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He said in a recent interview that the score exists “full tracks”. Who knows how much of it was ready considering he probably left the project before the cut was finalized - so probably nothing was recorded. But knowing how Tom likes to do things and judging by his studio time videos, he can do amazing things with samples. And if it contains lots of sound design then it wouldn’t be far from the final product.I wish !<br><br>I have zero info, just following what's happening on social networks like everybody else...<br><br>If you asked me last week about it, I'd have told you "Sure, it will happen... in 20 years maybe, but it will happen..."<br><br>Now it seems it might be sooner than that... :)@Hybrid, do you think the SnyderCut will release soon?<br>I won't go further cause it's not exactly the place, but I won't say you're wrong either... :PHybrid, any insight into why Tyler was fired from Age of Ultron? I’ve always wondered but have never seen an actual reason. I’ve heard he violated his contract to work on Furious 7 or something?<br><br>Just was curious because he still takes full credit for that score, and the more I see of him the more annoyed I get with his arrogant attitude. The dude thinks he’s the greatest thing to ever happen to film scores.
Me too. The deluxe edition was quite underwhelming. Would love to get the entire Sicily sequence.Really gutted that the FYC is out but it's missing the one moment from the score I really wanted, the statement of the Alpha theme from HTTYD2. Wonder why Powell and his crew seem to be going out of their way to prevent that from being heard...something about pre-existing material, maybe? But why just that theme and not the dozens of others? Weird.If you ask me, that "personal tragedy" for Snyder, though real, was just an excuse for them to fire him. It was convenient for Warner. They saw his film and they probably got scared it was impossible to sell, too long, too much BvS, too much this, too much that... This irony is now they made a billion with the darkest DC movie ever... Nice call WB... The minute Whedon & Elfman were "in", you understood this film was not Zack Snyder's anymore. This film is so terrible, I rewatched it lately, you can feel pretty much 80% of it is Whedon reshoots (just look for actors that look nothing like themselves when they shot the initial film, "New Haircut" Amy Adams, "Bottox" Batfleck, "Mustache" Cavill... And you can see from miles away how they all act like they don't care, that they hated every minute of reshooting it. I'm really sad Geoff Zanelli had to participate into this travesty, but I hope he got a huge paycheck for the pain ! lol Especially since Geoff was at the very beginning of the DCEU since he started working on ideas with Hans on Man Of Steel, before he left early to handle The Lone Ranger...<br><br>#ReleaseTheSnyderCut<br><br>Oh and btw Brian Tyler was fired from Avengers 2. And not because of the music he was writing. Whedon brought Elfman at the last minute, first he was "additional music", then "co-composer", if he had, say, one more month, he would have replaced the entirety of Tyler's score... He just didn't get enough time to do that...I definitely agree with your last sentence. I really like seeing the RCP composers going back to orchestral splendor and melody. Shame Jablonsky's been MIA because of his family. I would have loved to see him come back with the orchestral, melodic voice that Balfe and Tom have had lately.cool!
