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Oh my god. It's time to put an end to this. There is NO timeline as to when complete scores are leaked. They leak when the person in possession of them feels like leaking them. TF4 was November of 2014 because that's when the files were uploaded to Paramount's guilds/FYC site for academy members to listen to. Same with interstellar. It has absolutely nothing to do with time. I have some scores that haven't leaked yet. And I'm not going to. Why? Because I was asked not to. Not because I feel the time is right. K? Glad we cleared that up.Does anyone remember around when the TF2 and TF3 complete scores were leaked? I know TF4's was around November 2014, I figured that might give an idea of when TF5's will get out.hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.
Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the posts
This is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?
I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.
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Hans ZimmerKlaus BadeltPatrick CassidyHarry Gregson-Williams
ComposerComposerComposerComposer
Directors Cuts 01 - Audio Trailer
Label: Extreme Music
Length: 71'24
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4194 votes)
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  1. Audio Trailer (1:58)

    ACTION
  2. Victory Quest (1:24)
    John Powell
  3. Mission Objective (1:55)
    Gavin Greenaway
  4. Celluloid Hero (1:50)
    Gavin Greenaway
  5. Power Struggle (3:26)
    Klaus Badelt

    ROMANCE
  6. Turning Point (2:59)
    Henning Lohner
  7. Cold Comfort (4:01)
    Henning Lohner
  8. Forget-Me-Not (2:17)
    James S. Levine
  9. Stargazing (2:18)
    Harry Gregson-Williams
  10. Sweet Serenity (2:05)
    Henning Lohner

    EPIC THEMES
  11. Poetic Justice (1:53)
    Gavin Greenaway
  12. Full Force (2:34)
    John Powell
  13. Liberty (2:32)
    Hans Zimmer
  14. Pyrrhic Spirit (3:10)
    Patrick Cassidy
  15. Rough Justice (2:55)
    Klaus Badelt
  16. Eternal Bliss (1:33)
    John Powell

    CHILLER
  17. Doom Raider (0:59)
    Geoff Zanelli
  18. Sonic Psychosis (4:29)
    John Powell
  19. After Dark (1:47)
    Gavin Greenaway
  20. Creepfest (1:21)
    Gavin Greenaway

    WORLD FLAVOURS
  21. Organic Planet (1:13)
    John Powell
  22. Drums Of Navarone (1:13)
    Geoff Zanelli
  23. 8th Wonder (1:05)
    Harry Gregson-Williams
  24. Promise Land (1:38)
    Harry Gregson-Williams

    DRAMA
  25. First Flight (5:10)
    Klaus Badelt
  26. Trailblazing (2:58)
    Steve Jablonsky
  27. Lost Souls (1:26)
    James S. Levine
  28. Deep Heat (1:30)
    Gavin Greenaway
  29. Chillusion (1:05)
    Gavin Greenaway

    TENSION AND SUSPENCE
  30. Dead Calm (1:28)
    Henning Lohner
  31. Extra Sensory (1:04)
    John Powell
  32. Final Verdict (0:54)
    Gavin Greenaway
  33. Shadowplay (1:06)
    Gavin Greenaway
  34. Manhunt (0:45)
    Steve Jablonsky
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Wolf Fable reply Replies: 0 || 2009-05-30 00:00:00
gah Track 13 Liberty i can never find anything on it. yet its soo beautiful. the hardest song ive ever searched for but theyve got such a hold on it. id kill to have that full song.

andre reply Replies: 0 || 2009-04-23 00:00:00
Some folks onyoutube are using what looks like Han Zimmer Psychosis for their soundtrack to a very funny pac man film...wonderful music..I can't exactly find it here...

Marco Reynoso reply Replies: 0 || 2008-01-21 00:00:00
I want buy some of you collection, the licens for use in a own programs and trailers, and production for tv programs,, were i can buy it?

Hybrid Soldier reply Replies: 0 || 2008-01-21 00:00:00
www.extrememusic.com


;-)

Marco Albers reply Replies: 0 || 2007-08-20 00:00:00
Hi, where can i buy this? Iīm from germany and ich search in the Internet for this cd but i dont found something... it is possible to get this from amazone or somthing else?

########

thanks

marco

Antas, Webmaster reply Replies: 0 || 2007-08-20 00:00:00
Unfortunately not. The Directors Cut serie is not for public sale

 HANS-ZIMMER.com© 2001-2017 OST 
Directors Cuts 01 - Audio Trailer soundtrack - Hans Zimmer - Klaus Badelt - Patrick Cassidy - Harry Gregson-Williams 2001