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I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves itAny chance of proper artist credits for this score?
@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-face
Nice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).Came back from watching the movie and I couldn't agree more about what @Ds said. Adding to the scenes you mentioned I really felt instead of the intro song they should have played a variation Clark's piano theme it would've been so perfect as that whole sequence depicts a direct consequence of Clark/Superman's death and the loss everyone feels. <br><br>**SPOILERS**<br>And how fucking epic it would've been if MoS theme was played in all it's glory when he comes to their aid and punches Steppenwolf in the face. <br><br>What a wasted opportunity and did they reshoot all Cavill's scenes? His face looked so weird in almost all the shots with the CGI removed moustache.
And if the critics put better scores to Marvel movies over DC movies, my opinion is they lost objectivity. the same kind with the scores. <br>The score is an essential part of the film, it's a character and it's important. <br>And the scores of DC have and identity.Normally Iím not one for petitions but I think releasing an alternate version with JXLís score and whatever other changes they could make.<br><br>Danny Elfmanís score has really been warming up to me the more I listen to it (on its own I donít think itís really that bad) but the lack of thematic continuity is definitely a sore spot. If Junkie could get a chance to rescore it, that would be a fair shake for Snyder and fans of Zimmerís work.After i finally saw the film, well in my opinion the film is incredibly. Watching those characters in a film is just like boy's dream. <br>I have watched every movie from Marvel and DC Cimenatic Universe, and i love both lines of cmics and for me, the first line of Marvel movies was the best in terms of narration. Iron man 1, the incredible hulk, thor 1, Captain america the first avenger were extraordinary movies. By now, i think Marvel/Disney go to the way of jokes to make the rest of the movies and i think this lost the interest in the movies, except with Captain America the winter soldier, Ant-man and captain merica civil war. Thor 3 is good, but for example Spiderman Homecoming was less good than Thor 3 but in sometimes i feel i am watching the same kind of movie. It's the same with the score, The incredible hulk, for me, is the best score for the Marvel series along with The winter soldier. One thing surprise me, "critics" put better scores for all the marvel movies except TV shows, and DC movies all have bad scores except wonder woman. And for me i enjoyed more the DC movies over Marvel movies. Man of steel and batman v superman were phenomenal movies and better than marvel movies. It's my opinion and Justice League is better than The first avengers. The tone of DC movies it's more like the comics and more dark, more serious. Maybe that's why i like them.<br>The same thing with the scores, i think The theme Arcade is the new superman theme. The themes for Batman (Elfman) and Superman (Maestro Williams) are iconic. But for the new kind of movies (The Dark Knight trilogy) the score Hans Zimmer and James Newton Howard made for the films were awesome. If you put old score (Elfman Batman) to nolan's films well the films lost their identity. DC producers take some risks to put the films into darkness and serious mode and it worked, but also the movies need to win a lot of money, that's why they changed  the tone of the film to some king of marvel-ite tone. I hope the don't go to that way to replace the tone of DC of jokes and lighter action like Marvel.Yeah it was more of a Wheedon film. However I enjoyed the movie even though it was flawed. The score was horrible though.Snyder did too, actually, admitting has hasn't seen the finished movie...<br><br>#BringZackBack<br><br>#BringJXLBack
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Additional Music - Orchestrator
Hans ZimmerNick Glennie-SmithJohn Van TongerenBruce Fowler
ComposerAdditional MusicAdditional MusicAdditional Music
Renaissance Man (Complete Score)
Label: Bootleg Release
Length: 58'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (2487 votes)
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  1. Answering Machine (1:22)
    Hans Zimmer
  2. Impatience (1:26)
    Hans Zimmer
  3. Real World (0:29)
    Hans Zimmer, Nick Glennie-Smith
  4. Emily (0:29)
    Hans Zimmer
  5. Welcome To The Army (1:45)
    Nick Glennie-Smith, Bruce Fowler
  6. Victory Starts Here (2:27)
    Nick Glennie-Smith, Bruce Fowler
  7. Serving Your Country (0:34)
    Hans Zimmer
  8. First Classes (4:11)
    Hans Zimmer
  9. Doing Bad Montage (0:55)
    Hans Zimmer, John Van Tongeren
  10. Teaching Shakespeare (0:36)
    Hans Zimmer, Nick Glennie-Smith
  11. I Care About What I Do (0:19)
    Hans Zimmer
  12. It's Showtime (1:06)
    Hans Zimmer, John Van Tongeren
  13. Distributing Roles (1:07)
    Hans Zimmer
  14. Doing Well Montage (1:52)
    Hans Zimmer, John Van Tongeren
  15. Letter From Home (1:04)
    Hans Zimmer
  16. Drawings (0:29)
    Hans Zimmer
  17. Victory Tower (7:30)
    Hans Zimmer
  18. Renaissance Man (0:55)
    Hans Zimmer
  19. Hamlet Rap - Double D's (2:45)
    Marky Mark
  20. They Get Hobbs (1:16)
    Hans Zimmer, John Van Tongeren
  21. The Thine Own Self (4:35)
    Hans Zimmer, Nick Glennie-Smith
  22. The Play (1:25)
    Hans Zimmer
  23. Marie Says No (0:21)
    Hans Zimmer
  24. Hobb's Letter (1:15)
    Hans Zimmer, Nick Glennie-Smith
  25. Davie's Files (0:47)
    Hans Zimmer, John Van Tongeren
  26. Benitez Does Henry (2:33)
    Hans Zimmer
  27. Bill Waits For The Testees (0:53)
    Hans Zimmer, John Van Tongeren
  28. Drum Roll (1:29)
    Hans Zimmer, John Van Tongeren
  29. Everyone Is A Hero (1:47)
    Hans Zimmer
  30. Double D's Get It (2:10)
    Hans Zimmer
  31. Caissons Song (2:44)
    Hans Zimmer, Laura Perlman
  32. Real World (Alternate) (0:29)
    Hans Zimmer, Nick Glennie-Smith
  33. Benitez Does Henry (Alternate) (2:25)
    Hans Zimmer
  34. Caissons Song (Alternate) (2:54)
    Hans Zimmer, Laura Perlman
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Iceboy reply Replies: 0 || 2010-12-31 00:00:00
Anyone got any info on how the suite was split up to make this release? And which tracks are unreleased?

Anonymous reply Replies: 0 || 2010-09-05 00:00:00
Sacrifice is a one of the most beautiful track what I have ever heard.

Clayton reply Replies: 0 || 2009-07-20 00:00:00
This is a fake. There were 2 tracks that were actually unreleased and someone took the 20 minute suite and kept remixing it. Also the last track would be called "Letting Go," not "Let's Go." Also Primo Remembered is a Santana Song.

airmax reply Replies: 0 || 2008-01-01 00:00:00
Please release the complete soundtrack.
This Is a excellent soundtrack with a amazing theme.

fabien reply Replies: 0 || 2007-09-29 00:00:00
EXCELLENT SOUNDTRACK ,RARE AND SO GOOD

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Renaissance Man (Complete Score) soundtrack - Hans Zimmer 1994