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I won't go further cause it's not exactly the place, but I won't say you're wrong either... :PHybrid, any insight into why Tyler was fired from Age of Ultron? I’ve always wondered but have never seen an actual reason. I’ve heard he violated his contract to work on Furious 7 or something?<br><br>Just was curious because he still takes full credit for that score, and the more I see of him the more annoyed I get with his arrogant attitude. The dude thinks he’s the greatest thing to ever happen to film scores.Me too. The deluxe edition was quite underwhelming. Would love to get the entire Sicily sequence.Really gutted that the FYC is out but it's missing the one moment from the score I really wanted, the statement of the Alpha theme from HTTYD2. Wonder why Powell and his crew seem to be going out of their way to prevent that from being heard...something about pre-existing material, maybe? But why just that theme and not the dozens of others? Weird.If you ask me, that "personal tragedy" for Snyder, though real, was just an excuse for them to fire him. It was convenient for Warner. They saw his film and they probably got scared it was impossible to sell, too long, too much BvS, too much this, too much that... This irony is now they made a billion with the darkest DC movie ever... Nice call WB... The minute Whedon & Elfman were "in", you understood this film was not Zack Snyder's anymore. This film is so terrible, I rewatched it lately, you can feel pretty much 80% of it is Whedon reshoots (just look for actors that look nothing like themselves when they shot the initial film, "New Haircut" Amy Adams, "Bottox" Batfleck, "Mustache" Cavill... And you can see from miles away how they all act like they don't care, that they hated every minute of reshooting it. I'm really sad Geoff Zanelli had to participate into this travesty, but I hope he got a huge paycheck for the pain ! lol Especially since Geoff was at the very beginning of the DCEU since he started working on ideas with Hans on Man Of Steel, before he left early to handle The Lone Ranger...<br><br>#ReleaseTheSnyderCut<br><br>Oh and btw Brian Tyler was fired from Avengers 2. And not because of the music he was writing. Whedon brought Elfman at the last minute, first he was "additional music", then "co-composer", if he had, say, one more month, he would have replaced the entirety of Tyler's score... He just didn't get enough time to do that...
I definitely agree with your last sentence. I really like seeing the RCP composers going back to orchestral splendor and melody. Shame Jablonsky's been MIA because of his family. I would have loved to see him come back with the orchestral, melodic voice that Balfe and Tom have had lately.cool!Whedon has his particular tastes which are guaranteed to be more sensible than 'Anonymous' below. This was a case where Snyder was facing an uphill struggle and a personal tragedy. He left the project. Josh came on board and he does not think highly of the RCP school, as anyone with a sensible ear will do. So he hired Elfman who did Age of Ultron for him after Tyler copy-pasted himself too much. It's ironic that fanboys here lambast Elfman for not being Zimmer enough in scope while Tyler does whatever he does, sounding EXACTLY the same on all projects. <br><br>But it's also heartening to see that all of the good RCP composers like Jackman, Junk, Balfe are now going for scores that sound a lot like 1990s or 2000s - Silvestri (Jumanji), Jones (Alita), or Shore (Dark Materials), respectively.Did Holkenborg finish his score and have time to record it? Is there an actual score? It seems to me he got jettisoned early in the process when Whedon came on board. It would be surprising if he had time to record an actual score with players and an orchestra.I can't decide whether or not some of the things I want to hear from him should be in his new show or a new World of Hans Zimmer show.
@Ds Omar is saying that this was the direction Tom went with / what the score sounded like not that he was fired because he didn’t deliver the sound he’s known for :) <br>Of course he was replaced after Snyder left the project. <br><br>And yeah citation is needed.Desperately hoping we'll hear something from Dune. He's said himself how excited he is to finally work on music for a Dune movie and turned down Nolan for it, and it will be out a few months before these shows begin.The FYC came out for this. Unfortunately, it's missing two entire tracks from the film. An extended "Busy, Busy Berk", and the film version of "Furies Captured" (which at least had a YouTube upload of the alternate version). <br><br>Guess we'll have to hope for a complete/recording sessions leak for everything else.Will he come to Sthlm / Gothenburg sweden???https://www.  axs.com/why-we-need-a-chicago-med-soundtrack-album-in-our-li ves-112620<br><br>Why they never release this?!....
Omar: Well tried, but Junkie XL was replaced after Snyder was fired and Whedon came in.<br>And just in case Snyder actually wanted another sound, he would just have told Junkie at the beginning instead of firing him after he departed himself :-pCitation neededZimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know that’s not always reliable, but that would be awesome if he was involved. I’ve missed the “fun” side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.
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Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide (Complete Score)
Label: Unofficial Release
Length: 91'27
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6912 votes)
  1. Main Titles (3:13)
    Hans Zimmer
  2. News Report (1:36)
    Hans Zimmer
  3. Briefing (2:46)
    Hans Zimmer
  4. Goodbyes (2:02)
    Hans Zimmer, Nick Glennie-Smith
  5. Roll Tide (3:22)
    Hans Zimmer, Nick Glennie-Smith
  6. Eternal Father, Strong To Save (2:04)
    Hans Zimmer, Nick Glennie-Smith (John Dykes)
  7. War (1:29)
    Hans Zimmer
  8. Fire In The Galley (1:23)
    Hans Zimmer
  9. Hunter Rebuffed (1:58)
    Hans Zimmer
  10. Boxing (0:53)
    Hans Zimmer
  11. Real EAM (2:38)
    Hans Zimmer
  12. This Is Not A Drill (5:49)
    Hans Zimmer, Nick Glennie-Smith
  13. Classification (3:22)
    Hans Zimmer, Nick Glennie-Smith
  14. First Engagement (3:23)
    Hans Zimmer
  15. Mutiny - 2nd Attack (9:33)
    Hans Zimmer
  16. Bilge Bay (6:45)
    Hans Zimmer (John Dykes)
  17. Counter Mutiny (9:48)
    Hans Zimmer
  18. 1SQ (18:11)
    Hans Zimmer
  19. Crisis Averted (0:51)
    Nick Glennie-Smith
  20. Resolution (1:13)
    Hans Zimmer
  21. Court Of Inquiry (1:49)
    Hans Zimmer, Nick Glennie-Smith
  22. End Titles (7:35)
    Hans Zimmer (John Dykes)
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Hybrid Soldier reply Replies: 0 || 2018-11-23 00:34:50
Cuesheet & cue names added...

