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A masterpiece!!!!Much better from Live in Prague. Sherlock Holmes fantasy and Mission Impossible 2 is truly Fantastic!!! There is any chance for Blue-ray???Final trailer is out, looks GREAT.  The shuttle spinning reminds me of Interstellar/docking/NTFC.  Trailer music is by Audiomachine.<br><br>https://youtu.be/azvR__GRQicWell, it is...<br><br>I'm listening to the complete score right now, and that's exactly the track you were talking about. Unless you mean the second time Alfred and Bruce do this, in which case that's "Back to Batcave".Well, it isn't..Truth or Dare additional credits:<br><br>I DON'T WANT TO PLAY<br><br>Matthew Margeson, Daniel James<br><br>SPRING BREAK PACKING<br><br>Matthew Margeson, Jason Soudah<br><br>THE GAME<br><br>Matthew Margeson<br><br>FOLLOW THE RULES<br><br>Matthew Margeson<br><br>BREAK OLIVIA'S HAND<br><br>Matthew Margeson, Daniel James<br><br>MARKIE'S DAD<br><br>Matthew Margeson<br><br>TYSON'S INTERVIEW<br><br>Matthew Margeson, Andrew Kawczynski, Daniel James<br><br>ROOFTOP TRUTH OR DARE<br><br>Matthew Margeson<br><br>INTRUDER<br><br>Matthew Margeson, Daniel James<br><br>OLIVIA AND LUCAS<br><br>Matthew Margeson<br><br>INEZ<br><br>Matthew Margeson<br><br>OLIVIA'S SECRET<br><br>Matthew Margeson<br><br>RETURN TO MISSION<br><br>Matthew Margeson<br><br>THE GAME WILL NEVER END<br><br>Matthew Margeson<br><br>Credits taken from GEMA
years agoWhen did this album come out?MOVIE CREDITS:<br><br>Music Composed And Conducted By<br>HARRY GREGSON - WILLIAMS<br><br>Additional Music By<br>STEPHANIE ECONOMOU<br><br>Music Edited By<br>BYFAR MUSIC, INC.<br><br>Orchestrated By<br>ALISTAIR KING<br><br>Score Recorded At<br>ABBEY ROAD STUDIOS<br><br>Score Recorded & Mixed By<br>PETER COBBIN<br><br>Record & Mix Editorial<br>KIRSTY WHALLEY<br><br>Score Mixed At<br>SWEET THUNDER STUDIO<br><br>Assistant Engineers<br>JOHN BARRETT<br>STEFANO CIVETTA<br><br>Assistant Music Editor<br>PAUL THOMASON<br><br>Digital Score Recordist<br>PAUL THOMASON<br><br>Score Production Supervisor<br>MONICA ZIERHUT<br><br>Music Preparation By<br>JILL STREATER<br><br>Orchestra Contractor<br>JENNY NENDICK<br>For<br>ISOBEL GRIFFITHS, LTD.<br><br>Choir & Whistlers<br>APOLLO VOICES<br><br>Acoustic Guitar & Ukulele<br>VIVIAN MILANOVA<br><br>Ethnic Flutes<br>CHARLES ADELPHIA<br><br>Bass<br>FRANCISCO OJEDA<br><br>Drum Programmer<br>SATNAM RAMGOTRA<br>Honestly I am more annoyed that the soundtracks still put in endcredit songs despite them being the easiest to rip.Season 8 OST better have Jennys Song
That track is "Risen From Darkness" off the complete score.the zimmer info available on this site is always fun to read. thanks to hybrid and the rest for providing a fun place to discuss and review. if any fellow fans are interested in a run through of my entire physical Hans collection, check this out :)<br><br>https://www.youtube.com/watch?v=WsSQ6ohbFc8<br><br>I love it! <br>The Penguin March is perfect for Penguin based music!Hello, does anyone know the name of the song played during scene in which Alfred and Bruce discuss rumors about bane in the batcave? Thanks in advancetread carefully hybrid might ban you for posting credits here lmao
The only credit that I've found for Stephanie on this one is Shark Cage. It's literally the only cue with her name on it on both BMI and GEMA.Some Stephanie credits from GEMA:<br>BLOOD STAIN<br>CAR WRECK<br>CHICKEN COOP<br>EVA AND SANDO ARGUE<br>FIRST WAVES<br>LOONIE'S ACCIDENT<br>OLD SMOKEY<br>He said a few days ago on twitter that he was still working on it. What is making it take this long, I have no idea.Maybe he's just busy working on other scores at the moment. You're better off just waiting for the sessions to leak at this point.Rabin has been touring with Jon Anderson and Rick Wakeman the last couple of years.
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity
Label: Varese Sarabande
Length: 55'01
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4735 votes)
  1. Main Titles (4:17)
  2. Bourne Gets Well (1:20)
  3. Treadstone Assassins (2:09)
  4. At The Bank (4:07)
  5. Bourne On Land (1:42)
  6. Escape From Embassy (3:12)
  7. The Drive To Paris (1:29)
  8. The Apartment (3:25)
  9. At The Hairdressers (1:29)
  10. Hotel Regina (2:11)
  11. The Investigation (1:34)
  12. Taxi Ride (3:43)
  13. At The Farmhouse (2:54)
  14. Jason Phones It In (3:04)
  15. On Bridge Number 9 (3:41)
  16. Jason's Theme (2:20)
  17. Mood Build (3:34)
  18. The Bourne Identity (6:00)
  19. Drum And Bass Remix (2:15)
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El Baradei reply Replies: 2 || 2013-09-11 18:39:40
If you listen to Escape from Embassy: this cue was used for many other movies:
Harry Gregson-Williams used it for Man on Fire and Wolverine;
Vangelis for Alexander;
Alberto Iglesias for The Constant Gardener.


