NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

Probably has something to do with the fact that Burton is now divorced while Elfman is happily married. Different lifestyles now, so they probably aren't on the same page anymore.<br><br>my thoughts exactly.I assume that there were scheduling conflicts with The Girl on the Train, but that can't be the whole story; surely you'd expect Elfman to prioritize the Tim Burton movie in that case...Do you know why Elfman didn't score this?A true collaboration then! Cool. It's a decent score, but at a lot of points it felt like an Elfman score without his personality or any really memorable themes...
Yeah they really worked together, doing cues together, arranging eacher, sometimes one more in charge of something etc. As for the "techno track", it's the work of Jason Soudah actually.So, Hybrid, will you be able to tell us more about this one? How exactly did Margeson and Higham divide up duties? It sounds pretty unified, stylistically, except for the one techno track...Lieber Hans<br>Ich bin begeistert von dem was ich höre.<br>Ich würde gerne einige Zeit mit Dir in Kohchanghut in Whitesand Beach auf meiner Terasse zubringen und gemeinsam dem wirklich wilden Meer lauschen.<br>Wann immer ... ich bin hier Bungalow 21<br>Dein forever Hubert<br><br><br>Hallo, Herr Zimmer,<br><br>mein Name ist Monika Zimmer, doch leider habe ich wahrscheinlich keine Ver-wandtschaft zu Ihnen.<br><br>Gemeinsamkeiten gibt es trotzdem, zumindest bezogen auf den Musikgeschmack.<br><br>Und in gewisser Weise bin ich „Zimmer-Nachwuchs“, denn ich habe soeben mei-nen ersten Song komponiert, der mit Projektmusikern eingespielt wurden, die z. T. aus Dio- oder ehemaligen IRON MAIDEN-Coverbands stammen.<br><br>CLAWS OF HATE© ist ein einnehmender, vielschichtiger Musical Rock Song mit charismatischem Gesang und würde sich auch als Filmmusik oder ausschnittsweise als Untermalung für Werbeproduktionen eignen, die mit Energie, Sport, Reisen, Versicherungen oder dem Freiheitsgefühl zu tun haben. Er passt vielleicht sogar zu der bald beginnenden Weihnachtszeit.<br><br>Es wäre schön, wenn Sie meinen Song mit der verbundenen Idee unterstützen könnten. Hier ist der YOUTUBE Link dazu:<br> <br><br><br>Vielen Dank für Ihre Aufmerksamkeit an den besten „Verwandten“, den ich niemals hatte.<br><br>Freundliche Grüße<br><br>Monika Zimmer<br>(Projekt Band PHANTOM STRINGS)<br>Does he say he scoring something awesome like "Heaven is for Real"?
Nick !!!Atli posted this on twitter. Sound so beautiful. Hopefully there is more score and it will be released soon.<br><br> http: // eview-edge-seventeen/What a pleasant surprise. I didn't think Jackman had this class of sound in him. Hope he gets to write this more often.Great album.One of the greatest scores from videogame industry.<br><br>This and Angel of Darkness (2003), the Best of Tomb Raider Saga.<br><br><br>
Hello,<br><br>Any news of DVD/Bluray of live on tour ?<br>Thx!Just listened to this, agree with you Edmund.  The sound design stuff (noise) might work on film, and that's Hans' job after all, however, it isn't very enjoyable to listen to on the album. Half of it could be cut out. <br><br>I think the best parts of Inferno were the softer cues and reprisals of A&D themes. Basically the last few tracks. Elizabeth is pleasant enough. I actually really like the part towards the end (3:50) where the main theme is dissonant and uneasy and yet it's strangely beautiful. <br><br>I think what A&D did much better are the cues/tracks meant to signify action or urgency or drama like 160 bpm, Black Smoke, parts of Air and Fire. The blend of contemporary and classical/religious elements stood out as pretty cool and unique to me. A lot of catchy hooks and melodies and ostinti on those tracks too. <br><br>This has a much more limited sound to it both in instrumentation and emotional range. Either that was a creative decision or production was more limited.<br><br>I forgive Hans, they can't all be home-runs. <br>Ha, you're right.Wait 'till it leaks or somethingDang, I'm surprised this page hasn't exploded with comments.

Please install Flash®
and turn on Javascript.

Rate those CD:
Top 50

Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide (Complete Score)
Label: Unofficial Release
Length: 91'27 rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (3577 votes)


  1. Main Titles (3:13)
    Hans Zimmer
  2. News Report (1:36)
    Hans Zimmer
  3. Briefing (2:46)
  4. Goodbye (2:02)
    Hans Zimmer
  5. Alabama (3:22)
    Hans Zimmer, Nick Glennie-Smith
  6. Diving (2:04)
    Hans Zimmer, Nick Glennie-Smith
  7. War (1:29)
  8. Fire In The Galley (1:23)
    Hans Zimmer
  9. The Drill (1:58)
  10. Decompressing (0:53)
  11. The Real EAM (2:38)
  12. Contact (5:49)
  13. This Is Not A Drill (3:22)
    Hans Zimmer, Nick Glennie-Smith
  14. Classification (3:23)
    Hans Zimmer, Nick Glennie-Smith
  15. Command (9:33)
  16. Flood (6:45)
  17. Mutiny (9:48)
  18. Counter Mutiny (18:11)
    Hans Zimmer
  19. Crisis Averted (0:51)
    Nick Glennie-Smith
  20. Pearl Harbor (1:13)
  21. Court Of Inquiry (1:49)
    Hans Zimmer, Nick Glennie-Smith
  22. End Titles (7:35)
    Hans Zimmer
Create Topic

T-Mann036 reply Replies: 0 || 2014-03-19 19:19:16
One of the best film scores ever made by Hans!

