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Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>
Wallfisch has shown himself to be a superior composer to XL, let's face it. I do not even see why he's running after Zimmer since he's able to run a career himself.<br><br>@TheZimmerFan <br><br><But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)><br><br><br>The music is less simplistic and may please the purists, but, no, MoS and BvS are better by a small margin than JL by one factor: thematic material and characterization of the movie.  Elfman should have had more freedom to work on the themes he and Williams wrote.<br>It's a half-truth to everyone who makes up the RCP team, unfortunately. <br><br>But I honestly doubt that ANYONE wants to work with XL.<br><br>Snyder worked with him 3 times. 300, BvS and Man of Steel. Sometimes I even get the impression that he's always liked Tom's approach more than Zimmer's approach. See all the percussion and synths of all those scores that are far more present in the Xl field than Zimmer's.Got this today..well not my music type so pass it...Andrew's second solo feature...<br><br><br>Now still waiting for that Sky Hunter release... :(@Hybrid, what happened with Trevor? Why his scores are not listed in the page? Thanks

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Hans ZimmerKlaus BadeltPatrick CassidyJim Dooley
ComposerAdditional MusicAdditional MusicAdditional Music
Hannibal (Expanded Score)
Label: Unofficial Release
Length: 134'57 rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3345 votes)


  1. Prologue (3:11)
    Hans Zimmer
  2. Main Titles (1:45)
    Hans Zimmer
  3. Fish Market (4:54)
    Hans Zimmer
  4. Shot & Shocked (2:00)
    Hans Zimmer
  5. Verger Finds Clarice (0:59)
    Hans Zimmer
  6. Starling To Verger's (6:24)
    Hans Zimmer, Geoff Zanelli
  7. Face Peeling (1:45)
    Klaus Badelt
  8. Eating The Nurse (3:21)
    Hans Zimmer, Geoff Zanelli
  9. Not A Bad Guy - Starling & Lecter Tape (3:29)
    Hans Zimmer, Nick Glennie-Smith
  10. Doctor Fell (4:00)
    Hans Zimmer
  11. The Letter (1:39)
    Hans Zimmer
  12. Ta Ta H (0:28)
    Geoff Zanelli
  13. Scent Of Lecter (1:51)
    Hans Zimmer, Geoff Zanelli
  14. Pazzi Investigates (4:46)
    Hans Zimmer
  15. Advance In Life (7:13)
    Hans Zimmer, Martin Tillman, Bruce Fowler
  16. The Bracelet (1:16)
    Hans Zimmer
  17. Gnocco's Night Out (3:39)
    Hans Zimmer, Mel Wesson, Martin Tillman
  18. Pigs (1:39)
    Klaus Badelt
  19. Vide Cor Meum (Libretto From Dante's La Vita Nuova) (2:11)
    Patrick Cassidy
  20. Allegra (2:12)
    Hans Zimmer, Klaus Badelt
  21. Let My Home Be My Gallows (9:16)
    Hans Zimmer, Steve Jablonsky
  22. An Old Friend (4:29)
    Hans Zimmer
  23. Mateo Knifed - Lecter Waves (2:12)
    Hans Zimmer, Geoff Zanelli, Martin Tillman
  24. Running (0:47)
    Hans Zimmer
  25. Scared Dog (1:02)
    Hans Zimmer
  26. Vide Cor Meum (For Lecter Shopping) (2:10)
    Patrick Cassidy
  27. Deep Roller (1:17)
    Hans Zimmer, Martin Tillman
  28. Getting Instructions (1:12)
    Hans Zimmer, Steve Jablonsky
  29. Rendezvous (2:22)
    Hans Zimmer, James Dooley
  30. Lecter Snatched (1:54)
    Hans Zimmer, Steve Jablonsky
  31. Bring Him Home (1:34)
    Hans Zimmer, Geoff Zanelli
  32. Gourmet Valse Tartare (9:08)
    Hans Zimmer, Klaus Badelt
  33. Lecter At Krendler's Home (0:42)
    Martin Tillman, Mel Wesson
  34. The Awakening (2:20)
    Hans Zimmer, Klaus Badelt
  35. Dinner Time (8:44)
    Marc Streitenfeld, Martin Tillman, Mel Wesson
  36. Think About What I Said (2:00)
    Hans Zimmer
  37. To Every Captive Soul (6:55)
    Hans Zimmer
  38. Dear Clarice Suite (2:56)
    Hans Zimmer
  39. F2K Suite (3:12)
    Hans Zimmer
  40. Arrow Choir Suite (4:38)
    Hans Zimmer
  41. Ligeti Suite (2:45)
    Hans Zimmer
  42. Vide Cor Meum Suite (3:57)
    Patrick Cassidy
  43. Getting Instructions (Alternate) (1:12)
    Hans Zimmer
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Lord Eddard Stark reply Replies: 1 || 2016-06-15 15:43:45
Is "Arrow Choir Suite" "Virtue" from the album?

