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It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsameNo no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?
Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.
LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!
So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!
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Matthew MargesonAndrew KawczynskiPaul MounseyJason Soudah
ComposerAdditional MusicAdditional MusicAdditional Music
Rings (Complete Score)
Label: Unofficial Release
Length: 104'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (821 votes)
  1. Opening Plane Crash (3:27)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  2. VCR Reveal (0:28)
    Matthew Margeson, Fabio Marks
  3. Gabriel Watches (3:34)
    Hans Zimmer, Matthew Margeson
  4. Orpheus Story - Holt Says Goodbye (3:06)
    Matthew Margeson
  5. Interrupted Skype (0:43)
    Matthew Margeson, Paul Mounsey
  6. Chosen You (1:19)
    Matthew Margeson, Andrew Kawczynski
  7. Goint To Holt (3:15)
    Hans Zimmer, Matthew Margeson
  8. Holt's Cell - The Key (1:13)
    Matthew Margeson, Jason Soudah
  9. Julia Follows Gabriel (3:46)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  10. Twisted Faces (0:17)
    Matthew Margeson, Fabio Marks
  11. I Can Help You (1:25)
    Hans Zimmer, Matthew Margeson
  12. Don't Watch! (7:09)
    Hans Zimmer, Matthew Margeson
  13. Holt Explains (3:18)
    Hans Zimmer, Matthew Margeson
  14. Morphed Hands (1:37)
    Matthew Margeson, Andrew Kawczynski
  15. Seven Days (1:56)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  16. The Bird - It's Started (2:09)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  17. Marked On Day One (0:21)
    Matthew Margeson, Fabio Marks
  18. For Julia Alone (6:48)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  19. Drive To Sacrament Valley (2:35)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  20. Girl With The Violin (1:14)
    Matthew Margeson
  21. AA Meeting - Gabriel Translates (3:27)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  22. Samara's Crypt - The Well (3:34)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  23. Meet Galen Burke (0:38)
    Matthew Margeson, Paul Mounsey
  24. Burke Explains (4:00)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  25. Flash Flood Electrocution (2:37)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  26. Going To Get Something To Eat (1:21)
    Matthew Margeson
  27. Julia Watches Again (1:15)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  28. Julia Finds The Chamber (2:18)
    Matthew Margeson, Andrew Kawczynski
  29. The Chamber (4:42)
    Hans Zimmer, Matthew Margeson
  30. Since He Went Blind (0:20)
    Matthew Margeson, Fabio Marks
  31. Tea With Burke - You're Samara's Father (5:30)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  32. Hallway - Bird Room (3:22)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  33. Death Of Burke (4:24)
    Hans Zimmer, Matthew Margeson
  34. Cremation - Morning After (1:32)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  35. Shower - Rebirth (3:49)
    Hans Zimmer, Matthew Margeson
  36. Main On Ends (1:25)
    Hans Zimmer
  37. Interrupted Skype (Alternate) (1:41)
    Matthew Margeson, Andrew Kawczynski
  38. Julia Follows Gabriel (Alternate) (2:49)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  39. The Chamber (Alternate) (4:42)
    Hans Zimmer, Matthew Margeson
  40. Cremation - Morning After (Alternate) (2:12)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
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Felix reply Replies: 2 || 2019-07-16 23:54:29
I thought Matthew uses just the Themes by HZ, or did he really compose here ?!


Hybrid Soldier2019-07-17 00:07:33
Just themes used, but Hans kept things close, just like for The Ring Two, supervising & debriefing the whole thing. He originally put Ben Wallfisch to score it but after Ben got other business to attend, he got Matt in... The irony, is that Matt only had a few weeks to score it in a rush in september 2016, only to find out when he finished mixing that the film was... pushed back to early 2017 !


Negan_n_Lucille2019-07-17 02:02:39
I’m curious to what this is. Never saw the film, but I loved the first two films and their soundtracks. There’s a theme in part two where she’s driving to the Morgan ranch (I think that’s the title) but not on official release.

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Rings (Complete Score) soundtrack - Matthew Margeson 2017