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This credits list absolutely reeks of bullshitI can come up with the booklet credits for Adventure Time: Awakening. So here's my booklet credits for this movie.<br><br>Music Composed by<br>STEVE JABLONSKY<br><br>Music Produced by<br>STEVE JABLONSKY <br>and HANS ZIMMER<br><br>Music Orchestrated and Arranged by<br>THOMAS FARNON<br>CZARINA RUSSELL<br>BRUCE FOWLER<br>STEPHEN COLEMAN<br><br>Additional Music by<br>LORNE BALFE<br>JOHN POWELL<br>JASHA KLEBE<br>HALLI CAUTHERY<br>RAMIN DJAWADI<br>DAVID BUCKLEY<br><br>Orchestra Conducted by<br>NICK GLENNIE-SMITH<br><br>Choir Conducted and Arranged by<br>GAVIN GREENAWAY<br><br>Vocals by<br>LISA GERRARD<br><br>Score Recorded At<br>THE EASTWOOD SCORING STAGE, WARNER BROS. STUDIOS, BURBANK, CALIFORNIA<br><br>Score Mixed At<br>REMOTE CONTROL PRODUCTIONS, SANTA MONICA CALIFORNIA<br><br>Special Thanks to<br>TREVOR RABIN<br>MATTHEW MARGESON<br>and RUPERT GREGSON-WILLIAMS*sigh* Pirates of the Caribbean: The Curse of the Black PearlFor what score are those booklet credits for, Sam?I can imagine if the booklet credits might help.<br><br>Music composed by<br>KLAUS BADELT<br><br>Score produced by<br>KLAUS BADELT<br>and HANS ZIMMER<br><br>Music orchestrated and arranged by<br>BRUCE FOWLER<br>YVONNE S. MORIARTY<br>GRAHAM<br>JAMES MCKEE SMITH<br><br>Orchestra Conducted by<br>BLAKE NEELY<br><br>Music Programmed by<br>STEVE JABLONSKY<br>GEOFF ZANELLI<br>MARC STREITENFELD<br>NICK GLENNIE-SMITH<br><br>Score recorded at<br>PARAMOUNT SCORING STAGE M<br><br>Score mixed at<br>MEDIA VENTURES, SANTA MONICA, CALIFORNIA
Is there any word or time frame on the second release?Jenny of Oldstones was an old song in Westeros about a common woman named Jenny of Oldstones, a strange woman who a Targaryen prince rejected his claim to the throne to be with. Before a big battle, a character sings this song and a montage of the various characters plays as they prepare for battle. So that is the melody. The lyrics go like this:<br><br>High in the halls of the kings who are gone,<br>Jenny would dance with her ghosts; <br>The ones she had lost and the ones she had found<br>The ones who had loved her the most;<br>the ones who've been gone for so very long, she couldn't remember their names<br>they spun her around on the damp old stone<br>Spun away all her sorrow and pain.<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br><br>They danced through the day and into the night<br>Through the snow that swept through the hall<br>From winter to summer and winter again<br>Till the walls did crumble and fall<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br>Hybrid, please update this list. Is it possible that you could include the alternate/album version of Main On Ends (AKA Taking A Stand)?COMPLETE SCORES ARE AWESOMECareful, talking about complete scores or recording sessions can get your comment removed now.
No more superhero film score for me, he said .... :DThe complete score is so amazing!! I saw on YouTube too.CD RELEASE????PosiblyA surprise reference to be sure, but a welcome one.
The same thing happened to me George@Michael Baker - I can’t be the only one who read that as Han Solo right?Yeah... Wait till CD 2 and I'm sure we'll get a much stronger idea of what's solo Hans in here.@Edmund<br>I wonder if this is one of those situations where the material in film is derived heavily from the suites, with everyone either arranging it or adding elements onto it. Just guessing of course, I’m sure we’ll get a clear picture once the bonus stuff gets released.<br><br>And apparently there is about 16 hours of music “lying around”, going off of what Hans mentioned in the Vi-Control forums."heavily influenced" indeed :D <br>I really love Amity and I love how the theme appears in several other cues:<br>Reckless which features an epic/action rendition <br>Insertion = a short quote at the beginning <br>Coda = another call back to the theme<br><br>Been listening to the score since I saw the film. Love it. Eagerly waiting for CD2. I wonder if it includes an extended version of the last 2 minutes of Insertion - INCREDIBLE.
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Additional Music
Hans ZimmerHeitor PereiraMichael BrookJim Dooley
ComposerAdditional MusicAdditional MusicAdditional Music
Black Hawk Down (Expanded Score)
Label: Unofficial Release
Length: 186'20
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3689 votes)
  1. Hunger (6:36)
  2. Garrison Briefing (4:19)
  3. Calm Before The Storm (5:04)
  4. Chant (5:44)
  5. Hostages - Pila Is Dead (5:01)
  6. Black Hawk Down (3:26)
  7. Moving Out (3:24)
  8. After The Crash (2:57)
  9. In School (1:28)
  10. Crash Site (5:48)
  11. Of The Earth (2:19)
  12. Roadblock (2:42)
  13. Super 64 Going Down (5:19)
  14. Cover Me (3:35)
  15. Ashes To Ashes (4:43)
  16. Leave No Man Behind (2:18)
  17. Overview (1:16)
  18. Draw Off Fire (1:23)
  19. Get Us Out Of Here (3:05)
  20. Rescue (8:02)
  21. Hold Your Fire (3:37)
  22. Garrison Requests UN Troops (2:37)
  23. Firimbi Interrogation (1:34)
  24. Pinned Down (4:35)
  25. Holy War (1:12)
  26. It's Nothing (2:03)
  27. Tribal War (3:08)
  28. Evac - Run To The Stadium (9:48)
  29. It's About The Men Next To You (3:10)
  30. Still (4:48)
  31. Hunger (Alternate) (6:36)
  32. Bakara (Suite) (3:14)
  33. Marketplace (Suite) (1:43)
  34. Chant (Suite) (2:34)
  35. Market (Suite) (2:46)
  36. Pila Is Dead (Alternate I) (2:22)
  37. Pila Is Dead (Alternate II) (2:22)
  38. Black Hawk Down (Suite) (1:39)
  39. Ascent (Suite) (5:36)
  40. Vale Of Plenty (Suite) (2:28)
  41. Synchrotone (Suite) (2:40)
  42. Tribal War (Album Version) (2:40)
  43. Monitors (Suite) (2:37)
  44. Super 64 Going Down (Demo) (3:44)
  45. Leave No Man Behind (Alternate) (2:22)
  46. Still (Reprise) (2:12)
  47. Mogadishu Blues (Suite) (2:54)
  48. Get Us Out Of Here (Alternate) (3:08)
  49. The Next Turn (Suite) (3:14)
  50. Leave No Man Behind (Suite) (6:19)
  51. Run To The Stadium (Alternate) (2:22)
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Michael Baker reply Replies: 2 || 2019-04-26 06:37:46
I haven't seen much discussion of this, at least not on the BHD pages. so I'll bring it up...

