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Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there Mikeal
Typical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.
Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.OST is a very horrible realise. Thanks La La Land for sharing Complete score! Score in La La Land is great!i like Rafiki theme. When Rafiki gets his old stick.
We need the complete and expanded score available to us! This includes the score playing during mufasa's entrance to rescue zazu <br><br>Anyone else with me?? Hans is a legendary genius! <3Irrelevant, there are quite a few RCP composers represented by them, for instance Geoff Zanelli, John Powell, Henry Jackman and Heitor Pereira.The movie is awesome, the score is great. Excellent work from Max and Stteffen@Hybrid, Junkie is with Kraft-Engel Agency. Is this a good or bad thing in terms of working with RCP?Soooo... Balfe is scoring the new HBO Series 'His Dark Materials'.<br><br>I'm glad that Lorne gets so much work, but I really wanted somebody else for this series.<br><br>Lorne is doing so much, that I'm afraid some things will turn out generic. Hope this doesn't happen. But we'll see (hear).<br><br>No very excited at the moment, but maybe this will change when I hear it.
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Additional Music
Hans ZimmerJohn Van TongerenJay RifkinPete Haycock
ComposerAdditional MusicScore RecordistMusician
Thelma & Louise (Complete Score)
Label: Unofficial Release
Length: 36'20
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4909 votes)
  1. Going To Mexico (2:12)
    Hans Zimmer
  2. J.D. (Part 1) (0:51)
    Hans Zimmer
  3. J.D. (Part 2) (2:37)
    Hans Zimmer
  4. The Hell With Texas (1:12)
    Hans Zimmer
  5. Happy Birthday Lady (0:45)
    Hans Zimmer
  6. Picking Up J.D. (0:41)
    Hans Zimmer
  7. Oilfields (0:58)
    Hans Zimmer
  8. Watching Him Go (0:30)
    Hans Zimmer
  9. Ride Of The FBI (0:59)
    Hans Zimmer
  10. Louise's Theme (2:46)
    Hans Zimmer
  11. Giving Up - Suck My Dick (3:37)
    Hans Zimmer
  12. I Got A Knack (1:33)
    Hans Zimmer
  13. Getting Out Of State (2:06)
    Hans Zimmer
  14. Charged With Murder (3:00)
    Hans Zimmer
  15. Learning From TV (0:44)
    Hans Zimmer
  16. Chase (5:08)
    Hans Zimmer
  17. You've Always Been Crazy (2:48)
    Hans Zimmer
  18. End Credits (3:58)
    Hans Zimmer, John Van Tongeren
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Bayhem reply Replies: 3 || 2018-08-25 15:47:36
What with all the noise around Hans scoring the "female empowering" Wonder Woman 2, let me just remind the skeptical folks that it was Hans who successfully scored the ultimate "female empowerment" movie - 'Thelma & Louise'.

I still listen to that score. "The Decision" alone is a masterpiece, as far as I'm concerned. The ending wouldn't have been as powerful and memorable if it wasn't for that track. It's so refreshing listening to that score now. It brings you back to the time when scores were more than just crazy, weird sound design.....


mpolonest1232018-08-25 19:40:27
^ This.
Aside from being an incredible film that gets overlooked, I think Zimmer did an impeccable job of crafting a score that tackles the depressing story without getting heavy handed and actually fun at points. Very similar to Rain Man in that regard. It’s a bit repetitive but it does suit the film great.


Scorefan2018-08-26 03:27:37
And mention too, all the women who participate in many Zimmer's scores, Shirley Walker, Anne Marie Simpson, Tina Guo,


Josiah2018-08-26 08:52:53
*sigh* why does it matter to be honest? A female lead movie needs a female composer? Hans Zimmer of course in my opinion is the best option for any movie regardless of any situation. Hans Zimmer was the first person who actually got me interested in movie soundtracks but the way he works and operates works for any type of movies. The last samurai, Gladiator,Super hero movies war movies etc etc. He has done 190+ movies and i love pretty much all of them. He truly has an idea of the music to picture perfect.

Dakota reply Replies: 0 || 2010-12-28 00:00:00
MGM announced the 20th Anniversary Blu-ray of Thelma & Louise last week, so maybe there will be an official 20th anniversary soundtrack? And by soundtrack I think everyone knows I mean Hans' beautiful score. Who knows......if not, maybe someone will rip it all from the Blu-ray.