Whedon has his particular tastes which are guaranteed to be more sensible than 'Anonymous' below. This was a case where Snyder was facing an uphill struggle and a personal tragedy. He left the project. Josh came on board and he does not think highly of the RCP school, as anyone with a sensible ear will do. So he hired Elfman who did Age of Ultron for him after Tyler copy-pasted himself too much. It's ironic that fanboys here lambast Elfman for not being Zimmer enough in scope while Tyler does whatever he does, sounding EXACTLY the same on all projects. <br><br>But it's also heartening to see that all of the good RCP composers like Jackman, Junk, Balfe are now going for scores that sound a lot like 1990s or 2000s - Silvestri (Jumanji), Jones (Alita), or Shore (Dark Materials), respectively.Did Holkenborg finish his score and have time to record it? Is there an actual score? It seems to me he got jettisoned early in the process when Whedon came on board. It would be surprising if he had time to record an actual score with players and an orchestra.I can't decide whether or not some of the things I want to hear from him should be in his new show or a new World of Hans Zimmer show.@Ds Omar is saying that this was the direction Tom went with / what the score sounded like not that he was fired because he didn’t deliver the sound he’s known for :) <br>Of course he was replaced after Snyder left the project. <br><br>And yeah citation is needed.Desperately hoping we'll hear something from Dune. He's said himself how excited he is to finally work on music for a Dune movie and turned down Nolan for it, and it will be out a few months before these shows begin.
The FYC came out for this. Unfortunately, it's missing two entire tracks from the film. An extended "Busy, Busy Berk", and the film version of "Furies Captured" (which at least had a YouTube upload of the alternate version). <br><br>Guess we'll have to hope for a complete/recording sessions leak for everything else.Will he come to Sthlm / Gothenburg sweden???https://www. axs.com/why-we-need-a-chicago-med-soundtrack-album-in-our-li ves-112620<br><br>Why they never release this?!....Omar: Well tried, but Junkie XL was replaced after Snyder was fired and Whedon came in.<br>And just in case Snyder actually wanted another sound, he would just have told Junkie at the beginning instead of firing him after he departed himself :-pCitation needed
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Additional Music - Orchestrator
Mark MancinaDave MetzgerChuck ChoiDon Harper
ComposerAdditional MusicScore ProducerConductor
Training Day (Complete Score)
Label: Promotional Release
Length: 100'00
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3707 votes)
CD1
  1. Welcome To The Jungle (4:41)
  2. Homes, Play With Us (5:39)
  3. Life's A Trip (2:36)
  4. Chase On The Roof - Fight With Alonzo (Alternate) (3:00)
  5. Jake's Fatigue (1:35)
  6. Crackin' Nuts (1:59)
  7. Roger (3:14)
  8. As The World Turned (1:54)
  9. Drive To Smiley (1:19)
  10. Car Surfing (1:02)
  11. Going After Sandman (1:29)
  12. Death Is Certain (Alternate) (1:27)
  13. The Appointment (1:12)
  14. Death Is Certain (1:10)
  15. Training Day (2:41)
  16. A Little Ambush (2:22)
  17. Wolf Against Dogs (3:32)
  18. Wolf Against Dogs (Alternate) (3:20)
  19. End Titles (2:58)
  20. Interrupting A Ditch - Party (1:54)
  21. Alonzo (2:35)
CD2
  1. Alonzo (Reprise) (2:34)
  2. Alonzo (Reprise Alternate) (2:34)
  3. Father & Son (1:20)
  4. The Scenario (5:46)
  5. Green Light (3:26)
  6. Green Light (Alternate) (3:25)
  7. I'm Here For Alonzo (2:48)
  8. Preserve Life (3:43)
  9. This Is The Game (Fill-In) (0:30)
  10. This Is The Game (Conclusion Alternate) (0:31)
  11. This Is The Game (Conclusion) (0:33)
  12. Death Is Certain (Alternate II) (1:22)
  13. Scoring Sessions I (1:42)
  14. Scoring Sessions I (12 Reprise) (0:34)
  15. Scoring Sessions II (1:01)
  16. The Office (0:49)
  17. Smiles & Cries (2:02)
  18. This Is The Game (4:04)
  19. Traffic Jam (Alternate) (0:54)
  20. Money (2:43)
  21. Timeless (0:29)
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Bayhem reply Replies: 0 || 2018-05-12 18:47:49
Finally listened to the whole score. It's funny, it's not the type of score that "pops out" in the movie, there are no "epic" cues, but when you actually listen to the whole thing separately from the movie, it's an exceptional piece of work. IMO, one of Mancina's best scores. Easily.

