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i seriously just keep repeating the last 30 seconds of cold war....idk why but it's awesome.Yup. Shot in the dark, but it got me thinking that maybe Andrew Kawczynski was in charge of it. Doesn't sound like HZ IMO, kind of sounds like Lorne, plus that beat is from "Underground Army"...Wasn't Cold War the cue when Paul Giammati was driving the truck?I know that the beginning of the movie is:<br>There He Is<br>(Unreleased cue, opening scene)<br>I'm Spider-Man<br>Cold War<br>No Place Like Home<br><br>And at the end, merged into each other:<br>You're That Spider Guy<br>It's On Again<br><br>Well I don't think he's taking another break...<br><br>It's still the continuity of his 2012 decision to step back... Rio 2 & HTTYD 2 being some kind of parenthesis... If he has a project he cares about, he'll score it... But like I said before, don't expect him to go berserk scoring 7 films a year and saying yes to everything, like in the past... Far from it...
Interesting development: filmmusicreporter.com/2014/04/23/john-powell-to-take-break-f rom-film-music-to-compose-concert-music/It's way beyond my ability, because it's really confusing. Like it starts out the movie with a slowed down version of There He Is, then it goes to unreleased cues, I'm Spiderman, and then has like an excerpt of You're That Spider Guy...I think when 'The Rhino'?? is driving the truck in the city, then Gwen's theme picks up (which is like a variation of We're Best Friends and then when Electro or Max Dillon is walking around the city with his blue prints there is excerpts of The Electro Suite (I think?) heard throughout him being on screen. And then when Electro goes to the city and first faces Spider-man, well the My Enemy cue is definitely split up between this part of the movie and when he faces Electro in other scenes in the movie. I think There He Is is when Gwen searches Max Dillon's info at Oscorp..Just my input.So, does anyone know the chronological order of the tracks?Ha, so, folks: this is what happens when Zimmer fanboys hear a woodwind in one of his scores.You guys really need to listen to more woodwind based scores...
Clarinet<br>"That’s why film music is getting terribly uninteresting. It’s a snake sucking its own cock. Everything sounds like The Dark Knight if it is big and epic. Everything sounds like Bourne Identity if it is small and spy-y." <br><br>Hard to disagree with this one. <br><br>The rest of the interview was also very interesting.Guizmox: Sounds like they also met Jules Verne on the way there... :-) Anyway, it's a fantastic score!Cheers :)Yeah, it's a really interesting and funny interview. Interviews of him aren't that frequent, so I enjoyed it twice more!
Does anybody know the chronological order for the music in the film?  Many thanks!<br><br>Good read! Thanks for the share!I changed my mind about Flight...I used to prefer the album version, with the strings basically muted, but I prefer the film version now, having listened to it more.The whole opening sequence has great music btw! <br>There are elements of the beginning of "There he is" in it...Big interview with John Powell about his career here:<br><br>empireonline.com/features/john-powell-career
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Additional Music - Conductor - OrchestratorAdditional Music ArrangerOrchestrator
Hans ZimmerNick Glennie-SmithChristopher WardBruce Fowler
ComposerAdditional MusicAdditional ArrangementsOrchestrator
Crimson Tide (Complete Score)
Label: Unofficial Release
Length: 91'27
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (908 votes)
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  1. Main Titles (3:13)
  2. News Report (1:36)
  3. Briefing (2:46)
  4. Goodbye (2:02)
  5. Alabama (3:22)
  6. Diving (2:04)
  7. War (1:29)
  8. Fire In The Galley (1:23)
  9. The Drill (1:58)
  10. Decompressing (0:53)
  11. The Real EAM (2:38)
  12. Contact (5:49)
  13. This Is Not A Drill (3:22)
  14. Akula (3:23)
  15. Command (9:33)
  16. Flood (6:45)
  17. Mutiny (9:48)
  18. Counter Mutiny (18:11)
  19. Crisis Averted (0:51)
  20. Pearl Harbor (1:13)
  21. Court Of Inquiry (1:49)
  22. End Titles (7:35)
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T-Mann036 reply Replies: 0 || 2014-03-19 19:19:16
One of the best film scores ever made by Hans!

Scorefan reply Replies: 0 || 2014-03-06 03:18:56
Crimson Tide Slates Sessions
1m1
1m2
2m4
3m5a
3m5b
3m6
3m7a
3m7b
4m8
5m10
5m12
5m13
6m14
7m15
7m16
9m18
9m19
11m20a
11m20b
13m21
13m21alt
13m22

Poe reply Replies: 0 || 2012-07-09 09:47:15
Does this edition contain the missing drum overdubs and distorted electric guitar sounds in Akula, that were missing from the previous expanded leak?

Bioscope reply Replies: 1 || 2011-03-27 00:00:00
I heard these unreleased tracks on a stream site that got bought out recently and they sounded genuine, although the fire outbreak score sounds a little different from the film version.


Mr Tweedy2012-04-11 19:21:35
Isn't this tracklist different and more complete than the expanded that surfaced last year ?! 91 minutes ?!

