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Please oh please oh please for the love of God make the sheet music for Women of Ireland available to the masses!!! <br>Thanks.Little HZ interview about a few things...i thought it was gonna be the 28thNow there is rumours, the score can be released in 23th September
hey guys i just found this soundtrack and i am in love with it, hans zimmer was sooooooooooooo cute in this filmWatched the movie again last night.....and Wow! I forgot how great the score was. It's ridiculous where we are now in terms of film music.....As people say: Where are the themes, where is the melody? Where is the emotion? At this point, scores like Remember the Titans are like an extinct species. <br><br>And it's not just me......I listen to interviews and podcasts where more and more people from the industry say the exact same thing: film music is just not the same. It's like filmmakers are afraid to use actual themes now. I really wonder what is the real reason for that. Is it because the younger generation likes music that's all over the place? Like that dubstep thing, or whatever the hell kids call it....Or it's all a deliberate thing coming from the composers world? Wish we knew the answer......Thanks for proving my point, Meta. Thank you. Just look at the comment he left, folks. It all speaks for itself. He simply can't contain himself. He always needs to cram something negative. Always. No exception.<br><br>I'm glad they didn't delete it. Let it stay here for all to see.<br><br>Oh, and by the way Meta, the way you tried to provoke me AGAIN, this time by trashing Bay, is just not working. Simply because Bay is so big and so successful with such a huge fanbase (fanbase, which includes dozens of other big-time directors as well) that I can just laugh at your attempts to trash and bash him. Also, I think I would agree with Steven Spielberg's opinion on Bay. You know, because he actually knows a thing or two about cinema.... Here's what Spielberg said over 10 years ago: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." <br><br>I rest my case.Hybrid, the site isn't letting me see or play any of the music samples on scores, it it something only on my end?Schifrin and Mancini would be proud. Awesome fun work by Wallfisch.
Love Sugar Plum Raid!It's a great score! The Sugar PlumRaid is awesome. It's a great big band score! Loved it!This looks promising. Benjamin Wallfisch will probably do a good job.so sad they didn´t release the whole score, Lorne did a great job on this one :/At 3 minutes into the film there is a great little cue for Qira and Han (when we first meet her). Is that anywhere on the soundtrack?
Well Lorne incorporated some of the song melodies into his score, so I guess that's why they're credited...Please bring this show to the United States. Dallas, Austin, San Antonio, or Houston would be great!Everything is as the director wants it... if its "awkward" silence, or old songs, or the new score... most of the times the director doesn't try to satisfy film score fans as his priority.It was a motif loosely related to Beckett which ended up getting repurposed for Barbossa in On Stranger Tides and here. To be fair the theme was used in conjunction with him during the Calypso cue. Judging by its placement throughout AWE I think it was meant to be a “betrayal” theme.Wait what did they use for barbossa in AWE?
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Hans ZimmerGeoff ZanelliJim DooleyClay Duncan
ComposerAdditional MusicAdditional MusicAdditional Music
Matchstick Men (Complete Score)
Label: Unofficial Release
Length: 131'19
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3278 votes)
  1. Flim Flam (0:15)
  2. Ichi Ni San (3:03)
  3. Prizes (1:30)
  4. Victim Of Fraud (0:53)
  5. Open Window (0:57)
  6. Grocery Store (1:33)
  7. Losing The Pills (1:36)
  8. Shoes Off (0:19)
  9. Shrink (0:51)
  10. I Have A Daughter? (1:20)
  11. Suzi's Topology (0:50)
  12. Meeting Angela (2:27)
  13. Lunch (0:50)
  14. Frechette (0:53)
  15. Moving In (2:00)
  16. Obsessive Compulsive (2:05)
  17. The Club (0:43)
  18. Let Us Greed (1:17)
  19. Nosy Parker (1:35)
  20. Con Artist Teaching (2:05)
  21. Not Bad (4:31)
  22. Realizing (0:43)
  23. Scouting (1:48)
  24. In The Airport (0:55)
  25. Do You Mind If I Seat There? (1:36)
  26. Walk Him To The Plane (1:18)
  27. Airport Con (1:15)
  28. Do I Get A Cut? (1:40)
  29. Parking Escape (0:57)
  30. Angela Arrested Before (1:41)
  31. No More Cigarettes (1:18)
  32. No More Pills (1:29)
  33. Vitamins (1:02)
  34. Visiting Klein (1:45)
  35. Frechette is Shot (4:33)
  36. Heaven (0:45)
  37. Interrogation (1:27)
  38. Dear Roy (2:53)
  39. No Baby (1:53)
  40. Carpeteria (3:19)
  41. I'm Grown Up (1:16)
  42. Happy Ending (2:27)
  43. Waltz Suite (3:05)
  44. Flim Flam (Alternate I) (0:16)
  45. Flim Flam (Alternate II) (0:16)
  46. Ichi Ni San (Alternate I) (1:49)
  47. Ichi Ni San (Alternate II (2:55)
  48. Losing The Pills (Alternate) (1:35)
  49. Shoes Off (Alternate) (0:19)
  50. I Have A Daughter? (Alternate) (1:21)
  51. Meeting Angela (Alternate I) (2:31)
  52. Meeting Angela (Alternate II) (1:37)
  53. Lunch - Frechette (Alternate I) (2:33)
  54. Lunch - Frechette (Alternate II) (2/33)
  55. Moving In (Alternate I) (2:00)
  56. Moving In (Alternate II) (2:03)
  57. Obsessive Compulsive (Alternate) (2:36)
  58. The Club (Alternate I) (0:42)
  59. The Club (Alternate II) (0:44)
  60. Let Us Greed (Alternate I) (1:16)
  61. Let Us Greed (Alternate II) (1:27)
  62. Not Bad (Alternate) (4:31)
  63. Scouting (Alternate) (1:46)
  64. Do You Mind If I Seat There? (Alternate I) (1:37)
  65. Do You Mind If I Seat There? (Alternate II) (1:40)
  66. Walk Him To The Plane (Alternate) (1:32)
  67. Airport Con (Alternate I) (3:53)
  68. Airport Con (Alternate II) (2:00)
  69. No More Pills (Alternate) (0:52)
  70. Visiting Klein (Alternate I) (1:34)
  71. Visiting Klein (Alternate II) (1:25)
  72. Dear Roy (Alternate) (2:18)
  73. No Baby (Alternate) (1:59)
  74. Carpeteria (Alternate I) (2:32)
  75. Carpeteria (Alternate II) (5:06)
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Dr. Vinny G. reply Replies: 0 || 2008-03-21 00:00:00
As an accomplished composer/musician/performer, I feel compelled to enter a comment. I saw “Matchstick Men” shortly after it was released on DVD. 2004, I think. And I write this as an individual whose brain has cataloged a SURPLUS of music over many years.

