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what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.
TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.
It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsameNo no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?
Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.
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Hans ZimmerJacob SheaSteven KofskyKatia Lewin Jablonsky
Composer : Main ThemeComposerMusic Production ServicesMusic Editor
Seven Worlds One Planet (TV Series Documentary)
Label: Silva Screen
Length: 148'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (2284 votes)
CD1
  1. Seven Worlds One Planet Suite (5:01)
  2. European Macaques (6:04)
  3. Eurasian Brown Bear (1:41)
  4. Northern Lights (2:00)
  5. Mayflies (4:24)
  6. Battling Musk Ox (4:02)
  7. Great White Pelicans (4:08)
  8. Austrian Hamsters (2:43)
  9. Slovenian Olm (3:25)
  10. Their Last Refuge (2:37)
  11. Canadian Lynx (4:18)
  12. Canadian Black Bears (4:21)
  13. Fireflies (4:25)
  14. Tennessee River Chub (3:33)
  15. Badger In Prairie Dog Town (3:23)
  16. Polar Bears (5:07)
  17. Survival (1:46)
  18. The House Of Gods (Angel Falls) (2:13)
  19. Cotton-Top Tamarins (2:21)
  20. South American Puma (2:06)
  21. Guanaco Hunt (5:58)
  22. Great Dusky Swifts (4:22)
CD2
  1. Weddell Seals (3:25)
  2. Gentoo And Leopard Seal (5:07)
  3. Albatross Facing Extinction (4:39)
  4. Gentoo And Orca (3:04)
  5. Humpback Whales (2:26)
  6. South Georgia Whaling Station (1:44)
  7. The Nudibranch (2:21)
  8. Southern Right Whales (1:47)
  9. Saradas (2:04)
  10. Snowmen Of The Mountains (3:20)
  11. The Golden Snub Nosed Monkeys (3:46)
  12. Australian Cassowary (6:44)
  13. Prehistoric Predators (4:22)
  14. Kangaroos And Dingoes (2:50)
  15. Garden Of Eden (Africa) (2:08)
  16. A Monumental Feat (2:26)
  17. The Brown Hyena Of Namibia (2:41)
  18. Cheetahs Of Kenya (7:03)
  19. Conservation (7:01)
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Anonymous reply Replies: 14 || 2020-08-30 21:52:01
Planet Earth a Celebration will be released ? Hans and Jacob are composers ?


Cgaval :)2020-08-31 02:23:08
I have the same doubt


Chaval :)2020-08-31 02:30:39
I found this one, I think it's from the trailer. says that on September 1 h t t ps://www.youtube.com/watch?v=kzrfPx1TNKU


Mephariel2020-08-31 07:00:24
I am wondering about this too.


Adagio2020-09-03 18:01:55
it appears the release was canceled or there were never any plans to do so. I think it's a shame, I would have liked to hear what Zimmer and Dave did, the advance was not enough for me.


Chaval2020-09-04 18:07:35
maybe a little of what it was will be published on the bleeding fingers page.


Hybrid Soldier2020-09-06 00:41:43
I doubt a release was happening... But who knows, Silva Screen usually handles these, might come in time.


Powellfan2020-09-24 23:27:24
Well, it's out there. Looks like no official release?


Chaval :)2020-09-25 00:02:38
no, but you can find it on the bleeding fingers page.
it also doesn't look like planet eart: a celebration has a release :(


Powellfan2020-09-25 00:34:25
Yes, I was referring to A Celebration. "It's out there" as in "it can be obtained unofficially". Were you referring to the Sia track? That is on Bleeding Fingers' site.


Chaval :)2020-09-25 01:53:50
hahahaha ... crack, sorry. Well so far there is no news of anything. Only the video that one track and one with Dave, but it's a preview.
I'm not sure how to get news on this, I really would like to get it hahaha.


Powellfan2020-09-25 02:09:35
A Celebration? It's actually on youtube now.


Mephariel2020-09-29 07:11:23
Who did Zimmer do this with? Shea and Fleming?


Hybrid Soldier2020-09-29 12:46:22
Dave didn't work on it, but a few Blue Planet stuff were used so he gets some sort of credit in the cuesheet for "A Celebration".


Mephariel2020-09-30 08:07:37
This is a beautiful score by the way. I have feeling this will get lost with NTTD, Dune, and WW84 coming out, but people should give this a listen. The new overture is a nice remix of the main PEII theme. And I "Surfing Dolphins" is yet again a winner.

Chaval :) reply Replies: 0 || 2020-09-15 04:17:25
I was looking at the bleeding fingers page and I was wondering if Great Bear Rainforest is the song that Zimmer did with Anze

Ricardo reply Replies: 0 || 2020-05-24 05:57:21
Sometimes, I wish the world was, one with iself. This, music and harmony set into one man's vision. Hans, you inspire us. You, alone.

Sincerely,
Ricardo

Paulus reply Replies: 1 || 2019-10-23 16:09:36
@hybrid Is the single with sia going to be released?


theGordo2020-05-24 02:47:57
It's not officially available but a clear version can be found on the bleeding fingers website under Andrew Christie.

Knight reply Replies: 4 || 2020-03-17 11:03:34
Additional composer credits:

Jacob Shea, Anže Rozman

EURASIAN BROWN BEAR
GREAT WHITE PELICANS
AUSTRIAN HAMSTERS
SLOVENIAN OLM
TENNESSEE RIVER CHUB
BADGER IN PRAIRIE DOG TOWN
HUMPBACK WHALES
THE NUDIBRANCH
A MONUMENTAL FEAT

Source: I asked Rozman himself


J2020-03-21 17:17:07
You can also see that information above.


