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@Novi No need to apologize, at the end of the day we all want to see these recording sessions leak. In the past year alone we already got TASM2 and Rush. Itíll definitely come :-)You're completely right. Sorry if I came off kinda idiotic. My love for music got the best of me. I was patient with the Man of Steel complete score, but I was just overly excited for this one. I gotta have more patienceNo idea, the documentary hasn't been released yet (only on a festival).Sorry! By the way will Hans release believe documentary soundtrack?Can't you click ?
When this will be released?Timekeeper/Universe of Energy by Bruce Broughton. Being theme park scores though a release is incredibly difficult.And what 90's scores are those?PS: the assumption that everything is Balfe is subjective. In the same way that you drew the conclusion that he is the composer of everything and the credit of RGW is doubtful, I could also say that Balfe did nothing and RGW did everything. Or that no one has done anything and almost everything<br>in the score is the result of the work of these additional composers.<br>The credits do not elucidate anything in this case.This is one of those scores in which all composers receive credit for all cues even though they have not composed each note of music. This happens all the time in rcp (Kung Fu Panda, Batman v Superman, Megamind, BossBaby, Batman Begins, The Dark Knight).
This is good piece but i can not for download?We watched the film last night and is a good solid movie with great action but a big score from Balfe .there seems to be much more thematic material in the film than was is on the soundtrack .agreat start to the year for scoresLook, Iím passionate about music as well. And yes, seeing this leak would make me happy. But I also know that there are better things to use your energy on. Wishing for this score to leak, or asking anyone who has it to leak it is a waste of time. Itís going to come out when it comes out, be it tomorrow or a year from now. Hell, there are two of my favorite scores from the 90ís I grew up with that still have seen no release at all. I donít spend my time worrying about them though, when they come they come.<br><br>And as for music having no value, I probably shouldnít have phrased it like that. I was mainly referring to people who hold on to these sessions and think they somehow increase with age. Itís not wine for Godís sakes. I do apologize for making it sound like music has no point or effect on people. I just think there are more important things to stress over.I can see why, but the fact that it's mostly a combo of Pirates of the Caribbean, Batman Begins, other Bay/Zimmer projects and King Arthur also weakens is a bit for me. TF5 has a few influences too but the score feels much more unique to me.Novi - I'm sure at some point youll find this on youtube or something...But why so interested in THIS score? It's really not that great at all, by comparison. Junkie channels Mad Max while Zimmer tries too hard to not redo his Dark Knight themes...
New score by Rupert Gregson-Williams from the series The Alienist will be release next week.For me TF1 is on top by a considerable margin.I mean, Tony Clarke and Evan Jolly are on practically every single cue as well. My gut feeling is that these aren't fully accurate credits yet.Yep I mean believe documentaryYeah, film scores are my passion. That's why I want this score so bad. I seriously would pay for this score. See it as begging, frankly I don't care what you see it as. Zimmer changed my life through music. It's my passion. This score means something. Music is value.
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity
Label: Varese Sarabande
Length: 55'01
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4198 votes)
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  1. Main Titles (4:17)
  2. Bourne Gets Well (1:20)
  3. Treadstone Assassins (2:09)
  4. At The Bank (4:07)
  5. Bourne On Land (1:42)
  6. Escape From Embassy (3:12)
  7. The Drive To Paris (1:29)
  8. The Apartment (3:25)
  9. At The Hairdressers (1:29)
  10. Hotel Regina (2:11)
  11. The Investigation (1:34)
  12. Taxi Ride (3:43)
  13. At The Farmhouse (2:54)
  14. Jason Phones It In (3:04)
  15. On Bridge Number 9 (3:41)
  16. Jason's Theme (2:20)
  17. Mood Build (3:34)
  18. The Bourne Identity (6:00)
  19. Drum And Bass Remix (2:15)
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El Baradei reply Replies: 2 || 2013-09-11 18:39:40
If you listen to Escape from Embassy: this cue was used for many other movies:
Harry Gregson-Williams used it for Man on Fire and Wolverine;
Vangelis for Alexander;
Alberto Iglesias for The Constant Gardener.


Eddard Stark2016-11-08 22:42:17
And the second half of The Apartment is mother of Hans' Time from Inception xD


Frank2016-11-08 22:52:38
No, they're both the heir of Journey to the Line

Adriaan reply Replies: 7 || 2007-09-23 00:00:00
Hey.. no comments? This is the best Bourne Score!
Too bad the music piece under when he faces Wombosi and his child isnt uncluded...!
But a part from that, this is by far the best Score!


Mike2012-12-04 00:27:53
A great score indeed. Too bad the second and third films were so heavily temp tracked. And shame Powell didn't return for no. 4.


Anonymous2012-12-04 05:30:18
There's a detailed explanation on a John Powell fansite that explains that it wasn't temping per se, but a remix by Powell of old cues than cannot be emulated using the already available versions.


Mike2012-12-04 08:24:50
Oh really? Interesting. Even if it were temping, I still love the scores to all three.


Edmund Meinerts2012-12-04 17:31:05
Other than the unfortunate blip on JNH's career also known as The Bourne Legacy (so...boring...), I'd actually say that this is the worst Bourne score. The blend between orchestra, percussion and electronics is a lot more accomplished in Supremacy and Ultimatum, and the action cues have much better structure. Identity does, as Peter down there said, feel more like a box of demo ideas rather than a complete score. The best track is the Main Titles, and that cue was done better in "The Drop" from Supremacy.

As for the temping issue, well, I do have a complete version of Ultimatum that contains no temping and is almost two hours long, probably representing what Powell originally wrote for the film before the temp cues were inserted. So I wouldn't lay the blame at his feet!


Mike2012-12-04 18:00:35
Interesting again. And yes, this score did have a sort of "awkward" sound with all the different styles meshing together. Though I disagree about the Main Titles vs. The Drop. Not exactly sure why, but I like Main Titles better.


Ds2012-12-04 20:48:04
Agree with Edmund Meinerts on this, the 2nd & 3rd are much better. Especially the 2nd, it's more structured imo.


Mikel SiW (a fan from Spain)2012-12-05 12:43:57
I love this Musical Trilogy !

Ruthlessgravity reply Replies: 0 || 2008-12-13 00:00:00
Yeah, obviously the Bourne soundtracks have plenty of missing cues. Sadly there is yet to see a bootleg of expanded score or even a release of the retail version of a complete score.

There was an expanded score of this one but it was fake and it had to much loud SFX to even be called an expanded score.

Peter reply Replies: 0 || 2008-07-09 00:00:00
The best bourne score is The bourne ultimatum-masterpiece-and this one...well..i'm calling this cd ' box with ideas'-some of themes who will help powell in the future build two great action-scores

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The Bourne Identity soundtrack - John Powell 2002