Anonymous reply Replies: 0 || 2008-04-03 00:00:00
Hans Zimmer Proves That He Can Compose Any Movie

That's Why Mr. Zimmer Is The Best Composer EVER

Thomas reply Replies: 0 || 2006-03-25 00:00:00
Hello Hans &-- co.

regarding soundpiece for "--Thelma &-- Louise"--

I believde that your sound piece "--Bitches from Hell"-- is from the scene where Thelma and Louise shoot up the the gas truck and it explodes, followed up by some really sweet and great fast western country slide/blues guitar. Im not sure if that is "--Bitches fromm hell"--, but is there any way i can download this piece of music?..it is really great and for me, the definition of what modern fast country guitar is all about. Thanks in advance...Thomas

Zedman reply Replies: 0 || 2006-02-13 00:00:00
un score qui continue dans la lignée de ses scores prolifiques et riches en coup d'eclat artistique comme pour "--Rain Man"--, "--Black Rain"--, "--Bird On A Wire"--, "--Days Of Thunder"-- ou encore "--Backdraft"--...
Hans Zimmer continue sur sa lancée et prouve sa maturité en n'utilisant en plus du synthetsiseus habituels, guitare electrique, choeurs de femmes...
La b.o. ne deroge pas a la regle, jouant sur ses bases instrumentales tout en les rendant plus interssant et reelements plus matures que ces precedentes oeuvres.
comme toujours, Thelma &-- Louise a pour particularite d'avoir plusieurs motifs (ou meme de themes) qui se croisent, le tout premier théme entendu est un motif mis en valeur par la guitare electrique et le synthetiseurs utilisé dans "--Going To Mexico"-- ce théme est attribué au voyage des deux femmes, victime de leur innocence et de leur "--train-train"-- quotidien.
Le second théme est celui des policiers, un théme fort qu'on entend brievement dans "--Cops"--, "--The F.B.I."-- et "--The Chase/Grand Canyon"--
L'autre théme est surement l'un de mes preferes, entendus dans "--Cattle Stop"--, "--Wide Awake"-- et "--Thunderbird"--.
Mais le théme a proprement dit memorable est celui entendu dans "--Cattle Stop"--, "--Wide Awake"--, "--The Decision/End Credits"-- et "--Thunderbird"--, un théme d'une trés grande beaute qu'on entend dans toute sa splendeur dans l'excellent "--The Decision/End Credits"--, grace a ce théme Zimmer a prouvé sa grande maturite et a prouver au systeme hollywoodien que ce n'etait surement pas un compositeur a sous-estimé.

Herman reply Replies: 0 || 2005-04-28 00:00:00
Un excellent score de Hans Zimmer qui des Going To Mexico nous prouve qu'il est l'un des meilleurs compositeur mais on retiendra surtout le grand The Decision/End Titles qui conclue brillament le film de Ridley Scott nous menant ainsi dans le grand saut de Thelma &-- Louise

Jayrip reply Replies: 0 || 2005-04-23 00:00:00
Such a brilliant score! I mainly bought it for "--The Decision/End Credits"-- 'coz it makes me shiver every time I hear that fantastic climax and the female singing coming in. Hans has always said he's not released it because there's not much score except for the same repetitive theme, but that's EXACTLY what I wanted!! I will never understand why this wasn't commercially released coz it really has to be one of my most listened-to CDs. I just love the melancholic twangy guitar tune that really conveys the strain and strength of the two characters. I'd never heard the music for "--Regarding Henry"-- before but it sums up the reason I love Hans Zimmer's music!

I did, however, have the hardest time tracking it down, so for anyone who wants to know, try placing an ad in the forum for it at

www.soundtrackcollector.com

The people there are really helpful. The other places I know that still have it (at this moment in time) are Hurricane Records, a European site:

http://213.239.206.44/hurricane/product_info.php?products_id=809262

I nearly vomited when I saw the price - 79.99Eur, which is a bit pricey to put it VERY mildly. Another very reliable collector is

http://www.majestyx.com/discsale.html

The price is $35 which isn't bad I guess. The guy is very good at transactions, and I've been told you can't get better service from him!

Anyway, if you're a fan of the movie, or more importantly, a fan of the simply gorgeous music of it, then it's an absolute must have. Worth every single penny of its pricing. You may have to loads for it, but trust me it'll be worth it, if just for "--The Decision/End Credits"--. Good luck!

jovl77 reply Replies: 0 || 2005-01-07 00:00:00
Excelent Score from both movies. I heard the score from Regarding Henry never before, the score from Thelma &-- Louise I know from the movie, but this CD is a long waiting for the score from T&--L, now I have it and it is absolutly fantastic sounding. I don't know why this score wasn't released yet.

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Thelma & Louise (Complete Score) soundtrack - Hans Zimmer 1991