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Please tour again. And please come to North America. Please. I've been distraught that I've missed this, and was debating flying over, however it didn't work out. I would love a second chance.Ya I found a bunch! Thanks! :DFor Days of Future Past ?<br><br>From what I saw yeah looks like the additionals are getting royalties lol... But just go to BMI.com, the repertoire search section, search Ottman John V, and have fun...Cool, hanks for that info Hybrid! Do you know if there's any other credits?Have you all seen this?  Hilarious and quite good!<br><br>http: // www. theverge .com/2014/10/19/7003205/this-trailer-turns-wall-e-into-an-an imated-version-of-interstellar
I found this at BMI, surprising indeed... He just helped out for a week on it, working on a couple of cues, which then got rearranged by Ottman...You're right, Edmund! It seems to be the first half of "Do What You Were Made For". Thanks for pointing this out.I wasn't sure where to post this, but I just noticed under Dom Lewis' composer page a cue from X-Men: Days of Future Past. That's really interesting, especially considering the ghostwriting rumors that have always surrounded John Ottman. I wonder how that happened?Yeah, Kick-Ass is decent. If you can count either one as a Jackman score really, that is.<br><br>Abraham Lincoln isn't awful either, and what I have heard of This is the End sounds quite promising. So it's not as cut and dried as I made it sound. But in general, Jackman's animated scores and "lighter" projects turn out a lot better IMO than his straight action ventures.Fair enough! :)
It does seem rather....overly sensational. Especially considering that they're not letting us hear anything from the score or telling us anything about it. It's purely designed to pique our curiosity and get us hyped up, without really telling us anything. I'm excited about the score, too, but if it needs to be so secretive, why bother with weird stories about a watch Zimmer got or an one-page letter he wrote the score from? :PWhat is that supposed to mean?No I swear I have zero information on it, and even when I was with Hans I didn't ask anything about it, because to be honest, even I don't want to know. Hans wants us to discover it on screen, and that's what I'll do ! :)Hybrid, I realize that you're probably unable to share much information yet even if you have it, but is there any word on where the organ was recorded for this?  In the IMAX trailer it's obviously a real instrument and not the Diva/Zebra synths that he's used on prior scores (though the teaser sounds like it may still have been those).  I know the instrument at AIR isn't functional, so maybe some other London cathedral or church?People who claim to see pretension in others seem to often themselves be the pretentious ones. <br><br>Observing some of your internet activity beyond this site confirms that. <br><br>;)
Goodness, when you put Nolan and Zimmer in the same room, the levels of pretention are enough to blow the roof off.<br><br>I'm curious about this score/film for sure, but guardedly. I've never been as enamored with the Zimmer/Nolan collab as most here, it seems.Not more than you... It should come out... eventually ? One day ? Maybe ? lolThanks Hybrid!!waiting for soundtrackHybrid, my fear is that those few big cameras only recorded stuff for a teaser trailer for an upcoming "Revealed Tour"... It's going to attract a lot more people worldwide if they can see what a HZ live performance looks like!<br><br>But of course I hope we'll get more than a 2' teaser :-)
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Additional Music - Conductor - OrchestratorAdditional Music ArrangerOrchestrator
Hans ZimmerNick Glennie-SmithChristopher WardBruce Fowler
ComposerAdditional MusicAdditional ArrangementsOrchestrator
Crimson Tide (Complete Score)
Label: Unofficial Release
Length: 91'27
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (1088 votes)
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  1. Main Titles (3:13)
  2. News Report (1:36)
  3. Briefing (2:46)
  4. Goodbye (2:02)
  5. Alabama (3:22)
  6. Diving (2:04)
  7. War (1:29)
  8. Fire In The Galley (1:23)
  9. The Drill (1:58)
  10. Decompressing (0:53)
  11. The Real EAM (2:38)
  12. Contact (5:49)
  13. This Is Not A Drill (3:22)
  14. Akula (3:23)
  15. Command (9:33)
  16. Flood (6:45)
  17. Mutiny (9:48)
  18. Counter Mutiny (18:11)
  19. Crisis Averted (0:51)
  20. Pearl Harbor (1:13)
  21. Court Of Inquiry (1:49)
  22. End Titles (7:35)
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T-Mann036 reply Replies: 0 || 2014-03-19 19:19:16
One of the best film scores ever made by Hans!

Scorefan reply Replies: 0 || 2014-03-06 03:18:56
Crimson Tide Slates Sessions
1m1
1m2
2m4
3m5a
3m5b
3m6
3m7a
3m7b
4m8
5m10
5m12
5m13
6m14
7m15
7m16
9m18
9m19
11m20a
11m20b
13m21
13m21alt
13m22

Poe reply Replies: 0 || 2012-07-09 09:47:15
Does this edition contain the missing drum overdubs and distorted electric guitar sounds in Akula, that were missing from the previous expanded leak?

Bioscope reply Replies: 1 || 2011-03-27 00:00:00
I heard these unreleased tracks on a stream site that got bought out recently and they sounded genuine, although the fire outbreak score sounds a little different from the film version.


