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cool coverNo clue where that bomb ass album cover came from, but totally replacing it in my library.This is promising! I'm keeping my fingers crossed and praying to the score gods at Disney that this is going to finally get released, but I'm also preparing for the possibility that I'll have to wait a year or two for the complete score to leak.Please come to brazil!Nothing Lorne Balfe! Fucking Shit Site!
come one McNulty or any of you who has this, let's enjoy this togetherHybrid, create page for complete score of that filmGod, please, Skyscraper is more listenable than Hurricane Heist, don't dare to compare with that 'thing'Saw the movie but never listened to the score, is it worth listening to?  <br>=========================<br><br><br>I think it's worth it, yes. There are some powerful, "pure Jablonsky" tracks. Can't say that the entire score is exceptional, but it's certainly better and more layered than, say, The Hurricane Heist (no offence to Lorne).<br>@anonymous it appears in the track "vanishing point" but there's a better unreleased version of it when William was confessing to his wife
well hybrid, if you ever happen to know who did what, add it here please :D I would really be thankful for it!!If Steffen & Max did anything, it's arrange Lorne's cues...Personally, I donīt think that Aruj and Thum got a chance (or time) to write anything for this film, but I may be wrong... who knowsIn which tracks does William's sad theme appear?Alright, these are my speculations on the credits for this version, mixed with what we already know about it from Soundclouds/websites/etc.<br><br>What we know:<br>Luke Richards - Today We Hunt, Running Out Of Tomorrows, Ospreys<br>Lorne Balfe - Battlefield<br><br>Gary Dworetsky - Final 50 seconds of Calling All Autobots<br><br>My personal speculation:<br>David Fleming - Drone Chase, Dive<br><br>Gary Dworetsky - History of Transformers<br><br>Max Aruj & Steffen Thum - Vivian Follows Merlin, Claim The Staff<br><br>I have no sources to back this up, these are just my guesses based on what I feel these composers' styles are.
I watched the movie yesterday. Unfortunately,the songs are in Portuguese here, in Brazil (even "Spirit"! ). But Hans' work is still amazing, intense, he's stolen the show again!Saw the movie but never listened to the score, is it worth listening to?This complete album sound like Lit!! I like to hear about this album in one day soon.I just hope they bring back William's sad theme and other variations of Dolores's theme which were unreleased in season 2It is, actually, completely in correct order. There's just 5 theme suites  here & there.
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Harry Gregson-WilliamsAlan MeyersonMarc StreitenfeldJustin Burnett
ComposerMusic Scoring MixerMusic EditorMusic Programmer
Phone Booth
Label: Trauma
Length: 41'16
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4262 votes)
  1. First Call (1:25)
  2. Trapped (3:40)
  3. NYPD (4:28)
  4. The Rifle (2:04)
  5. Confession (2:45)
  6. Times Square (2:04)
  7. Stu's Secret (2:42)
  8. Publicist Talk (0:51)
  9. Last Booth In NYC (3:35)
  10. It's Me You Want (1:38)
  11. Center Of Attention (5:28)
  12. Telephone Users (1:20)
  13. Is He Coming Out? (2:15)
  14. Phone Vs. Gun (2:38)
  15. Just Say The Word (1:30)
  16. It Could Be Anyone (2:53)
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Bayhem reply Replies: 0 || 2018-06-28 12:25:42
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )

Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.

Rgravity reply Replies: 0 || 2008-05-06 00:00:00
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.

Demetris Christodoulides

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Phone Booth soundtrack - Harry Gregson-Williams 2002