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What about his last cover of "Wicked Games"? What a great surprise! Actually, all the themes are being updated every week. Ramin's stealing the show again!Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.
Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.
This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinion
So it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.
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Klaus BadeltGeoff ZanelliRamin DjawadiJim Dooley
ComposerAdditional MusicAdditional ArrangementsAdditional Arrangements
The Time Machine
Label: Varèse Sarabande
Length: 57'35
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6821 votes)
  1. Professor Alexander Hartdegen (3:25)
  2. Wish Me Luck (1:21)
  3. Emma (2:35)
  4. The Time Machine (3:11)
  5. Bleeker Street (2:26)
  6. I Don't Belong Here (3:48)
  7. Time Travel (4:36)
  8. Eloi (2:10)
  9. Good Night (4:03)
  10. Stone Language (4:53)
  11. Morlocks Attack (4:23)
  12. Where The Ghosts Are (1:36)
  13. The Master (7:15)
  14. "What If?" (6:16)
  15. Godspeed (5:20)
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Anonymous reply Replies: 0 || 2009-03-01 00:00:00
The Time Machine (3:11)

Adrian reply Replies: 0 || 2008-11-21 00:00:00
There's also a version on Crescendo, with an EAN code 4005939633721
Personally, I don't like Varese because they just make ugly cd covers.
http://www.bol.com/nl/p/muziek/time-machine/1000004004917990 /index.html
the cover seems to be one from a complete score... or they used this cover for a complete score.. lol anyone know the story behind this version ?

Cloud reply Replies: 0 || 2007-08-15 00:00:00
Ok my bad, I jumped to conclusions about the sound quality based just on a bad mp3 version. The real thing has perfect sound, just like the OST, making it the ultimate 71 minute long Time Machine score album :)

Hybrid Soldier reply Replies: 0 || 2007-08-15 00:00:00
And how do you know that about the "real thing" ?

You read it somewhere ? Or had the chance to listen to it ?

Cloud reply Replies: 0 || 2007-08-15 00:00:00
Yeah, I've come across the actual CD. I've seen a lot of mp3s of this floating around, but it's like their quality was lowered by mistake, or even deliberately. You can clearly hear the difference, the bad version sounds almost mono. Anyway, the point was to let people know, that the original source is perfectly clean.

Hybrid Soldier reply Replies: 0 || 2007-08-15 00:00:00
Damn !! :p

Lucky guy !! ;-)


Why the hell I don't know you ? LOL !

ok reply Replies: 0 || 2007-07-13 00:00:00
i was wondering if there existed an translation of Lea hallalela from wings of a film by hans zimmer?? been trying to find out what those words mean.?

Hybrid Soldier reply Replies: 0 || 2007-07-11 00:00:00
Unfortunately no for the first question... :S

And for the second, I don't think so... It depends on which TLK CD you're talking about... There's few on this website...

ok reply Replies: 0 || 2007-07-11 00:00:00
hybrid u dont by any chance have a track list of the lion king complete promo??

ok reply Replies: 0 || 2007-07-11 00:00:00
thanks hybrid for the tracklist, i was wondering if you had heard anything about a tmnt release??

Cloud reply Replies: 0 || 2007-07-10 00:00:00
Hmm, the sound could really be better on this complete edition. Anyway, all the good stuff is already on the original album, and I don't say this too often ;)

Hybrid Soldier reply Replies: 0 || 2007-07-10 00:00:00
01 - Main Titles (3:24)
02 - Wish Me Luck (1:20)
03 - Marry Me (1:10)
04 - Emma Dies #1 (1:31)
05 - In A Week (3:09)
06 - Bleeker Street (2:26)
07 - Emma Dies #2 (0:56)
08 - Moon Sign (1:06)
09 - I Don't Belong Here (3:56)
10 - In The Year 2030 (1:02)
11 - Time Travel - Asteroid (2:11)
12 - Where Am I (0:38)
13 - Are The Friendly (3:33)
14 - Goodnight (4:37)
15 - Stones & River - Village (4:52)
16 - Morlocks Attack (7:04)
17 - Where The Ghosts Are (1:43)
18 - Morlock World (6:27)
19 - The Master (5:42)
20 - Time Machine Returns - Fight (4:08)
21 - Alex Reconsiders (1:29)
22 - The Escape (3:24)
23 - Freedom - Godspeed (5:17)

And I personally added a last track, 24 - End Credits (4:21) which is just a I Don't Belong Here reprise...

ok reply Replies: 0 || 2007-07-10 00:00:00
sylvos do u have the tracklist for the score??

Sylvos reply Replies: 0 || 2007-07-09 00:00:00
Ok, the complete version is in fact single disc, has 23 tracks and runs a little over 71 min. Sound quality is nowhere good as the regular releas but still it worth checking.

Sylvos reply Replies: 0 || 2007-02-26 00:00:00
I found a double disc one but guess what? A fake version. I repeat, that one is a fake version. Do you copy? LOL

Over and out! ^^

Sylvos reply Replies: 0 || 2007-02-11 00:00:00
Looks like a complete bootleg is floating around too. You guys may wanna dig that up and add it to your database.

Gary reply Replies: 0 || 2007-02-04 00:00:00
Just beautiful. Eloi - With the children's choir - so majestic!

Darkness reply Replies: 0 || 2006-12-28 00:00:00
it´s true klaus badelt is much much much better than zimmer ! no hans zimmer score is so good as Time Machine or The Promise!

einstain reply Replies: 0 || 2006-10-09 00:00:00
very good

O´Maly reply Replies: 0 || 2006-09-04 00:00:00
One of the best scores ever!

Klaus you´re great!

Only The Promise is better!

Mayer Barouh reply Replies: 0 || 2006-01-06 00:00:00
Désolé, mais l'extrait orchestral, je le trouve d'une banalité affligeante, rebondissant indéfiniment de poncif en poncif.
C'est de la mécanique, bien huile certes, mais...

L'extrait vocal, on peut lui concéder des touches d'originalité certaines, et même une certaine recherche harmonique et contrapuntique, par brefs instants, malheureusement.

Anonymous reply Replies: 0 || 2005-04-24 00:00:00
Mais non, c'est de Harry que Hans parlait pour l'histoire du complexe d'infériorité --)

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