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Total time is 49'36", with exactly 46'34" of score. What i like is that the tracks are all pretty long, instead of the very short tracks of Pirates 4 or Rango.Only cover version made by yourself. Thanks!The last tracks look good, but 11 tracks seems to little.<br>Track lengths are satisfying :) i expect something very epic in "Finale" and "Home" :)Yes, it's the official tracklist
Mr Hybrid, is this the correct tracklist??Tracklist is out!<br>1. Never Take Off the Mask (1:08)<br>2. Absurdity (4:58)<br>3. Silver (4:00)<br>4. Ride (4:17)<br>5. You’ve Looked Better (3:09)<br>6. Red’s Theater of the Absurd – Pokey LaFarge and the South City Three (3:02)<br>7. The Railroad Waits for No One (3:09)<br>8. You’re Just a Man in a Mask (4:14)<br>9. For God and for Country (4:53)<br>10. Finale (9:51)<br>11. Home (6:55)Sounds more like a mix between both Rango and Sherlock Holmes, to be honest....The person who gave it to you probably left it off, on purpose.The first thing I noticed is how much better the orchestra sounded in this video than it did in the final mix of the soundtrack. What a shame.
i have this, it's incredible awesome. But qhere can i find Starwather unused, Health club álbum versión and morning star unused?Hybrid, your reaction, please. :P8 additional composers! Busy score!I do. He had quite a hand in POTC and Rango. I doubt this will be different.Who wants to bet Zanelli composed some subthemes and arranged most of the cues? :P
I got the deluxe version via iTunes and didn't really notice it. The only time I experienced that was in "This is Clark Kent". The main part was a little too quiet, then the end was mega-loud.I bought the two-disc, limited edition version of the soundtrack and it seems the volume leveling is quite low. I have to turn up the volume quite high to hear the full score.  Has anyone experienced this or could this be a coding issue on my copy?  I have not yet listened to it with headphones, only in my car at this time. Thanks.The Rango suite is intensely enjoyable, in my opinion.Indeed, there is a "previous Verbinski" vibe to it. I'm looking forward to this score. I just wish we knew more about it!Epic track!!!!!! Hans Zimmer!! God!!
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Composer - Musician : GuitarAdditional MusicOrchestratorOrchestrator
John PowellJames McKee SmithBruce FowlerSuzette Moriarty
ComposerAdditional MusicOrchestratorOrchestrator
The Bourne Identity
Label: Varčse Sarabande
Length: 55'01
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (715 votes)
  1. Main Titles (4:17)
  2. Bourne Gets Well (1:20)
  3. Treadstone Assassins (2:09)
  4. At The Bank (4:07)
  5. Bourne On Land (1:42)
  6. Escape From Embassy (3:12)
  7. The Drive To Paris (1:29)
  8. The Apartment (3:25)
  9. At The Hairdressers (1:29)
  10. Hotel Regina (2:11)
  11. The Investigation (1:34)
  12. Taxi Ride (3:43)
  13. At The Farmhouse (2:54)
  14. Jason Phones It In (3:04)
  15. On Bridge Number 9 (3:41)
  16. Jason's Theme (2:20)
  17. Mood Build (3:34)
  18. The Bourne Identity (6:00)
  19. Drum And Bass Remix (2:15)
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Adriaan reply Replies: 7 || 2007-09-23 00:00:00
Hey.. no comments? This is the best Bourne Score!
Too bad the music piece under when he faces Wombosi and his child isnt uncluded...!
But a part from that, this is by far the best Score!


Mike2012-12-04 00:27:53
A great score indeed. Too bad the second and third films were so heavily temp tracked. And shame Powell didn't return for no. 4.


Anonymous2012-12-04 05:30:18
There's a detailed explanation on a John Powell fansite that explains that it wasn't temping per se, but a remix by Powell of old cues than cannot be emulated using the already available versions.


Mike2012-12-04 08:24:50
Oh really? Interesting. Even if it were temping, I still love the scores to all three.


Edmund Meinerts2012-12-04 17:31:05
Other than the unfortunate blip on JNH's career also known as The Bourne Legacy (so...boring...), I'd actually say that this is the worst Bourne score. The blend between orchestra, percussion and electronics is a lot more accomplished in Supremacy and Ultimatum, and the action cues have much better structure. Identity does, as Peter down there said, feel more like a box of demo ideas rather than a complete score. The best track is the Main Titles, and that cue was done better in "The Drop" from Supremacy.

As for the temping issue, well, I do have a complete version of Ultimatum that contains no temping and is almost two hours long, probably representing what Powell originally wrote for the film before the temp cues were inserted. So I wouldn't lay the blame at his feet!


Mike2012-12-04 18:00:35
Interesting again. And yes, this score did have a sort of "awkward" sound with all the different styles meshing together. Though I disagree about the Main Titles vs. The Drop. Not exactly sure why, but I like Main Titles better.


Ds2012-12-04 20:48:04
Agree with Edmund Meinerts on this, the 2nd & 3rd are much better. Especially the 2nd, it's more structured imo.


Mikel SiW (a fan from Spain)2012-12-05 12:43:57
I love this Musical Trilogy !

Ruthlessgravity reply Replies: 0 || 2008-12-13 00:00:00
Yeah, obviously the Bourne soundtracks have plenty of missing cues. Sadly there is yet to see a bootleg of expanded score or even a release of the retail version of a complete score.

There was an expanded score of this one but it was fake and it had to much loud SFX to even be called an expanded score.

Peter reply Replies: 0 || 2008-07-09 00:00:00
The best bourne score is The bourne ultimatum-masterpiece-and this one...well..i'm calling this cd ' box with ideas'-some of themes who will help powell in the future build two great action-scores

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The Bourne Identity soundtrack - John Powell 2002