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well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nope
You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
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Additional Music
Hans ZimmerHeitor PereiraMichael BrookJim Dooley
ComposerAdditional MusicAdditional MusicAdditional Music
Black Hawk Down
Label: Decca Records
Length: 67'01 (Score: 49'32)
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (13397 votes)
  1. Hunger (6:35)
  2. Barra Barra - Rachid Taha (5:47)
  3. Vale Of Plenty (2:27)
  4. Chant (2:33)
  5. Still (4:48)
  6. Mogadishu Blues (2:53)
  7. Synchrotone (8:55)
  8. Bakara (3:12)
  9. Of The Earth (2:19)
  10. Ashes To Ashes (4:43)
  11. Gortoz A Ran - J'Attends - Denez Prigent & Lisa Gerrard (5:51)
  12. Tribal War (2:39)
  13. Leave No Man Behind (6:18)
  14. Minstrel Boy (Film Version) - Joe Strummer & The Mescaleros (5:42)
  15. Still Reprise (2:12)
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Super Six Four reply Replies: 0 || 2017-09-13 12:26:56
My best war movie either,we can't see a movie like this movie nowadays and Hans Zimmer is genious.

Black Hawk Down reply Replies: 0 || 2017-09-13 12:25:49
My best war movie,I'm watching this awesome movie since 2001(release date of Black Hawk Down),the best part of the movie was the whole damn movie&#65279;.
Hans Zimmer make this movie very good.He is the god of composers.I had eargazm aowwww...


Felix reply Replies: 0 || 2017-05-14 00:44:33
Is there any right tracklist from the recording sessions???

Mike reply Replies: 4 || 2014-01-05 22:17:47
Was this score similar to Rush (a band score where everyone writes everything) or is it indeed mostly Zimmer? It's older, and his older scores tend to be more traditional in the crediting area. :P


Marc2014-01-06 02:36:53
Nope, Heitor Pereira & Jeff Rona did write themes here. I see no bands, except the VA songs.


Magnus Rex2014-01-06 04:21:30
You misunderstand what Mike meant; I believe he is at least partly right, some of the music was scored like a jam session, where music was improvised that later became honed into the score. Mike didn't mean actual bands did music for the film.


Mr Tweedy2014-01-06 13:15:59
That's right... They were like a band jamming in the studio. The music was recorded and some of it ended up in the film, usually re-arranged depending on each sequence's needs.
But basically, HZ wrote the main themes (Still, Vale of Plenty, Tribal War, Leave No Man Behind) but it was all played and arranged by the band itself during the jamming sessions or later.
Some cues are credited to other musicians (Pereira for Mogadishu Blues, Rona for Bakara, Wesson for the ambient part from Chant...). "Ashes to Ashes" starts with some kind of improvisation on the electric cello by Martin Tillman, then the band starts to play all together.

There's a lot of unused / additional music that never ended up in the film.


Mike2014-01-06 21:35:10
Thank you, Mr. Tweedy.

Leo reply Replies: 8 || 2013-11-10 01:52:21
I'm really curious as who wrote "Hunger" ;P


Mike2013-11-10 03:30:44
I'm curious who did what in this entire score. I imagine off the bat that Zimmer did "Leave No Man Behind" and "Tribal War", but wasn't this score basically a bunch of jam sessions?


MacArthur2013-11-10 17:35:44
I think hunger is Zimmer isn't it?


Edmund Meinerts2013-11-10 18:02:09
MacArthur, unless you're willing to substantiate that claim, all anyone is going to read is "I HAVE NO CLUE ABOUT ANYTHING" on a post with your name on it.


MacArthur2013-11-10 21:17:21
My question is why wouldn't it be? let's just put it that way.


Edmund Meinerts2013-11-10 21:48:02
There's no reason why it wouldn't be...just like there's no reason why it would. My point is, if you don't have anything more than an "I think," without any reasoning or argument to back it up, then you're contributing jack shit to the discussion. It's like the internet version of talking because you like the sound of your own voice.

When Hybrid says a cue is by a certain composer, we listen because he has access to information we don't have. With you it's just random gut feelings and opinions without any convincing substance behind it whatsoever. Hence, why should we listen to you?


MacArthur2013-11-10 22:01:55
When did Hybrid say that it wasn't Zimmer. I didn't go against what he said If he says it, it's fine with me.

Does it say anything about Hunger being by a different Composer?


Edmund Meinerts2013-11-10 22:25:08
There's four additional music guys up there, so there is absolutely ZERO guarantee that the cue is by Zimmer alone. Similarly, there is ZERO guarantee that the cue ISN'T by Zimmer alone. Until we know more for sure, there is also ZERO point in slinging your "I thinks" around.


MacArthur2013-11-10 23:17:27
Yeah That I know but the guy on top seem to say that Zimmer didn't have a hand in it at all.

That's what baffled me I wasn't trying to throw in my opinion on it.

RECORDING SESSION reply Replies: 5 || 2011-09-23 20:42:05
there is the recordings session out there. is it real?


