NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Thanks Hybrid for explaining that. Makes more sense now.Yes it is because the FYC is horrible... The OST is what Steve & co wrote. The FYC is what came out of the Music Editing Factory, which I don't dig at all. Lots of micro edits & transformations Steve probably didn't even hear... lol<br><br>Real final mixes would look like the OST, not like the FYC...You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>As for a chrono order, since all cues are mixed together in different tracks in the OST, it gets complicated... It works like that :<br><br>ARTHUR => Theme Suite + 5m30 + 1m05<br>KINGDOM OF ATLANTIS => 3m20-21<br>IT WASN'T MEANT TO BE => 1m01 + 1m04B<br>ATLANTEAN SOLDIERS => Theme Suite + 5m33 + 2m12<br>WHAT DOES THAT EVEN MEAN? => Theme Suite<br>THE LEGEND OF ATLAN => 6m39 + 4m23<br>SWIMMING LESSONS => 3m19 + 3m19B + 3m19C<br>THE BLACK MANTA => Theme Suite + 9m69<br>WHAT COULD BE GREATER THAN A KING? => 7m54 + 7m55 + 7m55A<br>PERMISSION TO COME ABOARD => 9m64 + 2m07<br>SUITED AND BOOTED => 8m57 + 8m59<br>BETWEEN LAND AND SEA => 7m51 + 8m61<br>HE COMMANDS THE SEA => 8m60 + 9m65<br>MAP IN A BOTTLE => 6m42 + 8m56<br>THE RING OF FIRE => 5m29 + 8m62<br>REUNITED => 9m68<br>TRENCH ENGAGED => 7m52<br>MERA MONTAGE => 6m43B + 6m48<br>HOME INVASION => 1m04 + 3m15<br>SAVING POPS => 3m18<br>AHAB WAVES => 3m17 + 2m06B<br>ASK THE SEA => 2m08B<br>OBLIGATION => 5m32<br>DUNES => 5m37-38Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!
me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.
Cuesheet is blank.oh yes please, including Balfe - dont start yelling, Im just really curious who did whatFinally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As youve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.
I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is We Strike First.@Edmund<br>I cant agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. Im not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which Im not crazy about, tried something new. <br><br>Another BIG issue Ive noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suites
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Conductor
Hans ZimmerGavin GreenawayHarry Gregson-WilliamsAdam Smalley
ComposerAdditional MusicAdditional MusicScore Producer
The Peacemaker (Complete Score)
Label: Unofficial Release
Length: 149'34
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7053 votes)
  1. Voice Of God (0:49)
  2. Vassily's Dilemma (6:05)
  3. Hijack (7:46)
  4. It Wasn't An Accident (1:41)
  5. Exporting Good Will (1:54)
  6. Smoke Screen (0:41)
  7. Bombs On The Move (0:45)
  8. Alexsander Kodoroff (2:37)
  9. Kodoroff's Alive (2:09)
  10. Good Guys - Bad Guys (1:02)
  11. Dusan's Village (0:57)
  12. Piano Teacher (0:57)
  13. Keep On Truckin' (0:56)
  14. Head Of Transportation (0:23)
  15. Hasselhoff - Escape (3:25)
  16. Car Chase (5:51)
  17. Fourty-Four E (2:27)
  18. Dusan's Confession (1:03)
  19. Truck Convoy - License Plate (2:46)
  20. Nocturne In C# Minor (1:17)
  21. Get Me Authorized (2:40)
  22. Checkpoint (0:47)
  23. Helicopter Chase (11:32)
  24. One Unaccounted For (1:45)
  25. Dusan Gets Bomb (2:01)
  26. Dusan's Speech (1:33)
  27. He's Going To New York - F.B.I. N.Y. (3:29)
  28. Swiss Flight #1204 (1:12)
  29. Dusan's Flashback (5:02)
  30. The Target Missing (1:24)
  31. Dusan With Bomb (9:45)
  32. Dusan Kills Himself (3:28)
  33. Dr. Kelly Is O.K. (1:23)
  34. Dr. Kelly Got 10 More (2:10)
  35. The Peacemaker Suite (9:44)
  36. Get Me Authorized (Alternate Vocals) (2:38)
  37. The Peacemaker Trailer Music (2:16)
Create Topic

Bayhem reply Replies: 3 || 2017-07-13 14:34:32
Few years ago I had the pleasure of chatting with Mimi Leder and - me being a HUGE, HUGE fan of the movie and the score - I asked her a few questions about The Peacemaker. She said it's one of the movies she's most proud of, and that it was "great" to work on the score. Can't recall every detail from the converstaion, but still, it's good to know that she's proud of the movie. She should be: it's a spectacular action-thriller containing, in my opinion, one of Hans' best film scores. I know that the credit for the creation of the classic MV/RC sound goes to Bruckheimer, Bay, Tony Scott and Zimmer(duh!), but honestly we should put Mimi Leder on the list as well. She pushed the right buttons and under her guidance Zimmer and his team created one of the best action scores. So props to Leder as well!


mpolonest123 2017-07-13 15:32:06
Fully agree!