Knight2020-03-21 18:04:13
Um, what?


J2020-03-23 17:56:33
What you posted is like a copy and paste from the details it gives at the top of the page.


Knight2020-03-23 18:52:53
No, it's not... Show me where in the booklet that details what cues were written by Anze Rozman.

Dylan reply Replies: 2 || 2019-12-21 09:03:35
Would totally buy this album for the Sia collaboration track "Out there" but it doesn't appear to be on there!


Abby2020-03-04 21:15:53
I would too. If not, is Sai's collaboration song "Out There" available for purchase separate from this soundtrack?


Marc2020-03-09 10:51:44
I can't believe it's not on here! Out There is utterly epic.

Knight reply Replies: 0 || 2020-03-05 02:24:28
Booklet credits:

Main Theme: Hans Zimmer and Jacob Shea
Original Music: Jacob Shea
Additional Music: Anže Rozman

Score Produced by: Hans Zimmer and Russell Emanuel
Score Supervisor: Christopher J. King
Music Production Services: Steven Kofsky
Orchestra: Chamber Orchestra of London
Music Contractor: Gareth Griffiths
Conducted by: Geoff Alexander and Peter Rotter
Music Preparation: Mark Graham for JoAnn Kane Music Service
Orchestrations by: Abraham Libbos, Dalton Daniel and Josef Zimmerman
Music Librarian: Jill Streater
Music Editor: Katia Lewin Jablonksy
Additional Music Editor: Jake Schaefer
Music Consulting: Encompass Music Partners
Score Recorded by: Nick Wollage and John Witt Chapman
Score Mixed by: Tyson Lozensky
Score Recorded at Air Lyndhurst, London UK
Score Mixed at Remote Control Productions, Santa Monica
Technical Score Engineers: Alex Stix-Brunell and Giovanni Rios
Technical Score Assistant: Jasper Van Dijk and Anthony Sternstein
Soundtrack Produced by: Russell Emanuel, Jacob Shea and Christopher J. King

Executive Producers for Silva Screen Records Ltd. : Reynold D’Silva and David Stoner
Album Mastering: Rick Clark
Digital Manager: James Borrer
Design Layout: Stuart Ford



Special Thanks:
Sir David Attenborough, Jonny Keeling, Scott Alexander, Emma Napper, Giles Badger, Chadden Hunter and Fredi Devas

Shalini Singh, Cynthia Park, Jillian Abood, Chuck Choi, Ryan Ouchida, Steven Doar, Chaz Labrecque and the Remote Control Productions team

Catherine Grimes, Dominic Walker, Nick Baxter, Natasha Pullin, Monica Hayes, Hayley Moore and the BBC

Stephanie Hall, Yelena Krivitskaya, Sarah Patching, Greg Rappaport, Marsha Bowe and Haley Schambough at Bleeding Fingers Music

JoAnn Kane Music Services. Alison Burton and Lucy Matthews at Air Lyndhurst Studios. Peter Rotter, Jasper Randall and the Encompass Music Partners team. Graham Wild and Chris Domaille. Christian Henson and Paul Thompson at Spitfire Audio.
David Stoner, Rick Clark and Silva Screen Records

Satnam Ramgotra, John Yoakum, Jacob Braun,
Willie Murillo and Sylvia Navarro

Euan Lawson and Jessie Merwood

With special thanks to Lindsay Shea, Eli and Isaac Shea,
Marc and Mazine Shea, Judy and Dale Cooper,
Kara Talve and Sara, Baxter and McLovin’ Emanuel

Iamtommie44 reply Replies: 1 || 2019-12-10 14:40:05
https: //music.apple.com/ua/album/ seven-worlds-one-planet-original-television- soundtrack/1490808744

Deluxe Version expected January 17th!


Anonymous2019-12-12 07:32:02
I wish the Sia song from the trailers were included too.

mills reply Replies: 0 || 2019-10-28 14:37:07
watched episode 1 already, still tons of music pieces are not being released. just pity as the unreleased pieces in Blue Planet II. btw, theme is the best track.

Paul reply Replies: 6 || 2019-10-23 02:03:14
Is nobody going to talk about this amazing soundtrack???


Mephariel2019-10-23 03:04:15
Can't wait to hear this. I am huge fan of Planet Earth II and Blue Planet II.


Ro2019-10-23 08:24:07
That amazing tune that featured Sia from the 4-minute trailer doesn't seem to be a part of this album, is it? Will that ever be made available?


J2019-10-23 11:02:01
How have you guys heard the album already? :0


Anonymous2019-10-23 11:45:59
J

It is on iTunes already.


Mephariel2019-10-23 16:53:10
For some reason they never release the songs that Zimmer collaborated with the singers to make. They didn't release Radiohead's song feat Zimmer either.

But yeah, that theme was incredible.


J2019-10-24 02:03:14
Thanks Anon ^

Hedon reply Replies: 1 || 2019-10-23 10:11:30
Did Jacob Shea have to do everything himself on this one?What happened to Jasha Klebe and David Fleming who was working with him on Planet Earth and Blue Planet?


Hybrid Soldier2019-10-23 10:42:50
Jasha is not at Bleeding Fingers anymore, and Dave is busy working with Hans... :)

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Seven Worlds One Planet (TV Series Documentary) soundtrack - Jacob Shea 2019