And it's the type of score that we rarely encounter nowadays. Sadly. And I will say that if you are tired or if you flat-out hate the "sound design" scores that we see everywhere now, then Training Day is for you. Give it a listen : )

takehiro reply Replies: 0 || 2011-02-07 00:00:00
Sadly, NOT the complete score. I think four cues are missing (by another composer?) and Fight with Alonzo has the end crudely cut off.

daniel reply Replies: 0 || 2009-03-09 00:00:00
tanks

Hybrid Soldier reply Replies: 0 || 2007-01-27 00:00:00
CD 1 :

1. Welcome To The Jungle (4:41)
2. Homes, Play With Us (5:39)
3. Life’s A Trip (2:36)
4. Chase On The Roof – Fight With Alonzo (Alternate) (3:00)
5. Jake’s Fatigue (1:35)
6. Crackin’ Nuts (1:59)
7. Roger (3:14)
8. As The World Turned (1:54)
9. Drive To Smiley (1:19)
10. Car Surfing (1:02)
11. Going After Sandman (1:29)
12. Death Is Certain (Alternate) (1:27)
13. The Appointment (1:12)
14. Death Is Certain (1:10)
15. Training Day (2:41)
16. A Little Ambush (2:22)
17. Wolf Against Dogs (3:32)
18. Wolf Against Dogs (Alternate) (3:20)
19. End Titles (2:58)
20. Interrupting A Ditch – Party (1:54)
21. Alonzo (2:35)

CD 2 :
1. Alonzo (Reprise) (2:34)
2. Alonzo (Reprise Alternate) (2:34)
3. Father & Son (1:20)
4. The Scenario (5:46)
5. Green Light (3:26)
6. Green Light (Alternate) (3:25)
7. I’m Here For Alonzo (2:48)
8. Preserve Life (3:43)
9. This Is The Game (Fill-In) (0:30)
10. This Is The Game (Conclusion Alternate) (0:31)
11. This Is The Game (Conclusion) (0:33)
12. Death Is Certain (Alternate II) (1:22)
13. Scoring Sessions I (1:42)
14. Scoring Sessions I (12 Reprise) (0:34)
15. Scoring Sessions II (1:01)
16. The Office (0:49)
17. Smiles & Cries (2:02)
18. This Is The Game (4:04)
19. Traffic Jam (Alternate) (0:54)
20. Money (2:43)
21. Timeless (0:29)

Hybrid Soldier reply Replies: 0 || 2007-01-26 00:00:00
Antas, I have the tracklist for this one, I'll give it later...

;-)

Zedman reply Replies: 0 || 2006-02-20 00:00:00
"--Training Day"-- marque la maturité sinon artistique de Mark Mancina - l'un de mes compositeurs préférés issus de la Media Ventures avec entre autre Harry Gregson-Williams - qui contrairement a ces scores bourrins mais non moins interessant et reussis pour "--Speed"--, "--Bad Boys"--, "--Fair Game"-- ou encore "--Con Air"--, sait limité niveau musical, nous offrant un score amer, tragique et parfois entrainant.
Ce score est surtout mené par un théme amer et tragique pour evoquer surement cette journée que l'on sait trés bien en fin de compte qu'elle se finira dans la violence.
Ce théme facilement reperable et meme memorisable pour certains beophiles, s'achevera de maniere traqique a la fin du film, synoyme de la fin d'une journée memorable pour les protagonistes interpréte par Denzel Washinton et Ethan Hawke.
Ce score prouve donc la maturité d'un compositeur qui malgré son depart de la boite de Hans Zimmer continue de nous surprendre et ceux meme pour des films a l'interet douteux ou trop sous-estimes comme "--The Haunted Mansion"-- et "--Brother Bear"--.
Training Day est donc se chef d'oeuvre de Mark Mancina a classé dans les b.o. fait avec reflection comme "--The Thin Red Line"-- de Hans Zimmer.
Parfait!!!

Herman reply Replies: 0 || 2005-05-11 00:00:00
un score trés sombre et different de SPEED, BAD BOYS ou encore CON AIR, Mark Mancina à ecrit une excellente musique qui termine brillament laissant un cote gangsta a l'excellent film de Antoine Fuqua
du grand art
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Training Day (Complete Score) soundtrack - Mark Mancina 2001