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on itunes is just the normal oneI just found the normal score album on itunes. In which store is the expanded album or part of it?Part of the album is on apple music for the first timeIts on itunesHas anyone actually heard the vinyl yet? Hoping someone eventually rips it.
“natural tendency to put light on the role of others” hahahah...I'm sure he felt very foolish two years ago.Ask Hybrid@pegasus yes, 10 years later :-)Tom Holkenborg and David Buckley ?
Also Heitor Pereira, Guillaume Roussel, John Powell, Steve Jablonsky, HGW, Atli Örvarsson no ?Neely is no longer with HansTrevor said in a recent interview, that he scored Renny Harlins new movie The Misfits. Im really looking forward to this movie and score. Loved every Harlin/Rabin collaboration so far.Need some page for the new "Greyhound" film scored by Blakeu ask "is it from the sessions?" and you know thats rips whith sfx? :D hahah. made my day
I think we were all clear that both Snyder and Tom intended to use material from Hans. I don’t think he’s writing new music, but I do think Tom will use a lot of Hans.Is it true that Hans Zimmer is working on the Snyder Cut? That would be spectacular!Lol it’s probably low quality rips from the filmwhaaat? the complete score?? where??where did you find it? what is it called on youtube?
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Harry Gregson-WilliamsAlan MeyersonMarc StreitenfeldJustin Burnett
ComposerMusic Scoring MixerMusic EditorMusic Programmer
Phone Booth
Label: Trauma
Length: 41'16
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4780 votes)
  1. First Call (1:25)
  2. Trapped (3:40)
  3. NYPD (4:28)
  4. The Rifle (2:04)
  5. Confession (2:45)
  6. Times Square (2:04)
  7. Stu's Secret (2:42)
  8. Publicist Talk (0:51)
  9. Last Booth In NYC (3:35)
  10. It's Me You Want (1:38)
  11. Center Of Attention (5:28)
  12. Telephone Users (1:20)
  13. Is He Coming Out? (2:15)
  14. Phone Vs. Gun (2:38)
  15. Just Say The Word (1:30)
  16. It Could Be Anyone (2:53)
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NB reply Replies: 0 || 2020-03-24 02:38:21
Still one of my favourite and most nostalgic HG-W scores! And one the first scores I listened to when I was discovering his work, back in the day.
Great atmosphere throughout, and fits the (also great) movie like a glove.

Bayhem reply Replies: 0 || 2018-06-28 12:25:42
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )

Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.

Rgravity reply Replies: 0 || 2008-05-06 00:00:00
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.

Demetris Christodoulides

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Phone Booth soundtrack - Harry Gregson-Williams 2002