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Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?
Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.Man, i wan that score"Time to Get Out", “Pursuit At...”, “No Interest In...” and “I Never Left” all incorporate the piano motif from “Another Way to Die”. Granted, they are more like cameos than anything really substantial.
Anybody who heard from Steve Mazzaro's website to listen by The Rhythm Section with soundtrack, it's ain't not bad at all.I’m aware about no good about goodbye and yes it’s in various cues. can you tell me where another way to die appears? also check out “talomne” it has you know my name on stringsSeriously, the complete score needs to come out. We NEED those Mazzaro suites on our devices!Just came back from Mazzaro’s website. Why didn’t they include the extended versions of some of the tracks? Not to mention an entirely unreleased track.<br><br>This is the closest we’ll get to having an “original” album by Zimmer and his team. Darn...QoS did attempt to use the theme song in the score, but the theme song they went with changed during production. It was originally going to be "No Good About Goodbye" as sung by Shirley Bassey and written by David Arnold, the composer for QoS. Listen to the song and you can hear it all across the score, such as at 3:30 in Time to Get Out and 0:08 in Talamone. As such, I'd still count QoS as abiding by the rule.
To be fair QoS used the striking piano notes that opened “Another Way to Die” throughout. Very subtle but there wasn’t really a strong melody in that song to begin with &#175;\_(&#12484;)_/&#175;QoS is the only Craig film to not include its theme song in the score thus far. however you know my name appears in it. Though that was strange.:) getting pretty excited for this score after watching some of the clips online!james bond 25 = inception but without Lorne Balfemore of a business-y question but wonder which label will handle Zimmer's score and therefore whether Eilish's theme will be on it...and whether Zimmer actually ended up integrating it into his score the way many Bond fans have been crying out for since the Brosnan days
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity
Label: Varese Sarabande
Length: 55'01
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4984 votes)
  1. Main Titles (4:17)
  2. Bourne Gets Well (1:20)
  3. Treadstone Assassins (2:09)
  4. At The Bank (4:07)
  5. Bourne On Land (1:42)
  6. Escape From Embassy (3:12)
  7. The Drive To Paris (1:29)
  8. The Apartment (3:25)
  9. At The Hairdressers (1:29)
  10. Hotel Regina (2:11)
  11. The Investigation (1:34)
  12. Taxi Ride (3:43)
  13. At The Farmhouse (2:54)
  14. Jason Phones It In (3:04)
  15. On Bridge Number 9 (3:41)
  16. Jason's Theme (2:20)
  17. Mood Build (3:34)
  18. The Bourne Identity (6:00)
  19. Drum And Bass Remix (2:15)
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El Baradei reply Replies: 2 || 2013-09-11 18:39:40
If you listen to Escape from Embassy: this cue was used for many other movies:
Harry Gregson-Williams used it for Man on Fire and Wolverine;
Vangelis for Alexander;
Alberto Iglesias for The Constant Gardener.


Eddard Stark2016-11-08 22:42:17
And the second half of The Apartment is mother of Hans' Time from Inception xD


Frank2016-11-08 22:52:38
No, they're both the heir of Journey to the Line

Adriaan reply Replies: 7 || 2007-09-23 00:00:00
Hey.. no comments? This is the best Bourne Score!
Too bad the music piece under when he faces Wombosi and his child isnt uncluded...!
But a part from that, this is by far the best Score!


Mike2012-12-04 00:27:53
A great score indeed. Too bad the second and third films were so heavily temp tracked. And shame Powell didn't return for no. 4.


Anonymous2012-12-04 05:30:18
There's a detailed explanation on a John Powell fansite that explains that it wasn't temping per se, but a remix by Powell of old cues than cannot be emulated using the already available versions.


Mike2012-12-04 08:24:50
Oh really? Interesting. Even if it were temping, I still love the scores to all three.


Edmund Meinerts2012-12-04 17:31:05
Other than the unfortunate blip on JNH's career also known as The Bourne Legacy (so...boring...), I'd actually say that this is the worst Bourne score. The blend between orchestra, percussion and electronics is a lot more accomplished in Supremacy and Ultimatum, and the action cues have much better structure. Identity does, as Peter down there said, feel more like a box of demo ideas rather than a complete score. The best track is the Main Titles, and that cue was done better in "The Drop" from Supremacy.

As for the temping issue, well, I do have a complete version of Ultimatum that contains no temping and is almost two hours long, probably representing what Powell originally wrote for the film before the temp cues were inserted. So I wouldn't lay the blame at his feet!


Mike2012-12-04 18:00:35
Interesting again. And yes, this score did have a sort of "awkward" sound with all the different styles meshing together. Though I disagree about the Main Titles vs. The Drop. Not exactly sure why, but I like Main Titles better.


Ds2012-12-04 20:48:04
Agree with Edmund Meinerts on this, the 2nd & 3rd are much better. Especially the 2nd, it's more structured imo.


Mikel SiW (a fan from Spain)2012-12-05 12:43:57
I love this Musical Trilogy !

Ruthlessgravity reply Replies: 0 || 2008-12-13 00:00:00
Yeah, obviously the Bourne soundtracks have plenty of missing cues. Sadly there is yet to see a bootleg of expanded score or even a release of the retail version of a complete score.

There was an expanded score of this one but it was fake and it had to much loud SFX to even be called an expanded score.

Peter reply Replies: 0 || 2008-07-09 00:00:00
The best bourne score is The bourne ultimatum-masterpiece-and this one...well..i'm calling this cd ' box with ideas'-some of themes who will help powell in the future build two great action-scores

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The Bourne Identity soundtrack - John Powell 2002