Along with The Rock, Peacemaker truly captures that classic Zimmer action sound from his MV days. I remember seeing this movie as a kid and the music standing out to me. Especially Dusan's theme, which is one of the most underrated villain motifs out there.


rockhound2017-07-13 19:52:36
i think The Peacemaker is the best actionscore by zimmer from the nineties. the music has everything. excitement, tension, emotions, power, big anthems....the whole package. zimmer nailed it with this score and the movie is also a great action thriller. even 20 years later i still love to see the movie and listen to the score.


Bayhem2017-07-14 14:23:40
Glad to see more fans :))

By the way, I wanna say something on the subject. Despite the fact that people really do like The Peacemaker score, I personally think that this is a quite underrated score. What I mean by that: when people (film writers, journalists, casual fans) mention MV/RC or Zimmer himself, the scores they usually use as prime examples of a "typical" Zimmer-sound are always the same ones - The Rock, Crimson Tide, Armageddon, Gladiator, Black Hawk Down, Pearl Harbor, most of them Bruckheimer productions. And The Peacemaker kinda gets ignored. Sure, even though it made some money, the movie was not a huge global blockbuster, but still, the score is near perfect, as far as action scores are concerned. Same goes for Broken Arrow and Face Off. Maybe it's just me and this all sounds silly to you fellas, but I think those are all quite underrated scores. Even though the movies themselves are quite popular. It's just, I don't see a lot of people talking about them. Even on YouTube, they don't have that many views. While scores like Gladiator, The Rock, Armageddon, Pirates and Transformers have tons and tons of views. Oh well, it is what it is....

Angel reply Replies: 2 || 2005-10-27 00:00:00
Man I want this bad!!!!!!!!

I LOVE BRASS-HEAVY SCORE!!!!!!!

  Your name :   

Please enter number: 314 


Aggelos2011-12-04 16:45:40
Allow me to reply to past a post of mine after 6 years. Back then it was impossible to find such a release, but nowadays you can easily locate this even in lossless format.
Either way it is not an official release, that it is why I'm hoping that La-La Land will produce a complete version of it someday.
Surely, the unofficial release in lossless sounds awesome. Lots of brass in this score and very enjoying action score. One of it's kind!


La-La Land, release this in complete edition now!!!!!!


Aggelos2014-05-14 16:52:16
It seems that LaLaLand is going to carry out our wishes for an official expanded score!!!!
Truly nice work LaLaLand Records!! Bravo!!

Jimmer reply Replies: 0 || 2013-01-18 22:39:05
Do you have a composer list for this score?

norm reply Replies: 1 || 2010-09-23 00:00:00
@ Dawn

What do you mean "Harry isn't anymore part of the Remote Control team"? Does he have his own studio now? Why?


Snake2011-06-06 06:17:57
It's true, Gregson-Williams isn't part of Zimmer's team, I don't know why he left or why isn't he part of the RC team but he is still good friends with Zimmer. And he has his own studio; Wavecrest Music.

Trent Easton Navarro reply Replies: 0 || 2010-09-25 00:00:00
@ Dawn

That's definitely true for Zimmer's current team. But in the 90's (when his studio was still called Media Ventures) Zimmer's "pupils" wrote just as great and exciting scores as the big man himself. And more importantly, while using the MV style, they still managed to have a sound of their own. I could easily tell the difference between a score by Gregson-Williams or Mancina. Or one by Powell or Rona. Or one by Badelt or Glennie-Smith. Now I can't tell apart the styles of Jablonsky, Djawadi or Orvarsson.

Hybrid Soldier reply Replies: 0 || 2010-09-23 00:00:00
It's been quite a long time Harry's on his own, with his own studio (Wavecrest Music) and his own guys... ;)

Anonymous reply Replies: 0 || 2010-09-23 00:00:00
did gavin greenaway compose anything other than "Davoe's Revenge"?

Norm reply Replies: 0 || 2010-09-23 00:00:00
@hybrid
Wow Thanx, didn't know that!

