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Kael, I don't owe anyone here anything, I communicate the way I want, I'm not here to make friends or to be liked, and I don't work for Hans (if he wants so he can tell me)...<br><br>If I want to send any of you to hell, I do, and I already explained many times why the track is not the film version. Now don't you people dare bullshitting me with the "I pay, I'm king, I get what I want"... We all paid MOS and didn't get Escape From Ship, we all paid Rush and didn't get Monza 1976, we all paid Sherlock Holmes and didn't get Meet Dredger, and I didn't see all these comments... There's no gun on your head, there are samples out, hell there is even the full OST on youtube the day of release. If it doesn't contain what you want, don't buy it.Absolutely agree. I grabbed the released track and without reading any of the reactions, listened to it last night and I remember thinking "did I get the right track!?!?" Not only did was it different than what I had fallen in love with, to me (And I agree this is likely very subjective and possibly accentuated by frustration) sounded way off and even not quite fitting with the rest of the soundtrack. So yes, very disappointed in that regard.<br><br>As someone who purchased the Illuminated version, I am now a bit scared of that purchase, and what will be included in it.  <br><br>Furthermore, while I agree that Hybrid did what he could to help us, the way in which he has communicated recently is just  as disappointing as the track was. <br><br>A shame that such an amazing work of art is marred by this completely unnecessary ordeal. Better communication would have eased some of this, even the things out of their control.<br><br>The net result is that as a customer, I am no longer confident in the purchase I made, and will likely affect future purchases.<br><br>Completely unacceptable that they would say "HERE IT IS THE DOCKING SCENE MUSIC!" when it's not, and actually charge us for something that isn't.<br><br>"Anyway, I hope it's never released and that it never leaks out either." This shows how much of a child you are.@Victor<br>"I bet this guy is the type of guy who accepts everything in society for what it is and can't stand up for himself."<br><br>Yes, because bitching about a 2 minute piece of music not being released in the exact form that you want it is an exemplary example of someone 'sticking it to the man'. Maybe we should write to the government about this injustice? <br><br>"LOLOLOL the vast majority is extremely disappointed dude, and with fucking reason, this is completely unacceptable. At least we're not kissing Mr. Zimmer's ass like you guys are. Conformists is what you are."<br><br>Speak for yourself, 'the vast majority' probably don't give a shit, because they don't come on sites like this. I still fail to see how not including a short piece of tracked-in music that was quite possibly hacked together by an editor at the last minute renders the entire album 'completely unacceptable', even though it's one of the more comprehensive ones to be released.<br><br>Anyway, I hope it's never released and that it never leaks out either.I could not have put it better myself Jan. Well said...very well said.
Kubrick,<br>  <br>    Very well put sir. I want to experience that a moment again.<br>AgreedAll I want is to listen the docking scene music. It's not a damn conspiracy.I have this nagging suspicion that this score is getting far too much attention than it deserves.<br><br>That's as polite as I can be.Err... <br><br><br>No, nevermind... lol
@Kubrick, How do you reckon we are all "2 or 3 degrees away from" Hans Zimmer?  Just because someone claims they have connections and influence with him, doesn't necessarily make it so.  How do we know that HZ didn't just release the track on his own?  Anyone can claim anything they want to make themselves feel important.  People like that are typically middle-aged guys still living in some obsessed fantasy world in their parents basement munching on Doritos. Sound about right?I'll add my disgust for the whining that's been going on. Get a life people! I actually regret Zimmer catered to these losers.I bet this guy is the type of guy who accepts everything in society for what it is and can't stand up for himself.Just saw the film last night but I was really uncomfortable with how much that track sounded like the Soulsavers' track 'Closer' that was used to great effect in the documentary 'Battleground: 21 Days on the Edge of Empire".  Can't post a link here but you can find it on YouTube and give it a listen.I love No Time for Caution.<br>You guys are overreacting.<br>It's not the first time a soundtrack is different from a movie's music (Imagine the Fire and the bridge scene in TDKR, and I think it's interesting to have different sounds)<br>And even if you are disappointed, you should be grateful to Hybrid and Hans, I mean, how many artists add a cue to their soundtrack to please their fans ???????<br><br>Sorry for my english, I'm french.
All this over one cue? Jesus...I'm so boring...whining about the whiners.<br>It's time for me to shut the fuck up and go on with my life.I am boring.I am boring.That's why I said "maybe" x)
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Additional Music - Conductor - OrchestratorAdditional Music ArrangerOrchestrator
Hans ZimmerNick Glennie-SmithChristopher WardBruce Fowler
ComposerAdditional MusicAdditional ArrangementsOrchestrator
Crimson Tide (Complete Score)
Label: Unofficial Release
Length: 91'27
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (1150 votes)
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  1. Main Titles (3:13)
  2. News Report (1:36)
  3. Briefing (2:46)
  4. Goodbye (2:02)
  5. Alabama (3:22)
  6. Diving (2:04)
  7. War (1:29)
  8. Fire In The Galley (1:23)
  9. The Drill (1:58)
  10. Decompressing (0:53)
  11. The Real EAM (2:38)
  12. Contact (5:49)
  13. This Is Not A Drill (3:22)
  14. Akula (3:23)
  15. Command (9:33)
  16. Flood (6:45)
  17. Mutiny (9:48)
  18. Counter Mutiny (18:11)
  19. Crisis Averted (0:51)
  20. Pearl Harbor (1:13)
  21. Court Of Inquiry (1:49)
  22. End Titles (7:35)
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T-Mann036 reply Replies: 0 || 2014-03-19 19:19:16
One of the best film scores ever made by Hans!

