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Great work of Zanelli, if is not as good like JNH's Maleficent, is a tremendous work, with a terrific writing and orchestrations, even the most tender parts are terrific.It’s definitely Balfe. I’ve seen the film for the second time two weeks ago so my memory is kind of hazy but luckily I decided to record the end credits for reference and I think it plays in Balfe’s section / variation of one of his themes played on a solo string instrument. <br><br>I think we got most of Richter cues as it was mainly his release. I feel that Lorne has moved on from this project - he didn’t even mention the release so an extended release of his material seems unlikely to happen :( <br><br>For those interested the credits suite plays as follows: <br><br><br>“A Trip To The Moon” (synth part)<br>“I Put All That Away”<br>Variation on the theme in “Underground Lake” at 0:14<br>Variation on the theme in “Trip To Neptune” 0-1:00<br>“To The Stars”Season 2 premieres in 2 weeks, if he was scoring he would be working on it at the moment. But yes no confirmation regarding his return or a new composer. No news regarding new composer might be a hint whether Djawadi is returning or not.I only listened to the first couple of cues so it is too early to form an opinion comparing it to JNH but I disagree the first half drags. Maybe because I love tender themes.I suspect that the release was just what they had originally planned, with a couple of bonus tracks thrown in to appease Fox. They likely didn't put too much thought in what they added, since people who have spoken with Lorne said he wasn't aware of the release and was surprised Prayer wasn't on it. I'm just glad anything got released at all after everything that has gone before.<br><br>Regarding that theme you mentioned, is it one that sounded like the personal motif Ethan has in M:I Fallout? Because while I did initially assume that was Balfe too, it seems it was actually Richter. Haven't gotten to hear Lorne's parts yet, so who knows he if he also did a similar thing.
It’s not included and I’m very confused. I think there’s a good amount of unused tracks or the way the score was used was so terrible that only few tracks were memorable to me. <br><br>There’s a theme that plays during two tragic moments - I thought it was “Prayer” but it isn’t. I think it’s by Lorne as it’s closer to the direction he took. <br><br>I wish they gave us more Balfe :(I know this is probably the wrong place for it but I'd love if Hnas would one day release a CD of just his demo sketches and suites. I find hearing the original intentions/ideas even when rough really fascinating.11.22.19Yeah lol one way or another... :P21. Hello, Beastie! (3:42)<br><br>Geoff Zanelli will be haunted by the specter of the PotC franchise until the day he dies, lol
After listening to the whole thing, I can say that, while not as great as Newton Howard, Zanelli did a great job in here, adapting the original themes as well as creating some new ones.<br><br>The first half of the album drags a bit, but the second half is really fantastic!Is a CD release being planned?<br><br>If so, when is it coming out?zimmer said once, that he was very satisfied of how his music was presented in the ost and that it would let the music speak in that way as he wanted to be heard, and that there aren't much of importing cues that should have been added or released. <br><br>but i guess he hasn't recognized how much love his score have gotten over the years, until his first world tour. there has been a huge demand and loud screaming after the tracklist of his show had  been released and there was no sign of last samurai. people complained and asked (esp. through this site) for a cue of Last Samurai to be played in their show, but it the developement of the show was already at its end and so he hadn't the chance to include a cue of it aswell. but atleast he recognized how much people are loving that score and respect his work on it. maybe that has changed his mind and view to the score and a propper and complete release of the score...@Hybrid Soldier, out of curiosity, why is the Last Samurai have conditions? A better way to ask is, what is the backstory with it what seems to cause reservations for Hans? Thanks!Really fantastic writing here, definitely taking inspiration from JNH’s style without trying to copy. And the adaptation of Maleficent’s “curse” theme from the first score in “The Phoenix” is definitely a highlight.
No idea, and Last Samurai is not a no-go from Hans. It might have been under certain circumstances in the past but last time I asked him he was open for it (under some conditions, obviously).@Hybrid Soldier: Do you know if there is any chance LLL would take this as a candidate for a propper release? Or is it a no-go for Zimmer like with Last Samurai?I think prayer is private video from Lorne Balfe's YouTube Channel. Also, there have prayer video still here by YouTube Search by another channel posted the videoCan anyone confirm if "Prayer" is on the OST? Since the video has been deleted, I'm not sure if anyone has a saved copy to check.I would buy a copy of an official release of this score. The Jablonsky variations is one of my favorite HZ tracks.
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Additional Music
Hans ZimmerJohn Van TongerenJay RifkinPete Haycock
ComposerAdditional MusicScore RecordistMusician
Thelma & Louise (Complete Score)
Label: Unofficial Release
Length: 36'20
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4937 votes)
  1. Going To Mexico (2:12)
    Hans Zimmer
  2. J.D. (Part 1) (0:51)
    Hans Zimmer
  3. J.D. (Part 2) (2:37)
    Hans Zimmer
  4. The Hell With Texas (1:12)
    Hans Zimmer
  5. Happy Birthday Lady (0:45)
    Hans Zimmer
  6. Picking Up J.D. (0:41)
    Hans Zimmer
  7. Oilfields (0:58)
    Hans Zimmer
  8. Watching Him Go (0:30)
    Hans Zimmer
  9. Ride Of The FBI (0:59)
    Hans Zimmer
  10. Louise's Theme (2:46)
    Hans Zimmer
  11. Giving Up - Suck My Dick (3:37)
    Hans Zimmer
  12. I Got A Knack (1:33)
    Hans Zimmer
  13. Getting Out Of State (2:06)
    Hans Zimmer
  14. Charged With Murder (3:00)
    Hans Zimmer
  15. Learning From TV (0:44)
    Hans Zimmer
  16. Chase (5:08)
    Hans Zimmer
  17. You've Always Been Crazy (2:48)
    Hans Zimmer
  18. End Credits (3:58)
    Hans Zimmer, John Van Tongeren
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Bayhem reply Replies: 3 || 2018-08-25 15:47:36
What with all the noise around Hans scoring the "female empowering" Wonder Woman 2, let me just remind the skeptical folks that it was Hans who successfully scored the ultimate "female empowerment" movie - 'Thelma & Louise'.