Scorefan reply Replies: 0 || 2014-03-06 03:18:56
Crimson Tide Slates Sessions

Poe reply Replies: 0 || 2012-07-09 09:47:15
Does this edition contain the missing drum overdubs and distorted electric guitar sounds in Akula, that were missing from the previous expanded leak?

Bioscope reply Replies: 1 || 2011-03-27 00:00:00
I heard these unreleased tracks on a stream site that got bought out recently and they sounded genuine, although the fire outbreak score sounds a little different from the film version.

Mr Tweedy2012-04-11 19:21:35
Isn't this tracklist different and more complete than the expanded that surfaced last year ?! 91 minutes ?!

Iceboy reply Replies: 0 || 2011-03-15 00:00:00
Thanks Per. What about the 2CD one?

Per reply Replies: 0 || 2011-03-14 00:00:00
The "new" stuff is just a rip from the film, yes.

You can clearly hear sound effects here and there. It's in mono in parts. It's got weird combinations with the OST. To name a couple of issues...

I will be happy to give a more detailed explanation if that's required, or wanted !

Btw. if the end of track 9 on this very big fake version is the main reason why you want it so bad ... don't bother. Go with the Dirty Pictures submission agency promo instead (track 1, "11m20B") :)

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Yeah so wheres the Opening music and the other 2 unreleased cues from, listed below on the 1CD? DVD rips?

Hybrid Soldier reply Replies: 0 || 2011-03-13 00:00:00
The only good sources you can find for a Crimson Tide is :

- The OST

- A Nick Glennie-Smith promo (Dirty Pictures) containing 3 unreleased cues (listed on this website) :

"Crisis Averted" / "Court Of Inquiery" / "This Is Not A Drill"

That's all... :P

Iceboy reply Replies: 0 || 2011-03-13 00:00:00
Its not complete but it has more music than the 1CD here.


2. 1SG

I second the anon comment below - wheres the unreleased bits from?

Dawn reply Replies: 0 || 2011-03-13 00:00:00
2CD Complete Score? Never heard of it either... And I've been in this "business" for a while ! Any info (tracklist...) ?

Levente reply Replies: 0 || 2011-03-12 00:00:00
Never heard or saw a 2 CD complete score.

fabien reply Replies: 0 || 2011-03-12 00:00:00
there is a 2D complete score very hard to find but it exists!!!

Anonymous reply Replies: 0 || 2011-03-12 00:00:00
Where do the unreleased parts come from, especially the opening track?

Skyler reply Replies: 0 || 2009-03-13 00:00:00
Listed below the title of each track is the corresponding cue from the commercially available album

1. Opening / Conflict / Alabama:
The first minute and 25 seconds of this track is unreleased material, but isn’t anything particularly special. The sound quality isn’t the best either.
The rest is the first 8 minutes and 25 seconds of “Alabama”

2. Resurrection:
The last 9 minutes and 47 seconds of “Alabama”

3. Little Ducks:
“Little Ducks”

4. 1SQ (alternate):
The first 11 minutes and 9 seconds of “1SQ”
As far as I can tell this is exactly the same as the1SQ from track 8 of this bootleg, so I’m not even sure why it would be considered an alternate

5. Mutiny:

6. Day 12:
8:23 – 14:04 from “1SQ”

7. 3… 2… 1…:
This is another previously unreleased track, but contains parts that are so similar to other parts of the album that it hardly matters. (In fact, it sounds like most of this *is* made up of other segments, possibly arranged by a fan)

8. 1SQ / 3:00:
The first 16 minutes and 13 seconds of “1SQ”

9. 2SQ / November 2nd:
The last 2 minutes of “1SQ”
The remainder of the track is a third unreleased cue, which is a nice (albeit short) variation of the main theme. It’s quite good, but it’s still not worth going through the trouble of finding this bootleg.

10. End Credits:
“Roll Tide”

Overall, I would not recommend seeking this one out. The only reason why anyone should really want it is if they are not satisfied with the extremely long tracks on the commercial release - but if you own a music editing program you can just edit it yourself based on the information I’ve provided. The end of track 9 is good, but like I said, it’s not worth going through the trouble of finding the bootleg to get it.

Stefan reply Replies: 0 || 2008-03-09 00:00:00

Mac reply Replies: 0 || 2007-06-25 00:00:00
Is it possible to get an explanation of what tracks do/don't contain new material not heard on the original album? And, maybe, whereabouts during these tracks... Most of it seems very similar to the commercial release.

Marie reply Replies: 0 || 2007-02-07 00:00:00
"The Gladiator Waltz" at the Puy du Fou... beautiful music! of course it's from Nick! ;-)

greg reply Replies: 0 || 2007-01-28 00:00:00
my favourite soundtrack

herdim reply Replies: 0 || 2005-05-27 00:00:00
Un excellent score du compositeur pour un bon film du tres sous-estimé Tony Scott ( The Last Boy-Scout, Enemy Of The State )
Hans Zimmer a ecrit un excellent theme principal, -trés utilisé lors des bandes annonces des blockbuster- ainsi qu'un excellent End Titles

Ude Eko reply Replies: 0 || 2005-02-22 00:00:00
Unfortunately, a deep let down. I got the CD via eBay and was expecting an encore to the wonderful score which is my second favorite after Gladiator (all-time).

It turns out that the tracks on this CD are basically cropped and chopped from the original score - only the first two minutes of the CD and two other very brief sections contain music not heard on the original.

I am forced to think twice before obtaining expanded music - although that is a pity seeing how the Gladiator 2 score is such a wonderful expression of Hans Zimmer's work.© 2001-2015 OST 
Crimson Tide (Complete Score) soundtrack - Hans Zimmer 1995