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Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you  the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
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Additional Music - Musician : Guitars
Harry Gregson-WilliamsToby ChuJustin BurnettGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Veronica Guerin
Label: Hollywood Records
Length: 41'03
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4968 votes)
  1. One More Day - Sinéad O'Connor (3:20)
  2. Dublin 1996 (2:50)
  3. Driving (1:37)
  4. Preparations (1:50)
  5. The Killing (5:07)
  6. Research (1:03)
  7. Traynor Lies (2:08)
  8. The Beating (4:24)
  9. Conversations (1:54)
  10. First Warning (1:14)
  11. Bad News - Brian O'Donnell (6:05)
  12. Second Warning (2:25)
  13. Deceit (3:32)
  14. Never Show Your Fear (1:23)
  15. The Funeral - Sinéad O'Connor (2:21)
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Knight reply Replies: 2 || 2019-03-23 11:07:49
Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:

01 Dublin, 1996
02
03
04
05 Second Warning
06 Research
07 Driving
08 The Beating
09 Traynor Lies
10 Never Show Your Fear
11 Preparations
12 The Killing
13 Bad News
14 The Funeral
15 One More Day

But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctly


Hybrid Soldier2019-03-23 17:09:52
Chrono order goes like this :

Dublin 1996
Driving
Deceit
Second Warning
First Warning
Research
Conversations
The Beating
Traynor Lies
Never Show Your Fear
Preparations
The Killing
Bad News
The Funeral
One More Day

But some tracks have cues edited together, and some titles are not exactly perfect lol...


Knight2019-03-23 18:53:30
Many thanks Hybrid!

hans reply Replies: 0 || 2010-12-22 00:00:00
it is an awesome score, but all those singers are getting in my nerves. really, so beautiful everything, but why releasing this with those singers. i hate to hear always the voice of that girl, or the song bad news with this kid. my oh my... what a beautiful background music completely distroyed with the voice of a baby.

is there any chance to have this score without any voice? like the score "the spirit" of hans zimmer and brian addams? there is a soundtrack with voices of brian and also just the score, without any voice.
i so wish that this would have been released for this one here, as it has so beautiful cues.

Ele reply Replies: 0 || 2009-09-02 00:00:00
Awesome score. The Beating is later used in Kingdom of Heaven (The King). My favo track is The Killing. Awesome theme + electronics + little percussion + little HGW's choir=I'm in heaven

Kristi reply Replies: 0 || 2009-05-31 00:00:00
This is one of the best scores Harry Gregson-Williams has composed!! Job well done!!!

Falconet reply Replies: 0 || 2007-07-17 00:00:00
"One More Day" it's a beautiful theme,and song!

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Veronica Guerin soundtrack - Harry Gregson-Williams 2003