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Ummm @Hybrid, what do you think about Holly Amber Church. I listened two scores from her and they are really good scores.I really liked Gary Go's Friend Request from 2016 too.My choices for Avatar 2 would be:<br>Powell or Newton Howard^ 2018 I meanSteve really knocked it out of the park with “Nightmare”. I always appreciate horror scores that balance the use of themes with the more atonal music you normally get.<br><br>And the last horror score I remember loving was John Carpenter’s 2019 Halloween score. A great blend of old and new, especially for Carpenter fans like myself.
@Knight Powell’s last score was HTTYD3....@superultramegaa<br><br>Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site.I'm a huuuuuuge fan of the Freddy character & movies, and I really liked this remake, it didn't deserve the reputation it has... Especially when you compare to Freddy 2 or 6... lol<br><br>Music is great, best horror score Steve did with Amityville. But I also liked his more ambient horrors like Texas Chainsaws or Friday the 13th or Hitcher. But I can understand he probably wanted to step out of that genre and not end up being the new Harry Manfredini typecast !"I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style"<br><br>Well that's the thing, if you think "TF style" thinking of TF1 & 2, then it's not exactly completely Steve. So I stick to my comment... :) lolI recently saw both this movie and Friday the 13th (2009). And I have to say that Steve did a pretty good job with the music. Yes, I'm aware of the complaints and the whole "remakes suck" mentality. But still......I advice you to revisit these scores. You might be pleasantly surprised. <br><br>Speaking of horror scores.......I realized these days that it's been a while since we've heard a TRULY memorable and effective horror score. Or maybe it's just me and I've missed some really good ones...<br><br>Your thoughts on the matter, folks?
^ Yet he’s still not quite a household name like some of his peers. HTTYD, Bourne, and Solo have all given him great exposure, but I feel like the general public doesn’t quite recognize him on the same level as Zimmer, Giacchino, or Williams.Many thanks Hybrid!John Powell's last score was for a Star Wars movie, I don't think you could get any more mainstream exposure than that.So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score<br>--------------------------<br><br>There you go. Exactly how I expected it to be. They were simply helping each other. We've seen it multiple times before with other big scores.<br><br><br>Thanks for clearing it up.I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style, but yeah, I definitely see the Lorne involvement in there. Interesting though, our first official additional composer credit on this score!
John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted “classical” composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.
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Hans ZimmerJohn PowellJeff RonaKlaus Badelt
ComposerComposerComposerAdditional Music
Chill Factor (Expanded Score)
Label: Unofficial Release
Length: 76'45
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4504 votes)
  1. Main Title (3:51)
    Jeff Rona, James S. Levine
  2. Telstar Goes To Site (2:53)
    Jeff Rona
  3. Device Reacts (3:42)
    John Powell
  4. Fly Fishing (2:00)
    Hans Zimmer, John Powell
  5. Brynner Enters Diner (2:31)
    John Powell
  6. Brynner Drives Into Base (2:43)
    John Powell, Geoff Zanelli, James McKee Smith
  7. Doctor At Diner (4:01)
    John Powell, James McKee Smith
  8. Doctor Dead (2:50)
    Klaus Badelt
  9. Using The Truck (2:47)
    Jeff Rona
  10. Start Of The Chase (1:34)
    Klaus Badelt
  11. Buddies (0:37)
    Jeff Rona
  12. Motorcycle Chase (4:51)
    Geoff Zanelli, James McKee Smith
  13. Crossing The Ditch (6:37)
    Jeff Rona, James S. Levine
  14. Boat Ride (1:32)
    Geoff Zanelli
  15. Down The River (1:36)
    Hans Zimmer, John Powell
  16. Brynner Trades For Elvis (7:04)
    Jeff Rona
  17. Bidding War (4:34)
    Klaus Badelt
  18. Brynner Final Chase (7:20)
    John Powell, James McKee Smith, Gavin Greenaway
  19. Escape By Ladder (Part 1) (3:08)
    Klaus Badelt
  20. Escape By Ladder (Part 2) (2:04)
    Geoff Zanelli
  21. End Credits (2:07)
    John Powell
  22. Man With An Icebox (Idea) (1:20)
    John Powell
  23. Down The River (Alternate) (1:37)
    Hans Zimmer, John Powell
  24. Down The River (Part 2) (Unused) (1:24)
    John Powell
  25. End Credits (Alternate) (2:12)
    John Powell
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Bayhem reply Replies: 0 || 2017-07-06 18:19:13
So it seems Zimmer - though credited as one of the two main composers - was barely involved here...Also, to my surprise, my favorite piece of music from the score (the very Zimmer-ish Ladder Chase aka Escape By Ladder) was not composed by Zimmer. Not even by John Powell. So props to Badelt and Zanelli.