Scorefan reply Replies: 0 || 2014-03-06 03:18:56
Crimson Tide Slates Sessions
1m1
1m2
2m4
3m5a
3m5b
3m6
3m7a
3m7b
4m8
5m10
5m12
5m13
6m14
7m15
7m16
9m18
9m19
11m20a
11m20b
13m21
13m21alt
13m22

Poe reply Replies: 0 || 2012-07-09 09:47:15
Does this edition contain the missing drum overdubs and distorted electric guitar sounds in Akula, that were missing from the previous expanded leak?

Bioscope reply Replies: 1 || 2011-03-27 00:00:00
I heard these unreleased tracks on a stream site that got bought out recently and they sounded genuine, although the fire outbreak score sounds a little different from the film version.


Mr Tweedy2012-04-11 19:21:35
Isn't this tracklist different and more complete than the expanded that surfaced last year ?! 91 minutes ?!

Iceboy reply Replies: 0 || 2011-03-15 00:00:00
Thanks Per. What about the 2CD one?

Per reply Replies: 0 || 2011-03-14 00:00:00
The "new" stuff is just a rip from the film, yes.

You can clearly hear sound effects here and there. It's in mono in parts. It's got weird combinations with the OST. To name a couple of issues...

I will be happy to give a more detailed explanation if that's required, or wanted !

Btw. if the end of track 9 on this very big fake version is the main reason why you want it so bad ... don't bother. Go with the Dirty Pictures submission agency promo instead (track 1, "11m20B") :)

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Yeah so wheres the Opening music and the other 2 unreleased cues from, listed below on the 1CD? DVD rips?

Hybrid Soldier reply Replies: 0 || 2011-03-13 00:00:00
The only good sources you can find for a Crimson Tide is :

- The OST

- A Nick Glennie-Smith promo (Dirty Pictures) containing 3 unreleased cues (listed on this website) :

"Crisis Averted" / "Court Of Inquiery" / "This Is Not A Drill"

That's all... :P

Iceboy reply Replies: 0 || 2011-03-13 00:00:00
Its not complete but it has more music than the 1CD here.

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

I second the anon comment below - wheres the unreleased bits from?

Dawn reply Replies: 0 || 2011-03-13 00:00:00
2CD Complete Score? Never heard of it either... And I've been in this "business" for a while ! Any info (tracklist...) ?

Levente reply Replies: 0 || 2011-03-12 00:00:00
Never heard or saw a 2 CD complete score.

fabien reply Replies: 0 || 2011-03-12 00:00:00
there is a 2D complete score very hard to find but it exists!!!

Anonymous reply Replies: 0 || 2011-03-12 00:00:00
Where do the unreleased parts come from, especially the opening track?

Skyler reply Replies: 0 || 2009-03-13 00:00:00
Listed below the title of each track is the corresponding cue from the commercially available album

1. Opening / Conflict / Alabama:
The first minute and 25 seconds of this track is unreleased material, but isn’t anything particularly special. The sound quality isn’t the best either.
The rest is the first 8 minutes and 25 seconds of “Alabama”

2. Resurrection:
The last 9 minutes and 47 seconds of “Alabama”

3. Little Ducks:
“Little Ducks”

4. 1SQ (alternate):
The first 11 minutes and 9 seconds of “1SQ”
As far as I can tell this is exactly the same as the1SQ from track 8 of this bootleg, so I’m not even sure why it would be considered an alternate

5. Mutiny:
“Mutiny”

6. Day 12:
8:23 – 14:04 from “1SQ”

7. 3… 2… 1…:
This is another previously unreleased track, but contains parts that are so similar to other parts of the album that it hardly matters. (In fact, it sounds like most of this *is* made up of other segments, possibly arranged by a fan)

8. 1SQ / 3:00:
The first 16 minutes and 13 seconds of “1SQ”

9. 2SQ / November 2nd:
The last 2 minutes of “1SQ”
The remainder of the track is a third unreleased cue, which is a nice (albeit short) variation of the main theme. It’s quite good, but it’s still not worth going through the trouble of finding this bootleg.

10. End Credits:
“Roll Tide”

Overall, I would not recommend seeking this one out. The only reason why anyone should really want it is if they are not satisfied with the extremely long tracks on the commercial release - but if you own a music editing program you can just edit it yourself based on the information I’ve provided. The end of track 9 is good, but like I said, it’s not worth going through the trouble of finding the bootleg to get it.

Stefan reply Replies: 0 || 2008-03-09 00:00:00
Wonderful...

Mac reply Replies: 0 || 2007-06-25 00:00:00
Is it possible to get an explanation of what tracks do/don't contain new material not heard on the original album? And, maybe, whereabouts during these tracks... Most of it seems very similar to the commercial release.

Marie reply Replies: 0 || 2007-02-07 00:00:00
"The Gladiator Waltz" at the Puy du Fou... beautiful music! of course it's from Nick! ;-)

greg reply Replies: 0 || 2007-01-28 00:00:00
my favourite soundtrack

herdim reply Replies: 0 || 2005-05-27 00:00:00
Un excellent score du compositeur pour un bon film du tres sous-estimé Tony Scott ( The Last Boy-Scout, Enemy Of The State )
Hans Zimmer a ecrit un excellent theme principal, -trés utilisé lors des bandes annonces des blockbuster- ainsi qu'un excellent End Titles

Ude Eko reply Replies: 0 || 2005-02-22 00:00:00
Unfortunately, a deep let down. I got the CD via eBay and was expecting an encore to the wonderful score which is my second favorite after Gladiator (all-time).

It turns out that the tracks on this CD are basically cropped and chopped from the original score - only the first two minutes of the CD and two other very brief sections contain music not heard on the original.

I am forced to think twice before obtaining expanded music - although that is a pity seeing how the Gladiator 2 score is such a wonderful expression of Hans Zimmer's work.

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Crimson Tide (Complete Score) soundtrack - Hans Zimmer 1995