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Allow me to reply to past a post of mine after 6 years. Back then it was impossible to find such a release, but nowadays you can easily locate this even in lossless format. Either way it is not an official release, that it is why I'm hoping that La-La Land will produce a complete version of it someday. Surely, the unofficial release in lossless sounds awesome. Lots of brass in this score and very enjoying action score. One of it's kind!
La-La Land, release this in complete edition now!!!!!!
What do you mean "Harry isn't anymore part of the Remote Control team"? Does he have his own studio now? Why?
It's true, Gregson-Williams isn't part of Zimmer's team, I don't know why he left or why isn't he part of the RC team but he is still good friends with Zimmer. And he has his own studio; Wavecrest Music.
That's definitely true for Zimmer's current team. But in the 90's (when his studio was still called Media Ventures) Zimmer's "pupils" wrote just as great and exciting scores as the big man himself. And more importantly, while using the MV style, they still managed to have a sound of their own. I could easily tell the difference between a score by Gregson-Williams or Mancina. Or one by Powell or Rona. Or one by Badelt or Glennie-Smith. Now I can't tell apart the styles of Jablonsky, Djawadi or Orvarsson.
I think we shouldn't make the mistake of placing Zimmer and his team at the same level. Zimmer scores, although they aren't all great, have an overall quality that Steve Jablonsky's or Ramin Djawadi's cannot reach.
I always wondered if Greenaway wrote more cues (not only Devoe's Revenge). I think he could have composed the smaller, more synthetic cues ; "I Need More Time" for example. But I also feel like he has a little influence on big tracks such as Chase or You Can't Stop This, too. It sounds like some parts of these cues were arranged by him.
Now don't get me wrong, I think Zimmer is a good composer. But it's because of RC that the film music industry is boring. All those scores sound the same, whether it's music for a film about giant robots or a film about Greek gods.
This is own of my favorite scores. So that's why Harry Gregson-Williams is great. Because Hans taught everything he knows. Harry Gregson-Williams is my favorite film composer even in this movie was the choir and orchestra conductor. But I have to admit that Hans is better than Harry.
If it wasn't for Hans Zimmer, maybe the film music industry would be monotone and boring. HAIL ZIMMER!!! HAIL GREGSON-WILLIAMS!!!! AND HAIL REMOTE CONTROL PRODUCTIONS!!!!!!
I want to get The 2CD peacemaker release. Where can I get it. We're said that legal offer is large. That's false. It's impossible to find the complete peacemaker anywhere. Hans, thanks for telling me what to do. Please
I'm one of the lucky few who own this great score! Mostly overlooked because the released score contains only a few tracks, and their out of order. The cd contains the best tracks, and it contains the tracks Gavin Greenaway did (Devoe's Revenge can be find on the regular release) Some tracks reminded me of Crimson Tide. One of Zimmer's best scores!
Man, the Peacemaker is one of my all-time favourite films, and a strong part of that is the soundtrack, a lovely mixture of Hollywood action bombast and the haunting classical vocal tracks. I want this bootleg so much.
Đ 2001-2013 OST
The Peacemaker (Complete Score) soundtrack - Hans Zimmer 1997