Anonymous2011-09-23 21:01:11
No, ergo its not the recording sessions.


jack arnold2011-09-24 09:38:41
this is what i mean:

CD 1
01. Somalia 1993 - Hunger Is The Weapon (6:35)
02. Leaving - Ambush (2:42)
03. Barra Barra (Performed By Rachid Taha) (5:47)
04. October 3Rd - Pray (1:22)
05. Preparing To Go To Bakara (2:14)
06. Bakara (3:13)
07. Missing - Synchrotone (9:54)
08. Synchrotone (Alternate) (5:3
09. Militia Is Coming (5:05)
10. Super 61 Down (3:32)
11. Mogadishu Blues (2:53)
12. We Got A Black Hawk Down (7:27)
13. Ashes To Ashes (4:43)
14. He's Dead - Cover Fire (7:06)
15. Night Battle - Cavalry (4:13)
16. Truck Battle Over The Streets Of Mogadishu (7:03)

CD 2
01. Leave No Man Behind (8:05)
02. Wounded - Holding On (7:19)
03. Of The Earth (2:17)
04. Vale Of Plenty (2:27)
05. Chalk Four Advances (0:47)
06. Still (4:46)
07. Chant (1:03)
08. The Rescue (2:39)
09. Cover Fire (4:04)
10. The Convoy Arrives - Rolling Out (3:07)
11. Gortoz A Ran - J'attends (5:51)
12. Tribal War (2:37)
13. Nobody Asks To Be A Hero (10:1
14. Still Reprise (2:12)
15. End Credits (8:34)

CD 3
01. The Weapon - Hunger (Featuring Josh Hartnett) (5:09)
02. After the Crash (Composed by Ilan Eshkeri) (2:40)
03. Holy War (Composed by Heitor Pereira) (0:49)
04. Arrestment (Composed by Heitor Pereira) (3.11)
05. Black Hawk Down Live Demos (5:21)
06. Mogadishu Montage (1:27)
07. Score Montage I (3:04)
08. Score Montage II (3:15)
09. Score Montage III (12:56)
10. Trailer Music (Performed by Moby) (4:24)


So it is not real?


Dawn2011-09-24 09:48:02
Combination of OST, songs used in the movie, music from the DVD bonus and some promotional cues from the musicians of the score... Everything is edited/chopped so that it looks "new", but, it's definitely fanmade.


jack arnold2011-09-24 09:59:17
ah ok, thank you very much dawn for your explanation :)
it's still a nice version.


Mr. Charles2011-11-19 22:45:13
Well then, what are these ones:

h t t p://www.hans-zimmer.com/index.php?rub=disco&id=610&id_news=& page=2

h t t p://www.hans-zimmer.com/index.php?rub=disco&id=519

Poe reply Replies: 2 || 2011-08-03 08:52:48
There's an unreleased track named Leaving - Abduction, does anyone know the source of it? I heard its from DVD audio but I dont rememeber hearing it on the DVD menus??


Lasse2011-08-03 13:30:36
i have heard of both of them. and i have asked the same qustion as you many times on this site whit out reply so...
i could only guess that Leaving is maybe the same soundtrack as Solkdiers back on, but i dont know


Takehiro2011-08-03 19:50:08
Its a fake track, its an edit of Tall King Dub (source) crossfaded with the end of Hunger.

matthew reply Replies: 1 || 2010-08-13 00:00:00
what is the name of the song during the preparations??


Lasse2011-08-03 13:29:13
its Faith No More , Falling to pices ;)

Phil reply Replies: 0 || 2011-07-15 17:23:27
Synchrotone -> love it when it flips over to in second 42 :) amazing turn over

Bluenose reply Replies: 0 || 2011-02-09 00:00:00
Here is the translation...it's Gaelic or Breton

-Gortoz a ran (Denez Prigent & Lisa Gerrard)
I'm waiting
very approximative translation from breton to english !

- Gortozet 'm eus, gortozet pell
I was waiting, waiting for a long time
-skeud te˝val tourio¨ gell
In the dark shadow of grey towers

- E skeud te˝val an tourio¨ glav
In the dark shadow of rain towers
-C'hwi am gwelo ' c'hortoz atav
You will see me waiting forever

- Un deiz a vo ' teuio en-dro
One day it will come back
-Dreist ar morio¨, dreist ar maezio¨
Over the seas, over the lands

- Dreist ar maezio¨, dreist ar morio¨
Over the lands, over the seas
-D'am laerezh war an treujo¨
To steal me on the trunks

- ' Teuio en-dro karget a fru
It will come back full of spray
-E skeud te4val an tourio¨ du
In the dark shadow of the black towers

- ' Teuio en-dro an avel c'hlas
Will come back the blue wind
-Da anala˝ va c'halon c'hloaz't
To breathe my wounded heart

- Kaset e vin diouzh e anal
I will be pulled away by its blow
-Pell gant ar red en ur vro all
Far away by its stream to another land

- Kaset e vin diouzh e alan
I will be pulled away by its breath
-Pell gant ar red, hervez 'deus c'hoant
Far away by its stream, wherever it wants

- Hervez 'deus c'hoant pell eus ar bed
Wherever it wants, far away from this world
-Etre ar mor hag ar stered
Between the sea and the stars

Also, "Breton" is a celtic language:http://en.wikipedia.org/wiki/Breton_language

Kotellius reply Replies: 0 || 2010-05-12 00:00:00
Awesome movie! Great OST!!!

