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I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves itAny chance of proper artist credits for this score?
@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-face
Nice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).Came back from watching the movie and I couldn't agree more about what @Ds said. Adding to the scenes you mentioned I really felt instead of the intro song they should have played a variation Clark's piano theme it would've been so perfect as that whole sequence depicts a direct consequence of Clark/Superman's death and the loss everyone feels. <br><br>**SPOILERS**<br>And how fucking epic it would've been if MoS theme was played in all it's glory when he comes to their aid and punches Steppenwolf in the face. <br><br>What a wasted opportunity and did they reshoot all Cavill's scenes? His face looked so weird in almost all the shots with the CGI removed moustache.
And if the critics put better scores to Marvel movies over DC movies, my opinion is they lost objectivity. the same kind with the scores. <br>The score is an essential part of the film, it's a character and it's important. <br>And the scores of DC have and identity.Normally Iím not one for petitions but I think releasing an alternate version with JXLís score and whatever other changes they could make.<br><br>Danny Elfmanís score has really been warming up to me the more I listen to it (on its own I donít think itís really that bad) but the lack of thematic continuity is definitely a sore spot. If Junkie could get a chance to rescore it, that would be a fair shake for Snyder and fans of Zimmerís work.After i finally saw the film, well in my opinion the film is incredibly. Watching those characters in a film is just like boy's dream. <br>I have watched every movie from Marvel and DC Cimenatic Universe, and i love both lines of cmics and for me, the first line of Marvel movies was the best in terms of narration. Iron man 1, the incredible hulk, thor 1, Captain america the first avenger were extraordinary movies. By now, i think Marvel/Disney go to the way of jokes to make the rest of the movies and i think this lost the interest in the movies, except with Captain America the winter soldier, Ant-man and captain merica civil war. Thor 3 is good, but for example Spiderman Homecoming was less good than Thor 3 but in sometimes i feel i am watching the same kind of movie. It's the same with the score, The incredible hulk, for me, is the best score for the Marvel series along with The winter soldier. One thing surprise me, "critics" put better scores for all the marvel movies except TV shows, and DC movies all have bad scores except wonder woman. And for me i enjoyed more the DC movies over Marvel movies. Man of steel and batman v superman were phenomenal movies and better than marvel movies. It's my opinion and Justice League is better than The first avengers. The tone of DC movies it's more like the comics and more dark, more serious. Maybe that's why i like them.<br>The same thing with the scores, i think The theme Arcade is the new superman theme. The themes for Batman (Elfman) and Superman (Maestro Williams) are iconic. But for the new kind of movies (The Dark Knight trilogy) the score Hans Zimmer and James Newton Howard made for the films were awesome. If you put old score (Elfman Batman) to nolan's films well the films lost their identity. DC producers take some risks to put the films into darkness and serious mode and it worked, but also the movies need to win a lot of money, that's why they changed  the tone of the film to some king of marvel-ite tone. I hope the don't go to that way to replace the tone of DC of jokes and lighter action like Marvel.Yeah it was more of a Wheedon film. However I enjoyed the movie even though it was flawed. The score was horrible though.Snyder did too, actually, admitting has hasn't seen the finished movie...<br><br>#BringZackBack<br><br>#BringJXLBack
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Conductor
Hans ZimmerGavin GreenawayHarry Gregson-WilliamsAdam Smalley
ComposerAdditional MusicAdditional MusicScore Producer
The Peacemaker (Complete Score)
Label: Unofficial Release
Length: 149'34
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6330 votes)
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  1. Voice Of God (0:49)
  2. Vassily's Dilemma (6:05)
  3. Hijack (7:46)
  4. It Wasn't An Accident (1:41)
  5. Exporting Good Will (1:54)
  6. Smoke Screen (0:41)
  7. Bombs On The Move (0:45)
  8. Alexsander Kodoroff (2:37)
  9. Kodoroff's Alive (2:09)
  10. Good Guys - Bad Guys (1:02)
  11. Dusan's Village (0:57)
  12. Piano Teacher (0:57)
  13. Keep On Truckin' (0:56)
  14. Head Of Transportation (0:23)
  15. Hasselhoff - Escape (3:25)
  16. Car Chase (5:51)
  17. Fourty-Four E (2:27)
  18. Dusan's Confession (1:03)
  19. Truck Convoy - License Plate (2:46)
  20. Nocturne In C# Minor (1:17)
  21. Get Me Authorized (2:40)
  22. Checkpoint (0:47)
  23. Helicopter Chase (11:32)
  24. One Unaccounted For (1:45)
  25. Dusan Gets Bomb (2:01)
  26. Dusan's Speech (1:33)
  27. He's Going To New York - F.B.I. N.Y. (3:29)
  28. Swiss Flight #1204 (1:12)
  29. Dusan's Flashback (5:02)
  30. The Target Missing (1:24)
  31. Dusan With Bomb (9:45)
  32. Dusan Kills Himself (3:28)
  33. Dr. Kelly Is O.K. (1:23)
  34. Dr. Kelly Got 10 More (2:10)
  35. The Peacemaker Suite (9:44)
  36. Get Me Authorized (Alternate Vocals) (2:38)
  37. The Peacemaker Trailer Music (2:16)
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Bayhem reply Replies: 3 || 2017-07-13 14:34:32
Few years ago I had the pleasure of chatting with Mimi Leder and - me being a HUGE, HUGE fan of the movie and the score - I asked her a few questions about The Peacemaker. She said it's one of the movies she's most proud of, and that it was "great" to work on the score. Can't recall every detail from the converstaion, but still, it's good to know that she's proud of the movie. She should be: it's a spectacular action-thriller containing, in my opinion, one of Hans' best film scores. I know that the credit for the creation of the classic MV/RC sound goes to Bruckheimer, Bay, Tony Scott and Zimmer(duh!), but honestly we should put Mimi Leder on the list as well. She pushed the right buttons and under her guidance Zimmer and his team created one of the best action scores. So props to Leder as well!