T-Mann036 reply Replies: 0 || 2016-04-27 00:48:59
I remember this expanded track as if it were yesterday.

Anonymous reply Replies: 3 || 2011-05-08 05:17:02
Extended Motion Picture Score


1. Horn Island (2:41)
2. Device Reacts/Brynner to Jail (3:43)
3. Fly Fishing (2:00)
4. Team Gathers (0:41)
5. Brynner at Diner (2:31)
6. Facilities Raid (2:44)
7. Long Dies/On The Hunt (4:02)
8. Mason Confrontation (1:59)
9. Brynner Catches On (1:29)
10. Arlo (1:14)
11. Motorcycle Chase (4:50)
12. Boat Ride (1:31)
13. Down The River (part 1) (1:38)
14. Down The River (part 2) (1:24)
15. Final Chase (7:21)
16. Elvis On Ice/Trapped (3:09)
17. Ladder Chase (2:04)
18. End Credits (4:18)
19. Suite (12:05)
20. Man with an Icebox (1:19)
21. Cold Thing (Chill Factor Theme) (2:12)


T-Mann0362011-05-08 15:03:12
I cannot wait 'til the expanded version is released!!!! Thanks Anon!


Edmund Meinerts2015-12-01 12:31:09
This is the version of the score that I have. Can someone help me figure out how this matches to the tracklist on this site? Some of them are obvious, others a little less so ("Long Dies/On the Hunt" is the same as "Doctor at Diner", right?), still others are just confusing. :p


Dimitris Krommidas2015-12-01 12:48:23
I have the 2-track album version.

Anonymous reply Replies: 5 || 2011-04-25 09:57:35
Whats the deal with this, Hybrid? Why so short, why is it called Action Demos, etc?


Anonymous2011-04-25 14:22:40
I agree with you on this. Having a 30-minute soundtrack just isn't good enough. We demand the complete film score of Chill Factor!!!!!!


Anonymous2011-04-26 00:19:45
Maybe someone will release it one day on the shrine


Anonymous2011-04-26 02:29:15
I'm sure it's gonna pop up soon...


HZLeaks2011-04-26 05:32:57
No word from Hybrid on this?


T-Mann0362011-04-26 22:12:29
So far... not yet. But I'm sure that the soldier will-- but not too soon.

T-Mann036 reply Replies: 0 || 2011-04-18 00:00:00
How about we go 3 for 3? We need the complete film score BADLY!!!!!

TKK reply Replies: 0 || 2011-03-08 00:00:00
I'm with you too Iceboy. I wish there was a COMPLETE score of Chill Factor.

Iceboy reply Replies: 0 || 2011-02-17 00:00:00
Me too. All the other bootlegs are DVD menu rips of extremely short cues, but the "action demos" are the best album for listening to full-length tracks from the score. I wish a complete version would leak.

TKK reply Replies: 0 || 2010-11-15 00:00:00
I wish there were more tracks from the film. Although the picture DID flop, I wouldn't mind listening to the expanded version.

Anonymous reply Replies: 0 || 2010-10-19 00:00:00
Heard there was a more complete release of this awesome score finally... anyone come across it yet?

..... reply Replies: 0 || 2005-07-17 00:00:00
Chill Factor est une oeuvre fort sympathique de Zimmer et John Powell, qui doit beaucoup au motif d'action entendu dés l'introduction de End Credits

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Chill Factor (Expanded Score) soundtrack - Hans Zimmer - John Powell - Jeff Rona 1999