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home is very very soothing. (i sound like i have said it before lol) <br> <br>it’s the one cue i can listen to a zillion times and never get tired of. i hope upcoming movies will give Hans or whoever in remote control an opportunity to do similar cues. elisabeth in inferno is the closest but is so short. <br> <br>i have mellowed. i love these mellow cues.John Powell stated on his Instagram that the album will have 19 tracks, and be over an hour!Its not a film, its an album. This was still during the days of Hans' involvement with 'The Buggles'.I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.<br><br>Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.<br><br>So I don't think Giacchino is out of the use of themes.I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :p
For me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.Now released: http:/ /filmmusicreporter.com/2018/04/19/soundtrack-album-for-sky-h unter-to-be-released/<br><br>https: //www.amazon.com/gp/product/B07C26S729/ref=as_li_qf_asin_il_ tl?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creat iveASIN=B07C26S729&linkId=18cb85bfc0aaee3094cdba507fe05649I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.
I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...<br>That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.BOOKLET CREDITS (From The Album):<br><br>Score Composed, Produced And Mixed By<br>TOM HOLKENBORG<br><br>Additional Music By<br>ALJOSCHA CHRISTENHUB<br>ANTONIO DI IORIO<br><br>Orchestra Conducted By<br>JOHN ASHTON THOMAS<br><br>Technical Score Engineer<br>ALEX RUGER<br><br>Additional Programming By<br>EMILY RICE<br>JACOPO TRIFONE<br><br>Music Editor<br>SIMON CHANGER<br><br>Assistant Music Editors<br>BEN SMITHERS<br>ARABELLA WINTER<br><br>Music Consultant<br>BOB BADAMI<br><br>Score Orchestrated And Copied By<br>JONATHAN BEARD<br>EDWARD TRYBEK<br>HENRI WILKINSON<br>TOM HOLKENBORG<br><br>Librarian<br>JILL STREATER<br><br>Orchestra Contractors<br>ISOBEL GRIFFITHS<br>SUSSIE GILLIS<br><br>Orchestral Recording Engineer And Mixer<br>NICK WOLLAGE<br><br>Orchestra Recorded At<br>AIR STUDIO<br><br>Air Studios Managers<br>ALISON BURTON<br>CHARLOTTE MATTHEWS<br>LUCY MATTHEWS<br><br>Music Production Services<br>MICHIEL GROENEVELD<br><br>Agent<br>AMOS NEWMAN<br><br>Legal Representation<br>DAVID ALTSCHUL<br><br>Music Recorded <br>6-7 January 2018<br>At<br>AIR STUDIOS, London<br><br>Score Published By<br>UNITED LION MUSIC, INC. (BMI)<br><br>Booklet Editing & Design<br>WLP LTD<br><br>Soundtrack Acquisitions<br>MARK CAVELL<br><br>Sony Classical Product Development<br>KLARA KORYTOWSKA<br><br>Special Thanks To:<br>ROAR UTHAUG, GRAHAM KING, SASKIA, JULIAN and DARREN, ANNE COBB, SHANE GLASSThe Stark theme always left a big impression on me, but the way it plays when Jon Snow dies gives me the chills<br><br>Andrew Kawczynski scored the movie Sky Hunter. The score is available on Spotify now. <br><br>The score is probably the most melodic/heroic that I heard from him.wtf is this? did zimmer score a porno?
why hybrid when lorne himself confirmed it? <.<@Hybrid, can you confirm Lorne is scoring MI6?I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.
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John PowellJames McKee SmithTJ LindgrenJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Paycheck
Label: Varese Sarabande
Length: 48'08
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3945 votes)
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  1. Main Title (3:10)
  2. 20 Items (2:53)
  3. Wolfe Pack (2:54)
  4. Crystal Balls (2:09)
  5. Mirror Message (3:37)
  6. Imposter (3:53)
  7. Hog Chase Part 1 (3:13)
  8. Hog Chase Part 2 (4:04)
  9. I Don't Remember (1:28)
  10. Tomorrow's Headlines (4:02)
  11. Future Tense (7:14)
  12. Fait Accompli (6:09)
  13. The Finger (0:33)
  14. Rachel's Party (2:47)
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Kelly reply Replies: 1 || 2011-09-26 13:58:25
Tracklisting

CD1

01. Main Titles [03:25]
02. Slut Kiss [01:05]
03. Memory Wipe [00:49]
04. A Good Life [01:01]
05. Party Of Two [00:27]
06. Portents Crystal Balls [02:07]
07. Injection [00:29]
08. A 2nd Chance [01:52]
09. A 2nd Chance Free [02:11]
10. You are Done [01:12]
11. Freeze Frames [02:11]
12. Hot Seat [07:36]
13. The Ring [00:39]
14. Thats You [00:26]
15. 21 Items [05:32]
16. Twenty Items Remix [02:53]
17. Lucky Number [01:58]
18. Wolfe Pack [04:30]
19. Wolfe Pack Remix [02:54]
20. The Third Rail [03:37]
21. Reservations [03:19]
22. Mirror Msg Imposter [08:39]
23. Mirror Msg Edit [03:37]
24. Imposter Edit [03:52]
25. A Hog ChaseA [03:16]
26. Hog Chase B [04:06]
27. I Dont Remember RUFFMIX [01:49]
28. I Dont Remember (version 1) [01:27]
29. I Dont Remember (version 2) [01:28]


CD2

01. Tomorrows Headlines [04:21]
02. Return To Alcom [03:04]
03. Future Tense [07:54]
04. Future Tense Remix [07:13]
05. Bio Lab Bash [03:04]
06. Fait Accompli [06:39]
07. Fait Accompli Remix [06:09]
08. Aftermath [05:36]
09. Bio Lab Bash Demo [03:07]
10. Fate Rachael bline Ruff [01:34]
11. Groovy action Rough [03:01]
12. Quartet [02:53]
13. Rachel Action Ver [01:48]
14. Rachel Idea [02:21]
15. Rachel Idea No Bass [02:16]
16. Rachel Idea NoTune [02:14]
17. Rachel theme (band version) [02:13]
18. Rachel’s Party [02:47]
19. Rachel Run 2 (Piano Stages) [02:37]
20. Rachels theme (Solo Piano) [01:13]
21. Ruff Sex [01:51]
22. The Finger (Alt) [00:33]
23. Whack ( Rough) [03:29]

//////2011-09-26 17:56:31
This is what I was talking about. And yet Hybrid bitches at me cause I posted LEGIT cues from ASCAP. Un-fucking believable......

Timi reply Replies: 0 || 2009-01-26 00:00:00
Great guy

Ant reply Replies: 0 || 2006-08-13 00:00:00
Personally, I think this turned out better than the Bourne scores, not in terms of themes, but in terms of orchestration and diversity.

Some very good synth elements in some parts, and the two Hog Chase tracks are some of the best action cues I've ever heard.

Anonymous reply Replies: 0 || 2005-07-22 00:00:00
This soundtrack is one of my favorites. Its one thing that made me enjoy the movie as much as I did. It's very diverse and has all types of moods, however you can always taste the recurring themes which nicely tie each track to one another.

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Paycheck soundtrack - John Powell 2004