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We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.
Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit. <br> <br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie. <br> <br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery. <br> <br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>
Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.
Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.
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Henry JackmanAlex BelcherMaverick DuggerMatthew K. Justmann
ComposerComposerAdditional MusicMusic Production Services
21 Bridges
Label: Sony Classical
Length: 55'34
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (597 votes)
  1. Prelude (3:21)
  2. Radio Chatter (1:44)
  3. Mosto's (1:45)
  4. Cocaine Shootout (3:24)
  5. Speed Cam (1:31)
  6. Aftermath (1:45)
  7. Hawk (2:50)
  8. Chinatown (0:42)
  9. That Leaves Manhattan (2:06)
  10. Meet The Preps (2:13)
  11. Pan Am Club (2:03)
  12. Close The Island (3:04)
  13. Thumb Drives (3:47)
  14. See You In Miami (2:36)
  15. Guys Like Me (3:52)
  16. Bring Him In Alive (1:43)
  17. Hostage (0:58)
  18. Coolhand (2:44)
  19. Foot Chase (4:35)
  20. Grand Central (2:40)
  21. Look The Devil In The Eye (3:14)
  22. Epilogue (2:57)
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Iamtommie44 reply Replies: 2 || 2019-11-14 22:14:33
I like this score!!!

Henry is very good in my opinion. I always liked his scores even when others didn't.

And I'm really excited for Jumanji: The Next Level!!!

Edmund Meinerts2019-11-14 23:20:13
Jackman has always been my favorite of his "generation" of RC composers (in which I also include Balfe, Djawadi, Örvarsson, Margeson and Streitenfeld - the ones who broke out about a decade ago). I think he's the best orchestral writer other than Powell and I always appreciate the clean, organic sound of his scores - like with Powell's scores, Jackman's orchestra always sounds real and clearly distinct from the electronics, unlike Balfe and Zimmer himself who use samples a lot more and blur things in the middle. That's true even of scores of his I don't like, such as Winter Soldier.

I do wish he'd stop stripping the electronics off of tracks for his album releases though. That seems like a strange way to address the criticisms he got for Winter Soldier - kind of missing the point.

Powellfan2019-11-18 22:18:01
Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO.

He's also a very interesting interviewee (that accent always seems to help).

Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?
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21 Bridges soundtrack - Henry Jackman - Alex Belcher 2019