I still listen to that score. "The Decision" alone is a masterpiece, as far as I'm concerned. The ending wouldn't have been as powerful and memorable if it wasn't for that track. It's so refreshing listening to that score now. It brings you back to the time when scores were more than just crazy, weird sound design.....


mpolonest1232018-08-25 19:40:27
^ This.
Aside from being an incredible film that gets overlooked, I think Zimmer did an impeccable job of crafting a score that tackles the depressing story without getting heavy handed and actually fun at points. Very similar to Rain Man in that regard. It’s a bit repetitive but it does suit the film great.


Scorefan2018-08-26 03:27:37
And mention too, all the women who participate in many Zimmer's scores, Shirley Walker, Anne Marie Simpson, Tina Guo,


Josiah2018-08-26 08:52:53
*sigh* why does it matter to be honest? A female lead movie needs a female composer? Hans Zimmer of course in my opinion is the best option for any movie regardless of any situation. Hans Zimmer was the first person who actually got me interested in movie soundtracks but the way he works and operates works for any type of movies. The last samurai, Gladiator,Super hero movies war movies etc etc. He has done 190+ movies and i love pretty much all of them. He truly has an idea of the music to picture perfect.

Dakota reply Replies: 0 || 2010-12-28 00:00:00
MGM announced the 20th Anniversary Blu-ray of Thelma & Louise last week, so maybe there will be an official 20th anniversary soundtrack? And by soundtrack I think everyone knows I mean Hans' beautiful score. Who knows......if not, maybe someone will rip it all from the Blu-ray.

Anonymous reply Replies: 0 || 2008-04-03 00:00:00
Hans Zimmer Proves That He Can Compose Any Movie

That's Why Mr. Zimmer Is The Best Composer EVER

Thomas reply Replies: 0 || 2006-03-25 00:00:00
Hello Hans &-- co.

regarding soundpiece for "--Thelma &-- Louise"--

I believde that your sound piece "--Bitches from Hell"-- is from the scene where Thelma and Louise shoot up the the gas truck and it explodes, followed up by some really sweet and great fast western country slide/blues guitar. Im not sure if that is "--Bitches fromm hell"--, but is there any way i can download this piece of music?..it is really great and for me, the definition of what modern fast country guitar is all about. Thanks in advance...Thomas

