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i havent heard that theme in ages...imma check it outO-cool, this is indeed VERY cool :)featurette with new music(choir!)<br><br>www.youtube.com/watch?feature=player_embedded&v=rtcEtDDqvu8Well I mean ''Looking Into Limbo (Alternate)''Untitled track # 1 it's very similiar like Memento
These files come from a 48Khz source. What is the sampling rate of the flac version?I have just realized that the main theme was very close to broken arrow main theme (the famous guitar theme).that too....aside from that 4th descending note...Very true.<br><br><br><br>For the sake of argument, and because I'm really tired of this debate. They are also the 'James Bond Chords/ascending melody"yeah there is I just pointed it out.<br><br>Do a side by side comparison, you'll hear the same chords.<br><br>Superman theme dresses it up by adding a few extra notes at the end bt it's the same ascending chords....
Hybrid soldier can you tell us when this score will leak?It's the 1st news on imdb frontpage :)I asked this, but it's likely to do better on its own topic. Does anybody have any idea what M8 and M16 should have contained? And, I hear the supposed FYC Promo had a different version of Circle of Life. Any truth to that one?Any idea what M8 and M16 should have contained? And, I hear the supposed FYC Promo had a different version of Circle of Life. Any truth to that one?While TDKR can truly be called a Hans score, however, I do understand the question with regards to Inception (which I mentioned on that page), where Lorne not only arranged the score as heard in the film but wrote a couple themes himself (Fischer's theme, Kick It Suite, and possibly even Saito's theme). In that case I would say he should be given credit as a co-composer.
I can answer that one, Anon. With The Dark Knight Rises, pretty much ALL the music comes from one of two sources: the suites Hans wrote for the movie or from the scores of Batman Begins and The Dark Knight (also by Hans). And even though Lorne arranged a whole lot of cues for the film, they're hardly changed from the way Hans wrote them, so you're truly listening to Hans Zimmer when you watch the film.<br><br>With Modern Warfare 2, Hans only wrote ONE piece, the Opening Titles. The other pieces are not only arranged by Lorne (as in TDKR) but COMPOSED BY Lorne (something not the case in TDKR).Another great Powell release was Chicken Run!Powell animated scores do tend to get good treatment. How to Train Your Dragon was an excellent album. And you're right, Maelstrom pt. 1 and Liftoff are great pieces, which is why I intentionally said the scores contain MOST of the notable stuff. ;)Well, yeah, the complete score here is only about 15 minutes longer than the regular album. Powell animated scores (which this really is more than a Zimmer effort) tend to have pretty good releases that contain most if not all of the music, and always all of the really important stuff.<br><br>As for your other ones, I agree with all of them except At World's End. The Treasures Collection suites were definitely an absolute godsend, but that still didn't include Maelstrom Pt. 1 or Liftoff, which are both absolutely essential cues IMO.I'm the greatest Hans Zimmer fan of all time and I say there is nothing close to AWE in Superman's theme. DOT.<br><br>-Love, peace, weed and music-
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Directors Cut vol 4 - Drama
Label: Promotional release - Directors Cuts Production Music LTD. / Extreme Music
Length: 65:48
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (319 votes)
  1. Trailblazing - Steve Jablonsky (3'00)
  2. Goliath - Steve Jablonsky (2'05)
  3. First Flight - Klaus Badelt (5'12)
  4. Stark Salvation - Geoff Zanelli (3'00)
  5. Just cause - Steve Jablonsky (2'57)
  6. Devine Lite - Klaus Badelt (3'52)
  7. Deep Heat - Gavin Greenaway(2'14)
  8. Adagio Absolut - Patrick Cassidy (5'14)
  9. Lost Souls - James S. Levine (1'27)
  10. Shadowman - Klaus Badelt (1'56)
  11. Deep Contact - James S. Levine (2'11)
  12. Aftermath - James S. Levine (2'31)
  13. Dark Skies - Klaus Badelt (2'09)
  14. Desert Scent - Patrick Cassidy (4'23)
  15. Close Range - Gavin Greenaway (3'15)
  16. Double Trouble - Klaus Badelt (3'35)
  17. Fait Acomplis - Badelt/Lohner (2'11)
  18. Still Drift - Patrick Cassidy (4'29)
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derek reply Replies: 0 || 2009-01-27 00:00:00
where can you buy this album? I want it so bad

Jason reply Replies: 0 || 2007-12-06 00:00:00
I love trailblazing it totally rox my socks
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Darren Porter reply Replies: 0 || 2007-05-11 00:00:00
i would give my soul to work with you guys i have stuff hear which would not sound out place in your team, its a dream honestly hit me back at ######
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Directors Cut vol 4 - Drama soundtrack - Various