paul2017-12-22 20:19:27
Bonjour, comment avoir cet album (SFX, complete score; alternatif) d'Hannibal ? Il y a 4 tracks qui circulent sur internet mais le reste.. ? Merci de vos rťponses les Bro.

Bayhem reply Replies: 3 || 2017-12-20 22:31:49
Hans seriously needs to score another sophisticated horror movie like this one. When was the last time he did one...? I'm currently listening to both "Hannibal" and "The Ring" and my God, I'm loving the hell out of these scores. So atmospheric, so creepy, so eerie, so memorable.

Hans is cleatly very picky these days (rightfully so), but I certainly hope for another Hannibal-style score from him.

Ian2017-12-20 22:40:21
Honestly, with the direction in which Hans has been going since Inception, and particularly with BvS and Inferno, I'd expect a new Zimmer horror score to end up a heavily electronic mess with tons of ghostwriting by Mazzaro and Kawczynski.

Bayhem2017-12-20 22:59:28
Oh man, I hope not....

It's also very important who is the director. If it's Ridley Scott or Gore Verbinski, then I have no doubt that Hans will deliver.

I'm not the biggest fan of the so-called sound design scores and I know that recently Hans has been receiving some criticism for that, but I still believe that if he works with someone like Scott we would hear much more than an 'electronic mess' and sound design.

But then again, the hottest horror composer right now is Hans's pal Benjamin Wallfisch and the way things are going he's gonna be the one scoring all horror projects that knock on MV/RC's door. And honestly, I'm cool with that. I LOVE Wallfisch' score for "A Cure for Wellness". He did a great job.

james (now james callahan)2017-12-21 02:20:16
Well, some very good genres fell into his hands over the past few years as Rango, The Lone Ranger, The Little Prince... The last two are good scores, though, but Lone Ranger is still a Sherlock and all the PoTC quilt and Little Prince music is a bit lazy.

And in both films Zimmer got the chance to risk because Little Prince is an international film and Lone Range is from Verbinsky and Bruckeheimer (say whatever you want from the man but he produced At World's End, King Arthur, Black Hawk Dawn, Crimson Tide, Days of Thunder...)

Marc reply Replies: 2 || 2015-10-07 13:57:46
I'm very curious about two tracks in the previous fake 2CD expanded edition: Victim (2:05)and Adagio (8:59). Do anyone know if they where from other movies, promos or what?
Thank you!

Marc2015-10-12 12:33:02
No info? I'm really interested in knowing the composers of these two (specially "Adagio" if it's from other score with will deserve a buy).

Lord Eddard Stark 2015-11-19 14:48:54
Victim And Adagio are Frederich Talgorn

Bondo reply Replies: 0 || 2015-10-30 02:16:54
What does F2K stand for? And anyone else notice it sounds a LOT like Jablonsky's horror music? :D

El Baradei reply Replies: 0 || 2015-10-09 17:34:30
It seems Steven Price listened too often to the track Fish Market before writing the score to Gravity.

Edmund Meinerts reply Replies: 0 || 2015-10-04 11:50:33
I just noticed that there's an almost 9-minute cue on this credited to Marc Streitenfeld, among others. That seems weird - shouldn't this have been way back in the day when he was still Hans' chauffeur? :p

Scorefan reply Replies: 0 || 2015-09-19 02:50:30
So that site is out. For this score?