Adrian reply Replies: 0 || 2010-03-10 00:00:00
@Kyle
You mean the electronical violin?

Kyle reply Replies: 0 || 2010-03-09 00:00:00
What is the instrument at the very beginning of the song.. it sounds like a string instrument but i'm not sure

Soldier93 reply Replies: 0 || 2010-01-08 00:00:00
I really love the movie Black Hawk Down.
It's your music that makes the movie itself.
But the scene when Corporal James Edgar Smith Jr.. lies on the stretcher,
Played course, "Leave No Man Behind" Piano version that I can not find anywhere.
But keep up the good work! sorry for my English, I'm from Sweden:)

Enrico reply Replies: 0 || 2010-01-08 00:00:00
I think that the mark 10/10 is too much...I would mark this soundtrack with 8/10...

genaro reply Replies: 0 || 2009-12-22 00:00:00
good discografi

khaled reply Replies: 0 || 2009-07-09 00:00:00
i could notice the rythem beat and tempo is so much close to the sound and timing of a black hawk rotor chopping the air in it's flight. i notice it special in Hunger and synchrotone and sure in Chant.

Chris reply Replies: 0 || 2009-05-26 00:00:00
I first heard hans zimmers work when i watched Black Hawk Down and since then i have been hooked, great work mate hope to hear lots more

Larssa reply Replies: 0 || 2009-03-12 00:00:00
I have a question. i know what J'Attends means but what about "Gortoz A Ran"? what does it mean?

AndrewH reply Replies: 0 || 2009-01-17 00:00:00
The blend of West and Eastern sentiments in the music is extraordinary and sums up the clash between cultures with pinpoint accuracy. It demonstrates that image and music can achieve a power that each on their own cannot reach...a masterpiece!...thanks

afidie reply Replies: 0 || 2008-12-11 00:00:00
awesome!

LokfuehrerAndre reply Replies: 0 || 2008-11-16 00:00:00
can you tell me the language of the song "Gortoz A Ran - J'Attends"

josh G reply Replies: 0 || 2008-10-12 00:00:00
hey for "still reprise" wat is the instrument it sounds like a stringed instrument or a cello but im not sure
if anybody can tell me asap thx

Ruthlessgravity reply Replies: 0 || 2008-07-30 00:00:00
One of the most uncompleted soundtracks ever.

kiarash reply Replies: 0 || 2008-06-30 00:00:00
where can i find an acurate english lyrics for the song (Gortoz A Ran)?

  Your name :   

Please enter number: 182 

bal reply Replies: 0 || 2008-06-10 00:00:00
very nice

Dmytry, Russia reply Replies: 0 || 2008-03-22 00:00:00
┴ţŰŘ°ţň ˝´Ó˝Ŕßţ Ńţ˝´ţńŔÝ Zimmer!!!!

Suicune reply Replies: 0 || 2007-12-05 00:00:00
There is another Recording Sessions 3 CD available:

CD 1:

1. Somalia 1993 / Hunger Is The Weapon
2. Leaving / Ambush
3. Barra Barra (performed by Rachid Taha)
4. October 3rd / Pray
5. Preparing To Go To Bakara
6. Bakara
7. Missing / Synchrotone
8. Synchrotone (Alternate)
9. Militia Is Coming
10. Super 61 Down
11. Mogadishu Blues
12. We Got A Black Hawk Down
13. Ashes to Ashes
14. He's Dead / Cover Fire
15. Night Battle / Cavalry
16. Truck Battle Over The Streets of Mogadishu

CD 2:

1. Leave No Man Behind
2. Wounded / Holding On
3. Of The Earth
4. Vale of Plenty
5. Chalk Four Advances
6. Still
7. Chant
8. The Rescue
9. Cover Fire
10. The Convoy Arrives / Rolling Out
11. Gortoz A Ran - J'Attends
12. Tribal War
13. Nobody Asks To Be A Hero
14. Still Reprise
15. End Credits

CD 3:

1. The Weapon - Hunger (feat. Josh Hartnett)
2. After the Crash (performed by Ilan Eshkeri)
3. Holy War (performed by Heitor Pereira)
4. Arrestment (performed by Heitor Pereira)
5. Black Hawk Down (live demos)
6. Mogadishu Montage
7. Score Montage I
8. Score Montage II
9. Score Montage III
10. Trailer Music (performed by Moby)

The CD contains No-FX

Adam reply Replies: 0 || 2007-11-22 00:00:00
whats the music called at the KIA part of the movie?

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Black Hawk Down soundtrack - Hans Zimmer 2001