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hahahah sorry "true"<br>truuuuuuuuuuCan't wait to hear some of it. I wonder what Zimmer thought about John Powell's take on Dark Phoenix.Is this tru or false?<br><br>01 - M1 Rise of An Empire/Marathon/King Darius/Artemisia/Man to God/War (13:35)<br>02 - M2 Greek Council/Persian War Plan/Spartan Fight Training (03:39)<br>03 - M3 Greek Conversation/Your Commander is Greek (07:06)<br>04 - M4 Artemisia's Story (03:07)<br>05 - M5 Bad News (01:13)<br>06 - M6 Suicide/General Bandari (02:11)<br>07 - M7 Circle Battle (05:18)<br>08 - M8 Atemisia's Disappiontment/The Fog Battle (09:55)<br>09 - M9 Summoning Themistocles (02:44)<br>10 - M10 Sex (05:39)<br>11 - M11 Fire Battle (06:24)<br>12 - M12 Hero's Blood/Dead Spartans (04:47)<br>13 - M14 I Am the God King (02:46)<br>14 - M15 Our Final Stand (03:00)<br>15 - M16 Showdown Pt.1 (04:25)<br>16 - M17 Showdown Pt.2 (04:42)<br>17 - M18 United Greece (02:32)<br>18 - M19 Finale (01:25)<br>19 - M20 War Pigs (JXL Remix) (02:11)<br>20 - M21 End Credits (06:21)I know that much, the first part has some extra loops in the show.<br>But I am 100 % certain the part after 1:40 only plays later, when Jon Snow is forced to start fighting again
Politicals and tax refund!!!!!The one true king. A masterpiece.I checked multiple times in the episode. It all before The Last War. But in the epiaode it is a longer cueI think The Bells is split around the middle (at 1:40), and the 2nd part goes after The Last WarHans was replaced...<br><br><br>By Hans... ;)<br><br><br>He wrote hours & hours & hours & hours of music for that film in the past 1.5 years...
Chronological order (100%):<br><br>Episode 1<br>- Main Titles<br>- Arrival At Winterfell<br>- Flight Of Dragons<br>- Heir To The Throne<br><br>Episode 2<br>- A Knight Of The Seven Kingdoms<br>- Jenny Of Oldstones<br><br>Episode 3<br>- The Battle For Winterfell<br>- The Dead Are Already Here<br>- The Long Night, Pt. 1<br>- Battle For The Skies<br>- The Long Night, Pt. 2<br>- The Night King<br>- Dead Before The Dawn<br>- Not Today (Choral part unused, beginning and end is end credits)<br><br>Episode 4<br>- Farewell<br>- Outside The Gates<br><br>Episode 5<br>- The Bells<br>- The Last War<br>- For Cersei (0:00-1:23)<br>- Into The War<br>- For Cersei (1:23-3:03)<br>- Believe<br>- For Cersei (3:03-end)<br><br>Episode 6<br>- Nothing Else Matters<br>- Master Of War<br>- Be With Me<br>- The Iron Throne<br>- Break The Wheel<br>- You Have A Choice<br>- The White Book<br>- The Last Of The Starks<br>- A Song Of Ice And Fire<br><br>Unused<br>- The Rains Of Castamere<br>- Stay A Thousand YearsNo way has he been replaced. Thereís literally no way.I don't think Zimmer has been replaced. Back in the end of April, Simon Kinberg was beaming about how he got Hans Zimmer to do this score by irritating him. He even shown 2 clips with Zimmer's music and some of the audience members mentioned how cool the music was. <br><br>Tina Guo also stated she can't wait to hear it and she worked on it herself. And this was in May. If they replaced Zimmer, it must be the quickest, most silent replacement ever.  <br><br>Could it happen? Yeah. I don't think it is likely.Really, I don't know how he does it. This score is sooo good. It's frightening, romantic, thrilling & adventurous all in one!. I'm happy there are some small cues on the album not used in the season. And his choral use is absolutely out of this world!!!<br><br>Might be the best of the the GoT scores. But it's a tough one between this and season 6If Hans Zimmer was replaced, Internet burn<br><br><br>
Just wondering if this set is done in English or is it country dependentthere have been many cases of a score getting replaced/rehashed/rejected/what have you after a test screening and its because the studio execs think people dont like the music. so it could be the music or it could be another case who knows i guess well have to wait and seeRemember, this is a business, the studio want the movie be know, one aspect is the music.<br><br>Recent example: Hellboy, the score came out by Sony ClassicalI thought that was the earlier test screenings and the more recent ones were more well received? I could be wrong though.<br><br>Itíll be interesting because the director definitely seemed excited about HZ composing the score. So that would make you think itís got some potential. But we also havenít been hearing much about the movie at all lately, let alone hearing about the score so who really knows anything at this point?What Iím curious about is if the delays in the release date, PLUS the reshoots, had any impact on Zimmerís music. <br>The test-screenings supposedly didnít go well, I doubt it would affect the score all that much but at this point who really knows.
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Hans ZimmerKlaus BadeltHeitor PereiraMartin Tillman
ComposerCo-ComposerAdditional MusicAdditional Music
The Pledge
Label: Milan Records
Length: 40'18
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5099 votes)
  1. The Angler (5:24)
  2. Boogie Man (1:28)
  3. Jerry & Lori (1:01)
  4. Church Nightmare (2:19)
  5. Revisit Crime Scene (1:16)
  6. My Coat (2:47)
  7. The Wizard (4:05)
  8. Ex Cop (1:50)
  9. He'd Rather Not (2:00)
  10. Land Of Christmas (1:22)
  11. Reading Stories (3:03)
  12. Turkeys (1:36)
  13. The Pledge (1:19)
  14. The Swing (2:20)
  15. Ginny's Picture (2:31)
  16. You're Crazy (5:57)
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Barbara reply Replies: 0 || 2012-03-10 10:17:44
This is a superb DVD! For a ivnlioist, Frank Peter Zimmermann represents the highest level of musicianship. The Documentary is not just about Bach, in fact it has lots of other footage, including his son and his own performance of the Sibelius Violin Concerto with the Danish Radio Symphony (this is excellent). He plays like Kogan, not surprisingly and his technique is as flawless as any ivnlioist I have seen or heard.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
Hans Zimmer and Klaus Badelt also worked together on various works including the GLADIATOR and INVINCIBLE soundtracks, but don't expect to listen to anything similar, in the score for THE PLEDGE.

