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Thanks Hybrid for explaining that. Makes more sense now.Yes it is because the FYC is horrible... The OST is what Steve & co wrote. The FYC is what came out of the Music Editing Factory, which I don't dig at all. Lots of micro edits & transformations Steve probably didn't even hear... lol<br><br>Real final mixes would look like the OST, not like the FYC...You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>As for a chrono order, since all cues are mixed together in different tracks in the OST, it gets complicated... It works like that :<br><br>ARTHUR => Theme Suite + 5m30 + 1m05<br>KINGDOM OF ATLANTIS => 3m20-21<br>IT WASN'T MEANT TO BE => 1m01 + 1m04B<br>ATLANTEAN SOLDIERS => Theme Suite + 5m33 + 2m12<br>WHAT DOES THAT EVEN MEAN? => Theme Suite<br>THE LEGEND OF ATLAN => 6m39 + 4m23<br>SWIMMING LESSONS => 3m19 + 3m19B + 3m19C<br>THE BLACK MANTA => Theme Suite + 9m69<br>WHAT COULD BE GREATER THAN A KING? => 7m54 + 7m55 + 7m55A<br>PERMISSION TO COME ABOARD => 9m64 + 2m07<br>SUITED AND BOOTED => 8m57 + 8m59<br>BETWEEN LAND AND SEA => 7m51 + 8m61<br>HE COMMANDS THE SEA => 8m60 + 9m65<br>MAP IN A BOTTLE => 6m42 + 8m56<br>THE RING OF FIRE => 5m29 + 8m62<br>REUNITED => 9m68<br>TRENCH ENGAGED => 7m52<br>MERA MONTAGE => 6m43B + 6m48<br>HOME INVASION => 1m04 + 3m15<br>SAVING POPS => 3m18<br>AHAB WAVES => 3m17 + 2m06B<br>ASK THE SEA => 2m08B<br>OBLIGATION => 5m32<br>DUNES => 5m37-38Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!
me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.
Cuesheet is blank.oh yes please, including Balfe - don´t start yelling, I´m just really curious who did whatFinally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.
I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is “We Strike First”.@Edmund<br>I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new. <br><br>Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suites
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Additional Music - Musician : Guitars
Harry Gregson-WilliamsToby ChuJustin BurnettGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Veronica Guerin
Label: Hollywood Records
Length: 41'03
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4943 votes)
  1. One More Day - Sinéad O'Connor (3:20)
  2. Dublin 1996 (2:50)
  3. Driving (1:37)
  4. Preparations (1:50)
  5. The Killing (5:07)
  6. Research (1:03)
  7. Traynor Lies (2:08)
  8. The Beating (4:24)
  9. Conversations (1:54)
  10. First Warning (1:14)
  11. Bad News - Brian O'Donnell (6:05)
  12. Second Warning (2:25)
  13. Deceit (3:32)
  14. Never Show Your Fear (1:23)
  15. The Funeral - Sinéad O'Connor (2:21)
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Knight reply Replies: 2 || 2019-03-23 11:07:49
Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:

01 Dublin, 1996
02
03
04
05 Second Warning
06 Research
07 Driving
08 The Beating
09 Traynor Lies
10 Never Show Your Fear
11 Preparations
12 The Killing
13 Bad News
14 The Funeral
15 One More Day

But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctly


Hybrid Soldier2019-03-23 17:09:52
Chrono order goes like this :

Dublin 1996
Driving
Deceit
Second Warning
First Warning
Research
Conversations
The Beating
Traynor Lies
Never Show Your Fear
Preparations
The Killing
Bad News
The Funeral
One More Day

But some tracks have cues edited together, and some titles are not exactly perfect lol...


Knight2019-03-23 18:53:30
Many thanks Hybrid!

hans reply Replies: 0 || 2010-12-22 00:00:00
it is an awesome score, but all those singers are getting in my nerves. really, so beautiful everything, but why releasing this with those singers. i hate to hear always the voice of that girl, or the song bad news with this kid. my oh my... what a beautiful background music completely distroyed with the voice of a baby.

is there any chance to have this score without any voice? like the score "the spirit" of hans zimmer and brian addams? there is a soundtrack with voices of brian and also just the score, without any voice.
i so wish that this would have been released for this one here, as it has so beautiful cues.

Ele reply Replies: 0 || 2009-09-02 00:00:00
Awesome score. The Beating is later used in Kingdom of Heaven (The King). My favo track is The Killing. Awesome theme + electronics + little percussion + little HGW's choir=I'm in heaven

Kristi reply Replies: 0 || 2009-05-31 00:00:00
This is one of the best scores Harry Gregson-Williams has composed!! Job well done!!!

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Falconet reply Replies: 0 || 2007-07-17 00:00:00
"One More Day" it's a beautiful theme,and song!

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Veronica Guerin soundtrack - Harry Gregson-Williams 2003