NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

Igor,<br>You really, really, really do want him to play Journey to the line, trust me. I went to the London concert lat year and  Journey to the line was one of the most incredibly experiences of my life. It was beautiful. Absolutely perfect. <br><br>Driving Miss Daisy worked so well with his concert. I know we all have our favourites and ones we would like to see. You have to trust Hans though. If next year's concerts are like last year's,  no one will be disappointed. He really knows how to create an amazing experience.I will be on 6 in London, a long way from Moldova. Please, it will be great to hear Interstellar. I dreamed so much for thisSo, is there finally a way we can listen to this soundtrack in good quality? The samples sounded so awesome but I only seem to find shitty TV-Rips with voice-over online.Biography of Hans Zimmer<br><br>He should write a biography book!Thanks Hybrid, you're the man! Very curious if it works out :)
We could tell you, but then Nicolas would have to kill you (and us).Does anyone have a link to where this expanded version (all 39 tracks) can be downloaded?Yes yes yeeeees! Now this would be the climax of the concert!!! Thank you Hybrid for speaking for us, i reaaaally hope he puts in Last Samurai in the programm. Crossing the fingers....It took a couple of days inside France. Don't know about international. Shouldn't take too long I guess...Ordered my tickets for Paris, so excited! Got booking confirmation but was wondering does anyone know when I get the actual tickets? I'm in Ireland
Hahahaha Hybrid you just made my day!! I think Hans is a really nice guy, he'll figure it out! :-)Well know that Hans is aware of the Last Samurai request... Doesn't mean it'll happen, but he knows ! lolThan it's okay :)Nope, I can't...@Hybrid: haha you know I can't wait to listen to Lorne's new :)<br><br>Hybrid can you add some Lorne Balfe Complete Scores??? Would like to see some complete list from him
It is my dream come true to hear you live, Hans. Unfortunately, I'm from Serbia, and you bypassed my country, but today I finally received a ticket for your show in Sofia, Bulgaria. My happiness can not be described. Right now I'm looking at your list for the show, and as much as I know I'll be mesmerized by hearing “160BPM” or Sherlock Holmes Theme “Discombobulate” right there, in front of me, I'm sorry to see that some of your most wondrous work have been bypassed as well. It seems to me that you're holding on to your theme pieces, while there are more emotional and stunning numbers, even in those movies from which you've already made your selection. If I must mention something, that will be “The Da Vinci Code”, “The Lion King” and “Pirates” from the works included, and what saddens me the most is that “The Prince of Egypt” and “The Last Samurai” are not in there in any way. I think, and I'll be bold enough to say that many will agree, that they deserve to be in your show, and will affect more people, rather than “Miss Daisy”, “The Thin Red Line”, or “True Romance”. Not to mention how they surpass some of the new ones with credit. I'm not by all means trying to degrade their value, I just think they're more deserving. I know that you can't please everyone, and I know that some of your work I will never hear in person, and as much as that saddens me, I must try and grasp for a straw that is the possibility that you'll hear me, and take what I have to say at least in consideration. That would be enough. I would be happy if my musical idol, which you really are, Hans, I admire you enormously, just saw what I've referred to him. To you. That would really be enough.<br><br>Now I'll state my mind, and mention what I will miss greatly in your show, even though my heart will be on the verge of collapsing from adrenalin when I see and hear you.<br><br>The Da Vinci Code; I adore “Chevalier De Sangreal”, but I would like to remind you of “The Citrine Cross”. Those flickering sonorous sounds are something most beautiful, and the Goddesses Choir (Isis, Asterteque, Venus, Sybillique; Deae Sanctissime perdite ubique) is something I never tire of listening. It's outstanding in every way. I especially liked that alternate version when Silas dies. And when I'm already mentioning Silas, “The Pascal Spiral”, when he's self injuring is something most dramatic and intense I've heard. Besides those two I will only mention “Maleus Maleficarum”. That female choir is breathtaking. So breathtaking. I hope you don't mind but I even managed to feature it in a production of “Animal Farm” by George Orwell, in my acting school, and that scene had everyone captivated, just because of the music. I cherish that memory greatly.<br><br>The Lion King; Here I'll be short. “Under the Stars” and “King of the Past”. Those tracks are stupendous! The end in King of the Past almost always leaves me in tears. And in almost every concert album of yours I was a bit disappointed because every time there was an arrangement of “This Land”, and never any of these.<br><br>As for the Pirates: “Mermaids”! The City of Prague Philharmonics did just in their album of your music! Those haunting voices and string instruments are impeccable. And I think it will be masterful for the audience to experience them, too. One more I have to mention here, but I suppose that organ pieces are out of the question, giving the fact that "No Time for Caution", or any of the “Interstellar” (I'm sorry about that, too), is not featured in the show's list of arrangements. That one is “The Organ of Davy Jones”. That track is a favorite of my father's, and of mine. Especially the organ part, and the music box. That theme is to me one of your greatest achievements. And I thank you for it.<br><br>I also forgot to say (or ask), why is the “Am I Not Merciful” track not included? Because that one was in almost all of your previous concerts. That track, too, was in my play. :)<br>And I always thought it was more suitable for an execution scene, or something, especially that part that plays somewhere around 2 minutes. But the whole scene in the film is absolutely phenomenal.<br><br>I know I'm long, if you're reading this you're probably getting tired, but, hey, it is a straw, remember. And it is a long shot. Literally.<br><br>For last I'm getting back to “The Last Samurai” and “The Prince of Egypt”. “A Way of Life”, or that Suite that The City of Prague Philharmonic Orchestra did are gorgeously powerful. As are “Deliver Us” and “The Burning Bush” from the Prince. I suppose that “Deliver Us” isn't used in regards to Ofra Haza's untimely death, but I think that it in fact could be a beautiful homage to her. Think about that.<br><br>At the end I would like to congratulate you for what you have done. You've brought me such joy, and I know you will still. Your music was there for me in some crucial points in my life, and I can't express how grateful and happy I am that you've decided to make a tour and grace us with hearing you in person. I don't know if you're reading this. Maybe you won't. Maybe all I’ve said is in vain. But the thought of you just seeing how much your music means to me, means the world to me. If you change your mind and take into consideration just one of these masterpieces of yours, I would be blessed beyond words, but even if you don't, I know that my dream of hearing you live will certainly come true on the 16. of May next year. And that is more than enough for me. I wish you all the best in life, and I'll be seeing you. Right there, in Sofia. :)<br><br>Igor<br>suite is awesome <CRY>Put some IS tracks into the show.. a MUST HAVE ! ;)<br>How about INTERSTELLAR ??? Pleaaaasseee !!!Hybrid: How about a Poll for the Fans? Hans loved involving his fans, just like in TDKR, and here he can listen to the fans what should be played. As its hard to choose which cue it should be played, the option would be instead which movie should be played. Let's say the 10 movies with the most votings, should be played then live. <br><br>It would be seriously a shame, if Last Samurai and King Arthur would not have a chance to be presented. <br><br>And time should be enough to prepare something new...

