)
    Bryan Adams, Hans Zimmer, Gretchen Peters, Gavin Greenaway, R.J. Lange
  34. Don't Let Go (4:03)
    Bryan Adams, Sarah McLachlan, Gretchen Peters, Gavin Greenaway, R.J. Lange
  35. Brothers Under The Sun (3:58)
    Bryan Adams, Steve Jablonsky, Gretchen Peters
  36. Nothing I've Ever Known (3:53)
    Bryan Adams, Hans Zimmer, Eliot Kennedy, Gavin Greenaway
  37. I Will Always Return (3:59)
    Bryan Adams, Hans Zimmer, R.J. Lange, Patrick Leonard, Gavin Greenaway
  38. Here I Am (Birth) - Spirit The Colt - Colt To Stallion (Alternate) (4:32)
    Bryan Adams, Hans Zimmer, Gretchen Peters, Gavin Greenaway
  39. Iron Horse Camp - Pulling (Alternate) (3:20)
    Hans Zimmer
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T-Mann036 reply Replies: 0 || 2016-10-12 18:47:12
This complete film soundtrack of Spirit was 100% spot-on perfection. I truly enjoy Hans Zimmer with the musical performance of Bryan Adams. IMHO, this is one of Adams's greatest performance since "Robin Hood: Prince of Thieves".

Ds reply Replies: 3 || 2016-04-29 17:48:49
There's a typo in the title, there's only one "m" in "Cimarron" :-p


Ds2016-04-29 19:58:02
Reading the filmtracks review of this score... makes me want to cry.

"any hint of the enthusiasm or epic size that was evident in The Lion King or The Prince of Egypt is completely missing here."

"sound like the bastard child of the themes from The Rock and Toys"

What a crazy read. It's one of my all-time HZ favourites, I find it so refreshing, epic and thematically rich. Every time I hit the play button, I'm 11 again...


Edmund Meinerts2016-04-29 21:02:06
I can maybe, maybe hear a bit of Toys in there, but where Clemmensen is hearing The Rock is anyone's guess. Then again, he seems to be particularly good at hearing Crimson Tide in particular in scores that don't sound like it at all (really, any time Zimmer uses a male choir, it's a Crimson Tide clone)...and all while giving Horner multiple free passes for far worse. Oh well. Just shrug and laugh it off.

I'm not sure the Spirit as a whole is as well-rounded as Lion King or Prince of Egypt (it gets a bit repetitive after a while), but I ADORE the themes, and I'd put "Run Free" from the original album in my top 10 Zimmer cues ever. The whole thing sounds so warm and organic for some reason (which is odd considering it's so synth-heavy). It's like musical comfort food. :)


Ds2016-04-29 21:20:35
I agree so much! Run Free and Homeland are so delightful, entertaining, propulsive, emotional, really grand music.

Btw I can't help thinking Homeland would have been an amazing fit somewhere in the concert setlist!

pirate har har reply Replies: 4 || 2015-08-19 14:26:06
someone please leak this 'accidentally' :-)


treasurehunter2015-09-10 14:55:46
someone did ;-)

It's a wonderful score and a shame that so little of it was officially released.


emilyanne72462015-11-26 03:31:05
Does anyone have a link to where this expanded version (all 39 tracks) can be downloaded?


Edmund Meinerts2015-11-26 08:46:04
We could tell you, but then Nicolas would have to kill you (and us).


Anonymous2015-11-28 18:24:10
There's this problem with this site where if someone tries to name the forum that stuff can be found on, it gets censored, deleted or blocked from being posted at all.

McMissile reply Replies: 0 || 2015-08-15 18:07:42
Thanks for the updated sessions cue list, Hybrid. Do you have the slate numbers?

Der Schimmelreiter reply Replies: 0 || 2014-02-09 14:44:30
I love this music and I have the Score and the Soundtrack, but there are some tracks missing at least.
We definetely need a complete Score with every pinch of music from the whole film. I've made a list of scenes in the film where the music is not on the Soundtrack and neither on the Score. Is there someone out there who can help me?
I want this stuff sooo desperately :)

Catey reply Replies: 0 || 2011-08-05 21:10:15
Hi, what is the full soundtrack list? Im struggling to find it:) I need everything copied off directly from the CD:) Thanks:)

Seston reply Replies: 0 || 2011-04-17 00:00:00
Very true! Makes a change to see soomene spell it out like that. :)

Rocky reply Replies: 0 || 2011-03-31 00:00:00
@ Mr Tweedy
Hello! I have been looking for a promo score for Spirit, but I haven't found one anywhere!!! You said there are two promos?! Hans Zimmer's FYC promo, and Dooley's site promo? PLEASE can you tell me where to find them? Even if it's just a track list? How do you know about them? It would mean everything to me to own more of this score!!! And yes, I had been wondering if the 'Expanded Score' was fan made as well...ah well. Where can I find them?! IF ONLY PEOPLE WOULD SEE SENSE AND RELEASE A COMPLETE SCORE FOR EVERY FILM!!!
Thank you!
Rocky

brandi reply Replies: 0 || 2010-12-20 00:00:00
i just wanted to say i ive the sound track adn i hope you come out with another movie like this one

carlos reply Replies: 0 || 2010-12-11 00:00:00
is very beautiful this soundtrack I love

DemonStar reply Replies: 0 || 2009-07-12 00:00:00
Agreed, a proper complete score of this would be lovely to have.

