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Dark Materials was anything but "a pure orchestral sound" lolIt largely has to do with the types of films he scores.Meh, you're not alone. Not a big fan of Desplat, especially when it comes to his contributions to pre-established franchises.Track 9. Stop The Crane and 11. Burn Or Jump<br><br>Excellent.One of the most elite scores produced.
I might get hate for this and Desplat might be a cool guy, but I have no idea why he gets so many Oscar nominations... please donīt kill meMan, I am actually excited to hear Balfe's score for Bad Boys for Life - the clips he's posted on his Facebook page sound awesome and like they could truly honour Mancina. The Balfe components sound epic and the Mancina integrations dynamic. What's to fear, right?  <br><br><br>I do fear that someone makes Alan Myerson to distill these 100s of performers, choral and orchestral, to make the whole score sound like an 80s casio synth again - please don't!! Balfe's had huge success with Dark Materials and Gemini Man with a pure orchestral sound - don't fuck it up, PLEASE.meh to desplat. this score needs jackman...The "Knight March" theme is really potent. Hans should release his suites for this! I know it'll never happen, but a CD of just his original demos for his various projects would be really fun to hear.I also want to remind people that Cate Shortland is directing this film. This is a director that said James Horner destroyed the movie Avatar with his manipulative  music.<br><br>I wouldn't be surprised if most of the music is more tame without melodies. But then again, Disney is really the composer here, not Desplat.
Shince, outside of the admittedly great main theme I do find Silvestri's Avengers music to be fairly forgettable...the sort of standard watered down orchestral sound that Marvel loves, not badly composed or anything but not particularly distinctive and a bit disappointing coming from a composer who in the past was capable of stuff like Judge Dredd, The Mummy Returns or Van Helsing.We never usually have the credits of Lorne's projects.  Could Hybrid get the credits of Lorne's projects?Some additional credits from the cuesheet:<br><br>Lorne Balfe, Steffen Thum<br><br>COFFEE TIME<br>NIGHT VISITORS<br><br><br>Lorne Balfe, Steve Davis<br><br>FIRST CONFRONTATION<br>VAN ATTACK<br><br><br>Lorne Balfe, Sven Faulconer<br><br>MOTORCYCLE CHASE<br>URIE TALKS TO HENRY<br><br><br>Lorne Balfe, Max Aruj<br><br>BUDAPEST<br>TRAIN RIDE<br><br><br>Steffen Thum<br><br>MEET JACKBut the style in Bad Boys 2 is totally different to the style in part 1. so the explanation doesn't make much sense.I have met with Tony Scott, on the filming location of Spy Game I asked him, who will compose the music for the film, he answered Hans Zimmer. :) And it landed at HGW. And Tony had worked with HGW only since then. <br>Mancina dropped out because, he wanted to do something new for the movie and didn't want to repeat himself, and MB and JB didn't like the idea, and they wanted the same music style, so MC left the project.
Last time Disney hired Desplat, he ended up... not doing the score at all...Oh, shit, i forgot Valerian, such an amazing epic/space score.<br><br>TerrificThe Deathly Hallows, Valerian and Godzilla by Desplat had quite memorable melodies IMO.I'm opposite, Desplat is a great composer, among my favorites.<br><br>The Golden Compass, Godzilla, The Imitation Game, Hostage, Largo Winch, Birth, The Painted Veil, Firewall (such underrated action score, period, very Goldsmithian), The Shape of Water, The Girl with the Pearl Earring...Edmund, I think I have the opposite opinion. I love Desplat, but only if he is scoring Little Women or The Shape of Water. I never like any of his action scores. Full of aimless notes, lack of clear melodies, dense but unmemorable.
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Rupert Gregson-WilliamsChristopher WillisTony Clarke
ComposerAdditional MusicAdditional Music
Grown Ups (Complete Score)
Label: Unofficial Release
Length: 16'00
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (225 votes)
  1. Opening Cards (0:13)
    Rupert Gregson-Williams
  2. Feder Beats The Buzzer (0:51)
    Rupert Gregson-Williams, Christopher Willis
  3. Celebration (0:26)
    Rupert Gregson-Williams
  4. Toast (0:55)
    Rupert Gregson-Williams
  5. Coach Gone To Heaven (0:36)
    Rupert Gregson-Williams
  6. Pool Collapse (0:12)
    Rupert Gregson-Williams, Christopher Willis
  7. Curt Made Dinner (0:16)
    Rupert Gregson-Williams, Christopher Willis
  8. OJ Girl (0:16)
    Rupert Gregson-Williams
  9. Hot Stones (0:18)
    Rupert Gregson-Williams
  10. Funeral (0:22)
    Rupert Gregson-Williams
  11. Eulogy (1:54)
    Rupert Gregson-Williams
  12. Throw The Rock (0:32)
    Rupert Gregson-Williams
  13. No Tooth Fairy (0:58)
    Rupert Gregson-Williams
  14. Cup Phones (0:47)
    Rupert Gregson-Williams
  15. Roxanne Cup Call (0:33)
    Rupert Gregson-Williams
  16. Stay A Few More Days (0:39)
    Rupert Gregson-Williams
  17. Higgins (1:56)
    Rupert Gregson-Williams, Tony Clarke
  18. You're My Best (0:23)
    Rupert Gregson-Williams
  19. The Lying Stops (0:23)
    Rupert Gregson-Williams
  20. Date Night (0:48)
    Rupert Gregson-Williams
  21. I See A Lot Of Love (0:44)
    Rupert Gregson-Williams
  22. Two On Two (1:07)
    Rupert Gregson-Williams, Tony Clarke
  23. Lenny Throws The Game (1:01)
    Rupert Gregson-Williams
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Grown Ups (Complete Score) soundtrack - Rupert Gregson-Williams 2010