mittens reply Replies: 1 || 2018-02-11 03:03:07
Um... regarding track #6 I think the composers cannot be HZ/NG-S, but John Dykes, I don't know what could they have composed there...


Mike (OTM)2018-02-11 17:22:06
It means they arranged the piece, in this case.

FS reply Replies: 1 || 2016-11-10 18:52:36
The film version from "Fire In The Galley" never appeared on any of those complete version ?


Mr Tweedy2016-11-10 23:51:14
Nope... Film version sounds more like a music editor work... making a loop out of the main theme and spreading it out on top of the drums. That's why it's probably not featured on any expanded versions of the score.

T-Mann036 reply Replies: 0 || 2014-03-19 19:19:16
One of the best film scores ever made by Hans!

Scorefan reply Replies: 0 || 2014-03-06 03:18:56
Crimson Tide Slates Sessions
1m1
1m2
2m4
3m5a
3m5b
3m6
3m7a
3m7b
4m8
5m10
5m12
5m13
6m14
7m15
7m16
9m18
9m19
11m20a
11m20b
13m21
13m21alt
13m22

Poe reply Replies: 0 || 2012-07-09 09:47:15
Does this edition contain the missing drum overdubs and distorted electric guitar sounds in Akula, that were missing from the previous expanded leak?

Bioscope reply Replies: 1 || 2011-03-27 00:00:00
I heard these unreleased tracks on a stream site that got bought out recently and they sounded genuine, although the fire outbreak score sounds a little different from the film version.


Mr Tweedy2012-04-11 19:21:35
Isn't this tracklist different and more complete than the expanded that surfaced last year ?! 91 minutes ?!

Iceboy reply Replies: 0 || 2011-03-15 00:00:00
Thanks Per. What about the 2CD one?

Per reply Replies: 0 || 2011-03-14 00:00:00
The "new" stuff is just a rip from the film, yes.

You can clearly hear sound effects here and there. It's in mono in parts. It's got weird combinations with the OST. To name a couple of issues...

I will be happy to give a more detailed explanation if that's required, or wanted !

Btw. if the end of track 9 on this very big fake version is the main reason why you want it so bad ... don't bother. Go with the Dirty Pictures submission agency promo instead (track 1, "11m20B") :)

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Yeah so wheres the Opening music and the other 2 unreleased cues from, listed below on the 1CD? DVD rips?

