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"Desplats music is clearly superior to Hans."<br><br>That's a very dangerous thing to say around here... :PI'm sure the academy would love to know that Hans souldn't been nominated.    The Dunkirk Score is a masterpiece, but as I said if you have a problem with the score that's because you have a problem with the movie itself.Dude Dunkirk soundtrack wasn't even good, i love Hans but it should not of gotten nominated. Desplats music is clearly superior to Hans. well at least in these particular movies. I think honestly hans should of won for Interstellar when they announced desplat who had two nominations.... i was like what? but that's just my opinion.Dude Dunkirk soundtrack wasn't even good, i love Hans but it should not of gotten nominated. Desplats music is clearly superior to Hans. well at least in these particular movies. I think honestly hans should of won for Interstellar when they announced desplat who had two nominations.... i was like what? but that's just my opinion.Well john powell left RCP as well and he still has a great career, i think Klaus just has a shitty agent, it makes me so angry cause he's so talented and I want to hear more from him but he doesn't get great movies. Or even big summer movies, I don't know about his career going downhill though.
LOL. You clearly have no idea how Hans always worked like this, collaborating with people. There are no ghostwriters when everybody is credited.Track times<br><br>1. Return to Croft Manor - Junkie XL (8.13)<br>2. Seeking Endurance - Junkie XL (1.09)<br>3. The Bag - Junkie XL (1.49)<br>4. Path of Paternal Secrets - Junkie XL (3.39)<br>5. The Devil's Sea - Junkie XL (4.11)<br>6. Let Yamatai Have Her - Junkie XL (13.23)<br>7. Figure in the Night - Junkie XL (4.15)<br>8. Remember This - Junkie XL (3.26)<br>9. Never Give Up - Junkie XL (5.36)<br>10. Karakuri Wall - Junkie XL (4.38)<br>11. What Lies Underneath Yamatai - Junkie XL (8.35)<br>12. There's No Time - Junkie XL (4.01)<br>13. Becoming the Tomb Raider - Junkie XL (7.15)<br>14. The Croft Legacy - Junkie XL (2)again alexander desplat beats hans zimmer and won bafta !! why ?! maybe it is time for hans to write his scores all by himself not his all by his ghostwriters , and come up with a whole new idea like his old scores for example lion king that even beat 2 great works of thomas newman in oscar !!! <br>good luckhybrid, what do you mean with downhill? to compose music for smaller movies doesn't mean you don't earn money or your career is ruined. i really don't see the problem with his career.Then explain to me why his career went downhill after he left Remote in 2006 ?
Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.Well, Klaus did compose a lot of the essential music from 1997 to 2005. As we know, Hans says - Hans does. Why do we trust this 'Hybrid Soldier', who calls them themselves that anyway? Tell us more mr rcp. How are you top of the line when you are French. Who is Hybrid - must be a reject from HZ line....<br><br>he is doing Christopher Robin (2018, its disney<br>that is a big movie is it notwhen i take a look on IMDB, klaus is still busy with filmmusic. just because he doesn't score hollywood blockbusters anymore and is not busy as lorne balfe, doesn't mean that he destroyed his career.
From the way you talk it even seems like the man turned into a criminal. lolDownload button doesn't, hasn't ever and won't ever work. It came along with the player design but they disabled the download functionality.Did a bunch of comments get deleted? I posted the other day about the "Ghost In The Shell - Suite" download button not working. Still isnt't :(@Hybrid,<br>Speaking of klaus, do you know how the other rcp members feel about him? Do they still keep in touch or is he persona non grata?<br>I know that geoff zanelli is completely pissed (check his website, for all the projects he names his colleagues like steve jablonsky or else, and then for the klaus projects he just puts « the composer »), and you told that hans avoids him as much as he can ( which I can see when the pirates topic is brought during interviews post 2006...no mention of klaus)<br>Hell even michael levine in his post about « why hans gets the job » name-dropped EVERYONE at rcp but klaus <br>So i was wondering how people act towards jim nowadays, especially ramin djawadi who is really popular now and started as his assistant!Meh. As long as Steve is still there trying to salvage the movies with his music I'll be fine.
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Hans ZimmerNick Glennie-SmithFiachra TrenchMalcolm Luker
ComposerAdditional MusicConductorMusic Scoring Mixer
The House Of The Spirits
Label: Milan Records
Length: 43'33
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4765 votes)
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  1. The House Of The Spirits (10:02)
  2. Clara (6:31)
  3. Coup (9:34)
  4. Pedro And Blanca (9:50)
  5. Clara's Ghost / La Paloma * / Closing Titles (7:24)
*Written by Sebastián Yradier & Michael Jary, performed by Rosita Serrano
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Zimson reply Replies: 7 || 2014-07-10 22:14:35
Lol, the times when Hans needed less than 10 people to do a score. :D This one's a very fine soundtrack, though.


