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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Additional Music
Steve JablonskyJay FloodMel WessonThomas Broderick
ComposerAdditional MusicAmbient Music DesignMusic Production Services
The Texas Chainsaw Massacre
Label: La-La Land Record
Length: 50'25
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4209 votes)
  1. Leatherface (2:45)
  2. He's A Bad Man (4:02)
  3. Erin And Kemper (1:07)
  4. Hewitt House (1:09)
  5. Driving With A Corpse (1:24)
  6. Kemper Gets Whacked - Jedidiah (1:56)
  7. Crawford Mill (1:50)
  8. Interrogation (3:50)
  9. Andy Loses A Leg (1:41)
  10. You're So Dead (3:33)
  11. Hook Me Up (2:40)
  12. My Boy (3:15)
  13. Morgan's Wild Ride - Van Attack (4:35)
  14. Mercy Killing (2:59)
  15. Prairie House (3:13)
  16. Final Confrontation (5:25)
  17. Can't Go Back (3:55)
  18. Last Goodbye (1:00)
Create Topic

Kelly reply Replies: 10 || 2011-09-08 14:47:47
01-Leatherface (2:34)
02-He's a bad man (4:11)
03-Erin & Kemper (0:30)
04-Driving with a corpse (2:44)
05-Crawford Mill (1:55)
06-Jedidiah (1:09)
07-Walk to Hewitt house (1:43)
08-Erin helps Legless Monty (1:11)
09-Bathroom groping (1:03)
10-Kemper gets whacked (0:35)
11-Erin discovers peep hole (1:15)
12-Leatherface works on Kemper (1:33)
13-Morgan's fake scare (1:07)
14-You're so dead (3:46)
15-Andy loses a leg (1:41)
16-Leatherface & Andy (2:32)
17-Interrogation (5:37)
18-Morgan's wild ride (2:25)
19-Van attack (2:31)
20-My boy (3:22)
21-Mercy killing (4:12)
22-Leatherface chases (3:08)
23-Prairie house (2:37)
24-Morgan loses lower body (1:45)
25-Erin enters blair meat co. (0:52)
26-Final confrontation (5:27)
27-Can't go back (4:03)
28-Erin escapes (0:47)
29-Last goodbye (1:03)
30-Leatherface comes back (0:46)
31-Leatherface (2:45)

Total time: 1:10:49


Papapalpatine772011-09-08 18:21:06
There you go again.....


Nubins2011-09-08 21:19:49
what is your problem Papapalpatine77?
He just posts a tracklist of the complete score for those who are interested, not a link, not that he found it, just tracklisting for those who do not have it...


Kelly2011-09-08 22:43:32
@Nubis
I have this complete score...but like you said..not link for the download...it's just for information..that's it!


Agnt007dman2011-09-09 00:31:02
I think what Palpatine is trying to say is that *most times but not always* when someone posts a complete tracklist, it causes a commotion. There are many inexperienced people out there who do not know how to find these things. And you cannot post a link. So if they can't find it, and there is no link, they have no way of getting it. Put yourself in their position. I was there once, I know what it's like. It's like this: if you can't share, why boast about it and plaster it on here? Papa, am I right?


Papapalpatine772011-09-09 02:08:58
Agnt007dman, that is correct. There are many things that I have that I can't share, and you don't see me boasting about them. They may as well not exist. I am good at keeping things to myself, not plastering tracklists everywhere....


Mr. Fate2011-09-09 02:43:47
^^^THIS^^^


Papapalpatine772011-09-09 03:16:40
Mr. Fate, what do you mean by that? Agree or disagree?


Takehiro2011-09-09 06:13:13
Kelly, this isnt the complete score. Track 31 is from the album, an edited repeat of Track 1 (which in itself is incomplete, the full cue is over 3 mins!)


Trent Easton Navarro2011-09-09 13:46:03
@ Agnt007dman

But this site has also quite a few entries for complete and extended scores that aren't officially released. How is that any different?


Agnt007dman2011-09-09 18:26:47
They are unreleased to the general public. Doesn't mean some people don't have them......

Dakota reply Replies: 0 || 2010-12-29 00:00:00
On a site called "lost Scores"(Google it) there is a front and a back for a so-called 2-disc "complete" of this. I tried posting the link even though it's not for download. The entire site is just alt covers for a bunch of scores. There's also a really cool one for TDK. I didn't know there was a 2-disc

Falconet From Italy reply Replies: 0 || 2008-10-16 00:00:00
Jablonsky The Great!!

Lviv Ukraine reply Replies: 0 || 2008-09-22 00:00:00
I like this soundtrack and The Amityville Horror

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