What credits do we know on this score, if any?


Mr Tweedy2019-04-26 17:23:34
Well, most of the process for this score was based on a collaborative effort by the BHD Band (Zimmer/Brook/Eastman/Pereira/Tillman).
The themes are HZ (Leave No Man Behind Suite aka "Brothers", the string progression from Still, Tribal War).

HZ wrote most of the thematic cues from the beginning of the process : the opening of Hunger and Of the Earth (with added lyrics by singer Baaba Maal).
Tillman improvised the electric cello from Ashes to Ashes.
It appears Craig Eastman arranged the Vale of Plenty track. Bakara was written by Jeff Rona.
Mel Wesson wrote the Flight to Bakara ambient section from Chant.
Mogadishu Blues is an Heitor Pereira cue.

Jim Dooley and Trevor Morris helped on Tribal War (film version) - the beginning of the final battle.
Ilan Eshkeri contributed to After the Crash and segments of Rescue.
I remember seeing the BHD Band jamming with the "Hold Your Fire" track in the behind the scene.


Michael Baker2019-04-28 22:11:39
Thanks, Mr. Tweedy. I'm surprised the Leave No Man Behind suite didn't make it onto the World of Hans Zimmer setlist. But I guess they can't include every movie.

alihaidar paradox reply Replies: 0 || 2018-08-10 09:31:24
the feeling that comes to me when I hear your music is indescribable. You interfere me in another world.. I m waiting your new music.. All the best

Guzz reply Replies: 5 || 2018-03-10 14:38:06
I've read an article about BHD and here a quote which amused me:

"The score being very experimental, Hans Zimmer was afraid there would not be much music suitable for a listening experience on compact disc."

HAHAHA, damn how time has changed. What are your fears now Mr. Zimmer, after you've killed the listening experience totally with your scores lately, like Dunkirk and all those Drone scores. In comparisson to your work now, BHD is a melodical and listening experience paradise!