mpolonest123 2017-07-13 15:32:06
Fully agree!

Along with The Rock, Peacemaker truly captures that classic Zimmer action sound from his MV days. I remember seeing this movie as a kid and the music standing out to me. Especially Dusan's theme, which is one of the most underrated villain motifs out there.


rockhound2017-07-13 19:52:36
i think The Peacemaker is the best actionscore by zimmer from the nineties. the music has everything. excitement, tension, emotions, power, big anthems....the whole package. zimmer nailed it with this score and the movie is also a great action thriller. even 20 years later i still love to see the movie and listen to the score.


Bayhem2017-07-14 14:23:40
Glad to see more fans :))

By the way, I wanna say something on the subject. Despite the fact that people really do like The Peacemaker score, I personally think that this is a quite underrated score. What I mean by that: when people (film writers, journalists, casual fans) mention MV/RC or Zimmer himself, the scores they usually use as prime examples of a "typical" Zimmer-sound are always the same ones - The Rock, Crimson Tide, Armageddon, Gladiator, Black Hawk Down, Pearl Harbor, most of them Bruckheimer productions. And The Peacemaker kinda gets ignored. Sure, even though it made some money, the movie was not a huge global blockbuster, but still, the score is near perfect, as far as action scores are concerned. Same goes for Broken Arrow and Face Off. Maybe it's just me and this all sounds silly to you fellas, but I think those are all quite underrated scores. Even though the movies themselves are quite popular. It's just, I don't see a lot of people talking about them. Even on YouTube, they don't have that many views. While scores like Gladiator, The Rock, Armageddon, Pirates and Transformers have tons and tons of views. Oh well, it is what it is....

Angel reply Replies: 2 || 2005-10-27 00:00:00
Man I want this bad!!!!!!!!

I LOVE BRASS-HEAVY SCORE!!!!!!!


Aggelos2011-12-04 16:45:40
Allow me to reply to past a post of mine after 6 years. Back then it was impossible to find such a release, but nowadays you can easily locate this even in lossless format.
Either way it is not an official release, that it is why I'm hoping that La-La Land will produce a complete version of it someday.
Surely, the unofficial release in lossless sounds awesome. Lots of brass in this score and very enjoying action score. One of it's kind!


La-La Land, release this in complete edition now!!!!!!


Aggelos2014-05-14 16:52:16
It seems that LaLaLand is going to carry out our wishes for an official expanded score!!!!
Truly nice work LaLaLand Records!! Bravo!!

Jimmer reply Replies: 0 || 2013-01-18 22:39:05
Do you have a composer list for this score?

norm reply Replies: 1 || 2010-09-23 00:00:00
@ Dawn

What do you mean "Harry isn't anymore part of the Remote Control team"? Does he have his own studio now? Why?


Snake2011-06-06 06:17:57
It's true, Gregson-Williams isn't part of Zimmer's team, I don't know why he left or why isn't he part of the RC team but he is still good friends with Zimmer. And he has his own studio; Wavecrest Music.

Trent Easton Navarro reply Replies: 0 || 2010-09-25 00:00:00
@ Dawn

That's definitely true for Zimmer's current team. But in the 90's (when his studio was still called Media Ventures) Zimmer's "pupils" wrote just as great and exciting scores as the big man himself. And more importantly, while using the MV style, they still managed to have a sound of their own. I could easily tell the difference between a score by Gregson-Williams or Mancina. Or one by Powell or Rona. Or one by Badelt or Glennie-Smith. Now I can't tell apart the styles of Jablonsky, Djawadi or Orvarsson.

