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The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?
The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.
Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?
Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.Man, i wan that score"Time to Get Out", “Pursuit At...”, “No Interest In...” and “I Never Left” all incorporate the piano motif from “Another Way to Die”. Granted, they are more like cameos than anything really substantial.
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Additional Music - Choir Conductor - Song ProducerAdditional Music - Conductor - Choir Conductor
Hans ZimmerHarry Gregson-WilliamsRupert Gregson-WilliamsKlaus Badelt
ComposerAdditional MusicAdditional MusicAdditional Music
The Prince Of Egypt (Collector's Edition)
Label: Dreamworks Records
Length: 26'54
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6277 votes)
  1. It Is Only Beginning... (3:43)
  2. Freedom (4:41)
  3. The River (3:54)
  4. Humanity (4:33)
  5. Through Heaven's Eyes (3:36)
  6. Chariot Race (6:27)
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Mike reply Replies: 0 || 2012-11-28 01:37:45
Chariot Race is mind-blowing.

Booboo reply Replies: 0 || 2011-03-24 00:00:00
Hans Zimmer is the best person like ever! I love his music!

love reply Replies: 0 || 2011-03-24 00:00:00
wow! what would we do without hans zimmer!
I like the river song! its really good!

DemonStar reply Replies: 0 || 2009-04-03 00:00:00
Ah yes, I got it.

Per reply Replies: 0 || 2008-07-18 00:00:00
It's correct that the music from where the Nile gets turned into blood is the "It Is Only Beginning..." track ... however, there apparently does exist a shorter version of this CD, where this track is absent, and only the Chariot Race is included. But I've never seen it, though ... I only have this 'longest' version (fortunately) ;)

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
Glad the Chariot Race is on this one, along with the original Ten Commandments music. Those were the biggest unreleased highlights on the OST IMO. A pity the "Nile of Blood" track isn't on this one.

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Sylvos reply Replies: 0 || 2008-07-17 00:00:00
The music I hear during Nile of Blood sequence is on this one actually. Give "It Is Only A Beginning" another listen.

Sylvos reply Replies: 0 || 2006-10-11 00:00:00
I'm so glad that they have issued this promotional disc. This album comes with three superb, new, never-before-released cues. If you haven't noticed by now, the Chariot Race track has two cues within: The actual Chariot Race sequence and the grand finale of the film, though the version in the disc is different from the one that appeared on the final film but it's better than the film version if you ask me and it is certainly one of the biggest finales Hans Zimmer ever composed.

Regretably, this disc was not widely released. The three new cues well worth the money and certainly amazed me as a person who also listened to the original soundtrack of Prince of Egypt and totally enjoyed it.

Pawel from Poland reply Replies: 0 || 2006-07-15 00:00:00
The Chariot Race is incredibly Music. You are the best composer on the world!

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The Prince Of Egypt (Collector's Edition) soundtrack - Hans Zimmer 1998