Hybrid Soldier reply Replies: 0 || 2011-03-13 00:00:00
The only good sources you can find for a Crimson Tide is :

- The OST

- A Nick Glennie-Smith promo (Dirty Pictures) containing 3 unreleased cues (listed on this website) :

"Crisis Averted" / "Court Of Inquiery" / "This Is Not A Drill"

That's all... :P

Iceboy reply Replies: 0 || 2011-03-13 00:00:00
Its not complete but it has more music than the 1CD here.

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

I second the anon comment below - wheres the unreleased bits from?

Dawn reply Replies: 0 || 2011-03-13 00:00:00
2CD Complete Score? Never heard of it either... And I've been in this "business" for a while ! Any info (tracklist...) ?

Levente reply Replies: 0 || 2011-03-12 00:00:00
Never heard or saw a 2 CD complete score.

fabien reply Replies: 0 || 2011-03-12 00:00:00
there is a 2D complete score very hard to find but it exists!!!

Anonymous reply Replies: 0 || 2011-03-12 00:00:00
Where do the unreleased parts come from, especially the opening track?

Skyler reply Replies: 0 || 2009-03-13 00:00:00
Listed below the title of each track is the corresponding cue from the commercially available album

1. Opening / Conflict / Alabama:
The first minute and 25 seconds of this track is unreleased material, but isn’t anything particularly special. The sound quality isn’t the best either.
The rest is the first 8 minutes and 25 seconds of “Alabama”

2. Resurrection:
The last 9 minutes and 47 seconds of “Alabama”

3. Little Ducks:
“Little Ducks”

4. 1SQ (alternate):
The first 11 minutes and 9 seconds of “1SQ”
As far as I can tell this is exactly the same as the1SQ from track 8 of this bootleg, so I’m not even sure why it would be considered an alternate

5. Mutiny:
“Mutiny”

6. Day 12:
8:23 – 14:04 from “1SQ”

7. 3… 2… 1…:
This is another previously unreleased track, but contains parts that are so similar to other parts of the album that it hardly matters. (In fact, it sounds like most of this *is* made up of other segments, possibly arranged by a fan)

8. 1SQ / 3:00:
The first 16 minutes and 13 seconds of “1SQ”

9. 2SQ / November 2nd:
The last 2 minutes of “1SQ”
The remainder of the track is a third unreleased cue, which is a nice (albeit short) variation of the main theme. It’s quite good, but it’s still not worth going through the trouble of finding this bootleg.

10. End Credits:
“Roll Tide”

Overall, I would not recommend seeking this one out. The only reason why anyone should really want it is if they are not satisfied with the extremely long tracks on the commercial release - but if you own a music editing program you can just edit it yourself based on the information I’ve provided. The end of track 9 is good, but like I said, it’s not worth going through the trouble of finding the bootleg to get it.

Stefan reply Replies: 0 || 2008-03-09 00:00:00
Wonderful...

Mac reply Replies: 0 || 2007-06-25 00:00:00
Is it possible to get an explanation of what tracks do/don't contain new material not heard on the original album? And, maybe, whereabouts during these tracks... Most of it seems very similar to the commercial release.

Marie reply Replies: 0 || 2007-02-07 00:00:00
"The Gladiator Waltz" at the Puy du Fou... beautiful music! of course it's from Nick! ;-)

greg reply Replies: 0 || 2007-01-28 00:00:00
my favourite soundtrack

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herdim reply Replies: 0 || 2005-05-27 00:00:00
Un excellent score du compositeur pour un bon film du tres sous-estimé Tony Scott ( The Last Boy-Scout, Enemy Of The State )
Hans Zimmer a ecrit un excellent theme principal, -trés utilisé lors des bandes annonces des blockbuster- ainsi qu'un excellent End Titles

Ude Eko reply Replies: 0 || 2005-02-22 00:00:00
Unfortunately, a deep let down. I got the CD via eBay and was expecting an encore to the wonderful score which is my second favorite after Gladiator (all-time).

It turns out that the tracks on this CD are basically cropped and chopped from the original score - only the first two minutes of the CD and two other very brief sections contain music not heard on the original.

I am forced to think twice before obtaining expanded music - although that is a pity seeing how the Gladiator 2 score is such a wonderful expression of Hans Zimmer's work.

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Crimson Tide (Complete Score) soundtrack - Hans Zimmer 1995