Hybrid Soldier2014-07-10 22:38:41
Why is that an issue ?

Back in the days you might have had one guy (in most cases, Nick) but he was doing the same amount ALL the additionals nowadays combined do, so where's the difference ? :)


Zimson2014-07-10 22:53:39
My comment was actually not meant to be judgemental. It's of course not an issure. I just find it interesting how things evolved over the years and I'm glad they have. ;)


Hybrid Soldier2014-07-10 22:56:04
And I was no replying with any animosity... lol


Zimson2014-07-10 23:22:57
I didn't get it that way but it seems we got us both a little wrong, lol. :D It wasn't a critique on the amount of people working nowadays on his scores. I just wanted to point out how the team grew bigger along with the movies. ;)


e2014-07-11 10:23:59
This has probably been asked hundreds of times but is there anywhere where Hans himself talks about, in detail, the additional music process (not the PR crappy interviews he gives to sycophantic magazines and sites), or could you explain it Hybrid. I think the casting of it as "he writes a theme and then says 'okay guys write my score'" is a lazy analysis. I don't care who did exactly what note, I'm just interested in the process, and how involved Hans is at each step.


Zimson2014-07-11 14:52:08
As far as I know for scores like Dead Man's Chest the process is something like this: Hans writes suites inspired by the film. This often starts before the movie is even shot and he also likes to hear the story from the director rather than reading the script. This can take a few months or so. Hans worked a month on the Jack Sparrow theme for example.
After that, when film material is available Hans and his additional composers work together and score the scenes. They often sit down and discuss, sometimes also including the director and other crew members. So, basically Hans is always involved in the process and thus it's absolutely justified that he gets top credits at the end. He's like the director of the score (and also the screenwriter in some way), someone who looks at the big picture rather than the details.
On other scores like Sherlock Holmes or Inception Hans and Lorne worked more separately, as far as I know. Lorne stated in an interview that he sees in which direction Hans is going and then tries to mimic the style or capture the vibe.
Of course I can give no guarantee that this is correct, but it's how I understood it.


Lambegue2014-07-11 17:50:48
I'd be more curious to know how Zimmer gives his directions for the movies he doesn't even see completly (as it is the case with all the Michael Bay movies he worked on). Not a critic at all, I'm just curious.

About "The House of the Spirits", I agree, it's a very fine score. I especially love the two last minutes or so of "Clara"

Olaviu reply Replies: 0 || 2008-10-24 00:00:00
You are the best composer ever; I just love your music. I purchased several of your soundtracks and stored them on my iPod. Unfortunately, the soundtrack from “The house of the spirits” was not available. If I don’t ask too much, please advise where from can I purchase the soundtracks that iTunes are missing.
Keep up the fantastic good work. Your music is balsam to the soul.

dssf reply Replies: 0 || 2008-01-20 00:00:00
good

Anonymous reply Replies: 0 || 2007-11-18 00:00:00
this is one of the best soundtracks ever

Thank You Mr. Zimmer For your beautiful music

You Are The BEST Composer Ever No Doubt

hushanhu reply Replies: 0 || 2006-12-12 00:00:00
i am a fans for Hans ,come from china,i find this soundtrick so long,and imporssible,so a want to download,can i??i love this film very very much!!

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The House Of The Spirits soundtrack - Hans Zimmer 1993