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When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something elseWere the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind JunkieI agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.
@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?They're starting to send screeners. Finger crossed for the FYC :D
The score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmerís Superman theme, something we havenít heard since MoS. Hell, even the trailers did that.... -_-rumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it<br>======================================<br><br>Oh, absolutely! I'm sure we will soon find out that Balfe also scored Star Wars and Titanic. And Harry Potter. And Indiana Jones.Edmund, I somewhat agree - I've seen very little from Junkie to make me think this would have been a groundbreaking, wonderful score. However, maybe it's the Zimmer fan in me, but I would have loved to hear "stock, barely-altered reprises of Zimmer's themes all over the place" in this score. So many scenes begged for just that. Compositionally it doesn't make for an interesting soundtrack or film score, I agree, but I would be willing to sacrifice that for thematic continuity.I certainly understand the criticisms leveled at Elfman's JL score, but I'm not at all convinced Junkie would have been a better option. I've never been too convinced by him anyway (Mad Max was a situation where his sound happened to be a good fit, but even then I think a better composer could have made much more out of the same ingredients). And since anything worthwhile in the previous two (and yeah, I'm aware I like MoS and BvS waaaaaaaay less than the average reader of this site) ended up being by Hans anyway, I really doubt Junkie flying solo would have been up to much. My guess is he would have pulled out stock, barely-altered reprises of Zimmer's themes all over the place without adding much new material on his own, which would have satisfied the DC fans more than what Elfman did, sure, but would have been a lot less interesting as a score album. I mean, say what you want about the questionable thematic decisions Elfman made, the two gigantic full-length action cues are pretty solid in and of themselves. I'll take that over Junkie letting the drums pound for eleven minutes straight, any day of the week.
The studio is the music owner now.There you go. So we probably will never get to hear what Tom planned/did for this movie. I really believe that it would've been great compared to the generic score we got. <br>Only two tracks stood out to me and only one was an actual cue from the movie.Gabriel Yared leaked his Troy back in 2004 but I think he got in quite a lot of trouble for that. There's a reason he hasn't done too many high profile films since then, I think. A few rejecteds have slipped out over the years but it's pretty unheard of for the composer himself to be the one to leak it I think, that would be career suicide if they got caught. Usually they come out the same way complete scores do, some anonymous person working on the scoring team probably did it.and Zimmer criticized Elfman...back and forth, etc. So what? The movie is lame, the score is about as lame as Bat V Sup@JBSO99 you're right. It's so big and widely spread.<br><br>And you're right about me forgetting those score. I just picked these three because Elfman critized Zimmer
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Harry Gregson-WilliamsJohn PowellJames McKee SmithToby Chu
ComposerComposerAdditional MusicAdditional Music
Shrek (Complete Score)
Label: Unofficial Release
Length: 53'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2450 votes)
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  1. Fairytale (1:28)
    Harry Gregson-Williams, John Powell
  2. Ogre Hunter (0:44)
    Harry Gregson-Williams, John Powell, Toby Chu
  3. Fairy Deathcamp (0:53)
    Harry Gregson-Williams, John Powell, Toby Chu
  4. Flying Donkey (2:53)
    Harry Gregson-Williams, John Powell
  5. Big Awkward Silence (0:39)
    Harry Gregson-Williams, John Powell
  6. Eating Alone (1:16)
    Harry Gregson-Williams, John Powell
  7. Whaaat? (1:28)
    Harry Gregson-Williams, John Powell
  8. Big City Adventure (0:54)
    Harry Gregson-Williams, John Powell
  9. March Of Farquaad (0:43)
    Harry Gregson-Williams, John Powell
  10. Magic Mirror (0:20)
    Toby Chu
  11. The Perfect King (1:16)
    Harry Gregson-Williams, John Powell
  12. Duloc Muzak (1:00)
    Harry Gregson-Williams, John Powell
  13. Welcome To Duloc (0:34)
    Hope Levy, Jill Bogard, Mike Himelstein, Eric Darnell
  14. Tournament Speech (0:50)
    Harry Gregson-Williams, John Powell
  15. Champion Shrek (0:24)
    Harry Gregson-Williams, John Powell, James McKee Smith
  16. What Kind Of Quest? (0:25)
    Harry Gregson-Williams, John Powell
  17. Smells Like Brimstone (0:31)
    Harry Gregson-Williams, John Powell
  18. The Castle (1:38)
    Harry Gregson-Williams, John Powell
  19. Dragon! (1:36)
    Harry Gregson-Williams, John Powell
  20. Fiona Awakens (0:33)
    Harry Gregson-Williams, John Powell
  21. One Of A Kind Knight (1:19)
    Harry Gregson-Williams, John Powell, James McKee Smith
  22. Saving Donkey's Ass (0:43)
    Harry Gregson-Williams, John Powell, James McKee Smith
  23. Escape From The Dragon (1:56)
    Harry Gregson-Williams, John Powell
  24. Helmet Hair (2:11)
    Harry Gregson-Williams, John Powell
  25. Delivery Boy Shrek (0:21)
    Harry Gregson-Williams, John Powell
  26. Making Camp (0:28)
    Harry Gregson-Williams, John Powell
  27. Constellations (1:00)
    Harry Gregson-Williams, John Powell
  28. Starry Night (0:57)
    Harry Gregson-Williams, John Powell
  29. Singing Princess (1:36)
    Harry Gregson-Williams, John Powell
  30. Better Out Than In (0:19)
    Harry Gregson-Williams, John Powell
  31. Merry Men (0:43)
    Vincent Cassel, Kirby Tepper, Andrew Adamson, Conrad Vernon
  32. Fiona Kicks Ass (0:27)
    Harry Gregson-Williams, John Powell
  33. Fiona's An Ogre (2:59)
    Harry Gregson-Williams, John Powell
  34. Sunflower (0:48)
    Harry Gregson-Williams, John Powell
  35. I'll Tell Him (1:09)
    Harry Gregson-Williams, John Powell
  36. Why Wait To Be Wed? (1:35)
    Harry Gregson-Williams, John Powell
  37. You Thought Wrong (0:23)
    Harry Gregson-Williams, John Powell
  38. Ride The Dragon (1:33)
    Harry Gregson-Williams, John Powell
  39. I Object (1:52)
    Harry Gregson-Williams, John Powell
  40. Transformation (1:50)
    Harry Gregson-Williams, John Powell
  41. You Are Beautiful (1:41)
    Harry Gregson-Williams, John Powell
  42. Is It You (I Have Loved) (3:59)
    Dana Glover, Harry Gregson-Williams, John Powell, Gavin Greenaway
  43. Fairy Tale Theme (1:44)
    Harry Gregson-Williams, John Powell
  44. Starry Night (Alternate) (0:58)
    Harry Gregson-Williams, John Powell
  45. Singing Princess (Alternate) (1:40)
    Harry Gregson-Williams, John Powell
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Marty McFly reply Replies: 0 || 2015-11-03 16:35:20
Will the complete score for Shrek 2, Shrek the Third, Shrek Forever After or not?

... reply Replies: 0 || 2013-10-14 16:29:47
May we have a track list?

Anthony reply Replies: 0 || 2006-11-24 00:00:00
All the extra stuff is just chopped up release material. Nothing worthwhile here.

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Shrek (Complete Score) soundtrack - Harry Gregson-Williams - John Powell 2001