Dawn reply Replies: 0 || 2010-09-23 00:00:00
@ Trent Easton Navarro

I think we shouldn't make the mistake of placing Zimmer and his team at the same level. Zimmer scores, although they aren't all great, have an overall quality that Steve Jablonsky's or Ramin Djawadi's cannot reach.

Dawn reply Replies: 0 || 2010-09-23 00:00:00
I always wondered if Greenaway wrote more cues (not only Devoe's Revenge).
I think he could have composed the smaller, more synthetic cues ; "I Need More Time" for example. But I also feel like he has a little influence on big tracks such as Chase or You Can't Stop This, too. It sounds like some parts of these cues were arranged by him.

Snake reply Replies: 0 || 2010-09-22 00:00:00
This is own of my favorite scores. So that's why Harry Gregson-Williams is great. Because Hans taught everything he knows. Harry Gregson-Williams is my favorite film composer even in this movie was the choir and orchestra conductor. But I have to admit that Hans is better than Harry.

If it wasn't for Hans Zimmer, maybe the film music industry would be monotone and boring. HAIL ZIMMER!!! HAIL GREGSON-WILLIAMS!!!! AND HAIL REMOTE CONTROL PRODUCTIONS!!!!!!

Trent Easton Navarro reply Replies: 0 || 2010-09-22 00:00:00
@ Snake

Now don't get me wrong, I think Zimmer is a good composer. But it's because of RC that the film music industry is boring. All those scores sound the same, whether it's music for a film about giant robots or a film about Greek gods.

Dawn reply Replies: 0 || 2010-09-22 00:00:00
Harry isn't anymore part of the Remote Control team...

Anonymous reply Replies: 0 || 2010-01-12 00:00:00
Did Gavin Greenaway compose any cues other than just "Devoe's Revenge"?

Karl reply Replies: 0 || 2009-09-05 00:00:00
I want to get The 2CD peacemaker release. Where can I get it. We're said that legal offer is large. That's false. It's impossible to find the complete peacemaker anywhere.
Hans, thanks for telling me what to do.
Please

Gav reply Replies: 0 || 2009-08-03 00:00:00
This is not complete. I have a 2CD set, no FX, 25 tracks and 13 tracks.

Adrian reply Replies: 0 || 2009-06-15 00:00:00
Track four should be Nuclear Vault...

ridscott reply Replies: 0 || 2008-09-02 00:00:00
I'm one of the lucky few who own this great score! Mostly overlooked because the released score contains only a few tracks, and their out of order. The cd contains the best tracks, and it contains the tracks Gavin Greenaway did (Devoe's Revenge can be find on the regular release) Some tracks reminded me of Crimson Tide. One of Zimmer's best scores!

OneSparrow reply Replies: 0 || 2008-08-29 00:00:00
Would someone point me toward a CD that contains the classical music in "12. Piano Teacher"? I'm crazy about and I'd like to know the title and author, so that I can buy it!

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
Great stuff. IMHO this is one of those very few Zimmer scores which has a proper boot!

fabien reply Replies: 0 || 2007-10-05 00:00:00
uzf, I so agree with you!! Vive Hans!!

Frank Martin reply Replies: 0 || 2007-09-26 00:00:00
I Love Peacemaker

uzf* reply Replies: 0 || 2007-07-07 00:00:00
Definitely one of the best soundtracks of Hans' career...

Karel reply Replies: 0 || 2007-04-01 00:00:00
You cant buy this legally, #####.

Bob reply Replies: 0 || 2007-03-27 00:00:00
Where can I buy this?

Sylvos reply Replies: 0 || 2007-03-04 00:00:00
You know, I don't know how you're doing Hans but whatever you do, just keep rocking hard as you do all the time man. As I always say, only Hans can score this genre right, trust me. ;-)

Felix reply Replies: 0 || 2007-01-28 00:00:00
Please Antas,
where can I find those " recording sessions"
I have the official release but i would like also to have this one.
this soundtrack is outstanding.

OKKU reply Replies: 0 || 2006-12-11 00:00:00
CHASE is very good.Listen this track.

AkiZ reply Replies: 0 || 2006-11-07 00:00:00
Man, the Peacemaker is one of my all-time favourite films, and a strong part of that is the soundtrack, a lovely mixture of Hollywood action bombast and the haunting classical vocal tracks. I want this bootleg so much.

 HANS-ZIMMER.com 2001-2018 OST 
The Peacemaker (Complete Score) soundtrack - Hans Zimmer 1997