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Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfe’s score equals it.Also has emotion like 13 Hours.<br>Doesn’t beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
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Additional Music - Musician : Guitar
Hans ZimmerHeitor PereiraHenning LohnerTrevor Morris
ComposerAdditional MusicAdditional MusicAdditional Music
Spanglish (Complete Score)
Label: Unofficial Release
Length: 65'51
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2843 votes)
  1. Logo - Prologue (4:40)
  2. Stone Canyon (0:39)
  3. Welcome To The Family (0:33)
  4. God Save Me (0:33)
  5. Restaurant Kitchen (1:53)
  6. Size 8 (2:52)
  7. Sewing Montage (0:57)
  8. Just Try It On (1:01)
  9. Newspaper Review (0:34)
  10. Great Sex (1:09)
  11. Flor's Decision (0:57)
  12. Malibu (2:29)
  13. Flor Panics (0:30)
  14. Most Amazing White Woman (0:29)
    Hans Zimmer, Trevor Morris
  15. The Letter (1:26)
  16. Cristina Takes The Money (1:14)
  17. Translation (1:51)
  18. Learning English (1:34)
    Hans Zimmer, Heitor Pereira
  19. Sad Cheese (0:38)
  20. John Comes Home Drunk (1:56)
    Heitor Pereira
  21. Drunk Conversation (1:20)
  22. Private Schoold Decision (0:52)
  23. Beach #1 & #2 (3:48)
  24. Beach #3 (1:36)
  25. Necklace (1:19)
  26. The Race (1:36)
    Hans Zimmer, Heitor Pereira
  27. Leaving The House - They Drive (1:36)
  28. Hang Out Music (0:33)
  29. At The Restaurant (3:45)
  30. John & Flor Kiss (1:29)
  31. On The Sofa #1 (1:08)
  32. On The Sofa #2 (0:51)
  33. John & Bernie Hug (1:31)
  34. Poolside Goodbye (1:31)
  35. John Says Goodbye (1:15)
  36. Bus Stop (1:40)
  37. Ending (2:42)
  38. End Titles (2:25)
  39. Restaurant Kitchen (Alternate) (1:53)
  40. Flor's Decision (Alternate) (0:52)
  41. John Comes Home Drunk (Alternate) (1:58)
    Heitor Pereira
  42. Beach #1 & #2 (Alternate) (2:32)
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Bob Belcher reply Replies: 4 || 2018-03-07 11:16:34
Now THIS pleeeeease. Haven't seen this site here yet. Come on guys, we need this!!!!


Alejandro952018-03-08 12:39:13
never seen the movie nor heard the music. is it any good?


Edmund Meinerts2018-03-08 12:47:54
The music is lovely, Zimmer is so great at these lighter drama/comedy scores, a shame he rarely does them anymore. I haven't seen the movie in over a decade but I remember it being all right, one of the few things with Adam Sandler in it that didn't make me want to punch his stupid face in, so that's gotta count for something.


Guzz2018-03-08 13:46:19
the movie is great, it's a familiy movie, so don't expect a blockbuster movie or something. it's fun to watch. the music is very beautiful and very melodical. actually it's very creative and you can't believe how zimmer has changed over the years when you hear this ^^ like edmund said, it's a light drama/comedy score, with beautiful themes and melodies played by orchestra and guitar. it's totally worth listen to it. so if you haven't done it yet, do it, don't hesitate :)

@ Edmund: I miss these projects aswell, those small lovely projects, where he can be just creative and having fun with melodies. i think his last kind of same project was "mr morgans last love". it's also beautiful and lovely. damn i miss those times where you haven't had those thousand of superhero movies, which have to sound like some deep serious drones but playing just beautiful music.


Street_Fighter2019-08-05 13:19:19
Beautiful music!

Gav reply Replies: 0 || 2011-02-26 00:00:00
Im aware its asking a lot but can anyone do a breakdown of each piece and how it was made, e.g.

01. OST track + Dooley Website track
02. OST track
03. Deleted Scene
04. Isolated music from DVD bonus, etc?

patrick reply Replies: 0 || 2005-10-18 00:00:00
excellent music

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Spanglish (Complete Score) soundtrack - Hans Zimmer 2004