Mike (OTM)2018-03-10 22:30:15
Well. You're not wrong.

I was noticing the same thing watching Black Hawk Down recently. Compared to his recent output, it's practically beautiful. And it has...ya know...THEMES. lol.


Hybrid Soldier2018-03-10 23:48:39
If you'd take Hans to his words, no music he ever wrote would have been released.


Olive2018-03-11 00:07:55
Hans is an advertiser. He is able to say anything to draw attention to his work! He has not acquired all the popularity he has for nothing.


Ian2018-03-11 02:05:01
Olive - I'm not sure I agree; I think Hans loves the attention, but he also seems to be more concerned with telling a good story than actually being, you know, right. A prime example of this is his "The Dark Knight movies were twelve years of our lives." when by every confirmable account he worked on them over a period of seven years.


Hybrid Soldier2018-03-11 10:11:38
Hans gets mixed up with dates...

He's not like us, watching his career year by year... I remember in an interview he even had to ask his assistant Cynthia about what year The Lion King was done... He worked 8 years on TDK Trilogy... When he started to tell that story, it had been 12 years that he started... But he mixed up, and kept telling 12 years WORKING on it... lol

BHD Fan reply Replies: 6 || 2018-02-27 05:55:37
How does the "sessions" leak compare to this above tracklisting?

1. BHD.1M1/2/3/4 (5:58)
2. BHD.1M1/2/3/4Rmx (6:46)
3. BHD.1M1AL Rmx (2:15)
4. BHD.2M12 (4:30)
5. BHD.2M15/16B (5:21)
6. BHD.2M16A (1:46)
7. BHD.3M18 (11:22)
8. BHD.3M18w vox (6:41)
9. BHD.3M19Insert (2:17)
10. BHD.3M20 (5:47)
11. BHD.3M20Rmx (2:27)
12. BHD.3M20w Vox (5:47)
13. BHD.3M21 (3:18)
14. BHD.4M22pt1 2 (3:22)
15. BHD.4M23 (4:36)
16. BHD.4M24 (2:16)
17. BHD.4M24 New (1:54)
18. BHD.4M25 26A B (11:06)
19. BHD.4M25OvrLy (2:38)
20. BHD.5M27A (2:29)
21. BHD.5M27B (1:09)
22. BHD.5M28 (2:21)
23. BHD.5M28Rmx (2:17)
24. BHD.5M29A (1:24)
25. BHD.5M29B (3:10)
26. BHD.5M29BRedo (3:09)
27. BHD.5M29C New (1:14)
28. BHD.5M30/33 (7:02)
29. BHD.6M34 (3:36)
30. BHD.6M34ANew (1:23)
31. BHD.6M35 (2:48)
32. BHD.6M35BNew (1:59)
33. BHD.6M36 (2:03)
34. BHD.6M37 (3:38)
35. BHD.6M37alt2 (1:17)
36. BHD.7M38 (1:12)
37. BHD.7M39 (1:40)
38. BHD.7M40 (3:08)
39. BHD.7M40w xtras (3:08)
40. BHD.7M41/42 (9:49)
41. BHD.7M42 (4:22)
42. BHD.8M43 (3:12)

Most of the track times do not seem to add up and the sessions appear to be even in the wrong sequence. Anyone got any ideas? Are these cue numbers fake or something?


Mr Tweedy2018-02-27 10:25:45
You got the original version with sessions track names. The expanded score featured here is a re-organized version aimed for a better listening experience.
Nonetheless, both versions are still incomplete !


BHD Fan2018-02-28 00:00:41
So the one by Hybrid moves some tracks around?


Mr Tweedy2018-03-01 23:50:47
Well, I've been heavily involved in remastering unreleased scores with Hybrid Soldier for about 10 years.

The version of BHD showed on this page is my work. I edited some tracks together (such as 2m15_16B with 2m16A that were originally meant to be mixed together, while they were presented on the sessions in an almost unlistenable, non-chronological way), and I worked several days in order to get the best audio mix possible.

As we got many different sources for this score (sessions, various promos, soundtrack album...), I made a version that is as complete as possible. A few tracks are still missing from every version available.

So, no, Hybrid didn't move tracks around, that's me who tried to provide the best, most complete presentation of this score. And this is Hybrid who decided to showcase this version here.


