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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photo
Hah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracks
Wow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.
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Music Mixer
Nick Glennie-SmithMalcolm Luker
ComposerMusic Scoring Mixer
Puy Du Fou Cinéscénie
Label: PDF 2003
Length: 69'16
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6023 votes)
  1. Le Marchand De Quenouilles (2:37)
  2. Prelude (1:08)
  3. La Quintaine (3:40)
  4. Catherine (1:26)
  5. L'Arrivee De Francois 1er (2:21)
  6. Le Depart Du Roi (4:29)
  7. Le Ballet Des Chevaux (1:39)
  8. Vendeens d'Avant La Vendee (2:20)
  9. L'Hiver (2:52)
  10. Les Semeuses (1:50)
  11. L'aAnnonce De La Guerre (1:53)
  12. Le Chant Des Moulins (1:16)
  13. La Revolte (0:43)
  14. Les Adieux (2:20)
  15. 1793 (11:42)
  16. Le Reve (6:38)
  17. La Vie Reprend (3:11)
  18. Le Marche (4:39)
  19. La Lettre Au Poilu (2:11)
  20. Le Bal 1930 (2:07)
  21. Ballet D'Hiver (2:20)
  22. Le Final (3:39)
  23. Hymne (1:59)
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JB reply Replies: 0 || 2009-08-03 00:00:00
Very powerful music !
Even better watching the cinescenie. It takes you for a journey in the history and the deepness of man's soul. Forgiving is not forgetting...

Isabella reply Replies: 0 || 2009-01-08 00:00:00
Hey, I was just wondering, since there is a cd for the Cinescenie, is there one for all of the shows in the park?? Because it would be really awesome if there was...

Alan Marsh reply Replies: 0 || 2008-08-30 00:00:00
Absolutely wonderful.
Having seen the Puy du Fou Cinescenie show, we knew what to expect - and hearing it all again brought back the enjoyment we felt seeing the show.

The passion especially in the 1793 track has astounded our friends, who now want to see the show!
I ordered my CD from the Puy du Fou website - I didn't see it at the show, it was worht the wait!

Deakins reply Replies: 0 || 2008-07-15 00:00:00
A magnificient show. Very intense and emotive. Congratulations to the Puy du Fou's staff (actors, engineers, and more) for this save of our french tradition through power of nick glennie smith' s music!

John & Sue Dobson reply Replies: 0 || 2008-03-13 00:00:00
Wish we had never heard it .... keeps us awake at night !!!!! Fantastic !!!! The show is unbelievable too.

shureman reply Replies: 0 || 2006-02-15 00:00:00
sorry...I prefer the Delerue music over Glennie-Smith.

bobol reply Replies: 0 || 2005-08-31 00:00:00
hi ! i am a french actor in this show (cinescenie)
and i can say that this music is very fantastic and it's a great enjoyement to play with this .
Nick , you are the best and see you soon in Le Puy Du Fou . Laurent (alias Francois 1° in the show )

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Puy Du Fou Cinéscénie soundtrack - Nick Glennie-Smith 2003