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Itís funny how from 2015 until now weíve went from things like Mad Max, Deadpool, and Tomb Raider to this, Sonic, Alita, and Mortal Engines. Definitely a big change for the better as a composer.Pretty enjoyable score, that's for sure (and another reminder for Tom's haters, why is good), and interesting mix of styles and orchestrations (and conducted by Conrad Pope).I really hope Junkie takes on more animated/kids films in the future similar to how Zimmer, Balfe, Powell, Mancina, and HGW did.  There's a  playful liveliness there that RCP really knows how to bring out when they actually give it a shot.<br><br>It's still a shame Jablonsky and Badelt never went down that road any further.<br><br>Nostalgia has its place but when it turns into stupidity it gets annoying. Vinyl only release, c'mon!... I was so happy when CDs replaced vinyls and now we should be glad that that dated and impractical technology comes back? It's a NO for me!Hybrid, is there any chance we can get some infos and credits for the cues? That would be outstanding. Thanks!
Good lord it's like he was exploding with energy and ideas after the touring gigsMore Hans !! :)If you enjoyed Sonic then youíll probably enjoy this, even though it is far more hyperactive. The score is such a crazy mashup of Carl Stalling/epic orchestral/60ís funk/industrial trap beats/electronic/etc.<br><br>I have to say, while the themes arenít particularly memorable, the last 5 cues or so feature some great choral writing with good use of some ethnic wind instruments (Duduk?)...I have a question about a song from this documentary that is not on the soundtrack. Could anyone please tell me the track at approximately 47:35? Thunder is cracking, Pantani begins his attack on the Galibier, and Matt Rendell is there with eloquent narration. I got so swept up in the score at this point that I spent over an hour rewinding and Shazaming and looking up all of Balfe, Aruj, and Dworetsky's music I cound fine. Any help would be much appreciated!<br><br>Thaks,<br>SamThey all sound the same. Bland.
So what do you think about the westworld competition and what is your most favorite entry?In sound quality (regardless of what certain peope might say about how great LPs sound; it's an analog format) the bootleg already trumps it I guess...I have the same question as wellIt could be possible, but there would be too many seconds of overlap between some of these tracks for that to be a possibility in this specific case. I really hope they haven't cut down the tracks to fit on vinyl, otherwise the bootleg will trump it in terms of content.Maybe the different time lengths is due to tracks slightly overlapping each other (as in many HZ soundtrack releases)?
Comparing the track times listed here, it seems (at first glance) that many of the tracks are edited down from the complete cues as heard on the bootleg. Could the listed track times be simply incorrect, or have edits been made to make the score fit onto four sides? I guess we can find out when the record ships in July.<br><br>Additionally, for those without a record player it sucks that a CD release was not possible for La-La Land. Whatever the reasons are for that, it's a bizarre situation that one independent label can release the same material on vinyl but another cannot on CD. Quite perplexing...@Hybrid, will you make the Scoob Page?Perhaps "The Cistern (Alternate)" is the album version. The music I heard in the film is not 100% the same with the track I heard in the OST.Dang I cant wait to hear the Alternate 'Cistern' cueVinyl only...How dumb can you get
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Hans ZimmerNick Glennie-SmithJay RifkinBob Daspit
ComposerAdditional MusicMusic Scoring MixerMusician
Point Of No Return (Complete Score)
Label: Unofficial Release
Length: 72'03
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (1594 votes)
  1. Search For Drugs - Shootout (4:36)
    Hans Zimmer
  2. Sentencing And Execution (3:19)
    Hans Zimmer
  3. Bob For Hostage (Part 1) (2:06)
    Hans Zimmer, Nick Glennie-Smith
  4. Bob For Hostage (Part 2) (1:40)
    Nick Glennie-Smith
  5. In Training (2:22)
    Hans Zimmer
  6. Maggie Meets Amanda (1:53)
    Hans Zimmer
  7. Defiant Maggie (2:34)
    Hans Zimmer
  8. Birthday Warning - Out To Dinner (5:58)
    Hans Zimmer
  9. Maggie Kills VIP (5:05)
    Hans Zimmer
  10. Maggie Kisses Bob (1:34)
    Hans Zimmer
  11. D.C. To Venice (2:22)
    Hans Zimmer, Nick Glennie-Smith
  12. Marriott Call - Hotel Explosion (5:48)
    Hans Zimmer, Nick Glennie-Smith
  13. Uncle Bob's Story (1:10)
    Hans Zimmer, Nick Glennie-Smith
  14. New Orleans Kill (6:42)
    Hans Zimmer
  15. Bob's To Amanda's (2:01)
    Hans Zimmer, Nick Glennie-Smith
  16. New Assignment (2:25)
    Hans Zimmer
  17. Screw Up At Angela's (3:12)
    Nick Glennie-Smith
  18. The Next Step - Gun Reveal - Maggie Fights Victor (11:16)
    Hans Zimmer
  19. We'll Miss Her - End Credits (6:09)
    Hans Zimmer
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John F reply Replies: 0 || 2020-05-17 19:33:28
This score is awesome. Found a version expanded online but not this one. Needs a specialty label release ASAP... come on Lala.

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Point Of No Return (Complete Score) soundtrack - Hans Zimmer 1993