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The Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.
I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on album
I can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...
@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>
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Henry JackmanAlex BelcherHalli CautheryMatthew Margeson
ComposerAdditional MusicAdditional MusicAdditional Music
The Predator (Complete Score)
Label: Unofficial Release
Length: 85'08
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (156 votes)
  1. Crash Arrival (Part 1) (1:38)
    Henry Jackman (Alan Silvestri)
  2. Crash Arrival (Part 2) (1:58)
    Henry Jackman, Matthew Margeson
  3. Crash Arrival (Part 3) (2:33)
    Henry Jackman (Alan Silvestri)
  4. Crash Arrival (Part 4) (2:24)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  5. Threats (1:32)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  6. Meet Rory (0:39)
    Henry Jackman
  7. Ass Burger (1:02)
    Henry Jackman
  8. Dr. Casey Brackett (0:37)
    Henry Jackman
  9. Grow Up (1:04)
    Henry Jackman
  10. Like An Alien (1:00)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  11. Alien Tech (1:42)
    Henry Jackman
  12. Project Stargazer (2:20)
    Henry Jackman, Matthew Margeson, Halli Cauthery (Alan Silvestri)
  13. Beautiful Mofo (1:47)
    Henry Jackman (Alan Silvestri)
  14. Upgrade Arriving (1:16)
    Henry Jackman (Alan Silvestri)
  15. He's Awake (3:34)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  16. Pred's On The Move (1:34)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  17. Dirty 1/2 Dozen (0:58)
    Henry Jackman
  18. Chase Escaping Pred (4:01)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  19. 3rd Encounter Of An UG Pred (0:32)
    Henry Jackman, Alex Belcher
  20. Trigger Happy (0:15)
    Henry Jackman, Alex Belcher
  21. Rory's New Mask (1:04)
    Henry Jackman (Alan Silvestri)
  22. Where's Rory? (0:29)
    Henry Jackman (Alan Silvestri)
  23. Good Soldier (0:40)
    Henry Jackman
  24. Let's Go Save Rory (0:27)
    Henry Jackman
  25. Scare Bullies - Alien Bitches (3:27)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  26. Upgrade VS Pred (4:41)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  27. Damage Control (1:05)
    Henry Jackman, Matthew Margeson
  28. Spectrum PTSD (1:26)
    Henry Jackman
  29. Spectrum DNA (1:00)
    Henry Jackman (Alan Silvestri)
  30. Traeger Arrives (1:14)
    Henry Jackman, Evan Goldman (Alan Silvestri)
  31. Acquisitions (1:14)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  32. Follow Rory's Map (2:16)
    Henry Jackman
  33. A Head (2:05)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  34. We're Survivors (1:53)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  35. Ark Ship (2:24)
    Henry Jackman
  36. Stand Off (1:49)
    Henry Jackman, Alex Belcher
  37. Upgrade Joins Party (2:38)
    Henry Jackman, Matthew Margeson, Evan Goldman (Alan Silvestri)
  38. Communication (0:53)
    Henry Jackman
  39. Join Forces (1:31)
    Henry Jackman, Alex Belcher
  40. Upgrade Hunts (Part 1) (3:48)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
  41. Upgrade Hunts (Part 2) (1:59)
    Henry Jackman
  42. Upgrade Takes Prize (1:35)
    Henry Jackman
  43. Forcefield Coming Online (3:36)
    Henry Jackman, Evan Goldman
  44. Final Fight (2:33)
    Henry Jackman, Halli Cauthery
  45. Remembrance (1:23)
    Henry Jackman
  46. Reveal (3:35)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
  47. Final Fight (Alternate) (2:19)
    Henry Jackman, Halli Cauthery
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The Predator (Complete Score) soundtrack - Henry Jackman 2018