Hybrid Soldier2018-03-01 23:53:27
^

What he said... Even though, sometimes, yeah, I do move tracks around ! lol


Marcorea12018-03-02 02:27:41
I too made my own edit. Not complete but just an alternative listen using the tracks I thought was best. ‘The Mogadishu commemorative’


BHD Fan2018-03-03 04:19:59
Mr Tweedy thanks for replying. Can you give a rough breakdown of what tracks from the "sessions" correspond to your version seen here? You are right in that some of the sessions tracks are un-listenable and while I don't have the promos CDs and extra stuff, it'd be interesting to see how you came up with the version seen here.

Edmund Meinerts reply Replies: 11 || 2018-02-27 13:53:30
This was in many ways the start of a downfall for HZ. A truly collaborative process, and in many ways a revolutionary score.

Yet, the silly sound design stuff started here which now makes him such an inadequate composer. No one wants a Hans score anymore (well except his usual collaborators). This will phase out soon and Zimmer will be another Faltermeyer and Moroder whereas he could have been a Williams.


Bibi2018-02-27 14:19:11
I pray to see "downfalls" like this one then !


Edmund Meinerts2018-02-27 15:02:36
Not me. (Although I'm not a big fan of this score either...)


Mike (OTM)2018-02-27 19:30:02
Any way we could make accounts on this site? I've had the same problem. I used to be pretty much the only "Mike" here, so I went by "Mike." Now I need a way to differentiate myself from some, uh....zealous fanboy Mikes. ;)


Olive 2018-02-28 00:01:08
For one second I believed in tjis comment! Lol This was made for a Balfe fanboy for sure.


Olive2018-02-28 00:02:30
I vote for personal accounts too!


Hybrid Soldier2018-02-28 00:04:30
It will happen with the new version of the site...



Please don't ask me when that's happening... Right Antas ? lol


Edmund Meinerts2018-02-28 09:13:38
Well that's good to hear! (Although I hope you keep your green text, Hybrid. :D )


isildur2018-02-28 11:23:42
Looks like all the trolls (or maybe just one, posting with different names) decided it's time to shift from Facebook to here. At least try to be a bit creative, all your posts are basically of same template.


Hybrid Soldier2018-02-28 12:31:21
Bah... At least it's creating traffic on the site, defeating his purpose... lol


Medigo2018-02-28 22:44:33
I'd like it if I could at least keep my Edmunds straight


Ian2018-03-03 03:35:19
Honestly, I see a lot of merit to "Edmund"'s argument. Thematic content aside, Black Hawk Down has this really weird - shitty, frankly - blend of synthetic and orchestral content that just doesn't work IMO. Ironically, a score like Inferno does a better job at that.

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Diva reply Replies: 0 || 2009-06-09 00:00:00
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Adrian reply Replies: 0 || 2009-04-18 00:00:00
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Ruthlessgravity reply Replies: 0 || 2009-04-18 00:00:00
Only way to get the demos is from Jeff Rona's Reel World demos. Apparently hard to find.

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andrew reply Replies: 0 || 2008-12-03 00:00:00
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royan reply Replies: 0 || 2006-11-08 00:00:00
tank you, very grateful

PABLO reply Replies: 0 || 2006-05-10 00:00:00
MANDAME LA MUSICA DE BLACK HAWK DOWN AL CORREO
TODAS LAS DE BLACK HAWK DOWN

Mathis reply Replies: 0 || 2006-02-23 00:00:00
I really like the style of the music (especially track 01) where/how do I find more like it? what is the origin/style of it?

thanks a lot.

Mathis.

Mathis reply Replies: 0 || 2006-02-23 00:00:00
I really like the style of the music (especially track 01) where/how do I find more like it? what is the origin/style of it?

thanks a lot.

Mathis.

mikee bruno reply Replies: 0 || 2006-01-20 00:00:00
very good , I also had to compose in a similar style and this track as been a good inspiration.
ciao

Brian reply Replies: 0 || 2006-01-04 00:00:00
* removed *

Brian reply Replies: 0 || 2006-01-02 00:00:00
Please email me to ######
if anyone has any of the Black Hawk Down promo CD'S.Thanks !

sergio cardoso reply Replies: 0 || 2005-10-03 00:00:00
Hi, i dont speak english very well, but , i am braziliam and i woud like the emaill from Heitor Pereira, i want talk to him, about any musics by composed to him. Tanks!!

Anonymous reply Replies: 0 || 2004-11-28 00:00:00
IN ENGLISH PLEASE !!

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Black Hawk Down (Expanded Score) soundtrack - Hans Zimmer 2001