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Well Hans needs to do something during all this downtime :Dwhat a shame, this is so typical nowadays: "MAIN THEME BY THE UNBELIEVEAVABLE ALMIGHTY HAAAAAAAAAAANS ZIIIIIIIIIIIMMER (...ohandthescorebyxyz)"<br><br>Interesting Tracklist!!Tracklist for Alita<br><br>1. A Discovery<br>2. I Don’t Even Know My Own Name<br>3. What’s Your Dream?<br>4. Double Identity<br>5. The Warrior Within<br>6. A Dark Past<br>7. In Time You’ll Remember<br>8. Nova’s Orders<br>9. Jackers Mission<br>10. Unlocking the Past<br>11. Whose Body Is This?<br>12. Grewishka’s Revenge<br>13. Broken Doll<br>14. With Me<br>15. I’d Give You My Heart<br>16. You Just Lost a Puppet<br>17. What Did You Do?<br>18. In the Clouds<br>19. Raising the Sword<br>20. MotorballLet's hope this one actually gets a score release cause 2018 was a lousy year for releases.
Hans Zimmer and Anže Rozman will score Great Bear Rainforest.<br><br>"The main title theme for the film will be composed by the legendary Academy Award-winning composer Hans Zimmer, with the score being composed by Anže Rozman for Bleeding Fingers Music, produced by Russell Emanuel."<br><br>From VitalThrills.com<br><br>I thought so too! Especially the track 'The exchange' I think is very batman inspired.Mr. Zimmer sir you have to do a concert in Nashville Tennessee in 2019. I as many others have hoped for years you would come here, I think you could easily fill up the Nissan Stadium it holds about 70 thousand or maybe you would like Bridgestone Arena capacity about 20 thousand, it is said by many to have the best acoustics of any arena in the U.S. We also have the Nashville Symphony in the Schermerhorn Symphony Center. We would LOVE to have you, Sir. God bless.<br>@fkik<br>On WaterTower official youtube page here<br>https ://www.youtube.com/user/ WaterTowerWB<br>The complete playlist link:<br>https ://www.youtube.com/ playlist?list=PLBKadB95sF470tLYY4VNDuL7mzCAv8bwN<br>[* delete the spaces in the URLs above]I think 'Arthur' is more a combination of cues than a proper suite.<br>Not sure,  but I'd say the first part plays before 'Permission to come aboard', and the second part plays after 'The Ring of fire'.<br>'Reunited' is definitely the final cue.<br><br>And there's shitload of action music missing after 'The Black Manta' though :-p
Anybody got an indea for chronological order?Why lisa gerrard wasnt in this concert???<br>Why lisa gerrard wasnt in this concert???<br>And just to clarify, “Atlantean Soldiers” is Orms’ theme right?OK, now that I’ve had some time to sit on this I can say that I get the praise finally. The Vangelis inspiration works wonders for the score, and it actually is integrated incredibly well (as opposed to just being there for show).<br><br>Themewise, both the Arthur and Atlanna tunes are winners. Not sure why the album is so out of sequence though. I feel like the actual film presentation would give better thematic development.
I think it's like this:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>What Could Be Greater Than A King?<br>Reunited<br>Suited And Booted<br>Between The Land Amd Sea<br>He Commands The Sea<br>Reunited<br><br>Arthur is a suite I think<br>Everything from "He Commands the Sea" on is awesome. In many ways, this is a RCP superhero score. Not much depth, but contains some awesome highlights.Off the top of my head:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>Reunited<br>What Could Be Greater Than A King?<br>He Commands The Sea<br>Suited And Booted<br><br>Not sure about Arthur, Between Land And Sea, and He Commands The Sea. I think Arthur may be a suite that includes his main theme, the Atlantis chase, and some action themes. I'd have to listen to the other two tracks again to be sure, but I think He Commands The Sea is near the end.anyone care to take a stab at the chronological trask listing?Yes, both played in the film, and it's sort of a suite: It's split into two in the film, first part sounds close to the opening, the heavy synth part plays in really well when it's used, you'll hear it the moment it starts, no spoilers from me, but it's an awesome sequence.
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Hans ZimmerKlaus BadeltHeitor PereiraMartin Tillman
ComposerCo-ComposerAdditional MusicAdditional Music
The Pledge
Label: Milan Records
Length: 40'18
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4928 votes)
  1. The Angler (5:24)
  2. Boogie Man (1:28)
  3. Jerry & Lori (1:01)
  4. Church Nightmare (2:19)
  5. Revisit Crime Scene (1:16)
  6. My Coat (2:47)
  7. The Wizard (4:05)
  8. Ex Cop (1:50)
  9. He'd Rather Not (2:00)
  10. Land Of Christmas (1:22)
  11. Reading Stories (3:03)
  12. Turkeys (1:36)
  13. The Pledge (1:19)
  14. The Swing (2:20)
  15. Ginny's Picture (2:31)
  16. You're Crazy (5:57)
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Barbara reply Replies: 0 || 2012-03-10 10:17:44
This is a superb DVD! For a ivnlioist, Frank Peter Zimmermann represents the highest level of musicianship. The Documentary is not just about Bach, in fact it has lots of other footage, including his son and his own performance of the Sibelius Violin Concerto with the Danish Radio Symphony (this is excellent). He plays like Kogan, not surprisingly and his technique is as flawless as any ivnlioist I have seen or heard.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
Hans Zimmer and Klaus Badelt also worked together on various works including the GLADIATOR and INVINCIBLE soundtracks, but don't expect to listen to anything similar, in the score for THE PLEDGE.

