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I hear a lot of music throughout the postcad, I imagine from the movie, piano and very orchestral, it promisesseeming score snippets at 6:29, 29:13 and 34:55.in the first episode is nothing about the score :/ mehhThis is a beautiful score by the way. I have feeling this will get lost with NTTD, Dune, and WW84 coming out, but people should give this a listen. The new overture is a nice remix of the main PEII theme. And I "Surfing Dolphins" is yet again a winner.Dave didn't work on it, but a few Blue Planet stuff were used so he gets some sort of credit in the cuesheet for "A Celebration".
Who did Zimmer do this with? Shea and Fleming?May Mr. Zimmer and his team be interested on “extracting” music from the human body for medical purposes?<br>You can reach me at:<br>jcp77452 at um.es<br>ThanksNot only is the album fun as a concept album, it's a surprisingly good score to picture. The themes are really clear for each of the characters and the music really fits the action. Even though the action is kind of corny. Real underrated gem. <br><br>I finally watched the film and even though it's a sort of 5 or 6 out of 10 average/okay movie, it reminded me just how much personality gets injected when Hans Zimmer does the score. He really has a strong voice.Yeah this is a pretty fair assessment.<br><br>While I’ve found myself liking it less and less now that we’re hearing things like ME or Alita from Tom there are still some excellent tracks throughout. <br>(The Dark Tower, Collateral Damage, Guardian, It Will Fall, Roland of Eld)<br><br>My biggest gripe is with the purely sound design cues. They honestly go nowhere and end up padding the album out. What this score needed was a solid villain motif and some more orchestral underscore. It’s like one-half of the score is the more traditional side of Holkenborg whereas the rest falls into his early habit of just making noise.I give it a listen after three years, and i still like it.<br><br>If isn't as good as Mortal Engines or Alita, have a interesting aspects to enjoy: his main theme for Roland, some of the action cues are strong, even the dramatic ones (The Creed or Collateral Damage), some of the sound design are interesting.<br><br>Maybe the weakest aspect of the album, is the middle, some tracks are not that interesting to listen.
woooooow <3From the "No Time to Die" podcast description...<br><br>"You can also be the first to hear exclusive score from Hans Zimmer and brand new recordings from the Royal Philharmonic Orchestra from Bond 25 brought to you from Decca Records."<br><br>First of six episodes is released on Wednesday 30th September!!that would be great@GR7 that sounds really cool care to share?Hi! What's the story with track "Into Space"? They really copy track "Planet Descent" and name it that "Into Space"?
I agree guys. Yhis album and parts of the experiments are vey enjoyable. I tend to listen to OST prriodically, and each year there is one or severall scores that replace what I listen the most, and so on... but Dark phoenix is one I can listen every time. <br>I made personal suites assembling music from the OST and mixing it with expremients, and it results in a 50 min suites album, I really like it.Same for me. I'm so happy ! :DA Celebration? It's actually on youtube now.Got it. I assumed as much for the first 3. Thanks.hahahaha ... crack, sorry. Well so far there is no news of anything. Only the video that one track and one with Dave, but it's a preview.<br>I'm not sure how to get news on this, I really would like to get it hahaha.
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Tom Holkenborg (Junkie XL)
Composer
Scoob!
Label: WaterTower Music
Length: 47'50
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (394 votes)
  1. Scooby-Doo, Where Are You? (1:25)
  2. Sandwich Bonding (1:03)
  3. Scooby's Collar (0:46)
  4. Haunted House (1:53)
  5. First Case Solved (0:47)
  6. Bowling For Robots (3:03)
  7. Air Battle with Dastardly (2:50)
  8. Dick And The Rottens (2:13)
  9. Amusement Park Arrival (1:22)
  10. Dastardly Attacks (0:56)
  11. Hall Of Mirrors (2:38)
  12. Entry Of The Gladiators (1:11)
  13. Gang Escapes (2:53)
  14. Legend Of Cerberus - Muttley's Story (3:13)
  15. Mystery Island Landing (1:05)
  16. Dastardly Surprise (1:28)
  17. Athens Arrival (4:38)
  18. Cerberus Unleashed (3:14)
  19. Blue Falcon (3:45)
  20. Dick Finds Muttley (1:48)
  21. Noble Sacrifice (5:39)
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mpolonest123 reply Replies: 4 || 2020-06-06 02:35:54
If you enjoyed Sonic then you’ll probably enjoy this, even though it is far more hyperactive. The score is such a crazy mashup of Carl Stalling/epic orchestral/60’s funk/industrial trap beats/electronic/etc.

I have to say, while the themes aren’t particularly memorable, the last 5 cues or so feature some great choral writing with good use of some ethnic wind instruments (Duduk?)...


Cynical Makooti2020-06-06 21:52:01
I really hope Junkie takes on more animated/kids films in the future similar to how Zimmer, Balfe, Powell, Mancina, and HGW did. There's a playful liveliness there that RCP really knows how to bring out when they actually give it a shot.

It's still a shame Jablonsky and Badelt never went down that road any further.



MrZimmerFan2020-06-06 22:31:23
Pretty enjoyable score, that's for sure (and another reminder for Tom's haters, why is good), and interesting mix of styles and orchestrations (and conducted by Conrad Pope).


mpolonest123 2020-06-06 23:29:02
It’s funny how from 2015 until now we’ve went from things like Mad Max, Deadpool, and Tomb Raider to this, Sonic, Alita, and Mortal Engines. Definitely a big change for the better as a composer.


Timothy Weeks2020-09-02 05:07:20
I’ve seen the movie. It’s like Hannah-Barbara and MCU both rolled into one.

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Scoob! soundtrack - Tom Holkenborg (Junkie XL) 2020