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I hear a lot of music throughout the postcad, I imagine from the movie, piano and very orchestral, it promisesseeming score snippets at 6:29, 29:13 and 34:55.in the first episode is nothing about the score :/ mehhThis is a beautiful score by the way. I have feeling this will get lost with NTTD, Dune, and WW84 coming out, but people should give this a listen. The new overture is a nice remix of the main PEII theme. And I "Surfing Dolphins" is yet again a winner.Dave didn't work on it, but a few Blue Planet stuff were used so he gets some sort of credit in the cuesheet for "A Celebration".
Who did Zimmer do this with? Shea and Fleming?May Mr. Zimmer and his team be interested on “extracting” music from the human body for medical purposes?<br>You can reach me at:<br>jcp77452 at um.es<br>ThanksNot only is the album fun as a concept album, it's a surprisingly good score to picture. The themes are really clear for each of the characters and the music really fits the action. Even though the action is kind of corny. Real underrated gem. <br><br>I finally watched the film and even though it's a sort of 5 or 6 out of 10 average/okay movie, it reminded me just how much personality gets injected when Hans Zimmer does the score. He really has a strong voice.Yeah this is a pretty fair assessment.<br><br>While I’ve found myself liking it less and less now that we’re hearing things like ME or Alita from Tom there are still some excellent tracks throughout. <br>(The Dark Tower, Collateral Damage, Guardian, It Will Fall, Roland of Eld)<br><br>My biggest gripe is with the purely sound design cues. They honestly go nowhere and end up padding the album out. What this score needed was a solid villain motif and some more orchestral underscore. It’s like one-half of the score is the more traditional side of Holkenborg whereas the rest falls into his early habit of just making noise.I give it a listen after three years, and i still like it.<br><br>If isn't as good as Mortal Engines or Alita, have a interesting aspects to enjoy: his main theme for Roland, some of the action cues are strong, even the dramatic ones (The Creed or Collateral Damage), some of the sound design are interesting.<br><br>Maybe the weakest aspect of the album, is the middle, some tracks are not that interesting to listen.
woooooow <3From the "No Time to Die" podcast description...<br><br>"You can also be the first to hear exclusive score from Hans Zimmer and brand new recordings from the Royal Philharmonic Orchestra from Bond 25 brought to you from Decca Records."<br><br>First of six episodes is released on Wednesday 30th September!!that would be great@GR7 that sounds really cool care to share?Hi! What's the story with track "Into Space"? They really copy track "Planet Descent" and name it that "Into Space"?
I agree guys. Yhis album and parts of the experiments are vey enjoyable. I tend to listen to OST prriodically, and each year there is one or severall scores that replace what I listen the most, and so on... but Dark phoenix is one I can listen every time. <br>I made personal suites assembling music from the OST and mixing it with expremients, and it results in a 50 min suites album, I really like it.Same for me. I'm so happy ! :DA Celebration? It's actually on youtube now.Got it. I assumed as much for the first 3. Thanks.hahahaha ... crack, sorry. Well so far there is no news of anything. Only the video that one track and one with Dave, but it's a preview.<br>I'm not sure how to get news on this, I really would like to get it hahaha.
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Geoff ZanelliZak McNeil
ComposerAdditional Music
You Should Have Left
Label: Back Lot Music (Digital Download Only)
Length: 36'05
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (408 votes)
  1. Unreliable Geometries (3:19)
    Geoff Zanelli
  2. Ceremonial (2:10)
    Geoff Zanelli
  3. There Is Nothing Wrong With The Thoughts You Have (2:30)
    Geoff Zanelli
  4. Old Man, Sunblock! (1:41)
    Geoff Zanelli, Zak McNeil
  5. Welcome Home (1:07)
    Geoff Zanelli
  6. Did Daddy Kill Her? (2:28)
    Geoff Zanelli
  7. You Know What Is Really Happening (1:10)
    Geoff Zanelli, Zak McNeil
  8. OK With Me (1:09)
    Geoff Zanelli, Zak McNeil
  9. You Look Lost (1:24)
    Geoff Zanelli
  10. Drive Safe, Sweetie! (2:53)
    Geoff Zanelli, Zak McNeil
  11. Looks Like A Wall To Me (4:14)
    Geoff Zanelli
  12. Road Into Town (2:22)
    Geoff Zanelli, Zak McNeil
  13. Do You Still Love Mommy? (1:23)
    Geoff Zanelli
  14. You Can't Run Away From A Shadow (4:05)
    Geoff Zanelli, Zak McNeil
  15. I Belong Here (4:10)
    Geoff Zanelli
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Jack Afrogarrix reply Replies: 0 || 2020-06-22 14:23:43
Booklet Credits:

Music Composed and Produced by Geoff Zanelli
Additional Music and Arrangements By Zak McNeil
Technical Score Engineer By Nicolas Salinardi
Technical Music Assistant By Charles Sicouri
Music Coordination By Encompass Music Partners
Music Recorded By Geoff Zanelli & Shane Clark
Tagleharpa, Crwth and Bowed Psaltery Performed By Geoff Zanelli
Piano Performed By Hsin-I Huang
Cello Performed By Jacob Braun
Music Mixed By John Witt Chapman
Music Mix Assistant By Jacob Moreno

Knight reply Replies: 0 || 2020-06-19 19:18:16
Album credits: (from Spotify)

Geoff Zanelli, Zak McNeil

OLD MAN, SUNBLOCK!
YOU KNOW WHAT IS REALLY HAPPENING
OK WITH ME
DRIVE SAFE, SWEETIE!
ROAD INTO TOWN
YOU CAN'T RUN AWAY FROM A SHADOW

Hybrid Soldier reply Replies: 1 || 2020-06-18 21:45:36
New Geoff !


Samuel2020-06-19 12:28:55
anyone listened to it yet? What is it like?

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You Should Have Left soundtrack - Geoff Zanelli 2020