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Ummm @Hybrid, what do you think about Holly Amber Church. I listened two scores from her and they are really good scores.I really liked Gary Go's Friend Request from 2016 too.My choices for Avatar 2 would be:<br>Powell or Newton Howard^ 2018 I meanSteve really knocked it out of the park with “Nightmare”. I always appreciate horror scores that balance the use of themes with the more atonal music you normally get.<br><br>And the last horror score I remember loving was John Carpenter’s 2019 Halloween score. A great blend of old and new, especially for Carpenter fans like myself.
@Knight Powell’s last score was HTTYD3....@superultramegaa<br><br>Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site.I'm a huuuuuuge fan of the Freddy character & movies, and I really liked this remake, it didn't deserve the reputation it has... Especially when you compare to Freddy 2 or 6... lol<br><br>Music is great, best horror score Steve did with Amityville. But I also liked his more ambient horrors like Texas Chainsaws or Friday the 13th or Hitcher. But I can understand he probably wanted to step out of that genre and not end up being the new Harry Manfredini typecast !"I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style"<br><br>Well that's the thing, if you think "TF style" thinking of TF1 & 2, then it's not exactly completely Steve. So I stick to my comment... :) lolI recently saw both this movie and Friday the 13th (2009). And I have to say that Steve did a pretty good job with the music. Yes, I'm aware of the complaints and the whole "remakes suck" mentality. But still......I advice you to revisit these scores. You might be pleasantly surprised. <br><br>Speaking of horror scores.......I realized these days that it's been a while since we've heard a TRULY memorable and effective horror score. Or maybe it's just me and I've missed some really good ones...<br><br>Your thoughts on the matter, folks?
^ Yet he’s still not quite a household name like some of his peers. HTTYD, Bourne, and Solo have all given him great exposure, but I feel like the general public doesn’t quite recognize him on the same level as Zimmer, Giacchino, or Williams.Many thanks Hybrid!John Powell's last score was for a Star Wars movie, I don't think you could get any more mainstream exposure than that.So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score<br>--------------------------<br><br>There you go. Exactly how I expected it to be. They were simply helping each other. We've seen it multiple times before with other big scores.<br><br><br>Thanks for clearing it up.I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style, but yeah, I definitely see the Lorne involvement in there. Interesting though, our first official additional composer credit on this score!
John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted “classical” composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.
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Composer - Musician : PianoAdditional Music - Musician : Piano
Hans ZimmerLorne BalfeHenry JackmanAtli Örvarsson
ComposerAdditional MusicAdditional MusicAdditional Music
The Holiday (Complete Score)
Label: Unofficial Release
Length: 70'31
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4393 votes)
  1. Logos - Main Titles (3:54)
    Hans Zimmer, Lorne Balfe, Imogen Heap
  2. Iris & Jasper (1:51)
    Hans Zimmer
  3. Wrong Engagement (1:51)
    Hans Zimmer, Lorne Balfe
  4. Thrown Shoe (0:19)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  5. The Punch (0:19)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  6. Trailer Music (0:33)
    Ryeland Allison
  7. Worry Free Vacation (1:50)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  8. Amanda IMs Iris (2:45)
    Hans Zimmer, Atli Örvarsson
  9. Message From Jasper (1:07)
    Hans Zimmer, Lorne Balfe
  10. House Inspection (1:36)
    Hans Zimmer, Henry Jackman
  11. Drive To Town (0:51)
    Ryeland Allison
  12. Lighting A Fire (0:34)
    Hans Zimmer, Heitor Pereira
  13. Iris Takes A Swim (0:42)
    Hans Zimmer, Henry Jackman, Imogen Heap
  14. Anything Can Happen (0:49)
    Hans Zimmer, Lorne Balfe, Imogen Heap
  15. Drinking (1:17)
    Hans Zimmer, Atli Örvarsson
  16. Kissing (3:35)
    Hans Zimmer
  17. If I Wanted To Call You? (0:57)
    Hans Zimmer, Lorne Balfe
  18. Call From Jasper (1:10)
    Hans Zimmer, Lorne Balfe
  19. Arthur's House (1:39)
    Atli Örvarsson
  20. Light In Your Eyes (2:04)
    Hans Zimmer, Henry Jackman
  21. Busy Guy (1:30)
    Hans Zimmer, Lorne Balfe
  22. Verso E Prosa (Babington Source #1) (1:59)
    Heitor Pereira
  23. Meu Passado (Babington Source #2) (1:25)
    Heitor Pereira
  24. Amanda - Graham Montage (1:28)
    Hans Zimmer, Henry Jackman
  25. It's Complicated (0:54)
    Atli Örvarsson
  26. Kiss Goodbye (1:02)
    Hans Zimmer, Lorne Balfe, Imogen Heap
  27. W.I.D.O.W.E.R. (0:29)
    Hans Zimmer, Lorne Balfe
  28. Exceptionally Great Tent (2:45)
    Hans Zimmer, Lorne Balfe, Heitor Pereira
  29. No Idea How To Date (1:43)
    Hans Zimmer, Henry Jackman
  30. Training Montage (0:53)
    Heitor Pereira
  31. Want Some Company? (0:21)
    Hans Zimmer, Lorne Balfe
  32. Miles Spies (0:41)
    Hans Zimmer, Henry Jackman
  33. Iris Confides In Miles (1:48)
    Hans Zimmer, Lorne Balfe
  34. Writing Arthur's Theme - Iris' Theme (2:14)
    Hans Zimmer
  35. Graham Loves Amanda (2:26)
    Hans Zimmer
  36. Sushi Bar Source (1:57)
    Ryeland Allison
  37. Visit From Jasper (2:42)
    Hans Zimmer, Lorne Balfe
  38. Jasper Out - Pick Up Arthur (2:17)
    Hans Zimmer, Atli Örvarsson
  39. Arthur Down The Aisle (1:02)
    Henry Jackman
  40. Arthur Takes The Stage (0:49)
    Hans Zimmer, Atli Örvarsson
  41. What Are You Doing For New Years? (0:44)
    Hans Zimmer, Atli Örvarsson
  42. Be Seeing (1:43)
    Hans Zimmer
  43. Amanda Cries (0:55)
    Hans Zimmer, Lorne Balfe
  44. Run To Graham (1:59)
    Hans Zimmer, Lorne Balfe, Heitor Pereira
  45. If You'll Have Me (0:50)
    Hans Zimmer, Lorne Balfe
  46. Iris & Jasper (Alternate) (1:48)
    Hans Zimmer
  47. The Punch (Alternate) (0:21)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  48. Busy Guy (Alternate) (1:28)
    Hans Zimmer, Lorne Balfe
  49. Kiss Goodbye (Alternate) (1:03)
    Hans Zimmer, Lorne Balfe, Heitor Pereira
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Hybrid Soldier reply Replies: 1 || 2018-11-23 00:38:44
Composer credits...


Anonymous2018-11-23 18:27:29
no point since nobody has this score...lol

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The Holiday (Complete Score) soundtrack - Hans Zimmer 2006