Eddard Stark2016-11-08 22:42:17
And the second half of The Apartment is mother of Hans' Time from Inception xD


Frank2016-11-08 22:52:38
No, they're both the heir of Journey to the Line

Adriaan reply Replies: 7 || 2007-09-23 00:00:00
Hey.. no comments? This is the best Bourne Score!
Too bad the music piece under when he faces Wombosi and his child isnt uncluded...!
But a part from that, this is by far the best Score!


Mike2012-12-04 00:27:53
A great score indeed. Too bad the second and third films were so heavily temp tracked. And shame Powell didn't return for no. 4.


Anonymous2012-12-04 05:30:18
There's a detailed explanation on a John Powell fansite that explains that it wasn't temping per se, but a remix by Powell of old cues than cannot be emulated using the already available versions.


Mike2012-12-04 08:24:50
Oh really? Interesting. Even if it were temping, I still love the scores to all three.


Edmund Meinerts2012-12-04 17:31:05
Other than the unfortunate blip on JNH's career also known as The Bourne Legacy (so...boring...), I'd actually say that this is the worst Bourne score. The blend between orchestra, percussion and electronics is a lot more accomplished in Supremacy and Ultimatum, and the action cues have much better structure. Identity does, as Peter down there said, feel more like a box of demo ideas rather than a complete score. The best track is the Main Titles, and that cue was done better in "The Drop" from Supremacy.

As for the temping issue, well, I do have a complete version of Ultimatum that contains no temping and is almost two hours long, probably representing what Powell originally wrote for the film before the temp cues were inserted. So I wouldn't lay the blame at his feet!


Mike2012-12-04 18:00:35
Interesting again. And yes, this score did have a sort of "awkward" sound with all the different styles meshing together. Though I disagree about the Main Titles vs. The Drop. Not exactly sure why, but I like Main Titles better.


Ds2012-12-04 20:48:04
Agree with Edmund Meinerts on this, the 2nd & 3rd are much better. Especially the 2nd, it's more structured imo.


Mikel SiW (a fan from Spain)2012-12-05 12:43:57
I love this Musical Trilogy !

Ruthlessgravity reply Replies: 0 || 2008-12-13 00:00:00
Yeah, obviously the Bourne soundtracks have plenty of missing cues. Sadly there is yet to see a bootleg of expanded score or even a release of the retail version of a complete score.

There was an expanded score of this one but it was fake and it had to much loud SFX to even be called an expanded score.

Peter reply Replies: 0 || 2008-07-09 00:00:00
The best bourne score is The bourne ultimatum-masterpiece-and this one...well..i'm calling this cd ' box with ideas'-some of themes who will help powell in the future build two great action-scores

 HANS-ZIMMER.com 2001-2018 OST 
The Bourne Identity soundtrack - John Powell 2002