Mr Tweedy reply Replies: 0 || 2009-07-12 00:00:00
@ DemonStar
Some licensing sites are giving credits to both Zimmer, Dooley and Jablonsky for "Triumph Over Colonel" and "Train Escape". This "credits" thing is quiet hard to understand (and to explain too !). For exemple, if Jablonsky is writing a cue alone, but that he uses one of Zimmer's themes, both Zimmer and Jablonsky will be credited for that cue.
If Jablonsky wrote the arrangement of one theme, and that Dooley is using this arrangement in, say "Train Escape", Zimmer, Dooley and Jablonsky will all be credited. Crazy heh? lol
Of course, I think that those cues are definitely Dooley's.

@ me
This "expanded" is fan made, as it contains cues from 3 sources : 1- The regular album, 2- Zimmer's FYC promo (not listed in h-z.com !!!), and 3- Dooley's site promo.

@ Skyler
You're right about Morris working on "Homeland". But as Zimmer assistant, I don't think he deserves a real "composing credits" for the cue. He probably helped in some ways... Wonderful cue anyway.


I have found credits for other cues, but I don't think they are available anywhere : "Induction" (Zimmer / Jablonsky), "Blue Man Raid" (Zimmer / Jablonsky) and "Tied to a Post" (Zimmer / Wesson). I also found that "Rain" was composed by Zimmer alone.

We need a "complete score" !!! lol

me reply Replies: 0 || 2009-07-11 00:00:00
I have this score and it's amazing! I love Zimmer's work though I would love to know which tracks Jablonsksy helped on.

Mr Tweedy reply Replies: 0 || 2009-07-11 00:00:00
I know for sure Jablonsky helped Zimmer and the following tracks : "The Long Road Back", and "Run Free". And he worked with Dooley on "Triumph Over Colonel" and "Train Escape". I don't exactly what he did but he probably arranged some sections...

me reply Replies: 0 || 2009-07-11 00:00:00
Thanks Mr. Tweedy. But if it's not too much trouble to ask, could you list the additional music composers with their appropriate tracks? I'd love to know who was involved with what. Thanks again though...

DemonStar reply Replies: 0 || 2009-07-11 00:00:00
I do know "Triumph Over The Colonel" and "Train Escape" are both by Dooley because they come from his website. Wish they were in better quality though, hehe.

Skyler reply Replies: 0 || 2009-07-11 00:00:00
According to his website, I think Trevor Morris contributed to "Homeland."

The Classics Music Cridicts reply Replies: 0 || 2009-07-11 00:00:00
THe music in the movie was just stunning and it would touch your heart how beautiful the music went with the movie

esraa reply Replies: 0 || 2009-07-10 00:00:00
very good

Xyla Nicole reply Replies: 0 || 2009-04-28 00:00:00
I really love the musics of Hans Zimmer

I am really surprised because through all the musics I search I always see Hanz Zimmer's name then I went to search more from his musics in the internet
then he even composed the songs of
Pirates of the Caribbean and Pearl Harbor (my favorite)
and now this !!!

I I have been a fan since then until now !!! (^_^)b

lupus6x9 reply Replies: 0 || 2008-09-14 00:00:00
The movie was so-so to me, and I'm not a fan of Bryan Adams. Hans Zimmer is not my favorite composer, and this is not my favorite soundtrack.

But "Run Free" is simply the best song I have ever heard in my entire life. I want to buy it again. And again. And I want it to be playing when I'm at my wedding, and when I'm on my deathbed.

Is there any way to get MORE of this soundtrack?

Anonymous reply Replies: 0 || 2008-08-30 00:00:00
MWAH! SPIRIT IS DA BEST MOVIE IN DA WORLD!!! CANT STOP WATCHING IT! THIS EXPANDED SCORE IS SOOO BEAUTIFUL AND THANK EVERYONE WHO CONTRIBUTED TO IT.....I LOVE IT SOO MUCH AND LISTEN TO IT EVERYDAY.......IT GIVES MY HEART ANOTHER BEATT WHEN I LISTEN TO IT!!!!!!!!!!!!!!
NEVER FORGET THE GOOD THINGS IN LIFE>>>
SPIRIT STALLION OF THE CIMARRON AND ITS SOUNDTRACK IS ONE OF THOSE GOOD THINGS!!!!!

Anonymous reply Replies: 0 || 2008-08-19 00:00:00
love this music soooooooooo much!!!!

Anonymous reply Replies: 0 || 2008-08-19 00:00:00
such emotional music and is just such a part of my lyf nw!

bralic reply Replies: 0 || 2008-04-28 00:00:00
sorry Iron Horse Camp / Pulling

anon reply Replies: 0 || 2008-02-10 00:00:00
this music is really good haha i like it

T'chain sock reply Replies: 0 || 2008-02-03 00:00:00
La musique de Spirit composée par Hans Zimmer est magnifique. Dommage qu'elle soit écorchée et saccagée par la voix affreuse de Bryan Adams. Sa voix chevrottante et horrible ne va pas du tout sur cette musique si délicate et si puissante.
Le chanteur Bryan Adams n'a rien à faire ici !! Bryan Adams enlève le manche à balais qui est resté dans ton cul et essaie de chanter au moins juste ! T'es archi nul !

iza reply Replies: 0 || 2007-12-03 00:00:00
the movie is very nice. it givs me courage and inspiration everytime. I also love the ost's by Bryan Adams and the album.

Taylor, Tabitha reply Replies: 0 || 2007-11-09 00:00:00
im not suppose to love you
im not suppose to care
im not suppose to live my life wishing you were here
im not suppse to wonder
where you go or what you do
i just can't help myself i fell in love with you

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Spirit - Stallion Of The Cimarron (Complete Score) soundtrack - Hans Zimmer 2002