Unlike the last few Zimmer scores, which were vast, dramatic, intense and epic, THE PLEDGE, is built on a more down-beat atmosphere (and thatís of course due to the nature of the movie) The score opens with a beautiful and haunting melody sang by a woman and repeated by a violin.
Track02 contains several percussion beats and creates a scary atmosphere. Parts like this can be found a lot in the score -- where percussion, electronic sounds and effects, scary voices, piano, violin, the female voice and mandolin create a creepy atmosphere, like track04, track05, track09, track12, track13, track15.
In track03, the main theme makes its first appearance. It consists of guitar, mandolin, violin and piano and can be heard several times in the film, sometimes in different versions - the main instrument could be piano in one, violin or guitar in other (track07, track08 (more upbeat and fast, played by beautiful guitar), track11, track15).
The score also has a piano theme that can be firstly heard in track06 and repeats itself several times during the film (like in track10). It has a sad and lovely tune, a real treat for the ears!
In track 12 we have the beautiful female voice again in another haunting melody that features great atmosphere, feeling and depth.
Track14 is a combination of all the themes and great parts of the entire score. It consists of the female voice, vastly beautiful and sad piano melodies and the violin for escort-- probably the best track in this album and some of Zimmer's greatest works up-to-date.
Track16, which closes the film, is also a combination of several themes and parts of the film. It starts with the piano theme (heard in track06 and track10) and goes on with haunting and scary electronic effects and sounds created by percussion, guitar, mandolin and creepy violin. Then the piano theme is played by violin this time and makes a great difference. The track, (at about 3 minutes of play), gets loud, creepy and scary-- then calms down and ends with a more intense variation of track 14, played by violin (as the main instrument) piano, mandolin, guitars and loud percussion, providing the score (and film) with a more up-beat ending.

The entire score is a great work, which has lovely melodies and themes for easy listening. All these create a sad and sometimes creepy atmosphere that fits perfect in the theme and subject of the film. THE PLEDGE is not your typical Hans Zimmer or Klaus Badelt score for sure, with the great choir themes, loud brass and dramatic, epic atmosphere and feeling. It's just lovely, sad and hauntingly beautiful - quality music for all the music and movie lovers, and -of course- Zimmer followers.

Demetris Christodoulides

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The Pledge soundtrack - Hans Zimmer 2001