Smitty reply Replies: 7 || 2015-09-10 08:43:53
Literally had this dropped in my lap and I can vouch for its authenticity. I don't waste my time on fakes. The only down side is that it's not totally complete. I tacked on about 30 minutes of extra material from various bootlegs and the official album making it almost 3 hours.

Something tells me it'll be around soon so maybe you'll hear it for yourself.

Anon2015-09-10 21:33:06

Anonymous2015-09-17 02:02:32
and so its here. look around. its out :D

Nyct2015-09-17 03:17:02
Are you Sure??? Because, frankly, it hasn't actually been posted anywhere.

David2015-09-17 03:56:46
Frankly, it has. I'm listening to it right now!!

Frank2015-09-17 09:40:39
Yep, can't believe this is really happening but we finally got the recording session for this. I think now the only thing left that we're long awaiting for is the 4-hour The Thin Red Line recording session maybe?

Edmund Meinerts2015-09-17 09:52:58
I think TRL is out too! At least, I have a version which is 5hrs 22min which I've never dared to venture into. With good reason: it's a huge friggin' mess, with no proper track titles, probably zillions of different versions of the same cue, and it would generally take hours and hours to sort through and weed out what's unnecessary (and this on a score I don't even like that much outside of a few pieces).

I think Hybrid even acknowledged its existence once and said he didn't have the time to sort it out either and make a page for it. Totally understandable, in this case... :O

JJ2015-09-17 13:20:38
Yes, TRL is been publicly around for some time, the only drawback is that the quality is not great (128kbps)

madmartigan reply Replies: 0 || 2015-08-27 12:03:20
Hi Hybrid,
Do you know which is the music/track from this Expanded Score played at the end of the movie, when Lecter is in the plane with the boy child ?

Wendigo reply Replies: 5 || 2015-08-19 03:54:07
Any guess as to when a leak will occur?

Russel2015-08-19 06:14:16
Ah yes, of course. December 24th, 2024

Elaine2015-08-19 13:25:29
According to my source, the leak will be on February 14th, in the year two thousand and sixteen. I received this information from an alien. As I told my husband, it was in the Paramus Holiday Inn, I was having a drink at the bar, alone, and this alien approached me. He started talking to me. He bought me a drink, and then I think he must have used some kind of a ray or a mind control device because he forced me to follow him to his room and that's where he told me about the leak.

Wendigo2015-08-19 17:18:27
Despite the sarcasm, you both sound stupider than my question.

greg2015-08-19 17:23:51
please dont joke about aliens we all know they are gonna kick our asses in the near future

Joshua2015-08-19 19:23:43
@Elaine sweet Ghostbusters 2 burn! lol

Mr. Charles reply Replies: 8 || 2012-08-21 02:38:42

Hybrid Soldier2012-08-21 08:36:55
All fakes...

Uga2015-08-16 03:39:29
Interesting tracklist

Anonymous2015-08-16 09:31:11
Not fake.

Nyct2015-08-17 01:40:42
Then...prove it.

Madmartigan2015-08-17 23:21:00
Why is it called "Expanded" ? Is it not complete ? I listened to this expanded and I compared it to the movie.... The only track missing is the last one with the boy in the plane.

Nyct2015-08-17 23:24:52
Where? How?

Anonymous2015-08-18 00:03:03

its real. hybrid soldier would not have added the credits to fake cues -_-

plus i know some people who have it

Nyct2015-08-18 00:53:32
I'm just being pushy about it. I've been searching for this gem for nearly a decade now and that fact that a tracklist has been posted gave me hope.

Lasse reply Replies: 0 || 2010-04-09 00:00:00
there is a new Hannibal bootleg soundtrack whit soundtracks like :

-Lecter hunt
-Bring him home
-Eating the Nurse
-An Der Schonen
-The Abducting
-Come After You
-Adjust To The Darkenss

ridlazz reply Replies: 0 || 2008-04-12 00:00:00
what si the las 7 soundtracks on the album ???

ridlazz reply Replies: 0 || 2008-03-09 00:00:00
the lasy 7 soundtracks.

why havent they a name????© 2001-2017 OST 
Hannibal (Expanded Score) soundtrack - Hans Zimmer 2001