Hybrid Soldier reply Replies: 0 || 2010-09-23 00:00:00
It's been quite a long time Harry's on his own, with his own studio (Wavecrest Music) and his own guys... ;)

Anonymous reply Replies: 0 || 2010-09-23 00:00:00
did gavin greenaway compose anything other than "Davoe's Revenge"?

Norm reply Replies: 0 || 2010-09-23 00:00:00
@hybrid
Wow Thanx, didn't know that!

Dawn reply Replies: 0 || 2010-09-23 00:00:00
@ Trent Easton Navarro

I think we shouldn't make the mistake of placing Zimmer and his team at the same level. Zimmer scores, although they aren't all great, have an overall quality that Steve Jablonsky's or Ramin Djawadi's cannot reach.

Dawn reply Replies: 0 || 2010-09-23 00:00:00
I always wondered if Greenaway wrote more cues (not only Devoe's Revenge).
I think he could have composed the smaller, more synthetic cues ; "I Need More Time" for example. But I also feel like he has a little influence on big tracks such as Chase or You Can't Stop This, too. It sounds like some parts of these cues were arranged by him.

Snake reply Replies: 0 || 2010-09-22 00:00:00
This is own of my favorite scores. So that's why Harry Gregson-Williams is great. Because Hans taught everything he knows. Harry Gregson-Williams is my favorite film composer even in this movie was the choir and orchestra conductor. But I have to admit that Hans is better than Harry.

If it wasn't for Hans Zimmer, maybe the film music industry would be monotone and boring. HAIL ZIMMER!!! HAIL GREGSON-WILLIAMS!!!! AND HAIL REMOTE CONTROL PRODUCTIONS!!!!!!

Trent Easton Navarro reply Replies: 0 || 2010-09-22 00:00:00
@ Snake

Now don't get me wrong, I think Zimmer is a good composer. But it's because of RC that the film music industry is boring. All those scores sound the same, whether it's music for a film about giant robots or a film about Greek gods.

Dawn reply Replies: 0 || 2010-09-22 00:00:00
Harry isn't anymore part of the Remote Control team...

Anonymous reply Replies: 0 || 2010-01-12 00:00:00
Did Gavin Greenaway compose any cues other than just "Devoe's Revenge"?

Karl reply Replies: 0 || 2009-09-05 00:00:00
I want to get The 2CD peacemaker release. Where can I get it. We're said that legal offer is large. That's false. It's impossible to find the complete peacemaker anywhere.
Hans, thanks for telling me what to do.
Please

Gav reply Replies: 0 || 2009-08-03 00:00:00
This is not complete. I have a 2CD set, no FX, 25 tracks and 13 tracks.

Adrian reply Replies: 0 || 2009-06-15 00:00:00
Track four should be Nuclear Vault...

ridscott reply Replies: 0 || 2008-09-02 00:00:00
I'm one of the lucky few who own this great score! Mostly overlooked because the released score contains only a few tracks, and their out of order. The cd contains the best tracks, and it contains the tracks Gavin Greenaway did (Devoe's Revenge can be find on the regular release) Some tracks reminded me of Crimson Tide. One of Zimmer's best scores!

OneSparrow reply Replies: 0 || 2008-08-29 00:00:00
Would someone point me toward a CD that contains the classical music in "12. Piano Teacher"? I'm crazy about and I'd like to know the title and author, so that I can buy it!

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
Great stuff. IMHO this is one of those very few Zimmer scores which has a proper boot!

fabien reply Replies: 0 || 2007-10-05 00:00:00
uzf, I so agree with you!! Vive Hans!!

Frank Martin reply Replies: 0 || 2007-09-26 00:00:00
I Love Peacemaker

uzf* reply Replies: 0 || 2007-07-07 00:00:00
Definitely one of the best soundtracks of Hans' career...

Karel reply Replies: 0 || 2007-04-01 00:00:00
You canīt buy this legally, #####.

Bob reply Replies: 0 || 2007-03-27 00:00:00
Where can I buy this?

Sylvos reply Replies: 0 || 2007-03-04 00:00:00
You know, I don't know how you're doing Hans but whatever you do, just keep rocking hard as you do all the time man. As I always say, only Hans can score this genre right, trust me. ;-)

Felix reply Replies: 0 || 2007-01-28 00:00:00
Please Antas,
where can I find those " recording sessions"
I have the official release but i would like also to have this one.
this soundtrack is outstanding.

OKKU reply Replies: 0 || 2006-12-11 00:00:00
CHASE is very good.Listen this track.

AkiZ reply Replies: 0 || 2006-11-07 00:00:00
Man, the Peacemaker is one of my all-time favourite films, and a strong part of that is the soundtrack, a lovely mixture of Hollywood action bombast and the haunting classical vocal tracks. I want this bootleg so much.

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The Peacemaker (Complete Score) soundtrack - Hans Zimmer 1997