Please install Flash®
and turn on Javascript.

Rate those CD:
Top 50

Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide (Complete Score)
Label: Unofficial Release
Length: 91'27 rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (1413 votes)


  1. Main Titles (3:13)
    Hans Zimmer
  2. News Report (1:36)
    Hans Zimmer
  3. Briefing (2:46)
  4. Goodbye (2:02)
    Hans Zimmer, Nick Glennie-Smith
  5. Alabama (3:22)
    Hans Zimmer, Nick Glennie-Smith
  6. Diving (2:04)
    Nick Glennie-Smith
  7. War (1:29)
  8. Fire In The Galley (1:23)
    Hans Zimmer
  9. The Drill (1:58)
  10. Decompressing (0:53)
  11. The Real EAM (2:38)
  12. Contact (5:49)
  13. This Is Not A Drill (3:22)
    Hans Zimmer, Nick Glennie-Smith
  14. Akula (3:23)
  15. Command (9:33)
  16. Flood (6:45)
  17. Mutiny (9:48)
  18. Counter Mutiny (18:11)
    Hans Zimmer
  19. Crisis Averted (0:51)
    Nick Glennie-Smith
  20. Pearl Harbor (1:13)
  21. Court Of Inquiry (1:49)
    Hans Zimmer, Nick Glennie-Smith
  22. End Titles (7:35)
    Hans Zimmer
Create Topic

T-Mann036 reply Replies: 0 || 2014-03-19 19:19:16
One of the best film scores ever made by Hans!

Scorefan reply Replies: 0 || 2014-03-06 03:18:56
Crimson Tide Slates Sessions

Poe reply Replies: 0 || 2012-07-09 09:47:15
Does this edition contain the missing drum overdubs and distorted electric guitar sounds in Akula, that were missing from the previous expanded leak?

Bioscope reply Replies: 1 || 2011-03-27 00:00:00
I heard these unreleased tracks on a stream site that got bought out recently and they sounded genuine, although the fire outbreak score sounds a little different from the film version.

Mr Tweedy2012-04-11 19:21:35
Isn't this tracklist different and more complete than the expanded that surfaced last year ?! 91 minutes ?!

Iceboy reply Replies: 0 || 2011-03-15 00:00:00
Thanks Per. What about the 2CD one?

Per reply Replies: 0 || 2011-03-14 00:00:00
The "new" stuff is just a rip from the film, yes.

You can clearly hear sound effects here and there. It's in mono in parts. It's got weird combinations with the OST. To name a couple of issues...

