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This credits list absolutely reeks of bullshitI can come up with the booklet credits for Adventure Time: Awakening. So here's my booklet credits for this movie.<br><br>Music Composed by<br>STEVE JABLONSKY<br><br>Music Produced by<br>STEVE JABLONSKY <br>and HANS ZIMMER<br><br>Music Orchestrated and Arranged by<br>THOMAS FARNON<br>CZARINA RUSSELL<br>BRUCE FOWLER<br>STEPHEN COLEMAN<br><br>Additional Music by<br>LORNE BALFE<br>JOHN POWELL<br>JASHA KLEBE<br>HALLI CAUTHERY<br>RAMIN DJAWADI<br>DAVID BUCKLEY<br><br>Orchestra Conducted by<br>NICK GLENNIE-SMITH<br><br>Choir Conducted and Arranged by<br>GAVIN GREENAWAY<br><br>Vocals by<br>LISA GERRARD<br><br>Score Recorded At<br>THE EASTWOOD SCORING STAGE, WARNER BROS. STUDIOS, BURBANK, CALIFORNIA<br><br>Score Mixed At<br>REMOTE CONTROL PRODUCTIONS, SANTA MONICA CALIFORNIA<br><br>Special Thanks to<br>TREVOR RABIN<br>MATTHEW MARGESON<br>and RUPERT GREGSON-WILLIAMS*sigh* Pirates of the Caribbean: The Curse of the Black PearlFor what score are those booklet credits for, Sam?I can imagine if the booklet credits might help.<br><br>Music composed by<br>KLAUS BADELT<br><br>Score produced by<br>KLAUS BADELT<br>and HANS ZIMMER<br><br>Music orchestrated and arranged by<br>BRUCE FOWLER<br>YVONNE S. MORIARTY<br>GRAHAM<br>JAMES MCKEE SMITH<br><br>Orchestra Conducted by<br>BLAKE NEELY<br><br>Music Programmed by<br>STEVE JABLONSKY<br>GEOFF ZANELLI<br>MARC STREITENFELD<br>NICK GLENNIE-SMITH<br><br>Score recorded at<br>PARAMOUNT SCORING STAGE M<br><br>Score mixed at<br>MEDIA VENTURES, SANTA MONICA, CALIFORNIA
Is there any word or time frame on the second release?Jenny of Oldstones was an old song in Westeros about a common woman named Jenny of Oldstones, a strange woman who a Targaryen prince rejected his claim to the throne to be with. Before a big battle, a character sings this song and a montage of the various characters plays as they prepare for battle. So that is the melody. The lyrics go like this:<br><br>High in the halls of the kings who are gone,<br>Jenny would dance with her ghosts; <br>The ones she had lost and the ones she had found<br>The ones who had loved her the most;<br>the ones who've been gone for so very long, she couldn't remember their names<br>they spun her around on the damp old stone<br>Spun away all her sorrow and pain.<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br><br>They danced through the day and into the night<br>Through the snow that swept through the hall<br>From winter to summer and winter again<br>Till the walls did crumble and fall<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br>Hybrid, please update this list. Is it possible that you could include the alternate/album version of Main On Ends (AKA Taking A Stand)?COMPLETE SCORES ARE AWESOMECareful, talking about complete scores or recording sessions can get your comment removed now.
No more superhero film score for me, he said .... :DThe complete score is so amazing!! I saw on YouTube too.CD RELEASE????PosiblyA surprise reference to be sure, but a welcome one.
The same thing happened to me George@Michael Baker - I can’t be the only one who read that as Han Solo right?Yeah... Wait till CD 2 and I'm sure we'll get a much stronger idea of what's solo Hans in here.@Edmund<br>I wonder if this is one of those situations where the material in film is derived heavily from the suites, with everyone either arranging it or adding elements onto it. Just guessing of course, I’m sure we’ll get a clear picture once the bonus stuff gets released.<br><br>And apparently there is about 16 hours of music “lying around”, going off of what Hans mentioned in the Vi-Control forums."heavily influenced" indeed :D <br>I really love Amity and I love how the theme appears in several other cues:<br>Reckless which features an epic/action rendition <br>Insertion = a short quote at the beginning <br>Coda = another call back to the theme<br><br>Been listening to the score since I saw the film. Love it. Eagerly waiting for CD2. I wonder if it includes an extended version of the last 2 minutes of Insertion - INCREDIBLE.
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Additional Music - Orchestrator
Mark MancinaDave MetzgerChuck ChoiDon Harper
ComposerAdditional MusicScore ProducerConductor
Training Day (Complete Score)
Label: Promotional Release
Length: 100'00
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3574 votes)
CD1
  1. Welcome To The Jungle (4:41)
  2. Homes, Play With Us (5:39)
  3. Life's A Trip (2:36)
  4. Chase On The Roof - Fight With Alonzo (Alternate) (3:00)
  5. Jake's Fatigue (1:35)
  6. Crackin' Nuts (1:59)
  7. Roger (3:14)
  8. As The World Turned (1:54)
  9. Drive To Smiley (1:19)
  10. Car Surfing (1:02)
  11. Going After Sandman (1:29)
  12. Death Is Certain (Alternate) (1:27)
  13. The Appointment (1:12)
  14. Death Is Certain (1:10)
  15. Training Day (2:41)
  16. A Little Ambush (2:22)
  17. Wolf Against Dogs (3:32)
  18. Wolf Against Dogs (Alternate) (3:20)
  19. End Titles (2:58)
  20. Interrupting A Ditch - Party (1:54)
  21. Alonzo (2:35)
CD2
  1. Alonzo (Reprise) (2:34)
  2. Alonzo (Reprise Alternate) (2:34)
  3. Father & Son (1:20)
  4. The Scenario (5:46)
  5. Green Light (3:26)
  6. Green Light (Alternate) (3:25)
  7. I'm Here For Alonzo (2:48)
  8. Preserve Life (3:43)
  9. This Is The Game (Fill-In) (0:30)
  10. This Is The Game (Conclusion Alternate) (0:31)
  11. This Is The Game (Conclusion) (0:33)
  12. Death Is Certain (Alternate II) (1:22)
  13. Scoring Sessions I (1:42)
  14. Scoring Sessions I (12 Reprise) (0:34)
  15. Scoring Sessions II (1:01)
  16. The Office (0:49)
  17. Smiles & Cries (2:02)
  18. This Is The Game (4:04)
  19. Traffic Jam (Alternate) (0:54)
  20. Money (2:43)
  21. Timeless (0:29)
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Bayhem reply Replies: 0 || 2018-05-12 18:47:49
Finally listened to the whole score. It's funny, it's not the type of score that "pops out" in the movie, there are no "epic" cues, but when you actually listen to the whole thing separately from the movie, it's an exceptional piece of work. IMO, one of Mancina's best scores. Easily.

