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Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.
Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...
The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.
I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.
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Additional Music - Orchestrator
Mark MancinaDave MetzgerChuck ChoiDon Harper
ComposerAdditional MusicScore ProducerConductor
Training Day (Complete Score)
Label: Promotional Release
Length: 100'00
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4319 votes)
CD1
  1. Welcome To The Jungle (4:41)
  2. Homes, Play With Us (5:39)
  3. Life's A Trip (2:36)
  4. Chase On The Roof - Fight With Alonzo (Alternate) (3:00)
  5. Jake's Fatigue (1:35)
  6. Crackin' Nuts (1:59)
  7. Roger (3:14)
  8. As The World Turned (1:54)
  9. Drive To Smiley (1:19)
  10. Car Surfing (1:02)
  11. Going After Sandman (1:29)
  12. Death Is Certain (Alternate) (1:27)
  13. The Appointment (1:12)
  14. Death Is Certain (1:10)
  15. Training Day (2:41)
  16. A Little Ambush (2:22)
  17. Wolf Against Dogs (3:32)
  18. Wolf Against Dogs (Alternate) (3:20)
  19. End Titles (2:58)
  20. Interrupting A Ditch - Party (1:54)
  21. Alonzo (2:35)
CD2
  1. Alonzo (Reprise) (2:34)
  2. Alonzo (Reprise Alternate) (2:34)
  3. Father & Son (1:20)
  4. The Scenario (5:46)
  5. Green Light (3:26)
  6. Green Light (Alternate) (3:25)
  7. I'm Here For Alonzo (2:48)
  8. Preserve Life (3:43)
  9. This Is The Game (Fill-In) (0:30)
  10. This Is The Game (Conclusion Alternate) (0:31)
  11. This Is The Game (Conclusion) (0:33)
  12. Death Is Certain (Alternate II) (1:22)
  13. Scoring Sessions I (1:42)
  14. Scoring Sessions I (12 Reprise) (0:34)
  15. Scoring Sessions II (1:01)
  16. The Office (0:49)
  17. Smiles & Cries (2:02)
  18. This Is The Game (4:04)
  19. Traffic Jam (Alternate) (0:54)
  20. Money (2:43)
  21. Timeless (0:29)
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Hybrid Soldier reply Replies: 1 || 2007-01-27 00:00:00
CD 1 :

1. Welcome To The Jungle (4:41)
2. Homes, Play With Us (5:39)
3. Life’s A Trip (2:36)
4. Chase On The Roof – Fight With Alonzo (Alternate) (3:00)
5. Jake’s Fatigue (1:35)
6. Crackin’ Nuts (1:59)
7. Roger (3:14)
8. As The World Turned (1:54)
9. Drive To Smiley (1:19)
10. Car Surfing (1:02)
11. Going After Sandman (1:29)
12. Death Is Certain (Alternate) (1:27)
13. The Appointment (1:12)
14. Death Is Certain (1:10)
15. Training Day (2:41)
16. A Little Ambush (2:22)
17. Wolf Against Dogs (3:32)
18. Wolf Against Dogs (Alternate) (3:20)
19. End Titles (2:58)
20. Interrupting A Ditch – Party (1:54)
21. Alonzo (2:35)

CD 2 :
1. Alonzo (Reprise) (2:34)
2. Alonzo (Reprise Alternate) (2:34)
3. Father & Son (1:20)
4. The Scenario (5:46)
5. Green Light (3:26)
6. Green Light (Alternate) (3:25)
7. I’m Here For Alonzo (2:48)
8. Preserve Life (3:43)
9. This Is The Game (Fill-In) (0:30)
10. This Is The Game (Conclusion Alternate) (0:31)
11. This Is The Game (Conclusion) (0:33)
12. Death Is Certain (Alternate II) (1:22)
13. Scoring Sessions I (1:42)
14. Scoring Sessions I (12 Reprise) (0:34)
15. Scoring Sessions II (1:01)
16. The Office (0:49)
17. Smiles & Cries (2:02)
18. This Is The Game (4:04)
19. Traffic Jam (Alternate) (0:54)
20. Money (2:43)
21. Timeless (0:29)


FunnyML2020-11-24 16:55:19
Some original cue titles with slates from a music mixing CD-R:
1M13 Transactions

2M16 Jake Gets Stoned
2M20A Alley
2M21 Rapists Castration

3M24 My Old Division
3M27 Go Fetch Dog
3M30 The Freeway
3M32 Alonzo Steals Money
3M33 Into The Jungle

4M41 Safety Is First / Busting Into Rogers

5M46 Helicopter
5M48 Sunset / Wet Streets
5M51 Jake Gets Beaten
5M52 Smiley Calls His Cousin

6M57 On The Roof
6M58 Jake Lands On Car

7M61 Alonzo Dies
7M63 Sun Shot

Bondo reply Replies: 0 || 2020-01-28 21:18:21
Does anyone know what the correct chronological tracklist for this would be?

Bayhem reply Replies: 0 || 2018-05-12 18:47:49
Finally listened to the whole score. It's funny, it's not the type of score that "pops out" in the movie, there are no "epic" cues, but when you actually listen to the whole thing separately from the movie, it's an exceptional piece of work. IMO, one of Mancina's best scores. Easily.

And it's the type of score that we rarely encounter nowadays. Sadly. And I will say that if you are tired or if you flat-out hate the "sound design" scores that we see everywhere now, then Training Day is for you. Give it a listen : )

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takehiro reply Replies: 0 || 2011-02-07 00:00:00
Sadly, NOT the complete score. I think four cues are missing (by another composer?) and Fight with Alonzo has the end crudely cut off.

daniel reply Replies: 0 || 2009-03-09 00:00:00
tanks

Hybrid Soldier reply Replies: 0 || 2007-01-26 00:00:00
Antas, I have the tracklist for this one, I'll give it later...

;-)

Zedman reply Replies: 0 || 2006-02-20 00:00:00
"--Training Day"-- marque la maturité sinon artistique de Mark Mancina - l'un de mes compositeurs préférés issus de la Media Ventures avec entre autre Harry Gregson-Williams - qui contrairement a ces scores bourrins mais non moins interessant et reussis pour "--Speed"--, "--Bad Boys"--, "--Fair Game"-- ou encore "--Con Air"--, sait limité niveau musical, nous offrant un score amer, tragique et parfois entrainant.
Ce score est surtout mené par un théme amer et tragique pour evoquer surement cette journée que l'on sait trés bien en fin de compte qu'elle se finira dans la violence.
Ce théme facilement reperable et meme memorisable pour certains beophiles, s'achevera de maniere traqique a la fin du film, synoyme de la fin d'une journée memorable pour les protagonistes interpréte par Denzel Washinton et Ethan Hawke.
Ce score prouve donc la maturité d'un compositeur qui malgré son depart de la boite de Hans Zimmer continue de nous surprendre et ceux meme pour des films a l'interet douteux ou trop sous-estimes comme "--The Haunted Mansion"-- et "--Brother Bear"--.
Training Day est donc se chef d'oeuvre de Mark Mancina a classé dans les b.o. fait avec reflection comme "--The Thin Red Line"-- de Hans Zimmer.
Parfait!!!

Herman reply Replies: 0 || 2005-05-11 00:00:00
un score trés sombre et different de SPEED, BAD BOYS ou encore CON AIR, Mark Mancina à ecrit une excellente musique qui termine brillament laissant un cote gangsta a l'excellent film de Antoine Fuqua
du grand art

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Training Day (Complete Score) soundtrack - Mark Mancina 2001