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Based on what you'd like to calculate it? MP3, CD....?jaa. but i think he will never get his second oscar...:-(Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?
"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lolthis one is my pick for the oscar as well. hope it wins : )When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something else
Were the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind JunkieI agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!
Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?They're starting to send screeners. Finger crossed for the FYC :DThe score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmerís Superman theme, something we havenít heard since MoS. Hell, even the trailers did that.... -_-
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Hans ZimmerNick Glennie-SmithFiachra TrenchMalcolm Luker
ComposerAdditional MusicConductorMusic Scoring Mixer
The House Of The Spirits
Label: Milan Records
Length: 43'33
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4642 votes)
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  1. The House Of The Spirits (10:02)
  2. Clara (6:31)
  3. Coup (9:34)
  4. Pedro And Blanca (9:50)
  5. Clara's Ghost / La Paloma * / Closing Titles (7:24)
*Written by SebastiŠn Yradier & Michael Jary, performed by Rosita Serrano
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Zimson reply Replies: 7 || 2014-07-10 22:14:35
Lol, the times when Hans needed less than 10 people to do a score. :D This one's a very fine soundtrack, though.


Hybrid Soldier2014-07-10 22:38:41
Why is that an issue ?

Back in the days you might have had one guy (in most cases, Nick) but he was doing the same amount ALL the additionals nowadays combined do, so where's the difference ? :)


Zimson2014-07-10 22:53:39
My comment was actually not meant to be judgemental. It's of course not an issure. I just find it interesting how things evolved over the years and I'm glad they have. ;)


Hybrid Soldier2014-07-10 22:56:04
And I was no replying with any animosity... lol


Zimson2014-07-10 23:22:57
I didn't get it that way but it seems we got us both a little wrong, lol. :D It wasn't a critique on the amount of people working nowadays on his scores. I just wanted to point out how the team grew bigger along with the movies. ;)


e2014-07-11 10:23:59
This has probably been asked hundreds of times but is there anywhere where Hans himself talks about, in detail, the additional music process (not the PR crappy interviews he gives to sycophantic magazines and sites), or could you explain it Hybrid. I think the casting of it as "he writes a theme and then says 'okay guys write my score'" is a lazy analysis. I don't care who did exactly what note, I'm just interested in the process, and how involved Hans is at each step.


Zimson2014-07-11 14:52:08
As far as I know for scores like Dead Man's Chest the process is something like this: Hans writes suites inspired by the film. This often starts before the movie is even shot and he also likes to hear the story from the director rather than reading the script. This can take a few months or so. Hans worked a month on the Jack Sparrow theme for example.
After that, when film material is available Hans and his additional composers work together and score the scenes. They often sit down and discuss, sometimes also including the director and other crew members. So, basically Hans is always involved in the process and thus it's absolutely justified that he gets top credits at the end. He's like the director of the score (and also the screenwriter in some way), someone who looks at the big picture rather than the details.
On other scores like Sherlock Holmes or Inception Hans and Lorne worked more separately, as far as I know. Lorne stated in an interview that he sees in which direction Hans is going and then tries to mimic the style or capture the vibe.
Of course I can give no guarantee that this is correct, but it's how I understood it.


Lambegue2014-07-11 17:50:48
I'd be more curious to know how Zimmer gives his directions for the movies he doesn't even see completly (as it is the case with all the Michael Bay movies he worked on). Not a critic at all, I'm just curious.

About "The House of the Spirits", I agree, it's a very fine score. I especially love the two last minutes or so of "Clara"

Olaviu reply Replies: 0 || 2008-10-24 00:00:00
You are the best composer ever; I just love your music. I purchased several of your soundtracks and stored them on my iPod. Unfortunately, the soundtrack from ďThe house of the spiritsĒ was not available. If I donít ask too much, please advise where from can I purchase the soundtracks that iTunes are missing.
Keep up the fantastic good work. Your music is balsam to the soul.

dssf reply Replies: 0 || 2008-01-20 00:00:00
good

Anonymous reply Replies: 0 || 2007-11-18 00:00:00
this is one of the best soundtracks ever

Thank You Mr. Zimmer For your beautiful music

You Are The BEST Composer Ever No Doubt

hushanhu reply Replies: 0 || 2006-12-12 00:00:00
i am a fans for Hans ,come from china,i find this soundtrick so long,and imporssible,so a want to download,can i??i love this film very very much!!

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The House Of The Spirits soundtrack - Hans Zimmer 1993