And it's the type of score that we rarely encounter nowadays. Sadly. And I will say that if you are tired or if you flat-out hate the "sound design" scores that we see everywhere now, then Training Day is for you. Give it a listen : )

takehiro reply Replies: 0 || 2011-02-07 00:00:00
Sadly, NOT the complete score. I think four cues are missing (by another composer?) and Fight with Alonzo has the end crudely cut off.

daniel reply Replies: 0 || 2009-03-09 00:00:00
tanks

Hybrid Soldier reply Replies: 0 || 2007-01-27 00:00:00
CD 1 :

1. Welcome To The Jungle (4:41)
2. Homes, Play With Us (5:39)
3. Life’s A Trip (2:36)
4. Chase On The Roof – Fight With Alonzo (Alternate) (3:00)
5. Jake’s Fatigue (1:35)
6. Crackin’ Nuts (1:59)
7. Roger (3:14)
8. As The World Turned (1:54)
9. Drive To Smiley (1:19)
10. Car Surfing (1:02)
11. Going After Sandman (1:29)
12. Death Is Certain (Alternate) (1:27)
13. The Appointment (1:12)
14. Death Is Certain (1:10)
15. Training Day (2:41)
16. A Little Ambush (2:22)
17. Wolf Against Dogs (3:32)
18. Wolf Against Dogs (Alternate) (3:20)
19. End Titles (2:58)
20. Interrupting A Ditch – Party (1:54)
21. Alonzo (2:35)

CD 2 :
1. Alonzo (Reprise) (2:34)
2. Alonzo (Reprise Alternate) (2:34)
3. Father & Son (1:20)
4. The Scenario (5:46)
5. Green Light (3:26)
6. Green Light (Alternate) (3:25)
7. I’m Here For Alonzo (2:48)
8. Preserve Life (3:43)
9. This Is The Game (Fill-In) (0:30)
10. This Is The Game (Conclusion Alternate) (0:31)
11. This Is The Game (Conclusion) (0:33)
12. Death Is Certain (Alternate II) (1:22)
13. Scoring Sessions I (1:42)
14. Scoring Sessions I (12 Reprise) (0:34)
15. Scoring Sessions II (1:01)
16. The Office (0:49)
17. Smiles & Cries (2:02)
18. This Is The Game (4:04)
19. Traffic Jam (Alternate) (0:54)
20. Money (2:43)
21. Timeless (0:29)

Hybrid Soldier reply Replies: 0 || 2007-01-26 00:00:00
Antas, I have the tracklist for this one, I'll give it later...

;-)

Zedman reply Replies: 0 || 2006-02-20 00:00:00
"--Training Day"-- marque la maturité sinon artistique de Mark Mancina - l'un de mes compositeurs préférés issus de la Media Ventures avec entre autre Harry Gregson-Williams - qui contrairement a ces scores bourrins mais non moins interessant et reussis pour "--Speed"--, "--Bad Boys"--, "--Fair Game"-- ou encore "--Con Air"--, sait limité niveau musical, nous offrant un score amer, tragique et parfois entrainant.
Ce score est surtout mené par un théme amer et tragique pour evoquer surement cette journée que l'on sait trés bien en fin de compte qu'elle se finira dans la violence.
Ce théme facilement reperable et meme memorisable pour certains beophiles, s'achevera de maniere traqique a la fin du film, synoyme de la fin d'une journée memorable pour les protagonistes interpréte par Denzel Washinton et Ethan Hawke.
Ce score prouve donc la maturité d'un compositeur qui malgré son depart de la boite de Hans Zimmer continue de nous surprendre et ceux meme pour des films a l'interet douteux ou trop sous-estimes comme "--The Haunted Mansion"-- et "--Brother Bear"--.
Training Day est donc se chef d'oeuvre de Mark Mancina a classé dans les b.o. fait avec reflection comme "--The Thin Red Line"-- de Hans Zimmer.
Parfait!!!

Herman reply Replies: 0 || 2005-05-11 00:00:00
un score trés sombre et different de SPEED, BAD BOYS ou encore CON AIR, Mark Mancina à ecrit une excellente musique qui termine brillament laissant un cote gangsta a l'excellent film de Antoine Fuqua
du grand art

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Training Day (Complete Score) soundtrack - Mark Mancina 2001