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After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsameNo no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.
Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.
Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...
The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.
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Jim DooleyRupert Gregson-WilliamsLorne BalfeAlastair King
Co-ComposerCo-ComposerCo-ComposerCo-Composer
Wallace & Gromit - The Curse Of The Were-Rabbit (Complete Score)
Label: Unofficial Release
Length: 75'06
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (913 votes)
  1. Opening Sequence (1:55)
    Julian Nott, James Dooley
  2. Celeste Mystery (1:12)
    Julian Nott, James Dooley
  3. Anti-Pesto (2:23)
    Julian Nott, Rupert Gregson-Williams
  4. Cheeky Rabbit (0:25)
    Julian Nott, Rupert Gregson-Williams
  5. All In A Night's Work (0:50)
    Julian Nott, James Dooley
  6. Rack Of Knives - Cheeky Rabbits - Domestic Bliss (2:37)
    Julian Nott, James Dooley
  7. Gromit's Marrow - Latest Invention (2:13)
    Julian Nott, James Dooley
  8. Lady Tottington Calls (0:43)
    Julian Nott, Alastair King
  9. Victor (0:41)
    Julian Nott, James Dooley
  10. Anti-Pesto To Tottington (1:47)
    Julian Nott, Rupert Gregson-Williams
  11. Victor's Toupé (0:25)
    Julian Nott, Rupert Gregson-Williams, Alastair King
  12. Your Ladyship (0:55)
    Julian Nott, James Dooley
  13. Stop Playing In The Earth (Part 1) (0:39)
    Julian Nott, Rupert Gregson-Williams, Lorne Balfe
  14. Stop Playing In The Earth (Part 2) (0:52)
    Julian Nott, Rupert Gregson-Williams, Lorne Balfe
  15. Brainwash The Bunnies (2:28)
    Julian Nott, Rupert Gregson-Williams
  16. Thanks Lad (0:44)
    Julian Nott, Rupert Gregson-Williams
  17. Hutch Breaks Out (0:38)
    Julian Nott, Lorne Balfe
  18. Harvest Offering (2:31)
    Julian Nott, Rupert Gregson-Williams, Lorne Balfe
  19. Gromit Wakes Up (0:49)
    Julian Nott, James Dooley
  20. This Was No Man (0:42)
    Julian Nott
  21. And For Our Sins (0:35)
    Julian Nott, Alastair King
  22. Victor The Devil (0:44)
    Julian Nott, James Dooley
  23. The Big Trap (1:18)
    Julian Nott, Rupert Gregson-Williams
  24. Lady Rabbit Jazz (0:44)
    Julian Nott
  25. The Bridge (0:13)
    Julian Nott, Rupert Gregson-Williams
  26. Light Of The Moon (0:50)
    Julian Nott, James Dooley
  27. Were-Rabbit Chase (1:09)
    Julian Nott, Rupert Gregson-Williams
  28. The Tunnel (1:09)
    Julian Nott, Lorne Balfe
  29. The Morning After (2:18)
    Julian Nott, James Dooley
  30. Fantastic (0:23)
    Julian Nott
  31. Beast Caged (0:32)
    Julian Nott, Rupert Gregson-Williams
  32. More Footsteps (1:05)
    Julian Nott, James Dooley
  33. Tea At Tottington (3:24)
    Julian Nott, Rupert Gregson-Williams
  34. Ruin A Good Piece Of Knitwear (0:59)
    Julian Nott, Lorne Balfe
  35. Queensbury Rules (1:17)
    Julian Nott, Lorne Balfe
  36. Transformation (1:56)
    Julian Nott, Lorne Balfe
  37. Nun Wrestling - Monster Book (1:42)
    Julian Nott, James Dooley
  38. Breakfast (2:20)
    Julian Nott, James Dooley
  39. Hutch Is Wallace (1:00)
    Julian Nott, Rupert Gregson-Williams
  40. Vegetable Competition (Part 1) (0:17)
    Julian Nott, Alastair King
  41. Vegetable Competition (Part 2) (1:06)
    Julian Nott, Alastair King
  42. Bunny Brain - Totty Calls By (3:31)
    Julian Nott, James Dooley
  43. Goodbye Fluffy Loverboy (1:46)
    Julian Nott, Rupert Gregson-Williams
  44. The Beast Is Dead (0:19)
    Julian Nott, James Dooley
  45. Stuffed Bunny (1:12)
    Julian Nott, James Dooley
  46. Gromit's Escape (4:46)
    Julian Nott, Rupert Gregson-Williams
  47. Golden Carrot Bullet (0:20)
    Julian Nott, Lorne Balfe
  48. Lady Tottington Realizes It's Gromit (0:42)
    Julian Nott, Lorne Balfe
  49. Pre-Dogfight (0:27)
    Julian Nott, Rupert Gregson-Williams
  50. I'll Protect You (1:00)
    Julian Nott, James Dooley
  51. Dogfight (3:40)
    Julian Nott, Lorne Balfe
  52. Consider Yourself Dumped (0:59)
    Julian Nott, James Dooley
  53. Were-Rabbit Dies (1:18)
    Julian Nott, James Dooley
  54. Every Dog Has His Day (1:00)
    Julian Nott, James Dooley
  55. A Proposal (0:39)
    Julian Nott, James Dooley
  56. Bunny Sanctuary (1:08)
    Julian Nott, Rupert Gregson-Williams
  57. End Title Theme (1:09)
    Julian Nott
  58. Celeste Mystery (Alternate) (1:12)
    Julian Nott, James Dooley
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Anonymous reply Replies: 0 || 2020-08-16 08:08:33
Aha! I've been searching for this exact info for a few years now. Glad to see it's been documented.

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Wallace & Gromit - The Curse Of The Were-Rabbit (Complete Score) soundtrack 2005