Unlike the last few Zimmer scores, which were vast, dramatic, intense and epic, THE PLEDGE, is built on a more down-beat atmosphere (and that’s of course due to the nature of the movie) The score opens with a beautiful and haunting melody sang by a woman and repeated by a violin.
Track02 contains several percussion beats and creates a scary atmosphere. Parts like this can be found a lot in the score -- where percussion, electronic sounds and effects, scary voices, piano, violin, the female voice and mandolin create a creepy atmosphere, like track04, track05, track09, track12, track13, track15.
In track03, the main theme makes its first appearance. It consists of guitar, mandolin, violin and piano and can be heard several times in the film, sometimes in different versions - the main instrument could be piano in one, violin or guitar in other (track07, track08 (more upbeat and fast, played by beautiful guitar), track11, track15).
The score also has a piano theme that can be firstly heard in track06 and repeats itself several times during the film (like in track10). It has a sad and lovely tune, a real treat for the ears!
In track 12 we have the beautiful female voice again in another haunting melody that features great atmosphere, feeling and depth.
Track14 is a combination of all the themes and great parts of the entire score. It consists of the female voice, vastly beautiful and sad piano melodies and the violin for escort-- probably the best track in this album and some of Zimmer's greatest works up-to-date.
Track16, which closes the film, is also a combination of several themes and parts of the film. It starts with the piano theme (heard in track06 and track10) and goes on with haunting and scary electronic effects and sounds created by percussion, guitar, mandolin and creepy violin. Then the piano theme is played by violin this time and makes a great difference. The track, (at about 3 minutes of play), gets loud, creepy and scary-- then calms down and ends with a more intense variation of track 14, played by violin (as the main instrument) piano, mandolin, guitars and loud percussion, providing the score (and film) with a more up-beat ending.

The entire score is a great work, which has lovely melodies and themes for easy listening. All these create a sad and sometimes creepy atmosphere that fits perfect in the theme and subject of the film. THE PLEDGE is not your typical Hans Zimmer or Klaus Badelt score for sure, with the great choir themes, loud brass and dramatic, epic atmosphere and feeling. It's just lovely, sad and hauntingly beautiful - quality music for all the music and movie lovers, and -of course- Zimmer followers.

Demetris Christodoulides

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The Pledge soundtrack - Hans Zimmer 2001