NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
@Scorefan: You know what "Motion" means right? Motion picture = moving picture = movie. U either call it "Original Movie Score" or "Original Score from the Movie" or u call it "Original Motion Picture Score". But u can't say "Movie Picture" lol. Its just wrong or like Macejko said.. "a retarded mistake" ;-)@Maho: Dude I know why its stated "Score", but thats NOT the issue. What I'm talking about here is "Movie" which should be called "Motion".If you are interested, here is an interview with Otomo https://www.japantimes.co.jp /culture/2004/07/14/ films/film-reviews /the-master-behind-the-otaku/#.Xiix-P4zbctI like to make you in positive way aware of that "Time" has been blended with Charlie Chaplin's message to humanity (The Great Dictator) and thoughful added images in a video on youtube. If it is blocked due to disturbing pictures, please use a proxy to see it.But there is still a chances. Steve was suggested to Otomo by music supervisor Keiichi Momose and in an interview Katsuhiro mention that he really liked Jablonsky's work on Steamboy.<br><br>So, we may hope that Keiichi Momose will work on Orbital Era or Otomo rememberes Steve's music for Steamboy. Time will tell.
To be honest it's just my thoughts. But what are the chances that Otomo will choose Steve for his new work after really long brake (almost 15 years)?I would love for another animated score from Steve. Why is it almost impossible for him to score for Katsuhiro Otomo out of curiosity?I just saw this, EXTREMELY HAPPY!!!! he's so dope and talented apparently he's already done a few tracks cause the actor lewis tan sais he liked what he already heard.He is scoring to Mortal Kombat reboot movie, I saw that news from film music reporter, but mortal Kombat 1995 score was my favorite score.@Evenstar Original Movie Picture Score? lul. Usually it's called Motion Picture but ok.<br><br>No not always. I have a lot of scores where it is on the front of the booklet. Especially when an album with songs was released. So that the laypersons don't get confused, but still always manage not to look through, you can see on Amazon.
Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!<br>======================<br><br><br>I agree about the first two scores. They're very different but equally as good. I know that some people are critical of the BB2 score (because it basically ignores the BB1 sound) but I love it. I think Rabin and Jablonsky did an amazing job.<br><br>As for Lorne' score.....I have to disagree. I think it's great. Granted, my opinion is based only on what I heard in the movie (haven't heard the entire album) but I really like what he did. Clearly it was done with love. I mean, the Bad Boys 1 score is one of the reasons why Lorne became a film composer. So the BB3 score wasn't a "rush job". He clearly put an effort to it. I'm looking forward to the entire album.Comes out this Friday :)Still hope that Katsuhiro Otomo will reunites with Steve for his new anime, even if it's almost impossible.Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!!When does this come out? I can't find it anywhere online. And if it has already come out, does anyone know where it's available?
Just saw the trailer...Ö<br><br>Not exactly an epic movie but I'm still quite excited for Steve's music. Deepwater Horizon contained some pretty cool cues so I'm definitely in for another Berg/Jablonsky collaboration.Iím assuming the first track is the end credits sequence? Lorne confirmed the end credits are included... and they are awesome.The score is getting release by Paramount Music, in other words, digital and same day as the movie opens (31th January)Any news on if we get an album for The Rhythm Section?I wish to see you in concert in Poland it is so close to Germany and i think that you have many fans heere :)
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Harry Gregson-WilliamsAlan MeyersonMarc StreitenfeldJustin Burnett
ComposerMusic Scoring MixerMusic EditorMusic Programmer
Phone Booth
Label: Trauma
Length: 41'16
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4508 votes)
  1. First Call (1:25)
  2. Trapped (3:40)
  3. NYPD (4:28)
  4. The Rifle (2:04)
  5. Confession (2:45)
  6. Times Square (2:04)
  7. Stu's Secret (2:42)
  8. Publicist Talk (0:51)
  9. Last Booth In NYC (3:35)
  10. It's Me You Want (1:38)
  11. Center Of Attention (5:28)
  12. Telephone Users (1:20)
  13. Is He Coming Out? (2:15)
  14. Phone Vs. Gun (2:38)
  15. Just Say The Word (1:30)
  16. It Could Be Anyone (2:53)
Create Topic

Bayhem reply Replies: 0 || 2018-06-28 12:25:42
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )

Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.

Rgravity reply Replies: 0 || 2008-05-06 00:00:00
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.

Demetris Christodoulides

* * *

 HANS-ZIMMER.com© 2001-2018 OST 
Phone Booth soundtrack - Harry Gregson-Williams 2002