I will be happy to give a more detailed explanation if that's required, or wanted !

Btw. if the end of track 9 on this very big fake version is the main reason why you want it so bad ... don't bother. Go with the Dirty Pictures submission agency promo instead (track 1, "11m20B") :)

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Yeah so wheres the Opening music and the other 2 unreleased cues from, listed below on the 1CD? DVD rips?

Hybrid Soldier reply Replies: 0 || 2011-03-13 00:00:00
The only good sources you can find for a Crimson Tide is :

- The OST

- A Nick Glennie-Smith promo (Dirty Pictures) containing 3 unreleased cues (listed on this website) :

"Crisis Averted" / "Court Of Inquiery" / "This Is Not A Drill"

That's all... :P

Iceboy reply Replies: 0 || 2011-03-13 00:00:00
Its not complete but it has more music than the 1CD here.


2. 1SG

I second the anon comment below - wheres the unreleased bits from?

Dawn reply Replies: 0 || 2011-03-13 00:00:00
2CD Complete Score? Never heard of it either... And I've been in this "business" for a while ! Any info (tracklist...) ?

Levente reply Replies: 0 || 2011-03-12 00:00:00
Never heard or saw a 2 CD complete score.

fabien reply Replies: 0 || 2011-03-12 00:00:00
there is a 2D complete score very hard to find but it exists!!!

Anonymous reply Replies: 0 || 2011-03-12 00:00:00
Where do the unreleased parts come from, especially the opening track?

Skyler reply Replies: 0 || 2009-03-13 00:00:00
Listed below the title of each track is the corresponding cue from the commercially available album

1. Opening / Conflict / Alabama:
The first minute and 25 seconds of this track is unreleased material, but isn’t anything particularly special. The sound quality isn’t the best either.
The rest is the first 8 minutes and 25 seconds of “Alabama”

2. Resurrection:
The last 9 minutes and 47 seconds of “Alabama”

3. Little Ducks:
“Little Ducks”

4. 1SQ (alternate):
The first 11 minutes and 9 seconds of “1SQ”
As far as I can tell this is exactly the same as the1SQ from track 8 of this bootleg, so I’m not even sure why it would be considered an alternate

5. Mutiny:

6. Day 12:
8:23 – 14:04 from “1SQ”

7. 3… 2… 1…:
This is another previously unreleased track, but contains parts that are so similar to other parts of the album that it hardly matters. (In fact, it sounds like most of this *is* made up of other segments, possibly arranged by a fan)

8. 1SQ / 3:00:
The first 16 minutes and 13 seconds of “1SQ”

9. 2SQ / November 2nd:
The last 2 minutes of “1SQ”
The remainder of the track is a third unreleased cue, which is a nice (albeit short) variation of the main theme. It’s quite good, but it’s still not worth going through the trouble of finding this bootleg.

10. End Credits:
“Roll Tide”

Overall, I would not recommend seeking this one out. The only reason why anyone should really want it is if they are not satisfied with the extremely long tracks on the commercial release - but if you own a music editing program you can just edit it yourself based on the information I’ve provided. The end of track 9 is good, but like I said, it’s not worth going through the trouble of finding the bootleg to get it.

Stefan reply Replies: 0 || 2008-03-09 00:00:00

Mac reply Replies: 0 || 2007-06-25 00:00:00
Is it possible to get an explanation of what tracks do/don't contain new material not heard on the original album? And, maybe, whereabouts during these tracks... Most of it seems very similar to the commercial release.

Marie reply Replies: 0 || 2007-02-07 00:00:00
"The Gladiator Waltz" at the Puy du Fou... beautiful music! of course it's from Nick! ;-)

greg reply Replies: 0 || 2007-01-28 00:00:00
my favourite soundtrack

herdim reply Replies: 0 || 2005-05-27 00:00:00
Un excellent score du compositeur pour un bon film du tres sous-estimé Tony Scott ( The Last Boy-Scout, Enemy Of The State )
Hans Zimmer a ecrit un excellent theme principal, -trés utilisé lors des bandes annonces des blockbuster- ainsi qu'un excellent End Titles

Ude Eko reply Replies: 0 || 2005-02-22 00:00:00
Unfortunately, a deep let down. I got the CD via eBay and was expecting an encore to the wonderful score which is my second favorite after Gladiator (all-time).

It turns out that the tracks on this CD are basically cropped and chopped from the original score - only the first two minutes of the CD and two other very brief sections contain music not heard on the original.

I am forced to think twice before obtaining expanded music - although that is a pity seeing how the Gladiator 2 score is such a wonderful expression of Hans Zimmer's work.© 2001-2015 OST 
Crimson Tide (Complete Score) soundtrack - Hans Zimmer 1995