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The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice."Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovM
Hallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht šlter geworden. Genial.<br><br>GruŖ  <br><br>Not bad score.<br><br>But I prefer the other oneIsnít that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80ís beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.
Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.
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Hans ZimmerJohn PowellKlaus BadeltJustin Burnett
ComposerComposerAdditional MusicAdditional Music
The Road To El Dorado (Expanded Score)
Label: Unofficial Release
Length: 128'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3184 votes)
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  1. El Dorado (1:37)
    Elton John, Danny Jacob, Hans Zimmer
  2. Cortes - Swordfight - Chase (4:08)
    Hans Zimmer, John Powell
  3. Bull Chase (0:59)
    Hans Zimmer, John Powell, Justin Burnett
  4. Barrels (0:51)
    John Powell
  5. Cortes - Reveal (0:49)
    John Powell, James McKee Smith
  6. The Brig (2:59)
    Hans Zimmer
  7. Horse Overboard (0:54)
    John Powell
  8. Storm Montage (1:35)
    Hans Zimmer, Geoff Zanelli
  9. The Trail We Blaze (3:08)
    Elton John, Patrick Leonard, Hans Zimmer, John Powell, Gavin Greenaway
  10. Intro To Chel (1:12)
    Gavin Greenaway
  11. Intro To The City (2:23)
    John Powell
  12. Stopping The Volcano (2:53)
    Hans Zimmer
  13. Triumph (1:59)
    Hans Zimmer
  14. Cheldorado (4:27)
    Hans Zimmer
  15. It's Tough To Be A God (2:35)
    Kenneth Branah, Kavin Kline, Hans Zimmer, Gavin Greenaway
  16. To Shibalba (1:17)
    John Powell
  17. Cortes Lands (0:44)
    Hans Zimmer, John Powell, James McKee Smith
  18. Gloat Over Gold - Miguel Alone (2:44)
    Hans Zimmer, John Powell, Klaus Badelt
  19. Without Question (2:28)
    Elton John, Patrick Leonard, Hans Zimmer, John Powell, Gavin Geenaway
  20. Tzekel Kan's Rap (2:05)
    Hans Zimmer, John Powell, Klaus Badelt
  21. The Ball Game (2:51)
    Hans Zimmer, John Powell
  22. Argument (1:12)
    Hans Zimmer, John Powell, Gavin Greenaway, James McKee Smith
  23. Exterior Celebration (0:44)
    Hans Zimmer, Danny Jacob
  24. Jaguar Fight (2:15)
    Hans Zimmer, John Powell
  25. Heros Parade (0:51)
    John Powell
  26. Friends Never Say Goodbye (3:12)
    Elton John, Hans Zimmer, John Powell
  27. Saving El Dorado (Part 1) (5:05)
    Hans Zimmer, John Powell
  28. Saving El Dorado (Part 2) (0:59)
    Hans Zimmer, John Powell, James McKee Smith
  29. Friendship Theme (2:52)
    Hans Zimmer
  30. Cortes Theme (2:27)
    John Powell
  31. Tzekel Kan Theme (2:24)
    Hans Zimmer
  32. Chel Idea (1:01)
    John Powell
  33. Beautiful El Dorado Idea (2:37)
    John Powell
  34. True El Dorado Idea (1:13)
    John Powell
  35. Tzekel Kan Idea (1:38)
    John Powell
  36. Happy Idea (1:42)
    John Powell
  37. Prologue (Unused) (1:53)
    Hans Zimmer, John Powell
  38. Swordfight (Alternate I) (0:57)
    Hans Zimmer
  39. Swordfight (Alternate II) (0:53)
    Hans Zimmer
  40. Bull Chase (Alternate) (0:57)
    John Powell
  41. Bull Chase - Barrels (Alternate I) (1:48)
    Hans Zimmer, John Powell, Justin Burnett
  42. Bull Chase - Barrels (Alternate II) (1:48)
    Hans Zimmer, John Powell, Justin Burnett
  43. The Brig (Alternate I) (3:00)
    Hans Zimmer
  44. The Brig (Alternate II) (2:59)
    Hans Zimmer
  45. Storm Montage (Insert) (0:24)
    Geoff Zanelli
  46. Intro To The City (Alternate) (3:29)
    John Powell
  47. Cheldorado (Alternate) (1:52)
    Hans Zimmer
  48. To Shibalba (Alternate I) (2:27)
    John Powell
  49. To Shibalba (Alternate II) (2:27)
    John Powell
  50. The Ball Game (Alternate) (2:51)
    Hans Zimmer, John Powell
  51. Save El Dorado (Part 1) (Alternate) (5:02)
    Hans Zimmer, John Powell
  52. Unused Cue (1:11)
    Hans Zimmer
  53. Unused 2m13B (0:36)
    Hans Zimmer
  54. El Dorado (Song Alternate) (1:33)
    Elton John, Danny Jacob, Hans Zimmer
  55. The Trail We Blaze (Song Alternate) (3:10)
    Elton John, Patrick Leonard, Hans Zimmer, John Powell, Gavin Greenaway
  56. It's Tough To Be A God (Song Alternate) (2:42)
    Kenneth Branah, Kavin Kline, Hans Zimmer, Gavin Greenaway
  57. Friends Never Say Goodbye (Song Alternate) (3:12)
    Elton John, Hans Zimmer, John Powell
  58. Trust Me (Song Idea) (3:39)
    John Powell
  59. The Panic In Me (Album Song) (5:40)
    Elton John, Hans Zimmer
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tilibro reply Replies: 5 || 2015-09-01 15:54:27
Anyone have any info on this?


Pablo Reyes2015-09-01 23:37:10
Damn! My holy grail and my favorite score of all time!
Now it's just here to mock me :(


sm5982015-11-29 05:07:54
Someone please leak this "accidentally"!
I would be willing to die to hear this!! :0


LTWeezie2016-01-08 22:53:23
Is there ANY copy of all this amazing music that we can purchase or download? I really hate it when the film "score" is mostly just songs and not really the score. Thankfully some composers put out two...one with the songs, the other just the music. I think that HEAVY METAL and TWISTER were two of the first ones to do this. Please post a where we can find the titles listed above...


Edmund Meinerts2016-01-09 10:34:24
Actually, the first film to release two concurrent soundtracks like that was Tim Burton's Batman back in 1989: Prince songs and Elfman score.

Shame they didn't do it for this one.


tilibro2016-12-20 06:27:30
It seems they've changed the track listing and such since the last time I've been here.

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The Road To El Dorado (Expanded Score) soundtrack - Hans Zimmer - John Powell 2000