Iceboy reply Replies: 0 || 2011-03-15 00:00:00
Thanks Per. What about the 2CD one?

Per reply Replies: 0 || 2011-03-14 00:00:00
The "new" stuff is just a rip from the film, yes.

You can clearly hear sound effects here and there. It's in mono in parts. It's got weird combinations with the OST. To name a couple of issues...

I will be happy to give a more detailed explanation if that's required, or wanted !

Btw. if the end of track 9 on this very big fake version is the main reason why you want it so bad ... don't bother. Go with the Dirty Pictures submission agency promo instead (track 1, "11m20B") :)

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Yeah so wheres the Opening music and the other 2 unreleased cues from, listed below on the 1CD? DVD rips?

Hybrid Soldier reply Replies: 0 || 2011-03-13 00:00:00
The only good sources you can find for a Crimson Tide is :

- The OST

- A Nick Glennie-Smith promo (Dirty Pictures) containing 3 unreleased cues (listed on this website) :

"Crisis Averted" / "Court Of Inquiery" / "This Is Not A Drill"

That's all... :P

Iceboy reply Replies: 0 || 2011-03-13 00:00:00
Its not complete but it has more music than the 1CD here.

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

I second the anon comment below - wheres the unreleased bits from?

Dawn reply Replies: 0 || 2011-03-13 00:00:00
2CD Complete Score? Never heard of it either... And I've been in this "business" for a while ! Any info (tracklist...) ?

Levente reply Replies: 0 || 2011-03-12 00:00:00
Never heard or saw a 2 CD complete score.

fabien reply Replies: 0 || 2011-03-12 00:00:00
there is a 2D complete score very hard to find but it exists!!!

Anonymous reply Replies: 0 || 2011-03-12 00:00:00
Where do the unreleased parts come from, especially the opening track?

Skyler reply Replies: 0 || 2009-03-13 00:00:00
Listed below the title of each track is the corresponding cue from the commercially available album

1. Opening / Conflict / Alabama:
The first minute and 25 seconds of this track is unreleased material, but isn’t anything particularly special. The sound quality isn’t the best either.
The rest is the first 8 minutes and 25 seconds of “Alabama”

2. Resurrection:
The last 9 minutes and 47 seconds of “Alabama”

3. Little Ducks:
“Little Ducks”

4. 1SQ (alternate):
The first 11 minutes and 9 seconds of “1SQ”
As far as I can tell this is exactly the same as the1SQ from track 8 of this bootleg, so I’m not even sure why it would be considered an alternate

5. Mutiny:
“Mutiny”

6. Day 12:
8:23 – 14:04 from “1SQ”

7. 3… 2… 1…:
This is another previously unreleased track, but contains parts that are so similar to other parts of the album that it hardly matters. (In fact, it sounds like most of this *is* made up of other segments, possibly arranged by a fan)

8. 1SQ / 3:00:
The first 16 minutes and 13 seconds of “1SQ”

9. 2SQ / November 2nd:
The last 2 minutes of “1SQ”
The remainder of the track is a third unreleased cue, which is a nice (albeit short) variation of the main theme. It’s quite good, but it’s still not worth going through the trouble of finding this bootleg.

10. End Credits:
“Roll Tide”

Overall, I would not recommend seeking this one out. The only reason why anyone should really want it is if they are not satisfied with the extremely long tracks on the commercial release - but if you own a music editing program you can just edit it yourself based on the information I’ve provided. The end of track 9 is good, but like I said, it’s not worth going through the trouble of finding the bootleg to get it.

Stefan reply Replies: 0 || 2008-03-09 00:00:00
Wonderful...

Mac reply Replies: 0 || 2007-06-25 00:00:00
Is it possible to get an explanation of what tracks do/don't contain new material not heard on the original album? And, maybe, whereabouts during these tracks... Most of it seems very similar to the commercial release.

Marie reply Replies: 0 || 2007-02-07 00:00:00
"The Gladiator Waltz" at the Puy du Fou... beautiful music! of course it's from Nick! ;-)

greg reply Replies: 0 || 2007-01-28 00:00:00
my favourite soundtrack

herdim reply Replies: 0 || 2005-05-27 00:00:00
Un excellent score du compositeur pour un bon film du tres sous-estimé Tony Scott ( The Last Boy-Scout, Enemy Of The State )
Hans Zimmer a ecrit un excellent theme principal, -trés utilisé lors des bandes annonces des blockbuster- ainsi qu'un excellent End Titles

Ude Eko reply Replies: 0 || 2005-02-22 00:00:00
Unfortunately, a deep let down. I got the CD via eBay and was expecting an encore to the wonderful score which is my second favorite after Gladiator (all-time).

It turns out that the tracks on this CD are basically cropped and chopped from the original score - only the first two minutes of the CD and two other very brief sections contain music not heard on the original.

I am forced to think twice before obtaining expanded music - although that is a pity seeing how the Gladiator 2 score is such a wonderful expression of Hans Zimmer's work.

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Crimson Tide (Complete Score) soundtrack - Hans Zimmer 1995