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home is very very soothing. (i sound like i have said it before lol) 
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<br>itís the one cue i can listen to a zillion times and never get tired of. i hope upcoming movies will give Hans or whoever in remote control an opportunity to do similar cues. elisabeth in inferno is the closest but is so short.
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<br>i have mellowed. i love these mellow cues.John Powell stated on his Instagram that the album will have 19 tracks, and be over an hour!Its not a film, its an album. This was still during the days of Hans' involvement with 'The Buggles'.I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.<br><br>Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.<br><br>So I don't think Giacchino is out of the use of themes.I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :p
For me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.Now released: http:/ /filmmusicreporter.com/2018/04/19/soundtrack-album-for-sky-h unter-to-be-released/<br><br>https: //www.amazon.com/gp/product/B07C26S729/ref=as_li_qf_asin_il_ tl?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creat iveASIN=B07C26S729&linkId=18cb85bfc0aaee3094cdba507fe05649I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.
I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...<br>That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.BOOKLET CREDITS (From The Album):<br><br>Score Composed, Produced And Mixed By<br>TOM HOLKENBORG<br><br>Additional Music By<br>ALJOSCHA CHRISTENHUB<br>ANTONIO DI IORIO<br><br>Orchestra Conducted By<br>JOHN ASHTON THOMAS<br><br>Technical Score Engineer<br>ALEX RUGER<br><br>Additional Programming By<br>EMILY RICE<br>JACOPO TRIFONE<br><br>Music Editor<br>SIMON CHANGER<br><br>Assistant Music Editors<br>BEN SMITHERS<br>ARABELLA WINTER<br><br>Music Consultant<br>BOB BADAMI<br><br>Score Orchestrated And Copied By<br>JONATHAN BEARD<br>EDWARD TRYBEK<br>HENRI WILKINSON<br>TOM HOLKENBORG<br><br>Librarian<br>JILL STREATER<br><br>Orchestra Contractors<br>ISOBEL GRIFFITHS<br>SUSSIE GILLIS<br><br>Orchestral Recording Engineer And Mixer<br>NICK WOLLAGE<br><br>Orchestra Recorded At<br>AIR STUDIO<br><br>Air Studios Managers<br>ALISON BURTON<br>CHARLOTTE MATTHEWS<br>LUCY MATTHEWS<br><br>Music Production Services<br>MICHIEL GROENEVELD<br><br>Agent<br>AMOS NEWMAN<br><br>Legal Representation<br>DAVID ALTSCHUL<br><br>Music Recorded <br>6-7 January 2018<br>At<br>AIR STUDIOS, London<br><br>Score Published By<br>UNITED LION MUSIC, INC. (BMI)<br><br>Booklet Editing & Design<br>WLP LTD<br><br>Soundtrack Acquisitions<br>MARK CAVELL<br><br>Sony Classical Product Development<br>KLARA KORYTOWSKA<br><br>Special Thanks To:<br>ROAR UTHAUG, GRAHAM KING, SASKIA, JULIAN and DARREN, ANNE COBB, SHANE GLASSThe Stark theme always left a big impression on me, but the way it plays when Jon Snow dies gives me the chills<br><br>Andrew Kawczynski scored the movie Sky Hunter. The score is available on Spotify now. <br><br>The score is probably the most melodic/heroic that I heard from him.wtf is this? did zimmer score a porno?
why hybrid when lorne himself confirmed it? <.<@Hybrid, can you confirm Lorne is scoring MI6?I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.
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Additional Music - Orchestrator
Mark MancinaDave MetzgerDon HarperChuck Choi
ComposerAdditional MusicConductorTechnical Score Advisor
Brother Bear (Complete Score)
Label: Promotional Release
Length: 58'49
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2861 votes)
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  1. Main Title (2:04)
  2. Caribou / Three Brothers (1:17)
  3. Kenai's Ceremony (2:01)
  4. Sitka's Advice (2:42)
  5. Glacier Fight (1:13)
  6. Dread And Mourning (1:04)
  7. Funeral (1:25)
  8. Argument (1:24)
  9. Northern Lights (0:15)
  10. Kenai Tracks The Bear (1:28)
  11. Bear Fight (1:33)
  12. Nightmare Swim (0:46)
  13. Denahi Mourns (1:00)
  14. Awakes As A Bear (2:41)
  15. Awakes As A Bear (Part 2) (2:52)
  16. Meets Koda (1:59)
  17. Chase To The Glacier (4:08)
  18. Denahi Finds The Cave (2:07)
  19. Nighttime On The Mammoths (2:03)
  20. I Spy (0:45)
  21. Getting On The Mammoths (1:34)
  22. Rock Painting (1:48)
  23. Wandering Through The Valley (0:33)
  24. Valley Of Fire (1:45)
  25. Chase To The Gorge (2:20)
  26. Arrival (0:51)
  27. Salmon Run (1:29)
  28. Bear Party (2:19)
  29. FlashBack (1:50)
  30. Confession (1:02)
  31. Denahi Sees A Sign (0:51)
  32. Mooses' Advice (2:04)
  33. Mountaintop Fight (1:55)
  34. Sitka Appears (2:17)
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Hybrid Soldier reply Replies: 0 || 2007-03-17 00:00:00
I made my own Complete Score for this CD with the songs of the official release...

If you want the correct order, it's :

1. Main Title (2'04)
2. Caribou / Three Brothers (1'17)
3. Great Spirits (3'22) - Performed by Tina Turner
4. Kenai's Ceremony (2'01)
5. Sitka's Advice (2'42)
6. Glacier Fight (1'13)
7. Dread And Mourning (1'04)
8. Funeral (1'25)
9. Argument (1'24)
10. Northern Lights (0'15)
11. Kenai Tracks The Bear (1'28)
12. Bear Fight (1'33)
13. Transformation (2'30) - Performed by The Bulgarian Women's Choir
14. Nightmare Swim (0'46)
15. Denahi Mourns (1'00)
16. Awakes As A Bear (2'41)
17. Awakes As A Bear part 2 (2'52)
18. Meets Koda (1'59)
19. Chase To The Glacier (4'08)
20. Denahi Finds The Cave (2'07)
21. On My Way (3'40) - Performed by Phil Collins
22. Nighttime On The Mammoths (2'03)
23. I Spy (0'45)
24. Getting On The Mammoths (1'34)
25. Rock Painting (1'48)
26. Wandering Through The Valley (0'33)
27. Valley Of Fire (1'45)
28. Chase To The Gorge (2'20)
29. Arrival (0'51)
30. Salmon Run (1'29)
31. Welcome (3'12) - Performed by The Blind Boys of Alabama and Phil Collins with Oren Waters
32. Bear Party (2'19)
33. FlashBack (1'50)
34. Confession (1'02)
35. No Way Out (Theme From Brother Bear) (2'37) - Performed by Phil Collins
36. Denahi Sees a Sign (0'51)
37. Mooses' Advice (2'04)
38. Mountaintop Fight (1'55)
39. Sitka Appears (2'17)
40. Look Through My Eyes (4'04) - Performed by Phil Collins

This is a real complete except between track 39 and 40 : in the film there's a reprise of Transformation and a short reprise of a song... Finally nothing really new ! ;-)

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Brother Bear (Complete Score) soundtrack - Mark Mancina 2003