Mr Tweedy2012-04-11 19:21:35
Isn't this tracklist different and more complete than the expanded that surfaced last year ?! 91 minutes ?!

Iceboy reply Replies: 0 || 2011-03-15 00:00:00
Thanks Per. What about the 2CD one?

Per reply Replies: 0 || 2011-03-14 00:00:00
The "new" stuff is just a rip from the film, yes.

You can clearly hear sound effects here and there. It's in mono in parts. It's got weird combinations with the OST. To name a couple of issues...

I will be happy to give a more detailed explanation if that's required, or wanted !

Btw. if the end of track 9 on this very big fake version is the main reason why you want it so bad ... don't bother. Go with the Dirty Pictures submission agency promo instead (track 1, "11m20B") :)

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Yeah so wheres the Opening music and the other 2 unreleased cues from, listed below on the 1CD? DVD rips?

Hybrid Soldier reply Replies: 0 || 2011-03-13 00:00:00
The only good sources you can find for a Crimson Tide is :

- The OST

- A Nick Glennie-Smith promo (Dirty Pictures) containing 3 unreleased cues (listed on this website) :

"Crisis Averted" / "Court Of Inquiery" / "This Is Not A Drill"

That's all... :P

Iceboy reply Replies: 0 || 2011-03-13 00:00:00
Its not complete but it has more music than the 1CD here.

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

I second the anon comment below - wheres the unreleased bits from?

Dawn reply Replies: 0 || 2011-03-13 00:00:00
2CD Complete Score? Never heard of it either... And I've been in this "business" for a while ! Any info (tracklist...) ?

Levente reply Replies: 0 || 2011-03-12 00:00:00
Never heard or saw a 2 CD complete score.

fabien reply Replies: 0 || 2011-03-12 00:00:00
there is a 2D complete score very hard to find but it exists!!!

Anonymous reply Replies: 0 || 2011-03-12 00:00:00
Where do the unreleased parts come from, especially the opening track?

Skyler reply Replies: 0 || 2009-03-13 00:00:00
Listed below the title of each track is the corresponding cue from the commercially available album

1. Opening / Conflict / Alabama:
The first minute and 25 seconds of this track is unreleased material, but isn’t anything particularly special. The sound quality isn’t the best either.
The rest is the first 8 minutes and 25 seconds of “Alabama”

2. Resurrection:
The last 9 minutes and 47 seconds of “Alabama”

3. Little Ducks:
“Little Ducks”

4. 1SQ (alternate):
The first 11 minutes and 9 seconds of “1SQ”
As far as I can tell this is exactly the same as the1SQ from track 8 of this bootleg, so I’m not even sure why it would be considered an alternate

5. Mutiny:
“Mutiny”

6. Day 12:
8:23 – 14:04 from “1SQ”

7. 3… 2… 1…:
This is another previously unreleased track, but contains parts that are so similar to other parts of the album that it hardly matters. (In fact, it sounds like most of this *is* made up of other segments, possibly arranged by a fan)

8. 1SQ / 3:00:
The first 16 minutes and 13 seconds of “1SQ”

9. 2SQ / November 2nd:
The last 2 minutes of “1SQ”
The remainder of the track is a third unreleased cue, which is a nice (albeit short) variation of the main theme. It’s quite good, but it’s still not worth going through the trouble of finding this bootleg.

10. End Credits:
“Roll Tide”

Overall, I would not recommend seeking this one out. The only reason why anyone should really want it is if they are not satisfied with the extremely long tracks on the commercial release - but if you own a music editing program you can just edit it yourself based on the information I’ve provided. The end of track 9 is good, but like I said, it’s not worth going through the trouble of finding the bootleg to get it.

Stefan reply Replies: 0 || 2008-03-09 00:00:00
Wonderful...

Mac reply Replies: 0 || 2007-06-25 00:00:00
Is it possible to get an explanation of what tracks do/don't contain new material not heard on the original album? And, maybe, whereabouts during these tracks... Most of it seems very similar to the commercial release.

Marie reply Replies: 0 || 2007-02-07 00:00:00
"The Gladiator Waltz" at the Puy du Fou... beautiful music! of course it's from Nick! ;-)

greg reply Replies: 0 || 2007-01-28 00:00:00
my favourite soundtrack

herdim reply Replies: 0 || 2005-05-27 00:00:00
Un excellent score du compositeur pour un bon film du tres sous-estimé Tony Scott ( The Last Boy-Scout, Enemy Of The State )
Hans Zimmer a ecrit un excellent theme principal, -trés utilisé lors des bandes annonces des blockbuster- ainsi qu'un excellent End Titles

Ude Eko reply Replies: 0 || 2005-02-22 00:00:00
Unfortunately, a deep let down. I got the CD via eBay and was expecting an encore to the wonderful score which is my second favorite after Gladiator (all-time).

It turns out that the tracks on this CD are basically cropped and chopped from the original score - only the first two minutes of the CD and two other very brief sections contain music not heard on the original.

I am forced to think twice before obtaining expanded music - although that is a pity seeing how the Gladiator 2 score is such a wonderful expression of Hans Zimmer's work.

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Crimson Tide (Complete Score) soundtrack - Hans Zimmer 1995