I remember distinctly watching the "making of matchstick men" where Ridley Scott gave Hans such a hard time about the score. And again, as someone who has such a catalog of music in the brain, I have found myself humming or whistling "THIS" score over and over in the last 4 years. With no likely end in sight. It's catchy. It's contagious. And it's my opinion. I even caved and got some ring tones. (Shocked all my colleagues.) I’m more curious to what the rejected scores sounded like. Maybe he used them for other films. Take that Mr. Scott!

Since, I have been more aware of Mr. Zimmer's works over the last 4 years and now I have a clearer understanding of why some of my favorite films (before and since “Matchstick Men”) are some of my favorite films, i.e. “Mission Impossible II” & “Gladiator”. Answer – “Zimmer scores”. And really, if you take away the score, "Matchstick Men" as a film, is average at its best. The score, is what makes this film. Period!! Maybe that's why Ridley pushed Hans like he did?

It’s no wonder that someone would create a web site of this like. As well, he is now someone I would like to converse and/or collaborate before I go to the other side. John Williams, take a vacation. There’s a new sheriff in town, and his name is Hans!!

Kindly,
Dr. Vinny G.
Rochester, NY
(Home to Hochstein and Eastman) schools of Music that is. &#61514;

Jack reply Replies: 0 || 2007-08-01 00:00:00
Hi everyone! I've got this question: some days ago I was listening to this score and I realised that the first part of track "Weird Is Good" has a particular style, something I've only heard in Gotan Project's songs: so, Is that an omage by Hans Zimmer to this fantastic (IMHO) group?

thanks

bye

Ted reply Replies: 0 || 2006-09-15 00:00:00
What is the name of the song that was playing when roy sent angela away with frank after the shooting?

BobdH reply Replies: 0 || 2005-08-27 00:00:00
Hmm... the only thing track 8 (Mines) makes me think about is Journey to the Line, from The Thin Red Line. Man, how obvious is it which track was the temp-score?!?

ABC reply Replies: 0 || 2005-08-27 00:00:00
I think the reason why Track 8 sounds like Journey to the Line is because it should sound like Journey to the Line --)

axel jespersen reply Replies: 0 || 2005-07-18 00:00:00
track 8 is what made the film what it is.

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Matchstick Men (Complete Score) soundtrack - Hans Zimmer 2003