Zedman reply Replies: 0 || 2006-02-13 00:00:00
un score qui continue dans la lignée de ses scores prolifiques et riches en coup d'eclat artistique comme pour "--Rain Man"--, "--Black Rain"--, "--Bird On A Wire"--, "--Days Of Thunder"-- ou encore "--Backdraft"--...
Hans Zimmer continue sur sa lancée et prouve sa maturité en n'utilisant en plus du synthetsiseus habituels, guitare electrique, choeurs de femmes...
La b.o. ne deroge pas a la regle, jouant sur ses bases instrumentales tout en les rendant plus interssant et reelements plus matures que ces precedentes oeuvres.
comme toujours, Thelma &-- Louise a pour particularite d'avoir plusieurs motifs (ou meme de themes) qui se croisent, le tout premier théme entendu est un motif mis en valeur par la guitare electrique et le synthetiseurs utilisé dans "--Going To Mexico"-- ce théme est attribué au voyage des deux femmes, victime de leur innocence et de leur "--train-train"-- quotidien.
Le second théme est celui des policiers, un théme fort qu'on entend brievement dans "--Cops"--, "--The F.B.I."-- et "--The Chase/Grand Canyon"--
L'autre théme est surement l'un de mes preferes, entendus dans "--Cattle Stop"--, "--Wide Awake"-- et "--Thunderbird"--.
Mais le théme a proprement dit memorable est celui entendu dans "--Cattle Stop"--, "--Wide Awake"--, "--The Decision/End Credits"-- et "--Thunderbird"--, un théme d'une trés grande beaute qu'on entend dans toute sa splendeur dans l'excellent "--The Decision/End Credits"--, grace a ce théme Zimmer a prouvé sa grande maturite et a prouver au systeme hollywoodien que ce n'etait surement pas un compositeur a sous-estimé.

Herman reply Replies: 0 || 2005-04-28 00:00:00
Un excellent score de Hans Zimmer qui des Going To Mexico nous prouve qu'il est l'un des meilleurs compositeur mais on retiendra surtout le grand The Decision/End Titles qui conclue brillament le film de Ridley Scott nous menant ainsi dans le grand saut de Thelma &-- Louise

Jayrip reply Replies: 0 || 2005-04-23 00:00:00
Such a brilliant score! I mainly bought it for "--The Decision/End Credits"-- 'coz it makes me shiver every time I hear that fantastic climax and the female singing coming in. Hans has always said he's not released it because there's not much score except for the same repetitive theme, but that's EXACTLY what I wanted!! I will never understand why this wasn't commercially released coz it really has to be one of my most listened-to CDs. I just love the melancholic twangy guitar tune that really conveys the strain and strength of the two characters. I'd never heard the music for "--Regarding Henry"-- before but it sums up the reason I love Hans Zimmer's music!

I did, however, have the hardest time tracking it down, so for anyone who wants to know, try placing an ad in the forum for it at

www.soundtrackcollector.com

The people there are really helpful. The other places I know that still have it (at this moment in time) are Hurricane Records, a European site:

http://213.239.206.44/hurricane/product_info.php?products_id=809262

I nearly vomited when I saw the price - 79.99Eur, which is a bit pricey to put it VERY mildly. Another very reliable collector is

http://www.majestyx.com/discsale.html

The price is $35 which isn't bad I guess. The guy is very good at transactions, and I've been told you can't get better service from him!

Anyway, if you're a fan of the movie, or more importantly, a fan of the simply gorgeous music of it, then it's an absolute must have. Worth every single penny of its pricing. You may have to loads for it, but trust me it'll be worth it, if just for "--The Decision/End Credits"--. Good luck!

jovl77 reply Replies: 0 || 2005-01-07 00:00:00
Excelent Score from both movies. I heard the score from Regarding Henry never before, the score from Thelma &-- Louise I know from the movie, but this CD is a long waiting for the score from T&--L, now I have it and it is absolutly fantastic sounding. I don't know why this score wasn't released yet.

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Thelma & Louise (Complete Score) soundtrack - Hans Zimmer 1991