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For those you who live in the UK:<br><br>March 20 2019 – MANCHESTER Arena<br>March 21 2019 – BIRMINGHAM Arena Birmingham<br>March 22 2019 – GLASGOW SSE Hydro<br>March 23 2019 – LONDON SSE Arena Wembley<br>March 25 2019 – DUBLIN 3Arena<br>Wow that pretty neat.Great News. I thought we will have to wait until end of 2019 at the earliest.YepBeautiful score!<br>The Main Theme is brilliant
Good question! I would like to also know.<br>Hi guys. I think junkie xl was more active and involed in man of steel in comparison to BvS. Isnt it ?Awesome!!Well color me excited! Hope they make a film out of one of the shows like they did with the Prague one.For those who were asking, Sony will release a 2 CD set for this show...
Macarthur really was a legend, wasn't he? Good times :') (not really)As a matter of fact, Djawadi is also credited, basically for the note to note use of a segment from "Sword Fight" from POTC 1... Atli is also credited for Mermaids for the use of "Beckett's Death" from POTC 3...I come here from time to time to have a good laughI've wondered this one too, for a while...Just thought it was cool little secret credit given despite the actual album cover just says Zimmer for those tracks. It’s just a technicality that I thought was pretty cool. I always kind of felt Zimmer always takes credit for things that don’t belong to him always. So it’s nice to see the fine print .
Apparently, CD coming in 26th October<br><br>https: // www.amazon.ca/Goosebumps-Haunted-Halloween-Original-Soundtra ck/dp/B07HGGBXG8/ref=sr_1_1?ie=UTF8&qid=1539456905&sr=8-1&ke ywords=haunted+halloween+soundtrackYeah sure.<br><br>What about, I don't know, just saying, those cues have direct temptrack of cues from POTC 1 by Steve, hence they decided to credit him ?<br><br>I guess you didn't think about that or have any idea how all this crediting works ?I learned that Steve Jablonsky actually composed three tracks: <br>Mermaids<br>Palm Tree Escape, <br>stranger tides. <br><br>Here is Proof from copyright.gov <br>https://cocatalog.loc.gov/cgi-bin/doctitles.cgi?V3630D042<br>&<br>https://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=2&ti=1,2& Search_Arg=V3630D042&Search_Code=REGS&CNT=25&PID=0krD73MjsLc 4PU7YurzaqS0SJAe4&SEQ=20181012214432&SID=3Does anybody know who is performing Jack's theme piano demo? Is it Hans himself?i don't think that rabin worked on Coyote Ugly. he was in the middle of doing Gone In 60 Seconds, which had the preniere in june 2000, when boaz yakin asked trevor to compose the music for Remember The Titans. the premiere of that movie was in september 2000 and the premiere of The 6th Day was in october 2000. Coyote Ugly was released in july 2000. there was not enough time, even if would have composed the music earlier that year, because Whispers - An Elephant's Tale was released in march 2000. trevor horn worked on alot of songs, so it makes sense that he also composed the score. i haven't seen the movie yet, but i can imagine, that some melodies of the songs were incoorperated into the score.
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Hans ZimmerNick Glennie-SmithFiachra TrenchMalcolm Luker
ComposerAdditional MusicConductorMusic Scoring Mixer
The House Of The Spirits
Label: Milan Records
Length: 43'33
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5086 votes)
  1. The House Of The Spirits (10:02)
  2. Clara (6:31)
  3. Coup (9:34)
  4. Pedro And Blanca (9:50)
  5. Clara's Ghost / La Paloma * / Closing Titles (7:24)
*Written by Sebastián Yradier & Michael Jary, performed by Rosita Serrano
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Zimson reply Replies: 7 || 2014-07-10 22:14:35
Lol, the times when Hans needed less than 10 people to do a score. :D This one's a very fine soundtrack, though.


Hybrid Soldier2014-07-10 22:38:41
Why is that an issue ?

Back in the days you might have had one guy (in most cases, Nick) but he was doing the same amount ALL the additionals nowadays combined do, so where's the difference ? :)


Zimson2014-07-10 22:53:39
My comment was actually not meant to be judgemental. It's of course not an issure. I just find it interesting how things evolved over the years and I'm glad they have. ;)


Hybrid Soldier2014-07-10 22:56:04
And I was no replying with any animosity... lol


Zimson2014-07-10 23:22:57
I didn't get it that way but it seems we got us both a little wrong, lol. :D It wasn't a critique on the amount of people working nowadays on his scores. I just wanted to point out how the team grew bigger along with the movies. ;)


e2014-07-11 10:23:59
This has probably been asked hundreds of times but is there anywhere where Hans himself talks about, in detail, the additional music process (not the PR crappy interviews he gives to sycophantic magazines and sites), or could you explain it Hybrid. I think the casting of it as "he writes a theme and then says 'okay guys write my score'" is a lazy analysis. I don't care who did exactly what note, I'm just interested in the process, and how involved Hans is at each step.


Zimson2014-07-11 14:52:08
As far as I know for scores like Dead Man's Chest the process is something like this: Hans writes suites inspired by the film. This often starts before the movie is even shot and he also likes to hear the story from the director rather than reading the script. This can take a few months or so. Hans worked a month on the Jack Sparrow theme for example.
After that, when film material is available Hans and his additional composers work together and score the scenes. They often sit down and discuss, sometimes also including the director and other crew members. So, basically Hans is always involved in the process and thus it's absolutely justified that he gets top credits at the end. He's like the director of the score (and also the screenwriter in some way), someone who looks at the big picture rather than the details.
On other scores like Sherlock Holmes or Inception Hans and Lorne worked more separately, as far as I know. Lorne stated in an interview that he sees in which direction Hans is going and then tries to mimic the style or capture the vibe.
Of course I can give no guarantee that this is correct, but it's how I understood it.


Lambegue2014-07-11 17:50:48
I'd be more curious to know how Zimmer gives his directions for the movies he doesn't even see completly (as it is the case with all the Michael Bay movies he worked on). Not a critic at all, I'm just curious.

About "The House of the Spirits", I agree, it's a very fine score. I especially love the two last minutes or so of "Clara"

Olaviu reply Replies: 0 || 2008-10-24 00:00:00
You are the best composer ever; I just love your music. I purchased several of your soundtracks and stored them on my iPod. Unfortunately, the soundtrack from “The house of the spirits” was not available. If I don’t ask too much, please advise where from can I purchase the soundtracks that iTunes are missing.
Keep up the fantastic good work. Your music is balsam to the soul.

dssf reply Replies: 0 || 2008-01-20 00:00:00
good

Anonymous reply Replies: 0 || 2007-11-18 00:00:00
this is one of the best soundtracks ever

Thank You Mr. Zimmer For your beautiful music

You Are The BEST Composer Ever No Doubt

hushanhu reply Replies: 0 || 2006-12-12 00:00:00
i am a fans for Hans ,come from china,i find this soundtrick so long,and imporssible,so a want to download,can i??i love this film very very much!!

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The House Of The Spirits soundtrack - Hans Zimmer 1993