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hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?
I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the postsThis is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.
Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.
Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.I like it too but I don't understand why this thread is full of slobbering fanboys while nobody is talking about, say, Kingsman 2 which is just as good. I don't want to stop anyone talking about his music but did we really need every day this year for someone to go "oh my god I can't wait for Lorne to release another unreleased cue from Ghost in the Shell"? It doesn't contribute anything meaningful and makes this site look even more like a YouTube comments section than it already does.Your right Edmund ..... how dare we take about any other composer apart from Zimmer or John Powell!  Thankfully your point of view is in the minority. There is obviously a reason why he is one of the busiest composers . Geostorm isnít original BUT itís great music and I like it at least
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Hans ZimmerLorne BalfeMel WessonAndrew Zack
ComposerAdditional MusicAmbient Music DesignScore Coordinator
Frost/Nixon (Complete Score)
Label: Unofficial Release
Length: 81'06
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2660 votes)
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  1. Introduction (1:09)
    Hans Zimmer, Lorne Balfe
  2. Watergate Montage (4:27)
    Hans Zimmer
  3. By George, It's David Frost (0:45)
    George Henry Martin, Atli ÷rvarsson
  4. The Numbers (2:04)
    Hans Zimmer, Lorne Balfe
  5. Pardon The Phlebitis (1:42)
    Hans Zimmer, Lorne Balfe
  6. Great Escapes (0:45)
    Hans Zimmer, Lorne Balfe
  7. Airport (0:48)
    Hans Zimmer, Lorne Balfe
  8. Hello, Good Evening & Welcome (0:47)
    Hans Zimmer, Lorne Balfe
  9. Plane Source (2:15)
    James S. Levine
  10. Network Executives (1:14)
    Hans Zimmer, Lorne Balfe
  11. Meeting Nixon (0:47)
    Hans Zimmer, Lorne Balfe
  12. No Holds Barred (1:17)
    Hans Zimmer, Lorne Balfe
  13. Networks Out (0:59)
    Hans Zimmer, Lorne Balfe
  14. Mike Wallace (0:34)
    Hans Zimmer, Lorne Balfe
  15. Reston Stays (0:33)
    Hans Zimmer, Lorne Balfe
  16. Beverly Hilton (2:27)
    Hans Zimmer, Lorne Balfe
  17. Brennan Call (Part 1) (0:57)
    Hans Zimmer, Lorne Balfe
  18. Brennan Call (Part 2) (1:09)
    Hans Zimmer, Lorne Balfe
  19. Insanely Risky (2:50)
    Hans Zimmer, Lorne Balfe
  20. Other Team (0:57)
    Hans Zimmer, Lorne Balfe
  21. Ballsy Opening (0:55)
    Hans Zimmer, Lorne Balfe
  22. Birt's Rescue (0:57)
    Hans Zimmer, Lorne Balfe
  23. Emotional Moment (0:46)
    Hans Zimmer, Lorne Balfe
  24. Reminiscing (1:16)
    Hans Zimmer, Lorne Balfe
  25. Weedeater (0:48)
    Hans Zimmer, Lorne Balfe
  26. Major Operator (1:22)
    Hans Zimmer, Lorne Balfe
  27. Cambodia VT (1:00)
    Hans Zimmer
  28. Foreign Policy (1:31)
    Hans Zimmer, Lorne Balfe
  29. It's My Birthday (2:17)
    Hans Zimmer, Lorne Balfe
  30. Garage Source (0:57)
    Thomas Broderick, Ryeland Allison
  31. Frost & Nixon Piano (0:55)
    Sammy Cahn, James Van Heusen, Hans Zimmer, Lorne Balfe
  32. Frost Despondent (2:31)
    Hans Zimmer, Lorne Balfe
  33. Research Montage (3:05)
    Hans Zimmer, Lorne Balfe
  34. Last Day (2:19)
    Hans Zimmer, Lorne Balfe
  35. Emotional Disclosure (2:34)
    Hans Zimmer, Lorne Balfe
  36. Nixon Defeated (3:22)
    Hans Zimmer, Lorne Balfe
  37. Shoes (1:58)
    Hans Zimmer, Lorne Balfe
  38. First Ideas Suite (9:56)
    Hans Zimmer
  39. Money Suite (2:49)
    Hans Zimmer, Lorne Balfe
  40. Smoking Suite (3:08)
    Hans Zimmer, Lorne Balfe
  41. Status Suite (4:04)
    Hans Zimmer, Lorne Balfe
  42. Introduction (Alternate) (0:58)
    Hans Zimmer, Lorne Balfe
  43. Airport (Alternate) (0:49)
    Hans Zimmer, Lorne Balfe
  44. Nixon Defeated (Alternate) (2:40)
    Hans Zimmer
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Edmund Meinerts reply Replies: 1 || 2016-12-30 15:02:35
Whoa, what's with the comments about BHD? Did you guys reuse an old obsolete page for this? :P


Balint2017-01-15 17:14:10
Look at the dates mate :)

Balint reply Replies: 0 || 2016-12-29 07:24:09
Fantastic Score!
I wish the complete score would be released, I would love to hear "Shoes", and "Networks Out". I hope it will be available sometime in the future.
Cheers! :)

Gav reply Replies: 0 || 2011-02-26 00:00:00
Im aware its asking a lot but can anyone do a breakdown of each piece and how it was made, e.g.

01. OST track + Dooley Website track
02. OST track
03. Deleted Scene
04. Isolated music from DVD bonus, etc?

Zero reply Replies: 0 || 2009-12-23 00:00:00
nice soundtrack's but &#305;m not find in the internet and &#305;m so anger

black_hawk_down reply Replies: 0 || 2007-10-28 00:00:00
Black hawk down are so cool!'
i have on single player all of the missions completed!!
only, my disk of bHd* are brokin ;(
* black hawk down

Harrison J. Bahe reply Replies: 0 || 2007-07-08 00:00:00
I must say that even though I would want this, the music presented to us in the publicly release soundtrack was so inspirational that upon listening to Leave No Man Behind, I wanted to join the army. That's the power of music. That's the power of Hans Zimmer.

Per reply Replies: 0 || 2006-01-04 00:00:00
here you (guys) can post your comments/reviews of the scores, what you like/dislike etc. about them.... and not about where you can get them ! ....but still, some never seem to learn (for some reason or another).... and keep on asking 'where can i get this.....' / 'e-mail on .....' / etc. actually it's kind of annoying...
if it continues, maybe all this comment/posting 'option' should be 'removed' (?)

Damien reply Replies: 0 || 2006-01-04 00:00:00
You are removed because you do not respect site rule in requesting bootleg's.

Brian reply Replies: 0 || 2006-01-04 00:00:00
Why am I being removed ?

Brian reply Replies: 0 || 2006-01-03 00:00:00
* removed *

Brian reply Replies: 0 || 2006-01-02 00:00:00
What a Gr8 man Hans Zimmer is.
Please email me to ######
if you can sell me the CD's listed on this site especially all of the BLACK HAWK DOWN and GLADIATOR ones.Thanks !

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Frost/Nixon (Complete Score) soundtrack - Hans Zimmer 2008