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The Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.
I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on album
I can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...
@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>
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Matthew MargesonAndrew KawczynskiPaul MounseyJason Soudah
ComposerAdditional MusicAdditional MusicAdditional Music
Rings (Complete Score)
Label: Unofficial Release
Length: 104'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (219 votes)
  1. Opening Plane Crash (3:27)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  2. VCR Reveal (0:28)
    Matthew Margeson, Fabio Marks
  3. Gabriel Watches (3:34)
    Hans Zimmer, Matthew Margeson
  4. Orpheus Story - Holt Says Goodbye (3:06)
    Matthew Margeson
  5. Interrupted Skype (0:43)
    Matthew Margeson, Paul Mounsey
  6. Chosen You (1:19)
    Matthew Margeson, Andrew Kawczynski
  7. Goint To Holt (3:15)
    Hans Zimmer, Matthew Margeson
  8. Holt's Cell - The Key (1:13)
    Matthew Margeson, Jason Soudah
  9. Julia Follows Gabriel (3:46)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  10. Twisted Faces (0:17)
    Matthew Margeson, Fabio Marks
  11. I Can Help You (1:25)
    Hans Zimmer, Matthew Margeson
  12. Don't Watch! (7:09)
    Hans Zimmer, Matthew Margeson
  13. Holt Explains (3:18)
    Hans Zimmer, Matthew Margeson
  14. Morphed Hands (1:37)
    Matthew Margeson, Andrew Kawczynski
  15. Seven Days (1:56)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  16. The Bird - It's Started (2:09)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  17. Marked On Day One (0:21)
    Matthew Margeson, Fabio Marks
  18. For Julia Alone (6:48)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  19. Drive To Sacrament Valley (2:35)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  20. Girl With The Violin (1:14)
    Matthew Margeson
  21. AA Meeting - Gabriel Translates (3:27)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  22. Samara's Crypt - The Well (3:34)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  23. Meet Galen Burke (0:38)
    Matthew Margeson, Paul Mounsey
  24. Burke Explains (4:00)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  25. Flash Flood Electrocution (2:37)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  26. Going To Get Something To Eat (1:21)
    Matthew Margeson
  27. Julia Watches Again (1:15)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  28. Julia Finds The Chamber (2:18)
    Matthew Margeson, Andrew Kawczynski
  29. The Chamber (4:42)
    Hans Zimmer, Matthew Margeson
  30. Since He Went Blind (0:20)
    Matthew Margeson, Fabio Marks
  31. Tea With Burke - You're Samara's Father (5:30)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  32. Hallway - Bird Room (3:22)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  33. Death Of Burke (4:24)
    Hans Zimmer, Matthew Margeson
  34. Cremation - Morning After (1:32)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  35. Shower - Rebirth (3:49)
    Hans Zimmer, Matthew Margeson
  36. Main On Ends (1:25)
    Hans Zimmer
  37. Interrupted Skype (Alternate) (1:41)
    Matthew Margeson, Andrew Kawczynski
  38. Julia Follows Gabriel (Alternate) (2:49)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  39. The Chamber (Alternate) (4:42)
    Hans Zimmer, Matthew Margeson
  40. Cremation - Morning After (Alternate) (2:12)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
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Felix reply Replies: 2 || 2019-07-16 23:54:29
I thought Matthew uses just the Themes by HZ, or did he really compose here ?!


Hybrid Soldier2019-07-17 00:07:33
Just themes used, but Hans kept things close, just like for The Ring Two, supervising & debriefing the whole thing. He originally put Ben Wallfisch to score it but after Ben got other business to attend, he got Matt in... The irony, is that Matt only had a few weeks to score it in a rush in september 2016, only to find out when he finished mixing that the film was... pushed back to early 2017 !


Negan_n_Lucille2019-07-17 02:02:39
I’m curious to what this is. Never saw the film, but I loved the first two films and their soundtracks. There’s a theme in part two where she’s driving to the Morgan ranch (I think that’s the title) but not on official release.

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Rings (Complete Score) soundtrack - Matthew Margeson 2017